Top 10 Self-Discipline Techniques

In reading the lives of great men, I found that the first victory they won was over themselves… self-discipline with all of them came first. – Harry S. Truman

Self-discipline is the key to leading a healthier, happier and more successful life. However, it is easier said than done. The quest for self-discipline can often be difficult and discouraging.

We have shared some self-discipline techniques below. Follow these self-discipline techniques to start living a better life.

1. Be Organized

organized-work-table

Self-discipline requires a personal or working space. All famous writers from Hemingway to Fitzgerald had a desk where they sat at and wrote. They didn’t spend hours rummaging for pencils or clearing their desks. The desk was exclusively for work.

Create a space that is organized and can be used for building further self-discipline.

2. Manage Your Time

Self-discipline is linked to effective time management. Self-disciplined people know how to best utilize their day.

To improve time management skills, prioritize your tasks. Do the most urgent and important tasks first in order to get the best out of your day. Time management is one of the hardest but most rewarding self-discipline techniques to master.

3. Exercise Well

Healthy bodies lead to healthy minds. An active lifestyle means lower stress levels and increased dopamine thus sharpening the mind.

The trick is to start simple, taking a 10-minute run every day and then slowly working yourself up to longer runs.

See Also: 8 Fitness Hacks That Will Make Your Life Better

4. Reward Yourself

This is an especially important self-discipline technique. It is important to reward yourself for all the good that you’ve done every once in a while. Completely abstaining from something makes it easier to succumb to a moment of weakness and undo all the good done so far.

5. Build a Support System

It’s always easier to do something difficult when there’s someone cheering you on! Find a friend who wants to build self-discipline as much as you do and team up with them. Set targets together and hold each other accountable.

6. Forgive Yourself

Failure and slipping up is inevitable. It will happen occasionally. Don’t let temporary failures derail you from the long term goal. Accept your mistakes, forgive yourself and move on.

7. Eat Well

eat-well

It goes both ways. You need to nourish your body to nourish your mind. Eat brain foods that increase alertness and memory. If your brain and body are working at optimum level, it will be easier to follow self-discipline techniques.

See Also: 7 Great Foods to Boost Your Brain Power

8. Start Small

The journey of a thousand miles starts with a single step as the proverb goes. You don’t train for a marathon by running 10 kilometers on the first day. Instead, stamina is built up by doing a little more than the previous day’s target.

The same goes for discipline. Start by trying to implement self-discipline techniques little by little every day for big results. Increase your goals over time.

9. Measure Your Goals

Staying self-disciplined requires motivation. It can be hard to stay motivated if you feel like you haven’t made any progress so far. Tracking progress makes you aware of how much you’ve done and encourages you to keep going.

10. Exercise your willpower

Willpower and self-discipline go hand in hand. Some days, adhering to the task is going to be difficult but by reminding yourself of the end in mind and how much the goal means to you, you will be able to bypass temporary temptations for long term gain.

The above-mentioned self-discipline techniques, been proven to be extremely effective. Self-discipline is a trait found in many successful people and it is the key to living a happy and fulfilling life.

 

The post Top 10 Self-Discipline Techniques appeared first on Dumb Little Man.

http://ift.tt/2gadwkw

Mola Structural Kit II: Another Way to Learn About Structures

Mola, creator of the Mola Structural Kit, is back at it with a second interactive structural kit aimed at changing the way people study and teach structures around the world. Mola sold over 4000 of their first kit across more than 50 countries in 2014, and now you can back the newest expansion on Brazilian crowdfunding website Catarse. 


Courtesy of Mola


Courtesy of Mola


Courtesy of Mola


Courtesy of Mola


Courtesy of Unknown

Courtesy of Unknown

Mola 2 includes 144 pieces and a bilingual manual to expand on and broaden the possibilities of Mola 1, encouraging users to be even more creative and innovative. To that end, the makers have developed new adjustable length bars, lightweight connectors, and continuous connection parts that are fully compatible with the components from Mola 1.


Courtesy of Mola

Courtesy of Mola

Mola 1 enjoyed enthusiastic reception, becoming the most successful crowdfunding campaign in Brazil at the time of its release. The idea for the Mola Structural Kit originated with Brazilian architect Márcio Sequeira de Oliveira, who validated the accuracy of the model’s behavior in his master’s thesis at the Federal University of Ouro Preto in Minas Gerais, Brazil.


Courtesy of Mola

Courtesy of Mola

Check out the team’s Catarse page to learn more about their endeavor and for information on how to purchase a kit. Or, check out the information below to see how you could win a Mola Structural Kit.

Giveaway

ArchDaily has teamed up with Mola for an exclusive giveaway. We’re offering our readers the chance to win one of 5 Mola Structural Kit 2 sets, or one of 5 of the original Mola Structural Kit 1 sets. For your chance to win, simply enter your details in the form below by 9am EST on Monday December 5th.

http://ift.tt/2frNXMk

Terms & Conditions:

  • Winners for each of the five Mola Structural Kit 2 and five Mola Structural Kit 1 sets will be selected at random from the entrants into each draw.
  • If the email address provided by a winning entrant does not work or the entrant does not respond in a timely fashion to claim their prize, then the prize will be redrawn and awarded to another entrant.
  • By answering “yes” to the final question, entrants give permission for their email address to be provided to Mola.
  • The email addresses of the winners will also be provided to Mola, regardless of their answer to the final question.
  • The expected shipping dates of the prizes are: Mola Structural Model 1 – January 2017; Mola Structural Model 2 – August 2017.

http://ift.tt/2gyspKb

Home in Mitre / Bajet Giramé


© José Hevia

© José Hevia


© José Hevia


© José Hevia


© José Hevia


© José Hevia

  • Architects: Bajet Giramé
  • Location: Ronda del General Mitre, Barcelona, Spain
  • Area: 140.0 m2
  • Project Year: 2016
  • Photographs: José Hevia
  • Author Architects: Pau Bajet Mena, Maria Giramé Aumatell
  • Constructor: GID
  • Collaborators: Gina Cebamanos, Huguet Mallorca, Imar, Ardèvol Associats
  • Budget: 1000€/m2

© José Hevia

© José Hevia

From the architect. The project consists of remaking a home in a 1970’s apartment in Barcelona. The former spaces were based on program requirements resulting in a series of small rooms and corridors with predefined functions. Those spaces were shaped by non-load bearing walls given its ‘properly modern‘ free plan. However, columns, beams and slabs were concealed within the internal partitions as shameful bones.


© José Hevia

© José Hevia

The aim of the project was to make the apartment again (remake it), with significant setting and character changes. This would be achieved two-fold: by unveiling the hidden qualities of the 70’s architecture and by defining a new series of suggestive settings.


Axonometric

Axonometric

The project endows the former idea of free plan, but exposes it ‘as found’ leaving its (‘modern’) steel columns and beams freestanding with their rough welds, as well as uncovering the (traditional) gentle ceiling vaults; enhancing very specific qualities of the construction means of those 1970’s in Barcelona. This way an ‘infrastructural space’ is defined, as a permanent envelope in which smaller and temporary interventions will arrange ‘inhabitable settings’. A series of timber pieces are displayed within that envelope stressing the divorce between space and structure.


© José Hevia

© José Hevia

Their shape, size and material qualities suggest places to be lived-in, from the sheltered interior of a panelled room to the gathering central space of the house.


© José Hevia

© José Hevia

The story

This had been their place for the last 30 years. They used to live here with their children, though it’s been few years since the youngest one left. They were living alone with many empty small rooms still laid out as sons’ bedrooms. It was the typical flat from Sant Gervasi: 3 bedrooms, 2 bathrooms, flat ceilings, decent reception room with timber flooring, long corridors and separate maid-area with kitchen, bedroom, lavatory and service entrance. He enjoys cooking, but that dark kitchen was never thought for him to cook. The apartment was double-orientated: to the street (south) with large façade and generous windows and to the rear garden (north), however the internal maze of corridors and rooms prevented any sense of orientation and natural light to go through. They needed to remake their place.


Floor Plan

Floor Plan

They recently got retired and spend more time at home. The space now crosses diagonally the house bringing the sunlight from one end to the other. He can see the street from the kitchen. She enjoys the unexpected walkways along the façade and around the large timber cabinets. The house feels much broader. The sight finds no end. They have a small panelled guest room for their grandchildren. There is another space where they have a desk and a sofa bed. They now appreciate the beauty of the triangular shape of the space, they understand the sequence of smaller and larger settings that their life occupies; they have a sense of orientation, a sense of place.


© José Hevia

© José Hevia

http://ift.tt/2frvHmz

SOOK Architects Design a Spacious Home in Bangkok, Thailand

💙 Great Blue Heron Sunset on 500px by Patrick Davis…

💙 Great Blue Heron Sunset on 500px by Patrick Davis ☀  NIKON… http://ift.tt/29mX8Je

http://ift.tt/2fHCLK8

Fresh legal challenge won’t delay Brexit, Fallon claims – Politics live

Rolling coverage of all the day’s political developments as they happen

9.05am GMT

So it looks as if there could be a second legal challenge to the government’s decision to leave the EU. British Influence, the pro-European group, is arguing that while people voted in the referendum to leave the EU, that is not the same as leaving the European Economic Area (a slightly wider group, including three other countries in the single market but not in the EU), and it is threatening to go to court over the issue. My colleague Anushka Asthana has the details here.

Related: UK government faces legal challenge over single market

MPs and peers are having a say at the moment. We had a debate just last week on Brexit and how it affected the future in Britain. Ministers like David Davis, who heads the [Brexit] department, are regularly subject to questioning in the Commons. It is right that parliament should be involved in tracking the negotiations. But what we are not going to do is open up our entire negotiating hand, precisely because it concerns a lot of the complexities of the sort we are going to be discussing with the Polish delegation today.

There is no delay. We have already announced we are going to start the negotiations by triggering the famous article 50 next spring, and those negotiations are prescribed in the treaty lasting two years.

Continue reading…

Politics blog | The Guardian http://ift.tt/2gy59fq

Sacred Heart Cathedral of Kericho / John McAllen + Partners


© Edmund Sumner

© Edmund Sumner


© Edmund Sumner


© Edmund Sumner


© Edmund Sumner


© Edmund Sumner

  • Executive Architect: Triad Architects
  • Ltd
Contractor: Esteel Construction
  • Ltd
Multi Disciplinary Engineers: Arup (UK)

  • Structural Engineers: Eng Plan (Kenya)

  • Electrical And Mechanical Engineering: EAMS (Kenya)

  • Qs: Barker and Barton (Kenya)

  • Furniture Design: Studio Propilis (Kenya)

  • Stained Glass And Artwork: John Clark, Glasspainter (Germany)
  • Client: Diocese of Kericho


© Edmund Sumner

© Edmund Sumner

From the architect. Completed at the end of 2015, Kericho Cathedral is located in Kenya, approximately 250km South-West 
of Nairobi. It lies within the Highlands, west of the Great Rift Valley, enjoying magni cent views across tea plantations and surrounding hills. The Diocese was established in 1995 with a growing congregation and is led by the Most Reverend Bishop Emmanuel Okombo.


Site Plan

Site Plan

The Cathedral’s design creates a unique and sacred place for a congregation of 1,500 seated celebrants participating in the liturgy of the Roman Catholic Mass under one giant unifying roof. The strikingly inclined roof and its ascending interior volume – over 1,375 square metres in size – are the key characteristics behind its design.


© Edmund Sumner

© Edmund Sumner

Bishop Emmanuel was particularly concerned to widen the nave as it approaches the altar to maximise the congregation’s engagement with the celebration of the Mass and its climax, the Act of Communion. It opens completely along both transepts to promote natural ventilation and allow the congregation to leave the building at multiple points and expand onto the landscaped terraces and gardens.


© Edmund Sumner

© Edmund Sumner

The aspiration was to create a structure that integrated seamlessly with its landscape setting, in both aesthetic and functional terms. The Cathedral’s tiled-roof is now a distinctive form in the rolling panorama of Kericho’s hills and valleys.


© Edmund Sumner

© Edmund Sumner

The architectural challenge has been to ensure Kericho Cathedral embodied the Catholic liturgy and embraced its local congregation in a way that serves the Faith and the special qualities of its location and community. We believe our response is distinctive and universally welcoming.


Section

Section

Section

Section

The ascending vaulted volume contained under a vast roof fuses African and ecclesiastically historic references. Care has been taken to shape the Cathedral’s space and express the building’s structure – the stone plinth, simply articulated, arched concrete frames and timber-ribbed vaulting are exposed in a strikingly crafted and honest manner.


© Edmund Sumner

© Edmund Sumner

The building’s simple palette of natural materials honours the faith and frugality of this rural African community. With the exception of the glass sheets used by the stained-glass artist, all the materials, including the Cypress timber (grown in Kericho), which was used for the ceiling, doors and furniture, and the clay tiles in the roof, were locally resourced and fabricated. The ceiling was constructed from finger-jointed Cypress timber slats, designed to accommodate the high range of humidity of the local environment.


© Edmund Sumner

© Edmund Sumner

The granite used for the sanctuary was sourced from Kenya, and the soap stone used for the statues was sourced from the town of Kisii, located south of Kericho. The ooring was laid from the machine- cut Nairobi Blue stone.


© Edmund Sumner

© Edmund Sumner

The practice has been committed to the involvement of skilled artisan trades and the improvement of local skills throughout the construction period. Some of these skills were used in the artwork situated in and around the Cathedral such as the striking mosaic on display. In addition the use of craft skills has assisted in the design of the ecclesiastical pattern for the roof which was designed by John Clark and was installed by local labourers.


Ground Floor

Ground Floor

The complex geometry of the building was accommodated by an in-situ construction method specific to Kenya. The size of each structural frame required a complex pouring system for the concrete. The building’s cladding material was carefully selected as washed terrazzo, known for its self-cleaning attributes and was applied by hand. The Nairobi blue stone cladding of the podium was hand-dressed and fixed by local masons.


© Edmund Sumner

© Edmund Sumner

Buildability and the use of available local resources were key drivers for Kericho Cathedral. The project is designed to operate with modest energy, using natural daylight and few maintenance requirements. Its major impact in sustainability terms is therefore the materials with which it has been constructed, and the way they have been procured and managed through the construction process. Another key ambition was to minimise energy use, and consequently, reduce the building’s maintenance cost and obligations.

http://ift.tt/2gxQDnR

Alberto Burckhard + Carolina Echeverri Design a Tropical Home in Girardot, Colombia

Cinnamon Tower and Pavilion / Bolles + Wilson


© Christian Richters

© Christian Richters


© Christian Richters


© Christian Richters


© Mitja Schneehage


© Cordelia Ewert

  • Client: Groß & Partner Grundstücksentwicklungsgesellschaft mbH, Singapurstraße 1
  • Work Stage 5 Harbour Masters Building: SPINE Architects GmbH
  • Interiordesign Harbour Masters Building: DREIMETA, Armin Fischer
  • Work Stages 6 9: Construction management, LV Baumanagement AG
  • Structural Engineering: Ingenieurbüro Abel · Gebhart GmbH & Co. KG
  • Service Engineers: WINTER Beratende Ingenieure für Gebäudetechnik Hamburg GmbH

  • Building Physics: ITA Ingenieurgesellschaft für Technische Akustik mbH • Beratende Ingenieure VBI

  • Fire Protection: hhpberlin- Ingenieure für Brandschutz GmbH (Niederlassung Hamburg)

© Mitja Schneehage

© Mitja Schneehage

The Cinnamon tower was conceived as freestanding campanile – a pin on a piazza. This unexpected idea won the 2006 competition for the neo-gothic Harbour Masters Building and surroundings.


Site Plan

Site Plan

A tower was not anticipated in the competition programme, but the jury agreed that it anchors and at the same time leaves the only remaining historical building freestanding between the new megablocks of the ‘Overseas Quarter’.  


© Christian Richters

© Christian Richters

Slenderness is essential for a campanile. Over the course of its 8-year gestation this proportionality was respected – even while its function mutated from stacked restaurants to housing. The 13 x 16 m floor plan tapers towards the top. With a height of 56 meters the tower is 4-times higher than it is wide. 


Elevation

Elevation

Section

Section

How can such a thin chap be efficient?

The organisational answer is duplex apartments. Originally the concept foresaw seven apartments, each on 2 floors, a panoramic living deck on the upper level and bedrooms with punched windows below. Precise market analysis led to a variation of this formula: one triplex apartment at the top and some 1-floor apartments at lower levels. Built were ten apartments, four with 130 sqm, five with 185 sqm and one with 300 sqm. The tower has a gross floor area of 4.300 sqm and a volume of 16.000 cubic metres. At the ground level is a restaurant / commercial unit of 300 sqm.


© Cordelia Ewert

© Cordelia Ewert

Strict high-rise regulations demanded an escape route from every floor via secure escape stair. The possibility to clean every window from the inside was also a criterion to be met. The spectacular view over Hamburg’s skyline and of the New Elbphilharmonie should not be blurred by smudgy windows. Room-high windows on three sides of the living deck also allow the tracking of incoming cruise ships. 


Plan

Plan

Facade panels of anodized aluminium sheets in different gradations of dark red correspond to the patchwork of BOLLES+WILSON’s neighbouring 2008 pavilion, the first realized component of the Harbour Masters ensemble. In sunlight these aluminium panels take on colourful nuances while on cloudy days they assume a darker, more serious Paul-Klee like nuance. This is a building that changes its character according to the incidence of light, a new figure on Hamburg’s skyline. 


© Cordelia Ewert

© Cordelia Ewert

Product Description. The Facade panels of anodized aluminium sheets in different gradations of dark red correspond to the patchwork of BOLLES+WILSON’s neighbouring 2008 pavilion, the first realized component of the Harbour Masters ensemble. In sunlight these aluminium panels take on colourful nuances while on cloudy days they assume a darker, more serious Paul-Klee like nuance. This is a building that changes its character according to the incidence of light, a new figure on Hamburg’s skyline. 

http://ift.tt/2fDmaDU

Noordung’s Angel Edition bike has a battery that doubles as a boombox

Noordung Angel Edition electric bike

Electric bike manufacturer Noordung has designed a bicycle with a battery that charges phones on the go and functions as a backup speaker. Read more

http://ift.tt/2gxzlY5