With the facade extending for 794 ft (242 m) along the eastern side of Red Square, the Upper Trading Rows were built between 1890 and 1893 by Alexander Pomerantsev (responsible for architecture) and Vladimir Shukhov (responsible for engineering). The trapezoidal building features a combination of elements of Russian medieval architecture and a steel framework and glass roof, a similar style to the great 19th-century railway stations of London. William Craft Brumfield described the GUM building as “a tribute both to Shukhov’s design and to the technical proficiency of Russian architecture toward the end of the 19th century”.
The glass-roofed design made the building unique at the time of construction. The roof, the diameter of which is 46 ft (14 m), looks light, but it is a firm construction made of more than 50,000 metal pods (about 819 short tons (743 t), capable of supporting snowfall accumulation. Illumination is provided by huge arched skylights of iron and glass, each weighing some 820 short tons (740 t) and containing in excess of 20,000 panes of glass. The facade is divided into several horizontal tiers, lined with red Finnish granite, Tarusa marble, and limestone. Each arcade is on three levels, linked by walkways of reinforced concrete.
From the architect. It is located in the expansion area of the University of Aveiro, in Agra do Crasto, a territory of salines, with an open orthogonal grid, in which preference in the urban rule and the boundaries between built space and empty space and the network of relationships that the system provides, wich in built system.
It is a revisiting of the students residence built a decade earlier; Spartan project in the implantation and typology, in spaces and materials, in the construction. In the tipology; with clear references to russian constructivism and the republics of Coimbra.
The tunnels passages are the elements of relationship between the two territories, interrupt the continuous front; Identify the modules and solve these entries domestic and collective houses.
In the east side, the brick continues to remain as a constructive identity of the university, based on dry vertical joint and horizontal joint with invisible mortar.
In the west, slat national pine wood covers all plans and covered passages, in reference to the place and in protection to the aggressive and saline winds from the west; Continuous and uniform, gives movement and change the forward shutters setting sun.
From the architect. How can you make a motorway section attractive and functional for the local residents? This is the question MoederscheimMoonen Architects set to work on for the Municipality of Schiedam. They devised a unique solution for a stretch of the A4 motorway between the Dutch cities of Delft and Schiedam. The result is wonderful green park and a new sports location that will definitely appeal to the imagination. Located some six metres above the motorway, the sports fields are enclosed by one of the largest canvases in Europe. Together with Lace Fence, the architects created no less than 8,500 m² of colorful fencing that consists of over 1.6 million life-like ‘pixels’.
Initially, the tunnel and the motorway formed a barrier between the two adjacent residential areas. But the new design has now achieved the opposite. By realizing the park and sports fields on top of the tunnel itself, it has literally created new connections between the two residential areas. They offer an environment for everyone living in the area – young and old – to exercise and relax in.
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Exercising above the motorway
The complex and multidisciplinary nature of this assignment is reflected in the multiple use of space on top of and around the tunnel. The design features concrete canopy structures on both sides of the tunnel – creating a large enough surface area to realize sports fields on the roof of the tunnel section. Below these awnings, one finds space for car parks and an indoor athletics, baseball and cricket facility.
The main building is situated in the heart of the park, between the elevated sports fields. As such, it has a direct relationship with the surrounding athletic activity. The building houses a sports hall, changing rooms for various indoor and outdoor sports, rooms for dance and ballet and a large catering establishment with terrace seating. The terrace takes the shape of a plateau. ‘Hovering’ between the building’s different levels, it forms a transitional zone between the different street levels. The building’s overall design is characterized by the prominent expressive qualities of the fresh green roof and terrace awnings that emphasize the complex’s layered nature.
The fields are enclosed by a screen that not only guarantees safety at the location but also mitigates the negative effects of the wind. For its design, the architects teamed up with the specialist firm Lace Fence, known for its innovative architectural woven fabrics. They jointly developed a new product consisting of colorful ‘pixels’, named Dedots. These pixels are far more than just a pragmatic solution: they lend the environment its own identity, with every square meter in the 1.2-km screen realized according to a unique design. This has resulted in a functional work of art that presents an exciting combination of transparency, permeability to air and imagination. It merges everything that the project is about: nature, sports, connections and energy.