Australian Exhibition at 2016 Venice Biennale to Reveal “The Pool” as Both Artefact and Catalyst of Change


Clovelly Bay enclosure, Clovelly, New South Wales. Image © Abdul Moeez

Clovelly Bay enclosure, Clovelly, New South Wales. Image © Abdul Moeez

Following the announcement that the swimming pool—”one of Australia’s greatest cultural symbols—will form the foundation of the Australian Exhibition at the 2016 Venice Biennale, more information has been revealed about what will be presented.

According to the organisers, “eight prominent cultural leaders from various fields have been selected to share their personal stories, using the device of the pool as a platform to explore the relationship between architecture and Australian cultural identity.” These include Olympic swimmers Ian Thorpe and Shane Gould, environmentalist Tim Flannery, fashion designers Romance was Born, authors Christos Tsiolkas and Anna Funder, Indigenous art curator Hetti Perkins and musician Paul Kelly.


Save Our Pool Campaign in 1994, Fitzroy Swimming Pool, Fitzroy, Victoria. Image © Andrew Lane. Courtesy of Friends of the Fitzroy Swimming Pool


Bronte Pool, Bronte, New South Wales. Image © Jenna Rowe


Centenary Pool, designed by James Birrell as Brisbane City Architect, 1959. Image © James Birrell. Courtesy of Franki Birrell, John MacArthur


Walungurru, Kintore Swimming Pool during Swimming Carnival, 2015. Image © Uberair


Bronte Pool, Bronte, New South Wales. Image © Jenna Rowe

Bronte Pool, Bronte, New South Wales. Image © Jenna Rowe

“Each narrative”, they continue, “touches on a different scale the scale of the body to the scale of the continent and together all reveal the myriad meanings and impacts of the pool on Australian society; as a means to enable survival in an unforgiving landscape, to tame our environment, to provide spaces that facilitate direct contact with nature, to create democratic social spaces, but also spaces for healing racial and cultural division.”

“Recognisably Australian, The Pool is joyful, celebratory and accessible. It is also a setting for the sharing of stories, tales of personal and collective struggle, of community building and transformation and refusal of the status quo. The Pool as an architectural device delimitates a social edge and a personal edge. It is this metaphorical and literal edge condition that we want to explore and share with the audience at Venice. The pool represents a condition of surplus and of scarcity in the same form, which makes it very interesting.” The aim of the exhibition is to step outside the architect-to-architect discourse to “show how a familiar, common object, the pool, is in fact pregnant with cultural significance, it is both artefact and catalyst of change.”


Save Our Pool Campaign in 1994, Fitzroy Swimming Pool, Fitzroy, Victoria. Image © Andrew Lane. Courtesy of Friends of the Fitzroy Swimming Pool

Save Our Pool Campaign in 1994, Fitzroy Swimming Pool, Fitzroy, Victoria. Image © Andrew Lane. Courtesy of Friends of the Fitzroy Swimming Pool

Australia to Highlight “The Pool” 2016 Venice Biennale
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