House Parts Office / People’s Architecture Office


Courtesy of People’s Architecture Office

Courtesy of People’s Architecture Office


Courtesy of People’s Architecture Office


Courtesy of People’s Architecture Office


Courtesy of People’s Architecture Office


gif 3: Tricyle Meeting Room

  • Architects: People's Architecture Office
  • Location: Beijing, China
  • Principals: He Zhe, James Shen, Zang Feng
  • Design Team: Jiang Hao, Zhang Zhen, Amy Song, Ren Depei, Chen Yihuai
  • Area: 350.0 m2
  • Project Year: 2016
  • Photographs: Courtesy of People’s Architecture Office
  • Client: xiaozhu.com

Courtesy of People’s Architecture Office

Courtesy of People’s Architecture Office

Headquartered in Beijing, Xiaozhu commissioned People’s Architecture Office and People’s Industrial Design Office to design Sliced House, their latest office space located in the city’s hi-tech center. Xiaozhu (literally ‘small pig’ but homophonous with ‘short stay’) is a peer-to-peer housing rental website. The startup is China’s rival to Airbnb and part of the country’s new ‘shared economy’.


Courtesy of People’s Architecture Office

Courtesy of People’s Architecture Office

Launched four years ago, Xiaozhu is now valued at $300 million plus. The unpredictability of such rapid growth requires a highly flexible work environment. Our design features spaces and furniture that easily combine and separate, mobile meeting rooms, and power outlets that swing to desired locations. Like Xiaozhu’s online business, the office interior consists of a collage of various domestic spaces. The design inserts the casual comfort of home life into the workplace, reflecting the company’s open spirit.


Layout Options

Layout Options

Courtesy of People’s Architecture Office

Courtesy of People’s Architecture Office

Sliced House is conceived as a house that has been divided and its parts dispersed throughout an otherwise banal office interior. Shared interior finishes between split spaces make apparent that adjacent portions refer to a single room. These sliced samples of domesticity include kitchen, living room, and bedroom and double as ad hoc meeting areas. Sliced House also features converted tricycles – workspaces and informal meeting areas on wheels – that are inspired by our Tricycle House and the often unique living spaces found in China. Such spaces reflect Xiaozhu’s rental offerings, providing users with a wide spectrum of settings to choose from.


Courtesy of People’s Architecture Office

Courtesy of People’s Architecture Office

Courtesy of People’s Architecture Office

Courtesy of People’s Architecture Office

The office features custom-designed furniture by PIDO. Long span cantilevering tables supported by only four legs create undisrupted space underneath to provide seating flexibility. Not only does this allow for space to expand, but passersby can sit down and squeeze in for spontaneous conversation. Numerous mobile Tetris Tables can be detached, combined and rearranged to working in groups or individually. Red ‘umbrellas’ swivel to different locations to provide overhead light and electricity. A long conference table can be separated into three smaller tables, allowing the conference room itself to be divided into three smaller rooms when necessary.


Courtesy of People’s Architecture Office

Courtesy of People’s Architecture Office

At Xiaozhu’s headquarters flexibility and diversity of workspaces and furniture facilitate spontaneous interactions in order to encourage the exchange of ideas. Such designs are essential in fostering innovation in China’s emerging service economy.


Diagram

Diagram

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Natural History Museum, Londonphoto via patrick

Natural History Museum, London

photo via patrick

New York City – New York – USA (by Jake Kitchener) 

New York City – New York – USA (by Jake Kitchener

Steven Christensen Architecture Wins AAP Award with Liepāja Thermal Bath and Hotel


© Steven Christensen Architecture

© Steven Christensen Architecture

Santa-Monica-based Steven Christensen Architecture has won the 2016 AAP American Architecture Prize for Recreational Architecture, with its design for the Liepāja Thermal Bath and Hotel in Latvia.

In an exploration of the role of the dome throughout the architectural history of public baths, the project utilizes dome shapes—both upright and inverted “as a rhizomatic formal and organizational embodiment of a contemporary public that is democratic, horizontally empowered, and increasingly networked” explained the architects. 


© Steven Christensen Architecture


© Steven Christensen Architecture


© Steven Christensen Architecture


© Steven Christensen Architecture


© Steven Christensen Architecture

© Steven Christensen Architecture

© Steven Christensen Architecture

© Steven Christensen Architecture

Through these spherical forms, the project aims to create an unorthodox spatial experience “that is both spirited at atmospheric.” Furthermore, the use of the dome form in the bath and hotel seeks to “undermine the conventional symbolic performance of the much-maligned hemisphere by challenging its centripetal tendencies as well as its hierarchical basis.”


© Steven Christensen Architecture

© Steven Christensen Architecture

© Steven Christensen Architecture

© Steven Christensen Architecture

The Liepāja Thermal Bath and Hotel project was selected by a jury, and won the Silver Award for Recreational Architecture, under the 41 categories of AAP American Architecture Prize awards, as well as five other national and international awards.


© Steven Christensen Architecture

© Steven Christensen Architecture

© Steven Christensen Architecture

© Steven Christensen Architecture

© Steven Christensen Architecture

© Steven Christensen Architecture

Learn more about the project here.

News via: v2com.

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Margot Krasojević Architects Unveils Lace-Like 3D Printed Light Made of Recycled Plastic


© Margot Krasojević

© Margot Krasojević

In somewhat of a departure from its usual parametric, experimental work, Margot Krasojević Architects has created a recycled, 3D printed LED light, in an investigation of the importance of reappropriating plastics. The project—Lace LED—however, aligns with the firm’s exploration of renewable energy and environmental issues within architecture and product design. 

Printed with post-consumer plastics like synthetic polymer packaging from takeout food containers and 3D printer off-cuts, Lace LED is a light diffuser with fractal pattern configurations resembling a piece of woven lace.


© Margot Krasojević


© Margot Krasojević


© Margot Krasojević


© Margot Krasojević


© Margot Krasojević

© Margot Krasojević

© Margot Krasojević

© Margot Krasojević

© Margot Krasojević

© Margot Krasojević

The light’s geometry is a series of complex dimensions, similar to a fractal the shapes perceived are neither one or two-dimensional, they are considered fractional dimensions suggesting the surface is neither a plane or a complete form. Fractal dimensions reserve self-similarity across scales, only being restricted through context, in this case the envelope boundary of the light’s form explains Margot Krasojević. 


© Margot Krasojević

© Margot Krasojević

© Margot Krasojević

© Margot Krasojević

Moreover, Lace LED is an example of scale invariance, “where at any magnification, there is a smaller piece of the object that is similar to the whole.”


© Margot Krasojević

© Margot Krasojević

© Margot Krasojević

© Margot Krasojević

The light diffuser is hinged on a pivot, which rotates within a frame, allowing for light dispersion to vary.

The LED bulb is energy-efficient, emitting no heat, [and] is a bright 60 Candela white warm, visible for four meters in a dark room.


© Margot Krasojević

© Margot Krasojević

© Margot Krasojević

© Margot Krasojević

News via: v2com.

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Loire-Atlantique, France photo via patrick

Loire-Atlantique, France

photo via patrick

Trader Studio Addition / Carney Logan Burke Architects


© Matthew Millman

© Matthew Millman

© Matthew Millman

© Matthew Millman

From the architect. The clients for this 500-square-foot addition to a very traditional log house wanted something different for a contemplative study away from the rest of the house. Being avid art collectors, they also had several key pieces that needed to be incorporated into the design including a large outdoor sculpture.


© Matthew Millman

© Matthew Millman

Located on a butte overlooking Jackson Hole, the addition responds to views, playing upon the contrast of prospect and refuge. This was achieved with rammed earth walls on the south and east, and a full wall of glass on the north. Horizontal slot windows in the rammed earth walls provide framed views to the Sleeping Indian and Wolf Mountain to the east and south. A simple shed roof floats above the entire composition, reinforcing the grounding effect of the rammed earth walls. A skylight parallel to the east wall illuminates the horizontal striations of the earth layers, celebrating the inherent beauty of the materials. A curving wood and copper gallery links the existing house and new space. An outdoor shower, sheltered by a steel screen commissioned from a local artist, occupies the space between the existing house and the addition.


© Matthew Millman

© Matthew Millman

Section

Section

© Matthew Millman

© Matthew Millman

The form of the addition creates a protected courtyard that mediates between old and new. A monumental bronze sculpture is placed strategically to frame views from both the existing house and the new studio. Bronze-clad windows, bonderized steel walls, and rammed earth deliberately contrast with the existing traditional log house. Stained concrete floors, clear vertical grain millwork, integrally colored plaster, and a copper ceiling complete the interior expression. The room is minimally furnished with classic modern furniture and a 400-year-old Chinese Buddha head.


© Matthew Millman

© Matthew Millman

First Floor Plan

First Floor Plan

© Paul Warchol

© Paul Warchol

The firm was hired for a second project that consisted of a 225-square-foot bath renovation. Similar to the approach taken at the addition, the character of this renovation was a deliberate departure from the existing log house. A large floor-to-ceiling window connects the space to the outdoors and creates a light, bright interior. Walls and floors are clad in Salvatori lava stone to provide a spa-like feel. A free-standing bathtub and a functional light sculpture become focal points for the room. A minimalist approach to the vanities include cantilevered counters and deliberately off-set sinks to maximize space.


© Matthew Millman

© Matthew Millman

Product Description. Located on a butte overlooking Jackson Hole, the addition responds to views, playing upon the contrast of prospect and refuge. This was achieved with rammed earth walls on the south and east, and a full wall of glass on the north. Horizontal slot windows in the rammed earth walls provide framed views to the Sleeping Indian and Wolf Mountain to the east and south. A simple shed roof floats above the entire composition, reinforcing the grounding effect of the rammed earth walls.


© Matthew Millman

© Matthew Millman

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Just 24 Hours to Go to Until Stop Procrastinating Now Closes

“A year from now you may wish you had started today.”
Karen Lamb

Just a quick heads up today.

There’s only 24 hours left until the registration for The Stop Procrastinating Now Course closes.

Until 1.00 p.m EST (that’s 18.00 GMT) on Monday the 9:th of January you can still join it.

So if you are interested in that – and in getting the free bonus course 31 Days to a Simpler Life worth $27 + the 6 extra bonus guides – then now is the time to take action.

Click here to learn more about Stop Procrastinating Now and to join it before the doors close

 

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Now You Can Browse the Complete Works of Dutch Modernist Willem Marinus Dudok


© Peter Veenendaal

© Peter Veenendaal

Dutch journalist Peter Veenendaal has completed a website that features all 136 built works by modernist Willem Marinus Dudok. Dudok, who was formally trained as an engineer, has been hailed as one of the Netherlands’ most influential architects, boasting a prolific career beginning with military barracks and encompassing numerous municipal buildings throughout Europe. Influenced by Frank Lloyd Wright, Dudok is remembered for his form-driven modernism, leaving his legacy in the work of later architects from the United Kingdom and the Netherlands.

Veenendaal has dedicated a substantial portion of his career to documenting Dudok’s work, including a documentary of his most significant projects entitled “City of Light.” Continue on to Veenendaal’s new website here to explore Dudok’s full portfolio.


© Peter Veenendaal


© Peter Veenendaal


© Peter Veenendaal


© Peter Veenendaal

“City of Light”: The Story of Willem Dudok’s De Bijenkorf Rotterdam
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Willem Dudok: Meet the Father of Dutch Modernism
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