Inventronics Technology Park / gad


© XIA Zhi

© XIA Zhi


© XIA Zhi


© XIA Zhi


© XIA Zhi


© XIA Zhi

  • Architects: gad
  • Location: Hangzhou, China

  • Area: 135783.6 m2
  • Project Year: 2016
  • Photographs: XIA Zhi

© XIA Zhi

© XIA Zhi

From the architect. Introduction

From the fashion circle to the art circle, the word “MIX&MATCH” has surpassed the scope of “retro mixed industrial trend” or “art mixed with beast”; and in the field of architectural design, the diverse, mixed and crossover thoughts have also brought us plenty of surprises…


© XIA Zhi

© XIA Zhi

Traditionally, our impression about plant is simple and noisy. However, we hope to break the existing recognition of traditional plant in the design for the headquarter buildings of Inventronics Group, a hi-tech enterprise which stands out in LED. We try to combine the multiple collision thoughts in the age of internet, merger with diverse functional space, and make it into a mixed type headquarter building integrating production, office and scientific research.  


© XIA Zhi

© XIA Zhi

Complex Building in New Age Background

The design starts from the demand for diverse functions. It integrates the diverse functional spaces, including the large dimension space for production, the dedicated space for R&D, ordinary office space for administrative use and the high-end club which represents the image of the enterprise headquarters. It also tries to blur the boundary among different functional blocks through complex and diverse functional organization, thus to break the barrier among different strata, to gather people of different working posts, and to create more collision possibility for people in it.


Diagram

Diagram

Architectural Dimension of Distinct White and Black

The design takes two groups of connected flowing dimensions as prototype, and incorporate the feeling and experience during temporal and spatial transformation, thus to have the relatively abstract architectural intension obtain concrete expression. The two blocks of distinct white and black engage and interweave with each other. White represents the first line production team which is of great vigor while the black is the down-to-earth R&D team which is sober and prudent. The transparent glass blocks among them are just like a kind of invisible adhesive, implicating the independence and connection of the two.


© XIA Zhi

© XIA Zhi

Flexible Space Organization

To meet different demands for future development of the enterprises, the design creates comfortable working environment for different groups with the organization mode of “functional mode + atrium space”. Together with diverse indoor environment, it ensures the close connection among different functions but also ensures the flexible and efficient organization relationship. Meanwhile, it also finds a new thought for the variability of future space.


© XIA Zhi

© XIA Zhi

5th Floor Plan

5th Floor Plan

© XIA Zhi

© XIA Zhi

Open and Shared Public Space

In the new buildings of the city, the design puts the compound functional diversity in the open space through multiple platforms and multi-layered public space such as the sunken garden and the 3D green slopes. Together with the large span space and tranquil pool at the entrance to the ground floor, it attracts the outside traffic with amiable posture while ensuring the proper privacy for internal use. In this way, it breaks the boundary between indoor and outdoor space and contributes to the city with its landscape, while introducing the vigor of the city into it. Each time when night falls, the boundless pool at the entrance reflects the sixth facade at the top and renders a picturesque scene for the city. 


© XIA Zhi

© XIA Zhi

Summary

No one live in the city in isolation. It is also true with the architecture. We hope that we could put more vigorous space into it by resorting to the internet thoughts with the precondition of satisfying the diverse demands of hi-tech enterprise development. We hope to ignite different sparks among different group of people and to offer the city and different users with more kindness through this building. 


© XIA Zhi

© XIA Zhi

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Djati Lounge & Djoglo Bungalow / MINT-DS


© William Kalengkongan

© William Kalengkongan


© William Kalengkongan


© William Kalengkongan


© William Kalengkongan


© William Kalengkongan

  • Architects: MINT-DS
  • Location: Komp. Araya Bussines Center, Jl. Raya Panjisuroso, Purwodadi, Blimbing, Kota Malang, Jawa Timur 65126, Indonesia
  • Principal In Charge: Felandro Madjid
  • Principal: Rangga Indrajaya, Titis Nurabadi
  • Area: 13302.0 m2
  • Project Year: 2015
  • Photographs: William Kalengkongan
  • Project Team : Reydi Octabontavianto, Raychie Anthonio, Bunga Yuridespita
  • Interior Designer Firm: Ellyana Tse
  • Interior Design Team: Widya Eltania, Stefani Meriama, Gracia Yovita
  • Contractor, Structure, M&E: CV Bumi Megah Sejahtera
  • Lighting: MINT-DS & Ellyana Tse

© William Kalengkongan

© William Kalengkongan

The project is a complex of Bungalow (Djoglo Bungalow) and Lounge (Djati Lounge) situated in the mountainous city of Malang in Eastern Java. This complex comprise of eleven bungalow that spread on the site next to the golf course and a restaurant/multifunction room. The project takes on a contemporary approach of Joglo, a traditional vernacular house of Javanese people with its roof structure that mimics the sourrounding mountain. 


© William Kalengkongan

© William Kalengkongan

The term “Joglo” is also used to refer the distinctive type of Javanese roof constructed by terracota roof tile with rising central part of roof supported by four or more main wooden columns (saka guru). The roof formed a pyramid-like structure with central part is taller and steeper.  Joglo consists of two parts; the pendopo and dalem. The pendopo is the front section of Joglo which is used to receive guests or as reception hall. The dalem is the inner sections with walled enclosure and rooms such as bedroom and kitchen. 


© William Kalengkongan

© William Kalengkongan

Plan 1

Plan 1

© William Kalengkongan

© William Kalengkongan

The use of modern material such as glass and steel have allow the dalem of a joglo a new interpretation in spatial experience. The typically solid timber wall has been replaced with glass wall allowing more connection between the interior and exterior by absorbing the view of the surrounding mountains while maintaining privacy. The use of hollowed terracota concrete on the pendopo allows the unobstructed cool breeze of the city of Malang inside the space. The traditional roof structure typically made of terracota roof tile is replaced by modern roof shingle, creating a more contemporary look.


© William Kalengkongan

© William Kalengkongan

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Easton City Hall / Spillman Farmer Architects


© Halkin Mason Photography

© Halkin Mason Photography


© Halkin Mason Photography


© Halkin Mason Photography


© Halkin Mason Photography


© Halkin Mason Photography

  • Lead Architects: Joseph N Biondo, AIA – Principal Randy Galiotto, AIA – Project Architect Joseph Balsamo – Project Manager Kate Carter Elliot A. Nolter David S. Wrigley, CSI, CCS Henry J. Delvecchio Michael Metzger, AIA, LEED AP William H. Deegan Christa Duelberg-Kraftician, AIA, LEED AP BD+C, GGP Pat Ruggiero Andy McAllister Christie Jephson Nicas Dan Silberman Austin McInnis
  • Construction Manager: Boyle Construction
  • Structural Engineer: Pennoni Associates, Inc.
  • Mep: Snyder Hoffman Associates, Inc.

© Halkin Mason Photography

© Halkin Mason Photography

From the architect. Decades before the city’s founding in 1752, the region later known as Easton, Pennsylvania was originally known as “The Place at the Forks” by the Lenape Native American tribe. This nickname refers to the position of the city at the confluence of the Delaware and Lehigh rivers. These rivers proved significant throughout history, allowing Easton to become a prominent military base during the Revolutionary War, one of the first three cities to hold a public reading of the Declaration of Independence, and a significant transportation hub for the steel and coal industries during the 19th century.


© Halkin Mason Photography

© Halkin Mason Photography

Today, the Delaware and Lehigh rivers are united at the site of the new Easton City Hall and Transportation Center – a nod to the city’s history and a signal of the resurgence of government and transportation in the region. The building serves as Easton’s public gateway and is a welcoming symbol for the city’s future.


© Halkin Mason Photography

© Halkin Mason Photography

The complex is made up of two companion structures: a three-story, 45,000-square-foot hybrid civic building and a three-level parking deck. The main building houses Easton’s local government on its upper two floors; retail tenants and a regional transportation hub occupy its base. The mixed programming within the complex gives this civic building a life beyond its normal 9 a.m. – 5 p.m. office hours.


1st Floor Plan

1st Floor Plan

© Halkin Mason Photography

© Halkin Mason Photography

Section

Section

The open floor plan’s organization is guided by planning principles that embody the spirit of Easton’s local government: welcoming, collaborative, open, transparent, and innovative. City Hall recalls the City’s historic beginnings as a transportation hub by showcasing the movement of people through the intermodal center, the movement of goods through the retail tenants, and the movement of ideas through the government offices and public spaces.


© Halkin Mason Photography

© Halkin Mason Photography

© Halkin Mason Photography

© Halkin Mason Photography

© Halkin Mason Photography

© Halkin Mason Photography

The building massing modulates in plan, section, and material texture to complement the pedestrian scale of Easton’s historic district. A glass entry and façade symbolize Easton’s commitment to transparency in government, allowing passers-by to see activity happening within, while providing views of the city’s downtown for building occupants. A shingled glass canopy above the entry symbolizes the three tributaries of Easton: the Delaware, Lehigh, and Bushkill. When it rains, this canopy becomes a stage for running water which overlays the subsequent view upwards to a sculptural steel railing and three story lobby, evoking Easton’s local tributaries.


© Halkin Mason Photography

© Halkin Mason Photography

This public lobby bisects the building’s simple, linear organization; it is here where the tactile experience is felt at its apex. The primary material of the building’s public spaces, including the lobbies and City Council chambers, is Pennsylvania Cherry. The wood is patterned to resemble an abstraction of the Lenape tribe’s longhouse, historically clad in shingled bark. The building’s structural parts are subtly evident and recall the history of transportation–intricate and resourceful structural elements that traversed the landscape and waterways, layered like sediment settled at the bed of a river.


© Halkin Mason Photography

© Halkin Mason Photography

© Halkin Mason Photography

© Halkin Mason Photography

Product Description. The building’s design is economical, strategically using resources on public spaces, while government space is flexible and modest. Locally fabricated precast concrete panel systems from Slaw Precast provide both structure and envelope and use board-form patterning techniques to create a texture reminiscent of early colonial masonry joints. Northampton County, which encompasses the city of Easton, is the birthplace of American Portland Cement, an element that has not only propelled the region’s past successes, but has also become a high-tech building material that delivers incredible gains.


© Halkin Mason Photography

© Halkin Mason Photography

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The Actual History Behind Yugoslavia’s “Spomenik” Monuments


© Jonk

© Jonk

For many years, Yugoslavia’s futuristic “Spomenik” monuments were hidden from the majority of the world, shielded from the public eye by their remote locations within the mountains and forests of Eastern Europe. That is, until the late 2000s, when Belgian photographer Jan Kempenaers began capturing the abstract sculptures and pavilions and posting his photographs to the internet. Not long after, the series had become a viral hit, enchanting the public with their otherworldly beauty. The photographs were shared by the gamut of media outlets (including ArchDaily), often attached to a brief, recycled intro describing the structures as monuments to World War II commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s.

This accepted narrative, however, may not be entirely accurate, as Owen Hatherley writes in this piece for the Calvert Journal. In the article, Hatherley explains the true origins of the spomenik, and how this misconception has affected the way we view the structures and the legacies of the events they memorialize.

Read the full piece at Calvert Journal, here.

Yugoslavia Forgotten Monuments
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Jonk’s Photographs Depict the Abandonment and Beauty of Yugoslavian Monuments
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Nevena Katalina Remembers Yugoslav Memorials Through Posters
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New York City – New York – USA (by Thomas Richter) 

New York City – New York – USA (by Thomas Richter) 

Jil Sander New Stor / Andrea Tognon Architecture


© Büro Bum Bum

© Büro Bum Bum


© Büro Bum Bum


© Büro Bum Bum


© Büro Bum Bum


© Büro Bum Bum


© Büro Bum Bum

© Büro Bum Bum

As if to honour its German roots, high-end fashion brand Jil Sander introduced it’s new retail design at the flagship store on the swanky Kurfürstendamm thoroughfare in Berlin. Occupying a ground floor unit of a landmark structure built in 1900 with an ornate art nouveau façade, the new aesthetic, created by Milan-based practice Andrea Tognan Architecture, is almost defiantly modern and understated, and clearly extrapolates Jil Sander’s clean designs. Geometrical forms of the square and the rectangle largely define the premises, along with more fluent shapes that convey a zen-like sense of spatial harmony, and yet provide functionality at the same time.


© Büro Bum Bum

© Büro Bum Bum

Plan

Plan

© Büro Bum Bum

© Büro Bum Bum

The palette of the fixtures and furnishings comprises of a compatible range of materials, such as a range of meticulously made resins, marble varieties, and eulite foam, that not only fuse tradition and innovation, but also aim to communicate a new and different kind of contemporary luxury. Both the furnishings and fixtures have a sculptural quality and add visual drama to the understated premises, most notably the brass bronze tables and cabinets, steel clothing racks, and an elaborate lighting installation that covers almost the entire ceiling.


© Büro Bum Bum

© Büro Bum Bum

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Stefano Boeri Architetti Designs Vertical Forest Hotel in Remote Chinese Valley


© Stefano Boeri Architetti

© Stefano Boeri Architetti

Stefano Boeri Architetti has unveiled plans for the Guizhou Mountain Forest Hotel, a 31,200 square meter (336,000 square foot) resort hotel located in the 10 Thousand Peaks Area of the province of Guizhou, China. Nestled in the Wanfeng Valley, the hotel design draws from the region’s dramatic landscape, recently named one of the New York Times’ top destinations of 2016.


Guizhou Province, China. Image © Flickr user humphrey75. Licensed under CC BY-NC-ND 2.0.

Guizhou Province, China. Image © Flickr user humphrey75. Licensed under CC BY-NC-ND 2.0.

The underlying concept for the project comes from the unique ecosystem and relationship between man and nature in the 10 Thousand Peaks area, known for its natural mountain formations and traditional terrace farming techniques. Stefano Boeri Architetti’s hotel vision uses this language in “reconstructing” a formerly existing hill, flattened many years ago, and reintroducing vegetation throughout the building facade.


© Stefano Boeri Architetti

© Stefano Boeri Architetti

Inside the building, 250 hotel units will be provided for visitors, along with amenities including a gym, lounge, vip area, bar, restaurant and conference room. Interiors will be designed in collaboration with local artist Simon Ma.

“Symbiosis is the goal. Sustainability not only depends on energy conservation, but on a wider biodiversity.  The symbiosis between man, architecture and nature is the real sustainability,” explain the architects.

This project, along with their ongoing “Tower of Cedars” in Lausanne, Switzerland, is a continuation of Stefano Boeri Architetti’s Vertical Forest research that began with Bosco Verticale in Milan, which was named CTBUH’s Best Tall Building Worldwide in 2015.

News via Stefano Boeri Architetti.

  • Architects: Stefano Boeri Architetti
  • Location: Xingyi, Qianxinan, Guizhou, China
  • Partners: Stefano Boeri, Michele Brunello, Yibo Xu
  • Project Leader: Pietro Chiodi
  • Leading Team Architect: Hana Narvaez
  • Design Team: Marco Giorgio, Marco Bernardini, Zhan Xu, Shilong Tan, Yinxin Bao, Roger Park, Palace Gong
  • Client: Guizhou Wanfenggu Ecological Tourism Development Co., Ltd
  • Type: Hotel Design
  • Area: 31200.0 m2
  • Photographs: Stefano Boeri Architetti, Flickr user humphrey75. Licensed under CC BY-NC-ND 2.0.

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the icelandic space shuttle program by alex omarsson View On…

the icelandic space shuttle program by alex omarsson View On Black http://flic.kr/p/78sDsr

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