Pliskin Architecture has been awarded as a finalist in the competition for the Mevaseret Music School, in Mevaseret Zion, Israel. The firm’s proposal centers on the site’s existing topography, as well as the idea of public space through the elevation of the classroom programs to the upper level, and the creation of a continuous open space at street level.
The new public space at the street level leads visitors to a partially covered plaza, which will act as the main access point for the various functions of the conservatory. A café will be located adjacent to the plaza, where visitors can be partially exposed to the school’s activity via the building’s massing.
Courtesy of Pliskin Architecture
The design additionally features an auditorium, which is nestled into the hillside, facing southeast in the direction of a prominent, undeveloped ravine, which will act as a backdrop for performances. This view is further enhanced by the placement of backstage and support spaces underneath the seating, rather than in plain view. Furthermore, the backstage space is directly accessible from the parking lot and loading dock, allowing for the arrival of artists and instruments out of sight of the audience.
Courtesy of Pliskin Architecture
Courtesy of Pliskin Architecture
The architect explains that “the auditorium adapts acoustically to different music types using motorized acoustic roller shades that accommodate different reverb times by changing the ratio of reflective and absorptive surfaces.”
Courtesy of Pliskin Architecture
Courtesy of Pliskin Architecture
Similar shades are also utilized in the dance hall, orchestra room, and choir room, all of which are located at the lower level.
Courtesy of Pliskin Architecture
Courtesy of Pliskin Architecture
The elevated classroom level is clad with a slotted stone enclosure that allows filtered light to enter the spaces, balancing natural light with privacy needs, and offering a contemporary interpretation of the traditional stone cladding that is unique to this area. Several of the private study spaces face the entrance plaza below, providing students with the option of raising the shades to create a visual connection with visitors and expose the variety of learning opportunities that the conservatory provides. Another unique experience is provided in the rock rooms – a motorized skylight allows the room’s roof to fully open, creating an open-air-patio rehearsal space when the weather allows it.
Reforma Vivenda Eixample Barcelona is a remodeling project completed by NARCH. It is located in Eixample, a district of Barcelona, Spain. Reforma Vivenda Eixample Barcelona by NARCH: “Barcelona’s architects joan ramon pascuets + monica mosset / narch has renovated an early twentieth century apartment in Eixample district (1925). The client’s requests included a space large enough to hold family events and two rooms. We looked for a possibility to create..
From the architect. Haldane Martin Iconic Design has designed a brewery and restaurant interior for Mad Giant beer that plays with scale referencing oversized metal toy construction kits. The result is a creative and welcoming industrial space that brings to life the DIY ethos of the renegade South African craft beer, while contributing to the urban regeneration of inner-city Johannesburg.
Mad Giant craft beer is a South African beer made by chemical engineer Eben Uys, still in his early thirties, a man with a passion for experimenting with science and flavour who is not afraid of big ideas. Mad Giant represents “the small guy brave enough to dream big and do something crazy,” in the words of its founder. Its mindset is renegade, propellerhead and somewhat madcap.
The brewery and restaurant in downtown Johannesburg was designed to embody the Mad Giant ideology and to create a space where beer drinkers can experience the free-spirited, adventurous philosophy of the brand, while experiencing a celebration of flavour and uninhibited creativity in a vibrant environment.
The restaurant inside the brewery, Urbanologi, gives an avant garde twist to Asian street food. Chef Angelo Scirocco (Test Kitchen, Chef’s Warehouse) calls his menu ‘urban garde’, and the unexpected combination of umami flavours and craft beer set it apart. Fresh natural ingredients, attention to detail in cooking and plating, and an experimental and constantly evolving menu reinforce the connection between Urbanologi’s cuisine and Mad Giant’s beer.
The interior concept draws on the mad, DIY mindset of Mad Giant and plays with scale to emphasise the giant behind the brand. Emerging as the perfect brand mascot, a giant yeti forms a centrepiece installation. This also translates onto the new brand identity of the beer bottle labels and other graphic design elements.
Standing from floor to ceiling behind the front bar facing the entrance of the brewery, the 7-metre-tall icon is made from laser-cut yellow zinc-passivated steel, riveted to a mild steel framework. It is spot lit from the ceiling, making it radiate from every angle of the space. At its base is the bar display with a large circular bar counter and branded Mad Giant beer taps in front of it.
Floor Plan
The 6-metre-diameter cast concrete bar counters take the form of a giant bottle cap beneath the giant yeti. There are another three simpler concrete bars at the back of the brewery in the tasting pods.
All the furniture in the brewery is bespoke and includes a range of original pieces by Haldane Martin made from custom-made scaled up Meccano, like giant toys turned into furnishings, to bring the brand vision to life. Giant murals with a playful, childlike aesthetic adorn the walls, enhancing the effect of a child’s big dreams brought to life.
The restaurant and brewery’s seating formations are diverse and varied, allowing for versatile social engagement. Outdoor tables and benches in the sun are suited for casual groups of friends or families sitting together. Inside, long beer-hall tables with sandblasted, black-stained table tops and swivel bar stools facilitate social interaction among large groups and strangers, encouraging flexible and spontaneous movement and conversation. Beyond that, four-seater tables are perfect for couples or small groups coming for a meal. At the back of the restaurant banquet seating areas and two-seater tables alongside beer tasting pods look onto the beer tanks for a more intimate seating formation and personalized beer-tasting experience.
The floors are spectacular, combining different materials in ways that reiterate the trope of blown-up toy building blocks. The dining area floor is made from recycled Rhodesian teak parquet, laid in a herringbone formation. At the front of the brewery the herringbone fragments into pixelated pieces, merging into stained concrete with floating pieces of wood creating playful patterns. In the bottle store the wooden flooring pixelates into honeycomb-shaped black and white tiles.
The walls along the length of the brewery feature grey-scale murals by graffiti artist Nomad. There are four portraits, one of a hooded woman, another a child in a bear onesie (his ‘mad giant’ suit) and the third of two children’s faces wearing goggles. Hexagon tiles feature on the walls of the bathrooms and kitchen.
An 80-year-old shed that has been refurbished, the building’s roof was replaced in renovations and left with exposed steel trusses painted with burnt red undercoat. The building itself used to be an old elevator factory in Johannesburg’s industrial hey-day and stood empty for years before the Mad Giant renovation. The transformation speaks to the upsurgence in movement back into South Africa’s financial capital’s inner city, with a revival of interest in the downtown area’s creative regeneration.
Bespoke lighting was designed for the space by Haldane Martin including large black feature pendant lights with gold interiors hanging from upscale red Meccano above the kitchen pass, and beer hall chandeliers with a contemporary twist in the dining area, made from circular wheel-shaped Meccano with LED Edison lightbulbs.
The outdoor tables and benches are created using custom-made scaled up Meccano pieces, inspired by the modular designs from the famous construction toy company. This construction technique also appears in the feature pendant lights that light up the kitchen pass, the LED Edison beer hall chandeliers in the dining area and in the table bases.
The banquet seating made from distressed leather is completely unique to Mad Giant. The formation is inspired by traditional diner seats, with a ribbed back that references the iconic Haldane Martin Songololo Sofa. The standout feature of the seats are their draped unfinished back and sides, creating a beautiful effect of hanging leather.
The dining chairs have rebar arms and legs, metal back and legs sprayed bright red with a Mad Giant emblem laser-cut into the back, with seats and seatbacks upholstered in distressed leather with red stitching.
The bathroom has massive I-beams painted bright red converted into basins. The hexagonal pattern of the bottle store floor tiles is continued in the bathroom’s scaled-down honeycomb wall tiles, as well as in the kitchen where larger black hexagonal tiles are emphasised with bright red tile grout. These elements continue the theme of building blocks while also alluding to the periodic table, to reinforce the mad scientist character behind the brand.
The interior was worked on from concept to installation between the Johannesburg venue and Cape Town, where the Haldane Martin design team is based. The process went smoothly and the client and designer are both incredibly happy with the final product. As the doors open to the public so interest is piquing in this completely unique, innovative space that caters to a wide audience of beer, food and design lovers alike.
Pioneering new flavours and iconic design, Mad Giant celebrates a brave creative spirit that speaks to the urban regeneration burgeoning in Johannesburg’s inner-city. It is a space that highlights the transformation of an area once lost to detriment, which is once again being revived to its former glory.
monoEFFE is a project completed by Federica Cavallo & Maurizio Arrabito. It is located in Modica, Italy. Photos courtesy of Federica Cavallo & Maurizio Arrabito
Doormats around the world, come sit and read this please. We’ve been doormats for far too long. It doesn’t look good on us. We’re looking ragged and torn, dirty and worn. Is this look pleasing you? Are you happy with your life? Of course you aren’t. Are you ready to shed your doormat outfit? Enough is enough. It’s time to put your foot down.
We desperately try to please everyone and make sure the family is running smoothly, work is going off without a hitch, the neighbourhood is under control and life is good. For everyone. What about you and your life? How’s that running for you? If you are a doormat, I will guess that life sucks right now. Is it time to foot your down? Here are some signs it is time. Do you recognize yourself in any of these?
1. Nothing gets done unless you do it.
No one in the house con tributes to any chores or maintenance of the household because they know you are going to do it and you’re pretty tired of that. The most frustrating part is that you know if you don’t do it, nothing gets done. It might be time to sit everyone down and let them know how you feel. Perhaps you can come up with a game plan so that each person has a teeny chore or job and you get more time for you.
2. No time.
Continuing on with the first sign, you realize that you have no time for yourself anymore. It’s gone. Everyone around you expects you to do everything all the time. When you want to do something fun for you it seems impossible as someone is always beckoning you their way. Once again, your hobbies are put on the back burner. Could it be time to start saying no? Is it time to put your foot down now? You bet it is. That longing in your soul to do things for you is real. Stop ignoring it.
3. Resentment has kicked in.
You’re there now aren’t you? There was a time when you did things for love and enjoyment. Maybe even got a wee bit of pleasure out of doing things for people but you see it’s no longer like that. The only thing you feel now is resentment and you secretly wish everyone would just leave you the hell alone. You cringe at the fact that you have to cook dinner, do laundry, run errands, play taxi, etc., and no one else does or offers to help out. Tell them you’re done, make it stop. Let them know you are a doormat no more.
4. Constant fatigue.
You are just always tired. Not just tired of helping people, and not just physically but emotionally too, but tired of the constant phone ringing, texts, emails and everything else you are bombarded with daily. Is there no respect anymore? Doesn’t anyone understand you aren’t a robot? It could be time for you to put your foot down and tap out. Completely out. You need a break, and a big break at that.
5. What about me?
Doesn’t anyone do anything for you anymore? Are you starting to feel neglected and taken advantage of? There used to be a time where you did feel appreciated but that is a distant memory. No one cares how you feel and it’s actually starting to hurt your feelings and make you feel like you have no value. You do have value, by the way. You must start taking time for yourself and start saying no to those who don’t appreciate and value your time and efforts.
Your life is important. In fact, it’s the most important. You need to start enjoying and embracing your life, and you. No one is living your life for you and it won’t get enjoyed and lived to the fullest if you continually let people use you as a doormat. Enough is enough. Time to put your foot down and go live for you.
Sig Nordal 