Kendall Jenner steps out in stylish getup during HC Fashion Week

Kendall Jenner steps out in stylish ensemble during HC Fashion Week

It is needless to say that Kendall Jenner has obviously positioned herself as one of the fashion industry’s models of the moment. And the American reality television star-turned-mannequin took her runway-ready style to the streets of Paris on Tuesday (January 27th).

The nineteen year-old charmer, who was not long ago revealed as the new campaign star of designer Karl Lagerfeld‘s eponymous high-end fashion brand for Spring/Summer 2015, was spotted out and about in the French capital just moments after making her fifth catwalk appearance at a Chanel spectacle in less than a year, during day three of the ongoing Spring/Summer 2015 Paris Haute Couture Fashion Week.

Sporting her raven tresses in a center part and fastened in a low ponytail, Jenner was seen making her way back to her hotel dressed in a chic leather and fur jacket by Saint Laurent atop a crisp white turtleneck top and a pair of billowing black trousers which trailed down to some white sneakers. The California girl completed the look with a black lather handbag and a set of dark sunglasses.

By Theo

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Kendall Jenner struts the Chanel Haute Couture show

Kendall Jenner struts the Chanel Haute Couture show

It has become quite evident that Kendall Jenner has become a favorite of Karl Lagerfeld, and if there were still any doubts, the American reality television star-turned-mannequin’s fifth consecutive Chanel fashion show appearance in a little over a year should further confirm it.

The nineteen year-old beauty, who was recently unveiled as the campaign star of the noted German fashion designer’s eponymous Karl Lagerfeld brand for Spring/Summer 2015, was hard to miss as continued her Chanel streak on Tuesday (January 27th). She was seen strutting the Parisian luxury fashion house’s latest runway spectacle during the third day of the French capital’s biannual Haute Couture Fashion Week.

Jenner’s dark brunette locks were styled in a center part and slicked down the sides of her face, which displayed dramatic makeup and was covered by a net. The California girl showcased a look which consisted of a cropped sheer black button-up blouse that had voluminous sleeves, and a floral white midi skirt which was fastened at the waist with a black belt, and teamed with a pair of high leather boots.

By Theo

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Focused #amazingphotos

Photograph by Jean-FrancoisChaubard Jean-FrancoisChaubard. NOTE FROM THIS WEBSITE: This photograph is from 500PX unless otherwise stated. The photograph/image is transmitted via IFTT and all mandatory fields have been completed and inserted, on best effort basis, including username and description of the photograph/image as per the information supplied when the photograph/image was downloaded through 500PX and as required by IFTT. This photograph/picture is used here for non-commercial purposes only. We respect the work of photographers and we are glad to promote their work on this site absolutely free. If you are a photographer or an artist or a writer, and if you like us to help you promote your work, please write to us at nordaminv@gmail.com and write “Photography/Art” in the subject line. We are happy to discuss how we can help you through our social media channels and marketing experience to get more exposure for your work. We reserve the right to reject any photographs or artwork which we feel it is inappropriate.

Focused #amazingphotos

Snowfall in the fall in The Great Smoky Mountains Photograph by SetinTimePhotography SetinTimePhotography. NOTE FROM THIS WEBSITE: This photograph is from 500PX unless otherwise stated. The photograph/image is transmitted via IFTT and all mandatory fields have been completed and inserted, on best effort basis, including username and description of the photograph/image as per the information supplied when the photograph/image was downloaded through 500PX and as required by IFTT. This photograph/picture is used here for non-commercial purposes only. We respect the work of photographers and we are glad to promote their work on this site absolutely free. If you are a photographer or an artist or a writer, and if you like us to help you promote your work, please write to us at nordaminv@gmail.com and write “Photography/Art” in the subject line. We are happy to discuss how we can help you through our social media channels and marketing experience to get more exposure for your work. We reserve the right to reject any photographs or artwork which we feel it is inappropriate.

El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos

Architects: BBATS Consulting&Projects SLP (Silvia Barbera Correia, Jorge Batesteza Penna, Cristóbal Tirado Luchsinger), Murtinho+Raby Arquitectos (Pedro Murtinho Larraín, Santiago Raby Pinto)
Location: Maipú, Maipu, Metropolitan Region, Chile
Partner In Charge: Cristóbal Tirado
Project Manager: Silvia Barbera, Jorge Batesteza
Project Management: Silvia Barbera, Cristóbal Tirado, Santiago Raby
Area: 70.301 sqm
Year: 2013
Photographs: Nico Saieh, Pablo Casals

Collaborators: (Chile) Felipe Torreblanca, Juan Carlos Barros, Sebastián Cruz, Ignacia Balart, Andrés Briceño, Cristina Núñez, Luis Pinto / (España) Jean Craiu, Simona Iaquinto, Dani Linares, Luisa Santos / (Concurso) Juan García
Structural Design: CRL Ingeniería
Landscape Design: RyR Arquitectos
Lighting Design: DLLD
Sanitary Engineering: PVT Ingenierìa
Electrical Engineering: ICG Ingenierìa
Hvac Engineering: GyZ Ingenierìa
Client: Gobierno de Chile – Concesiones MOP

From the architect. The El Carmen de Maipu Hospital has 70.301 m², 375 beds, 11 operating rooms and 6 delivery rooms, 125 medical consultations, 523 parking spots and 347 seismic isolators, to house 1,500 staff, in the most populous municipality in the country.

The hospital it’s located in a plot of 250m by 250m (aprox 50,500 m2) with a considerable green prescence and with enough space to decide the position of the building in the site. However the difficulty it’s given by the important difference in the ground level, – 10m difference between the south entrance and the north access- , with a slope that make’s a diagonal against the avenue of the project main facade.

This implied to develop the project in two different levels: a half buried plinth that builds de difference of the existing slope minimizing the earthworks, with the subsequent extension and recovery of the upper level (north access) that builds a green free access roof and articulates the lower level (plinth) and the upper level that’s built as two parallel dislocated aerial hospitalization bars that rest above the natural ground and the green roof. The ubication of the hospitalization areas responds to a better orientation (north-west) and a better environment linked with the green roof and the park areas on the site.

The programmatic distribution is divided into three groups: (1) two underground floors of parking and clinical support services grouped with the two levels on the plinth that house the heart of the hospital: emergency rooms, radiology, operating rooms and critically ill patients; (2) a technical gallery on the green roof / park level and (3) two upper floors for hospitalization units.

Looking for the best performance, the project is developed in a perfectly horizontal clinical organization, and has a fairly small urban scale in relation to the 70,000 m² built. This is seen in that – despite having 7 floor – this is not reflected in any of its facades.

El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Pablo Casals
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Pablo Casals
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Pablo Casals
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Pablo Casals
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Pablo Casals
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Pablo Casals
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Pablo Casals
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Nico Saieh
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos © Pablo Casals
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos Floor Plan
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos Floor Plan
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos South Elevation
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos Section
El Carmen Hospital Maipu / BBATS Consulting & Projects + Murtinho+Raby Arquitectos Detail

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You know you’re back in America when

mcdonalds

Photo: Xava du

1. There’s ice in everything. EVERYTHING.

Your taste buds haven’t been this freezing for years. Is it refreshing? You’re not sure. It’s actually kind of annoying, your drink being watered down before you even get to the bottom and all. But, hey — at least there are free refills! You bet your bottom dollar you’re going to take advantage of it. Only three cubes of ice this time, please.

2. Two words: free bathrooms.

Nope, the Louvre doesn’t cost €16 and it won’t take six hours to wander through. It’s actually €17 if you include the price for the bathroom and another 30 minutes spent waiting in line for the toilet, at least if you’re female. In your travels, you needed at least 20 to 50 cents wherever you went, whether you were gazing at a masterpiece or at a bucket next to a hole in the ground. But not anymore, suckers! You’re back stateside wandering into every restroom you can for free. You’re using wads of the supplied in-stall toilet paper, you’re using the toilet seat covers because there are toilet seats, you’re sometimes washing your hands with conveniently placed plush towels, and it’s great. Ah, America. 239 years and you’ve finally gotten something right.

3. The cereal aisles are endless.

Before you venture into the cereal aisle, you’d better prepare yourself. A lot has changed since you’ve been gone. They now have cereals in any shape you desire and in any color or nuance of flavor you can imagine. There’s gluten-free, low-carb, high-protein, high-fiber, and high-everything to consider. There’s even “smor’z” and “toast” in cereal form, too (both of which are totally necessary and an improvement upon the real thing). The options are there whether you want them or not, and it’ll make you feel strangely powerful.

And if you find yourself asking, “Why?” the answer is simple. In the words of the ever-patriotic John Green, “The essence of democracy is the freedom to choose among hundreds of brightly colored breakfast cereals.” You’re welcome, founding fathers. We’ve truly put your ideas into action and created a more prosperous union.

4. Fast food is at your fingertips.

McDonald’s. Burger King. Wendy’s. Taco Bell. Hardee’s. Arby’s. KFC. Long John Silver’s. Pizza Hut. Jack in the Box. Sonic. Chick-Fil-A. If you’re lucky, you may find all of these in one place like some sort of commercialized utopia for American pride and accomplishment. The ultimate back-home challenge: How many Starbucks can you manage to get in one picture?

5. All of a sudden you can understand everything going on around you.

Sensory overload, man. You spent the past weeks, months, or maybe even years tuning everything out because it was gibberish anyway. It was kind of nice being able to be in a semi-meditative state at all times. You traipsed about in your own little world, drawing your attention to whatever you decided deserved your focus. And then BAM. You’re back home, and the world has opened up again. There are conversations everywhere, there’s music that has actual words, there are signs begging to be read on every street corner, every building, and even on the road distracting you while you’re driving. Hell, menus take days to read. How do you choose which signs to grace with your stare, which conversations to accidentally overhear, and which music to sing along with?! You didn’t understand First World problems until now.

6. For once, nobody’s staring at you.

Ahh, bliss. You blend right in. What a relief! But you can’t really blame your not-American friends for treating us like zoo animals — you’ve been gone so long you find yourself staring at white people yourself. You stare at people who are shades of tan, too. You just stare at everyone. Huh. Weird. That’s not okay in America, is it? You might want to drop that habit. People might get offended or think you’re up to something. Are you?

7. Everyone just got a little fatter.

Depending on where you are, they’re either slightly fatter or much, much fatter. And yes, that’s the only scale you have to work with.

8. Your waitress is upset you’re at her table for an hour and a half.

All you wanted was a Coca-Cola and some freedom fries, geez. She’s been over there huffing in the corner sending you the evil eye for a solid 15 minutes. How does anyone drink 44 oz of soda in less than two hours? keeps wandering through your mind.

9. …And you even have to tip her.

Why? Because it’s your moral duty as a good American. Even though that waitress is huffing and puffing, you’ve still got to make sure she gets a livable wage. It’s a good thing you remembered, too, or next time you might’ve gotten a “special” milkshake. Man, it was so much simpler before when less math was involved. Move the decimal, divide in half…

10. The portion sizes are bigger than your head.

The fries are the size of baseball bats, and the milkshake comes in two containers: a glass one and a tin one, because by “one chocolate shake,” Americans know you actually meant two. In fact, everything is bigger, come to think of it. Your table is bigger. The chair is bigger. The parking spot your oversized car is in is bigger. Your butt feels a little bigger, too.

11. There are gyms on every corner.

And yet you still can’t find an open treadmill.

12. People don’t like Obama anymore.

It made you feel kinda sorry for the guy. And global warming? That’s now not a thing. Unless you count the heat emitted from the muzzle of our rifles, of course.

13. Kids are belligerent with their parents again.

Your Polish grandmother slapped you with a pierogi every time you stepped out of line. It got to the point where you cringed a little whenever you saw a plate of cabbage rolls. But it was nice to see that not much had changed when you went overseas. Kids were respectful and didn’t need to be begged and bribed and told three times to get their act together. Maybe you’ll take your future kids overseas from ages 2 – 8 to get them in line.

14. Senior citizens are NOT outside being active and healthy.

Your grandpa’s doppelgänger biked to the market every day or could be seen doing tai chi every morning at 6 AM in the local park. Here, grandpa and all his friends can be found eating waffles and playing poker. Not that you don’t love waffles and playing poker, too, you just wonder if grandpa would be better off and feel younger if he got moving despite his trick knee. It makes you wonder, what kind of grandparent am I going to be?

15. History just got wayyy shorter.

Your apartment building is 50 years old? Yowzah. Alert the presses! In terms of history, your stomping grounds have, like, seen almost a quarter of all “American” history. That’s insane. Remember that feeling you got when you walked into that 2,000-year-old castle? It’s like that, but reversed now that you’re back, right? It makes you want to take your age and figure out what percent of “American” history you’ve lived. Big fish, reacquaint yourself with your small pond.

16. People are lined up in beautiful, straight, sensical queues.

Watching certain cultures “line up” to board a plane, a train, or obtain something is like being in a world full of nothing but YouTube comments — it’s just plain hard to fathom. The balloonman got trampled again? Not in America. You can’t get off of the elevator because of the crowd clamoring to get on? Not in America. And what’s more, you’ve got your bubble back. When you leave two feet between you and the person in front of you in line, everyone knows that’s not an invitation to cut in. You’re just respecting the art of personal space.
And it’s a beautiful thing.

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How well do you know world geography

Featured photo courtesy of the World Bank Photo Collection.

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The Power Of The Plan: Drones And Architectural Photography

What is the draw of the aerial view? Whereas architects and designers often find solace in this particular spatial perspective there is a more inclusive, universal appeal to this way of seeing. The ease of access to online mapping services has increased our collective reliance on understanding our world from above.

Maps condense the planet into a little world inside our pocket, the commodification of which has universalised the ‘plan-view’ photograph. The question of whether or not their ubiquitous availability, having now been assimilated into our collective consciousness, is a positive step for the status of the plan is a discussion ongoing. Yet, in the face of this dilemma, architectural photographers are pushing the boundaries of drone in order to find new meaning.

Articulating space through plan has long been an accepted convention for spatial designers. It is, more than anything, a way of thinking, understanding, and representing complex architectural and urban compositions. Orthographic projections (plan, section, elevation) provide a view of a place which is both artificial and unattainable, defined by a degree of precision and purity of space that is impossible to replicate in real-world situations.

It works on any scale: from Giambattista Nolli’s seminal ichnographic map of Rome (1748) to the geometrical perfection of the Dutch fortress of Coevorden (1647). In 20th and 21st century domestic architecture, the plan has come to symbolise a universally recognised method of orchestrating space around square feet/metres in residential buildings across the world.

However fundamental the plan is in allowing architects to understand a project, it is stylistically limited – and this is where the top-down photograph comes into its own. Unlike a drawing, aerial photographs capture perfect shadows, unexpected patterns of weather, worn ground surfaces and roofscapes, as well as the traces of people, animals and vehicles that elevate architectural scenes into ‘reality’. Most importantly, they provide glimpses into extended urban settings and powerful natural conditions which are not idealised or inflated as part of a designer’s vision, thereby splicing the gap between the tangible and intangible.

It is the marriage of photography’s innate authenticity, coupled with the ‘purity’ of orthographic projection, that drone technology makes possible. These photographs are not plans; rather, the gentle perspective and natural realism that is characteristic of these shots gently remind us that we are looking at a frame captured not through ink but through a lens. Designers cannot accurately predict the ways in which people inhabit and adapt their built visions. As such, they are imbued with genuine character: vehicular turning circles can be seen etched onto dusty landscapes, while trampolines and children’s play-sets are peppered across manicured lawns.

Perhaps the honeymoon period is now over and footage taken using drones flying over the site for this year’s Milan Expo, or through New York City’s Hearst Tower at the will of the architect, is no longer exciting nor unique. Some architectural photographers are actively embracing this technology to create quieter, more composed architectural stills. The work of Joao Morgado and – among others – demonstrates that drones can be harnessed to capture astonishingly potent photographs of buildings and their surrounding landscapes. In their stillness they reveal just how compelling the aerial view continues to be.

The Three-Dimensional City: How Drones Will Impact the Future Urban Landscape

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