Prépinson, Rehabilitation Of Four Traditional Houses / WAW Achitectes


© Sophie Carles

© Sophie Carles


© Sophie Carles


© Sophie Carles


© Sophie Carles


© Sophie Carles

  • Architects: WAW Achitectes
  • Location: 37340 Ambillou, France
  • Architect In Charge: Stanislas Cheuvreux, Arnaud Coutine, Bérenger Marinot
  • Area: 712.0 m2
  • Project Year: 2013
  • Photographs: Sophie Carles

© Sophie Carles

© Sophie Carles

Site Plan

Site Plan

From the architect. In a singular landscape, in the middle of a plain surrounded by forest massifs, four former farm buildings take place around a yard near a pond. The site lends itself so majestically to the pondering over the landscape and over the wildlife. Our intervention aims to highlight the local patrimony and respect it by the architectural creation.


© Sophie Carles

© Sophie Carles

The main building, the only living building before de reconversion, is entirely cured to adapt itself to the modern constructive exigencies but also to find a volumetry that allows the development of the existent attic. The extension, in a wood frame, joins the continuity of the volumetry of the former building. The extension is covered with a cladding in a slatted reclaimed poplar. This material creates the same architectural language common in each building. The poplar is used for his resistance to the weather but also to his natural tendency to take golden and silver reflects getting older. It’s a living material that is taking a real part in the environment.


© Sophie Carles

© Sophie Carles

Inside, the former part hosts he more private parts of the house while the extension welcomes the reception rooms. The “cathedral” living room is fully opened to the landscape and the pond, allowing us to enjoy the spectacular landscape offer by the nature in every season. The contemporary architecture try here to disappear to reveal the quality of the landscape and also the quality of the traditional building.

Product Description: The reclaimed poplar creates the same architectural language common in each building of the project.


© Sophie Carles

© Sophie Carles

Elevation

Elevation

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11 Artists Visualize Tchoban Voss Projects in “Images from Berlin” Exhibition


Courtesy of Tchoban Voss Architekten

Courtesy of Tchoban Voss Architekten

Towering like an infinite mountain of stone, a building devoid of windows and doors is hand-drawn in the tradition of the old masters. Elsewhere, colored strips of tape address the same project, visualized as a sequence of stacked layers. In yet another image, this time presented in a more realistic style, the cityscape is framed by two men gazing out at the viewer with a grin.


MICHELE ALASSIO / The Web Nightmare, from the series "Dreams & Nightmares." Digital print on baryta paper, 67 x 120 cm (2012)


ALEXANDER BRODSKY / Aquarium. Graphite pencil, fibre pen on transparent paper, 70 x 50 cm (2016)


VLADIMIR DUBOSSARSKY / Tchobangrad. Print and oil on canvas, 320 x 375 cm (2016)


VALERY KOSHLYAKOV / Museum for Architectural Drawing, Berlin. Colour tape on perspex, 90 x 80 cm (2016)


MICHELE ALASSIO / The Web Nightmare, from the series "Dreams & Nightmares." Digital print on baryta paper, 67 x 120 cm (2012)

MICHELE ALASSIO / The Web Nightmare, from the series "Dreams & Nightmares." Digital print on baryta paper, 67 x 120 cm (2012)

It’s a daring experiment that Tchoban Voss Architekten undertake in their exhibition “Images from Berlin.” Instead of presenting their projects with the usual means, they have delegated this task to 11 visual artists. The aforementioned works stem from a confrontation by Gottfried Müller and Valery Koshlyakov with the Museum for Architectural Drawing. Meanwhile, the Living Levels are approached by the duo Vrubel & Timofeeva as an everyday urban environment.

Gary Schuberth and Scott Tulay contemplate the spectacular cantilever of Hotel nhow, while Thomas W Schaller has the Stern Center in Potsdam rise dramatically into the sky. Nikolai Makarov and Michele Alassio take on the interior of the synagogue in Münsterche Strasse, as well as the Russian Pavilion at the 2012 Architecture Biennale in Venice. Interpretations by Alexander Brodsky and Vladimir Dubossarsky complete this kaleidoscope.

At first glance, the images have seemingly nothing in common – except for their representation of architecture. While some emphasize it in the foreground, others use it as a backdrop. Some focus on the overall composition, while others hone in on fine details of the façade. Nevertheless, there is a thread that holds them together: they are representations, which are simultaneously true to the original. Another common basis is the architectural language itself, arising from Sergei Tchoban’s significant contributions to the city of Berlin over the course of 20 years.


ALEXANDER BRODSKY / Aquarium. Graphite pencil, fibre pen on transparent paper, 70 x 50 cm (2016)

ALEXANDER BRODSKY / Aquarium. Graphite pencil, fibre pen on transparent paper, 70 x 50 cm (2016)

VLADIMIR DUBOSSARSKY / Tchobangrad. Print and oil on canvas, 320 x 375 cm (2016)

VLADIMIR DUBOSSARSKY / Tchobangrad. Print and oil on canvas, 320 x 375 cm (2016)

VALERY KOSHLYAKOV / Museum for Architectural Drawing, Berlin. Colour tape on perspex, 90 x 80 cm (2016)

VALERY KOSHLYAKOV / Museum for Architectural Drawing, Berlin. Colour tape on perspex, 90 x 80 cm (2016)

NIKOLAI MAKAROV / Synagogue Münstersche Strasse, Berlin. Acrylic on canvas, 145 x 195 cm (2016)

NIKOLAI MAKAROV / Synagogue Münstersche Strasse, Berlin. Acrylic on canvas, 145 x 195 cm (2016)

GOTTFRIED MÜLLER / Tchoban Foundation Berlin, 2117. Indian Ink, watercolour on old paper, 95 x 45 cm (2016)

GOTTFRIED MÜLLER / Tchoban Foundation Berlin, 2117. Indian Ink, watercolour on old paper, 95 x 45 cm (2016)

THOMAS W SCHALLER / Stern-Centre, Potsdam. Graphite pencil and watercolour on paper, 76 x 56 cm (2016)

THOMAS W SCHALLER / Stern-Centre, Potsdam. Graphite pencil and watercolour on paper, 76 x 56 cm (2016)

GARY SCHUBERTH / I Dream About Buildings. Graphite pencil on paper, 104 x 168 cm / 84 x 137 cm (2016)

GARY SCHUBERTH / I Dream About Buildings. Graphite pencil on paper, 104 x 168 cm / 84 x 137 cm (2016)

GARY SCHUBERTH / At Night, All Cats Are Grey. Graphite pencil on paper, 104 x 168 cm / 84 x 137 cm (2016)

GARY SCHUBERTH / At Night, All Cats Are Grey. Graphite pencil on paper, 104 x 168 cm / 84 x 137 cm (2016)

SCOTT TULAY / Float. Charcoal, graphite pencil on cardboard, 152 x 101 cm, in two parts (2016)

SCOTT TULAY / Float. Charcoal, graphite pencil on cardboard, 152 x 101 cm, in two parts (2016)

VRUBEL & TIMOFEEVA / Russians in Berlin (Tolstoewski Project)
. Wax, pastel colours, coloured pencils on paper, 270 x 480 cm (2016)

VRUBEL & TIMOFEEVA / Russians in Berlin (Tolstoewski Project)
. Wax, pastel colours, coloured pencils on paper, 270 x 480 cm (2016)

Tchoban Voss Architekten opened their office in Berlin in 1996. Since then, Sergei Tchoban has gone on to design, plan and implement numerous new buildings, including the Cubix movie theater at Alexanderplatz, Quartier DomAquarée, Hotel nhow Berlin at Osthafen, the synagogue in Münstersche Strasse, and the Living Levels residential high-rise on the Spree River.

  • Title: Tchoban Voss Architekten – Images from Berlin
  • Type: Exhibition Opening
  • Organizers: Ulrich Müller
  • From: January 19, 2017 07:00 PM
  • Until: March 04, 2017 08:00 PM
  • Venue: Architektur Galerie Berlin
  • Address: Karl-Marx-Allee 96, 10243 Berlin

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Santa Cruz – California – USA (by Florent Lamoureux) 

Santa Cruz – California – USA (by Florent Lamoureux

Boos Beach Club Restaurant / Metaform architects


© Steve Troes

© Steve Troes


© Steve Troes


© Steve Troes


© Steve Troes


© Steve Troes

  • Architects: Metaform architects
  • Location: 8140 Bridel, Luxembourg
  • Architect In Charge: Agaajani, Ristic
  • Structural Engineer: Ney & Partners / WOW
  • Area: 600.0 m2
  • Project Year: 2016
  • Photographs: Steve Troes

© Steve Troes

© Steve Troes

Site Plan

Site Plan

In place of the old bar/restaurant BOOS Beach Club, modern and contemporary architecture, tightly linked to its context, reflects the new image of this iconic venue in Luxembourg.

The new part, interwoven around the existing house, is inspired by the Japanese art of origami. It resembles a folded sheet of paper that answers to the program requirements, while creating a relation with the old and opening up to the natural surroundings. Our idea was to integrate harmoniously the new structure into the existing natural context, while at the same time paying respect to the existing architecture by placing a light wooden structure with glass openings towards the landscape. The dynamic design enables orienting the bar and eating areas towards the outside, guiding the views to the tall tree stalks. By leaning on the existing house, and due to its triangular form, the self-supporting rigid roof requires very few peripheral structural points. The motivation to choose this lightweight and easily removable roof system leaves space and possibility to the idea of possible future change, if needed. 


© Steve Troes

© Steve Troes

The main access is situated in the front of the existing house reestablishing in that way the original function distribution. The outdoor areas have been rethought and refurbished. The lateral outdoor terrace was partly removed and replaced by a white sand beach. The back terrace, however, has been optimized and modified to achieve a stronger connection with the whole. 


© Steve Troes

© Steve Troes

Section

Section

The project also includes the refurbished kitchen and eating area, both located on the ground floor of the existing house. Under the new triangulated structure, smoking area together with the fireplace and a small dining area, introduce spatially the main zone of more than 200 m2, dedicated to the dance floor around the monumental bar. 

To preserve ”Beach club” identity of the place, the new structure consists of raw materials: burned wood, polished concrete floor, raw steel, terrace in wood and white sand. All these together create the desired character both inside and outside.


© Steve Troes

© Steve Troes

West Elevation

West Elevation

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UNStudio Erects Pearlescent Structure at World’s Leading Architectural Trade Fair


© Laurian Ghinitoiu

© Laurian Ghinitoiu

Employing the latest in aluminum and metals innovation, Ben van Berkel and UNStudio have erected the ALPOLIC fair stand at BAU 2017, the world’s leading trade fair for architecture, materials and systems. Emphasizing the inherent strength of the ultra-light material, the parametric design utilizes geometric principles to create a self-supporting semi-private stand for gathering and the display of products.


© Laurian Ghinitoiu


© Laurian Ghinitoiu


© Laurian Ghinitoiu


© Laurian Ghinitoiu


© Laurian Ghinitoiu

© Laurian Ghinitoiu

Built from a single structural element, the geometry of the structure draws from natural examples of stability and strength, including the venation of leaves and the catenary lines of spider webs.

The resulting spaces within take the shape of cones, clad on the front side with durable fluoropolymer coated panels and left untreated on the back, revealing the structural construction to the thin sandwich panels. The coated side has been finished in a prismatic Lumiflon resin, which gives the stand a pearlescent appearance capable of withstanding wear from the elements.


© Laurian Ghinitoiu

© Laurian Ghinitoiu

As visitors move around the structure, the stand will take on different appearances: some highlighting the structure’s 3-dimensionality, and other perspectives that feature the technical principles of the material.

“Throughout the stand moments for discussion and reflection are created, together creating a journey of inspiration for innovative facade design,” explain the architects.


© Laurian Ghinitoiu

© Laurian Ghinitoiu

The stand will remain on display through the conclusion of BAU 2017 on January 21st.

News via UNStudio.

Learn more about this material here:

Aluminum Composites – Prismatic Finishes / Alpolic
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Lar Casa de Magalhães / Carvalho Araújo, Arquitectura e Design


©  Hugo Carvalho Araújo

© Hugo Carvalho Araújo


©  Hugo Carvalho Araújo


©  Hugo Carvalho Araújo


©  Hugo Carvalho Araújo


©  Hugo Carvalho Araújo

  • Equipe: José Manuel Carvalho Araújo, Joel Moniz, Alexandre Branco, Sandra Ferreira, Mónica Peixoto, Liliana Costa, Ana Vilar, Lília Costa, Nuno Vieira, Filipe Russel
  • Arquitetura Paisagista : João Bicho e Joana Carneiro, Arquitectos Paisagistas
  • Structures : Divisão de Estudos e Planeamento do Município de Ponte de Lima
  • Mechanical Hvac: Marco Lopes, Eng. (climatização – projeto inicial)
  • Hidraulic: Divisão de Estudos e Planeamento do Município de Ponte de Lima
  • Instalações Elétricas : Divisão de Estudos e Planeamento do Município de Ponte de Lima
  • Communications: Divisão de Estudos e Planeamento do Município de Ponte de Lima
  • Security Against Fire: Divisão de Estudos e Planeamento do Município de Ponte de Lima
  • Furniture: J. M. Carvalho Araújo, Arquitectura e Design, S.A.
  • Construtor: Predilethes – Construções, Unipessoal Lda
  • Phorography: Hugo Carvalho Araújo

©  Hugo Carvalho Araújo

© Hugo Carvalho Araújo

Numa casa branca vive uma senhora benemérita. Doa o terreno, casa e anexos para se construir aí um lar de idosos. Exige apenas que a construção seja feita ainda antes da sua morte. Tudo parte assim da casa, ela é o centro e o símbolo.


©  Hugo Carvalho Araújo

© Hugo Carvalho Araújo

O edifício do lar resulta da ampliação da plataforma da eira dessa casa. No centro são construídos dois pátios, um social e outro de serviço, que desmaterializam a massa construída, como tivesse sido retirado parte do edifício, expondo o seu interior. Percebe-se aí a vida e o movimento.


©  Hugo Carvalho Araújo

© Hugo Carvalho Araújo

Dispostos à volta do pátio as áreas sociais e os 27 quartos convidam à comunhão de uma vida partilhada, a uma sensação de ligação e de segurança. O edifício reduz-se à escala de uma casa. Está tudo num piso ligado à cota do terreno. Sente-se uma certa familiaridade e uma escala possível de controlar.


©  Hugo Carvalho Araújo

© Hugo Carvalho Araújo

Planta 00

Planta 00

©  Hugo Carvalho Araújo

© Hugo Carvalho Araújo

As circulações simples, directas, amplas e luminosas. Do átrio que intersecta o edifício e cria duas entradas opostas, a principal e a de serviço. E da circulação em anel que abraça os dois pátios.


©  Hugo Carvalho Araújo

© Hugo Carvalho Araújo

No exterior o ritmo da fachada remete para os troncos das árvores, numa opção de mesclagem, pondo em evidência o casario existente, de branco caiado.


©  Hugo Carvalho Araújo

© Hugo Carvalho Araújo

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15 Unforgettable Haruki Murakami Quotes For Dealing With Adversity

Haruki Murakami is an internationally renowned Japanese writer, probably best known for his novel, Norwegian Wood. If you need to rebuild your strength when you’ve been through tough times, the wisdom in these quotes by Haruki Murakami will show you the way.

“Life is not like water. Things in life don’t necessarily flow over the shortest possible route.” – 1Q84

1q84 quotes

When it seems as though everything is complicated, that’s perfectly normal. Accept that there will be difficulties as you try to get through life. Don’t fight against it, and you’ll find things far less stressful.

“Pain is inevitable. Suffering is optional.” — What I Talk About When I Talk About Running

You can’t control everything that happens to you, but you can choose how you react to it. Attitude can influence how well you cope with adversity.

“Listen, every object’s in flux … They don’t stay in one form or another or in one place forever.” – Kafka on the Shore

quotes by haruki murakami

Change can be difficult for many people. But it’s a natural part of life. So go with the flow. Embrace change. Seize the opportunities it brings. Ask yourself what you can learn from these new situations and what you can gain.

“Even castles in the sky can do with a fresh coat of paint.” – South of the Border, West of the Sun

From the outside, the lives of others can seem perfect. But you don’t see everything. Perfection isn’t always desirable.

“Two people can sleep in the same bed and still be alone when they close their eyes” – Hard-Boiled Wonderland and the End of the World

haruki murakami quote

A relationship is often seen as the ultimate goal. Isn’t it lonely to be on your own? But you have to be happy within yourself to be happy in a relationship. Be cautious of assuming that having a partner will solve all your worries.

“Hatred is like a two-edged sword. When you cut the other person you cut yourself.” – Norwegian Wood

It’s inevitable that some people will treat you badly. You can’t change them or the past. What you can change is how you view their actions. Forgiving them allows you to move on. You may not forget what they did. But it’s healthier for you to move on and not be angry at them.

“If you remember me, then I don’t care if everyone else forgets.” – Kafka on the Shore

quotes by murakami

Few of us will make an impact on the world. But we can make a difference to a few people.

“One heart is not connected to another through harmony alone. They are, instead, linked deeply through their wounds.” – Colorless TsukuruTazaki and His Years of Pilgrimage

Love can be painful. That’s part of the price we pay for having this joy. People will hurt you, and you may hurt them.

“Even if we could turn back, we’d probably never end up back where we started.” – 1Q84

1q84 murakami

If only we could change the past! Things would be different. But we can’t go back. Focus on the present and the future instead. What can we do differently from now on?

“You can’t run away from your life. So deal with it. The end.” – The Wind-Up Bird Chronicle

People often change their environment, thinking they can get away from unhappiness. But you can’t escape yourself. Your problems will go with you if you don’t address them. Learn to face things that scare you. Change your attitude. Work on yourself.

“If you can love someone with your whole heart, even one person, then there’s salvation in life. Even if you can’t get together with that person.” –1Q84

haruki murakami quotes love

It’s heartbreaking if you can’t be with someone you love. But at least you have that love, even if you can’t do much about it. Some people never even have that much. It shows you have the capacity to love.

“And once the storm is over you won’t remember how you made it through, how you managed to survive.” – Kafka on the Shore

Most of us are stronger than we think. We need to have faith in ourselves. We may look back and wonder how we coped with adversity. But we do. Every time. We have inner strengths that we’re unaware of.

“I happen to like the strange ones. People who look normal and leads normal lives – they’re the ones you have to watch out for.” – Kafka on the Shore

quote haruki murakami

Have you been ridiculed for being ‘different’ or ‘strange’? Perhaps people secretly envy you. But you’re unique, you’re yourself. Love yourself for who you are. What other people think doesn’t matter.

“Unfortunately, the clock is ticking, the hours are going by. The past increases, the future recedes. Possibilities decreasing, regrets mounting.” – Dance Dance Dance

Time spent in regrets is time wasted. You can’t change anything. Enjoy your life. Make the most of it from now on. But don’t have regrets. You did the best you could at the time. Don’t criticize yourself.

“Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive.” – Kafka on the Shore

murakami quotes

Life can be a wonderful experience. But there has to be balanced. It can’t be amazing all the time. There has to be loss and pain as well. It’s all part of the cycle of life.

 

The post 15 Unforgettable Haruki Murakami Quotes For Dealing With Adversity appeared first on Dumb Little Man.

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Elizabeth Diller to Produce Opera for the High Line


© Iwan Baan

© Iwan Baan

Continuing in her firm’s tradition of blurring the lines between architecture, art and environment, Elizabeth Diller, founding partner of Diller Scofidio + Renfro, is producing an opera for the High Line. Dubbed the “Mile Long Opera,” the production will be set along New York’s new favorite attraction, which was designed by DS+R with James Corner and Piet Oudolf and opened to the public in 2009.

Working with composer David Lang and sound designer Bruce Odland, Diller was reportedly partially inspired to produce the opera after learning about a Chelsea resident who used to put on one-woman cabarets on her fire escape. Called the Renegade Cabaret, the shows were held as a reaction to park patrons who were increasingly interrupting the privacy of her West 20th Street apartment.

Diller’s previous collaborations with Lang include DS+R’s “Musings on a Glass Box,” which was displayed within Jean Nouvel’s Fondation Cartier pour l’Art Contemporain in Paris in 2014.

The opera would not be Diller’s first foray into theatrical production – the architect has also collaborated with filmmaker Spike Jonze to help create the settings for his 2013 film “Her.”

“In college I’d had a fantasy of being a filmmaker. I’d taken film courses at Cooper Union and then somehow detoured into architecture,” Diller told Architect Magazine in 2014. “But the film bug never really left.”

News via The Real Deal. H/T Architect’s Newspaper.

Surface Mag Interviews Liz Diller on Architecture, Art, and Early “Aha” Moments
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