Zen of Busy: Continual Letting Go When You’re Overwhelmed

By Leo Babauta

These past two weeks have been hectic and exhausting for me. My wife’s father passed away, and I’ve been in non-stop planning, coordinating, cooking, cleaning, driving around mode.

Yesterday was the funeral, and it was a long, tiring and busy day. Incredibly sad, but busy.

In the midst of this busyness, I’ve been trying to remember the practice of “continual letting go.”

I see it as a Zen practice: whatever you think you know, let go of it. Whatever you are sure of, let go of it. My mantra is: You know nothing. The result is that when I remind myself of this, I try to see things from a fresh perspective. I realize that I think I know something but I don’t really, and so I try to see it as if I don’t know.

What’s the point of this? By continually letting go, we don’t have to be so stressed out. When we realize we don’t know:

  • We don’t have to be mad when someone is acting in a way we don’t like.
  • We don’t have to have anxiety when we don’t know if things will go as planned or hoped.
  • We don’t have to have all the answers. We can have questions and curiosity instead.
  • We don’t have to get into a tense “No I’m right” battle with anyone else.
  • We don’t judge other people as much, so we can be open to who they are and have a good relationship with them.
  • We don’t have to control things, but can instead just try to be helpful without controlling the outcome.

The benefit of this is that by continually letting go of what I think things should be, of what I think I know, of needing to have control or certainty … I can just let go and relax. I can do my best, but not stress out about it when things don’t go my way.

I don’t have to be afflicted by anything. I can be busy, but not afflicted by that busyness. I can be tired, but not afflicted by the fact of my tiredness. I can have things go differently than I planned, but not be afflicted by that fact. The first conditions (busy, tired, things not going as planned) are not always in my control. But I can let go of knowing, and so not be afflicted by any of these conditions. Being afflicted by the conditions of life is what causes our real problems.

So in the midst of tiredness, busyness, chaos … I try to remember to let go, continually.

When someone comes to me with something unexpected, I try to let go of what I thought the situation was. Then I open up to this new situation, with fresh eyes.

When someone is cross with me or grumpy, I try to let go of how I think they should be acting. And then be curious about why they’re acting that way, and love them in the midst of their suffering.

When I’m tired and have a lot to do, I try to let go of the idea that I shouldn’t be tired or busy. Then I look at the situation with fresh eyes and realize that I can do these tasks despite the discomfort, out of love for my family.

When things are messy or disorderly, not the way I like them, I try to let go of the way I think things should be. Then I try to see the situation with fresh eyes, understanding that there will always be chaos and mess, and that this too can be loved.

I see that I’m stressed and holding onto the way I want things to be, and so I tell myself I know nothing. And I let go. Then something else comes up and tightness comes up in my body, and I notice this and try to let go. I breathe, smile, and open up. I see things as a beginner. It happens again and again, often from one moment to the next, and I try to continuously let go, let go, let go.

And by letting go of what I know, I’m opening myself up to what’s in front of me. This unfolding moment of unexpectedness.

And it is truly magnificent.

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House K / YDS Architects


©  Hiroshi Fujimoto/Studio Fuji

© Hiroshi Fujimoto/Studio Fuji


©  Hiroshi Fujimoto/Studio Fuji


©  Hiroshi Fujimoto/Studio Fuji


©  Hiroshi Fujimoto/Studio Fuji


©  Hiroshi Fujimoto/Studio Fuji

  • Architects: YDS Architects
  • Location: Kumamoto, Kumamoto Prefecture, Japan
  • Architect In Charge: Mana Muraki
  • Lead Architects: Yoshitaka Uchino
  • Area: 160.64 m2
  • Project Year: 2016
  • Photographs: Hiroshi Fujimoto/Studio Fuji
  • Engineer: Tadasu Abe/ Myu structural Engineer
  • Contractor: Kazuya Matsumoto, Masamichi Miyazaki, Hiroshi Miyazaki/Iwanaga-gumi Co.,Ltd.
  • Site Area: 213.62 m2

©  Hiroshi Fujimoto/Studio Fuji

© Hiroshi Fujimoto/Studio Fuji

House K is located in the town surrounded by mountains. The image is shining white box in which one will live feeling the transition of light and shadow while letting go of their mind.


©  Hiroshi Fujimoto/Studio Fuji

© Hiroshi Fujimoto/Studio Fuji

I intended to design interior spaces where one feel natures such as light,wind, and rain. Mixing inner spaces with outer spaces, the spaces respond to the city. Inserting the outer terrace into the white box to bring nature to the inner spaces, light and wind from the terrace go through spaces via T-shaped void. Top light and light from the terrace reflected by the walls pour into the inner spaces. These lights would express transitional beauty. 


©  Hiroshi Fujimoto/Studio Fuji

© Hiroshi Fujimoto/Studio Fuji

Perspective

Perspective

©  Hiroshi Fujimoto/Studio Fuji

© Hiroshi Fujimoto/Studio Fuji

Putting the terrace between rooms for children and corridors, these spaces have migratory. Corridors around the terrace are like ‘Engawa’, semi-outdoor spaces which are typical Japanese spaces. The terrace extended towards mountains around the site will be a delightful space. In the living room spatially sandwiched between the terrace and the garden, providing the view of trees and the sky feeling various light.


©  Hiroshi Fujimoto/Studio Fuji

© Hiroshi Fujimoto/Studio Fuji

Axonometric

Axonometric

©  Hiroshi Fujimoto/Studio Fuji

© Hiroshi Fujimoto/Studio Fuji

The thin white plate floating besides the white box is my image. To make this image come true, the column of the roof are a pair of thin steel poles. One will see ‘one’s own sky’ through the slit of the white volume from the terrace, the living room in the 1st floor, rooms for children. House K adds a new scene on the existing city. The distinctive form consists of white volume, floating white plate, and framed sky provides tranquil spatial qualities for the landscape.


Floor Plan 02

Floor Plan 02

House K is designed to reveal a sequence of spaces combining expansiveness and symbiosis. Nature and the architecture stimulating with each other, spaces expand to infinity.


©  Hiroshi Fujimoto/Studio Fuji

© Hiroshi Fujimoto/Studio Fuji

Product Description. To realize white shining box, we aim to create a white flat exterior walls.To make these walls come true,we selected moen siding and jolipatt. These are one of the most flat and beautiful materials in Japan. In the interior spaces,our intention is white and wooden spaces where one will feel warm atmosphere. Thus,the finishes of the kitchen,bookshelves,floorings are made of natural oak.We chose natural solid oak flooring manufactured by Woodone co.,ltd.

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Near My [B] / Le Sixieme


© Kim Jaeyoon

© Kim Jaeyoon


© Kim Jaeyoon


© Kim Jaeyoon


© Kim Jaeyoon


© Kim Jaeyoon

  • Architects: Le Sixieme
  • Location: Songpa-gu, Seoul, South Korea
  • Designer: Koo Manjae
  • Design Team: Kim Sungook, , Park Kibem, Shin Dongwook, Kim Jaedeok
  • Area: 682.59 m2
  • Project Year: 2016
  • Photographs: Kim Jaeyoon

© Kim Jaeyoon

© Kim Jaeyoon

© Kim Jaeyoon

© Kim Jaeyoon

The space of ‘near my [B]’ placed in the center of Wuirye new town that changes every day with our passion for making a city easily and the aspiration for a better residential space began from a creative idea of the client. 


© Kim Jaeyoon

© Kim Jaeyoon

It is intended to provide a small vitality for the whole city by furnishing the public-interest space called ‘cultural space’ beyond the constructor’s goal of parcel-out and lease.


© Kim Jaeyoon

© Kim Jaeyoon

Model

Model

It is largely divided into 3 parts. The space having the complex entry route connects the right café, educational space, left space of flower shop, living shop, book café in the most open manner by interpenetrating the link space of ‘White Arch Volume’ in order to make the linear organic moving line.


© Kim Jaeyoon

© Kim Jaeyoon

The language of the material and shape used for the inside was planned most simply and was designed to be faithful to the role called culture space through the delicately designed details and lighting.


© Kim Jaeyoon

© Kim Jaeyoon

Elevation

Elevation

© Kim Jaeyoon

© Kim Jaeyoon

‘Book shelf’ placed in the middle of space plays a fundamental role uniting small volumes in the space and made it possible to recognize the character of space easily. 


© Kim Jaeyoon

© Kim Jaeyoon

Elevation

Elevation

© Kim Jaeyoon

© Kim Jaeyoon

It was intended to provide experiences of enjoying the landscape and daily life happening in the space from multilateral points of view by providing the ‘sitting method’ of various ways with the ‘small nature’ arranged in places. 


© Kim Jaeyoon

© Kim Jaeyoon

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Selected: Early. by bencoeur

The start of aurora activity that night, just enough time to get back home and get dinner before to come back for a crazy night. Enjoy 🙂

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Selected: Pink Cloud in Mono Lake by kawasemi1

Sunrise shot in Mono Lake, California.

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Clouds clearing after a heavy storm taken in January two years…

Clouds clearing after a heavy storm taken in January two years ago. 

Winters in Iceland can be unpredictable but every winter we will have few snowstorms so bad that roads have to be closed and you don´t see the house across the street. Well, every winter so far. 

The climate has been changing a lot in the last 10-15 years here up north. Two years ago it was endless storms, sometimes with rain, sometimes with snow and it was snowing in late May and that summer was cold and wet. Then last summer was the sunniest since 2000 and the winter so far has been the mildest in history. I still have some flowers in my garden and this is Iceland not Italy!

Something is happening with mother nature, that´s for sure

Elm House / Elm


© Julian Parkinson

© Julian Parkinson


© Julian Parkinson


© Julian Parkinson


© Julian Parkinson


© Julian Parkinson

  • Architects: Elm
  • Location: Halifax Regional Municipality, NS, Canada
  • Architects In Charge: Peter Braithwaite, Devin Harper
  • Area: 2400.0 ft2
  • Project Year: 2016
  • Photographs: Julian Parkinson

© Julian Parkinson

© Julian Parkinson

From the architect. The aim of this project was to redesign and reconstruct the envelope of a dated home in Halifax’s West End. Over the decades this residence was the subject of a number of poorly executed renovations and as a result our team aimed to strip the layers of vinyl and wood cladding back to the original shiplap sheathing and rebuild the exterior of the home with the intention of creating a project that was sustainable in both design and construction practices. Using only the highest quality products, the envelope of this house was rebuilt with wood as the number one material choice. The main house volume was clad in Maibec’s Rabbited Bevel siding with the EM Plus installation system and the front and rear accent volumes were clad in locally sourced rough sawn Hemlock. The final result is a strikingly contemporary residence with a sustainable material palette that will certainly stand the test of time.


© Julian Parkinson

© Julian Parkinson

Axonometric

Axonometric

© Julian Parkinson

© Julian Parkinson

Product Description. – VaproShield- Reveal Shield IT Integrated Tape – A UV stable, black mechanically attached, water resistive vapor permeable air barrier membrane with integrated tape. This product enabled us to achieve the open joint cladding with1x2 rough sawn hemlock on the front and rear volumes of this project.  


© Julian Parkinson

© Julian Parkinson

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Comic Break: “Gift Shopping”


© Architexts

© Architexts

One of the true tragedies of the architecture profession is that it instills in you expensive taste, but doesn’t give you the salary to acquire all those fine goods. The holiday season is the peak of this conundrum – how do you find the perfect gift for someone that lives up to your own lofty standards when buying a plane ticket home to see your family is already putting you in the red? One thing architects always seem to manage, however, is justifying that a cool new gadget or designed object isn’t just something we want, but something we need.

Looks like Santa’s gonna have to do double duty for the rest of the family this year. That’s alright, as the prime developer of the North Pole, he’s probably got some extra cash to throw around.

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