Hexagons for a Reason: The Innovative Engineering Behind BIG’s Honeycomb


© BIG

© BIG

BIG are known for unconventional buildings that often raise the question “how were they able to do that?” Such is the case for BIG’s Honeycomb, a luxury eight-story condominium currently under construction in the Bahamas. The project’s hallmark is its hexagonal façade made up of private balconies, each with its own glass-fronted outdoor pool. The façade was also the project’s greatest engineering challenge, with each balcony (including pool water) weighing between 108,000 and 269,000 pounds (48,000-122,000 kilograms) while cantilevering up to 17.5 feet (5.3 meters) from the structure. Tasked with this challenging brief were DeSimone Consulting Engineers, who previously worked with BIG on The Grove. Read on for more detail on the Honeycomb’s innovative engineering.


Courtesy of DeSimone Consulting Engineers


© BIG


© BIG


Courtesy of DeSimone Consulting Engineers


© BIG

© BIG

Central to the Honeycomb’s design of is the use of a specially engineered concrete “superslab” which is able to cantilever over 17 feet without wall brackets below. This was achieved by reducing the slab’s weight while maintaining its strength and stiffness. As explained by Bill O’Simmons, the project lead at DeSimone, “to control deflection and reduce self-weight, 12-inch (300 millimeter) diameter tubes were embedded in a 17-inch (430 millimeter) thick conventionally reinforced roof slab.” These voids hollow out the slab, reducing its weight and increasing the section’s overall efficiency. This step also “eliminated the need for a post-tension slab, further reducing the overall weight and reducing the cost of the project.”


Courtesy of DeSimone Consulting Engineers

Courtesy of DeSimone Consulting Engineers

Courtesy of DeSimone Consulting Engineers

Courtesy of DeSimone Consulting Engineers

The balcony decks themselves are constructed from a 13-inch (330 millimeter) thick conventionally reinforced slab. What is especially clever, and what allows the slab to be kept at 13 inches, is that the slabs “fold down at the deepest point of the pool to align with the shear wall of the lower unit” for extra support.


© BIG

© BIG

© BIG

© BIG

Because of the staggered partition walls and varied façade, these shear walls sometimes connect to a structural column, acting “as a rigid bracket supporting the slab above and below.” At other junctions there is no column – here “the wall is not as stiff in these locations but still carries vertical load back to the column strip.” These 18-inch (450 millimeter) thick concrete shear walls not only increase structural support, but join into the sloped pool floors in order to form the hexagonal honeycomb structure.


Courtesy of DeSimone Consulting Engineers

Courtesy of DeSimone Consulting Engineers

Courtesy of DeSimone Consulting Engineers

Courtesy of DeSimone Consulting Engineers

While the depths of the cantilevers allow for plentiful outdoor space, the balcony’s utilities added further challenges. Both the summer kitchen and pool required a host of services, while also needing waterproofing and long-term serviceability. This meant the need for thoughtful detailing, with “nearly a dozen conduits that had to be carefully placed to get across the column strip and emerge on the sloped slab in the proper location”. The concrete shear walls were also once again utilised, with embedded pool drains serving as a path for balcony drainage.


© BIG

© BIG

Because of the Honeycomb’s innovative structural system, conventional materials were able to be used, but used carefully. As all the concrete in the building is conventionally reinforced cast-in-place concrete, special attention was paid to the concrete mixture itself. To ensure durability, “limiting initial soluble chlorides, providing a tight water-cement ratio, and additional concrete cover over the reinforcing steel were critical design measures.” Finally, for further protection, an integral waterproofing admixture and surface applied coating were also used.


Courtesy of DeSimone Consulting Engineers

Courtesy of DeSimone Consulting Engineers

http://ift.tt/2i6RfET

Wolf Architects Design a Contemporary Villa in Los Angeles, California

Super Villa by Wolf Architects (11)

Super Villa is a private residence renovated by Wolf Architects. It is located in Los Angeles, California, USA and was completed in 2014. Super Villa by Wolf Architects: “The site is on a rare flat area of what is actually a relatively hilly suburb, the overall land plot is a combination of two lots, one housed the original dwellings and the other was the neighbouring land previously used as a..

More…

Architecture on Instagram: The Best Shots of 2016

Instagram and architecture go together like milk and cookies—an irresistible combination in which one brings out the best of the other. As Instagram continues to add features to its globally appealing platform, we take a look back on the year’s most-liked photos posted to our ArchDaily account.

We posted 235 ‘grams that racked up over 2 million likes. Thank you for following. 🙂 

#9

//platform.instagram.com/en_US/embeds.js

#8

#7

#6

#5

#4

#3

#2

… and #1

#Oslo Opera House by @snohetta 👏🏻🇳🇴 #ArchDaily #architecture #iphonesia #instagood #norway @visitoslo

A photo posted by ArchDaily 🏠 (@archdaily) on Sep 21, 2016 at 2:23am PDT

Remember, you can tag your architecture photos with #archdaily. Here you can see over 1 million pics taken by the ArchDaily community.

We also invite you to follow the other accounts on the ArchDaily network!

ArchDaily HQ

The #ArchDaily #tiki bar in Spring 👌🏻🍹☀️ #humansofarchdaily

A photo posted by ArchDaily HQ (@archdailyhq) on Oct 7, 2016 at 2:13pm PDT

ArchDaily Brasil

ArchDaily México

ArchDaily en Español

Plataforma Urbana

http://ift.tt/2hMZGSU

AD Round-Up: 5 Monuments to Progress


Space Needle / John Graham & Company. Image Courtesy of Wikimedia user Rattlhed (Public Domain)

Space Needle / John Graham & Company. Image Courtesy of Wikimedia user Rattlhed (Public Domain)

Buildings, perhaps unlike any other art form or edifice, have a capacity to influence or become part of a place’s cultural identity and history. Defining an architectural monument is, however, an ambiguous exercise – most of their ilk only reach this status years after completion. AD Classics are ArchDaily’s continually updated collection of longer-form building studies of the world’s most significant architectural projects. Here we’ve assembled five structures and buildings which, often aside from original intentions, embody that most ephemeral feeling: a sense of progress.

Eiffel Tower / Gustave Eiffel (1889)

The world had never seen anything like the graceful iron form that rose from Paris’ Champ de Mars in the late 1880s. The “Eiffel Tower,” built as a temporary installation for the Exposition Universelle de 1889, became an immediate sensation for its unprecedented appearance and extraordinary height. It has long outlasted its intended lifespan and become not only one of Paris’ most popular landmarks, but one of the most recognizable structures in human history.

AD Classics: Eiffel Tower / Gustave Eiffel
//cdn.embedly.com/widgets/platform.js

Space Needle / John Graham & Company (1962)

The opening of the Century 21 Exposition on April 21, 1962 transformed the image of Seattle and the American Northwest in the eyes of the world. The region, which had been known until that point more for its natural resources than as a cultural capital, established a new reputation as a center of emergent technologies and aerospace design. This new identity was embodied by the centerpiece of the exposition: the Space Needle, a slender assemblage of steel and reinforced concrete which became—and remains—Seattle’s most iconic landmark.

AD Classics: Space Needle / John Graham & Company
//cdn.embedly.com/widgets/platform.js

Roman Pantheon / Emperor Hadrian (125)

Locked within Rome’s labyrinthine maze of narrow streets stands one of the most renowned buildings in the history of architecture. Built at the height of the Roman Empire’s power and wealth, the Roman Pantheon has been both lauded and studied for both the immensity of its dome and its celestial geometry for over two millennia. During this time it has been the subject of countless imitations and references as the enduring architectural legacy of one of the world’s most influential epochs

AD Classics: Roman Pantheon / Emperor Hadrian
//cdn.embedly.com/widgets/platform.js

Empire State Building / Shreve, Lamb and Harmon (1931)

Even in Manhattan—a sea of skyscrapers—the Empire State Building towers over its neighbours. Since its completion in 1931 it has been one of the most iconic architectural landmarks in the United States, standing as the tallest structure in the world until the Twin Towers of the World Trade Center were constructed in Downtown Manhattan four decades later.

AD Classics: Empire State Building / Shreve, Lamb and Harmon
//cdn.embedly.com/widgets/platform.js

National Congress / Oscar Niemeyer (1960)

The concept of a purpose-built capital city in the interior of the country dates back to Brazil’s independence from Portugal following the Napoleonic Wars, and was even enshrined in Brazil’s first Republican Constitution in 1891.[1] It was not until Niemeyer’s friend and patron Juscelino Kubitschek was elected president in 1956 that progress truly began in earnest.

AD Classics: National Congress / Oscar Niemeyer
//cdn.embedly.com/widgets/platform.js

http://ift.tt/2hslB48

Neue Direktion Köln / kadawittfeldarchitektur


© Jens Kirchner

© Jens Kirchner


© Jens Kirchner


© Jens Kirchner


© Jens Kirchner


© Jens Kirchner

  • Interior Design: kadawittfeldconsult
  • Landscape Design: GREENBOX Landschaftsarchitekten
  • Structural Design: AWD GmbH
  • Building Physics: TOHR Bauphysik GmbH & Co. KG
  • Cultural Technology: Fredersdorf Consult, Kühn Geoconsult
  • Fire Protection: Kempen Krause Ingenieure
  • Building Services And Electrical Engineering: Bähr Ingenieure,
  • Guidance System: kadawittfeldconsult
  • Project Management: HTP Hochtief Projektentwicklung / IBM Projektmanagement
  • Site Supervision And General Contractor: Bilfinger Hochbau GmbH

© Jens Kirchner

© Jens Kirchner

From the architect. With the conversion of the former railway head office, Cologne‘s cityscape has received a new landmark. The new roof design has led to the recreation of the historic mansard roof as well as the generation of terraces with views of the Rhine River that are set between the metal bands surrounding the roof storeys and the set-back office facades.


© Ralph Richter

© Ralph Richter

Diagram

Diagram

© Jens Kirchner

© Jens Kirchner

The former railway head office is on Konrad-Adenauer-Ufer immediately opposite the Rhine River and in immediate vicinity of Cologne’s main railway station, the cathedral and the city centre. The design takes into consideration the listed building, including the historic facade layout, and develops a contemporary solution for the mansard roof that was destroyed during the Second World War. Horizontal metal bands surround the four uppermost storeys and, owing to the angle of their fixture, trace the slope of the original roof, which characterised the silhouette of the cathedral city for many years before its destruction. The glass facades behind the horizontal bands do not follow the slope of the original roof but are perpendicular to the floor plates. This feature creates deep roof terraces in the surrounding space offering panoramic views across the city. The listed facade of the lower storeys is upgraded; the impressive historical entrance hall is rebuilt and incorporated into the new build. Three ground-level entrances on Konrad-Adenauer-Ufer provide the opportunity to divide the building into three rental areas. They all fulfil the requirements of modern flexible office space and offer different office layout concepts ranging from single cell units to business lounges.


© Jens Kirchner

© Jens Kirchner

Corporate architecture – Roof as a logo

The design takes the existing listed structure, including the historic facades, into consideration and develops a contemporary, modern solution for the pre-war mansard roof structure, which now forms a distinct contrast to the historic features below. Clearly separated from the listed structure by a shadow joint, the new facade of the roof extension appears as an independent, homogenous structure with a horizontal arrangement, lending the add-on a dynamic, elegant and transparent look.


Diagram

Diagram

Metal bands envelop the four roof storeys and trace the slope of the historic roof contours that characterised the Rhine River silhouette of the cathedral city for many years. The glass facades beyond the bands do not follow the original sloped roofline but are set perpendicular to the floor plates. This feature generates deep, much-appreciated terraces in the surrounding space offering panoramic views across the city. The symbiosis of old and new, together with the streamlined roof, leads to the creation of a new landmark in the cityscape, which has a visible impact on Cologne’s Rhine River panorama from afar. 


© Jens Kirchner

© Jens Kirchner

http://ift.tt/2iq57bm

Joel Jospe Architects Design a Private Residence in Ra’anana, Israel

House with Winery / ATX Architekti


© Ester Havlová

© Ester Havlová


© Ester Havlová


© Ester Havlová


© Ester Havlová


© Ester Havlová

  • Architects: ATX Architekti
  • Location: 678 01 Blansko, Czech Republic
  • Architect In Charge: Rostislav Jakubec, Štěpán Tomas
  • Area: 300.0 m2
  • Project Year: 2016
  • Photographs: Ester Havlová
  • Interior Designers: Tomáš Chuděj / ATX Architekti, s.r.o.
  • Building Solution : Radoslav Král / ATX Realizace Staveb, s.r.o.
  • Building Company : Tomáš Indra, Jaroslav Matonoha / ATX Realizace Staveb, s.r.o.

© Ester Havlová

© Ester Havlová

From the architect. Assignment and clients’ wish was to create a building that has a “roof”, is contemporary and unique and is not just another modern functionalist box …


© Ester Havlová

© Ester Havlová

Instead of transforming the traditional morphology of the house with traditional roof, which can be seen in different variants on adjacent estates, we deliberately chose an opposite approach, which allowed us to get rid of stereotypes in anticipation of what the house should look like. We decided to design it as an organically shaped object, which contains mass with functional interior layout, while the softly undulating roof plane is a loose copy of the line of hill Hořický located on the other side of the valley.


© Ester Havlová

© Ester Havlová

The simple interior layout is arranged around the transparent entrance area, situated in the approximate center of mass of the object. One of the most important requirements for design of the house was a large aquarium. During the search of final design, it occurred in different parts of the main living space. The last option, in which the aquarium is a part of the office and is directly connected to the living room, has proven the best and was subsequently implemented.


© Ester Havlová

© Ester Havlová

Floor Plan

Floor Plan

© Ester Havlová

© Ester Havlová

Indoor living space is extended to the exterior by sheltered terrace protected on three sides. This comfortable outdoor space immediately adjacent to the dining room and inserted into a space with unobstructed view of the landscape significantly extends the possibilities of the house and is often used by its inhabitants. The terrace is also ending the covered walkway that allows walking around the house with “dry feet” even in less favorable weather conditions.


© Ester Havlová

© Ester Havlová

While the house is a distinctive solitaire, the winery, which has relation to the professional life of clients, can easily be overlooked in the garden since it is mostly recessing under the ground. Just as in the case of the house, the interior of the wine cellar is extended by an outdoor terrace. This is left uncovered. It is protected from all four sides, thereby achieving maximum privacy while maintaining the necessary contact with the exterior, in this case with the sky.


Sections

Sections

© Ester Havlová

© Ester Havlová

Section

Section

Since the clients are very busy people, the assignment included minimization of burdening them with issues in the process of realization. Therefore, we did not only design the house, but we also completely realized it.


© Ester Havlová

© Ester Havlová

The vertical structure of the house is made from ceramic walls. Thermal insulation of facades is from thermal insulation composite system. Roof structure above the internal space of the house is made from prefabricated panels. Protruding parts of the roof are from wooden beams covered with Knauf AQUAPANEL® system. Garden winery is made from waterproof concrete, which is left exposed without surface treatment. Openings are solved with aluminum Schüco system and triple-glazed insulating windows. The building has very low energy consumption; it is evaluated as level B – very efficient.

Product Description: AQUAPANEL® Cement Board technology – delivers a complete revolutionized the design and construction of buildings across Europe. It is a building material with an extremely long life, which creates a massive and dry surface that can withstand extreme moisture and climatic influences. Cement sheets are easy to install and offer decisive advantages while minimizing installation costs.

We used AQUAPANEL® Cement Board in this project to create the facade and ceiling in the shaped part of the terrace. In this way, we acquired solid base for application of facade screed. Due to this technology, the final surface of the facade is uniform around the whole perimeter of the house, in spite of combining various structural systems.


© Ester Havlová

© Ester Havlová

http://ift.tt/2hn0Svj

Elizabeth Roberts Architecture & Design Creates a New York City Loft on Bond Street

Bond Street Loft by Elizabeth Roberts Architecture (9)

Bond Street Loft is a private residence renovated by Elizabeth Roberts Architecture & Design. It is located in New York City, USA. Bond Street Loft by Elizabeth Roberts Architecture & Design: “The Bond Street Loft occupies an entire floor of one of New York City’s original artists’ loft buildings in Manhattan’s Noho historic district. The 1,500 square foot loft was completely gutted to create a spacious two-bedroom home for a..

More…

European Council and Council of the European Union / Samyn and Partners


© Marie-Françoise Plissart

© Marie-Françoise Plissart


© Marie-Françoise Plissart


Courtesy of Georges Meurant


© European Union


© Marie-Françoise Plissart

  • Lead And Design Partner: Philippe SAMYN and PARTNERS sprl, architects & engineers. For the joint venture Philippe SAMYN and PARTNERS, architects & engineers, Studio Valle Progettazioni, architects, Buro Happold, engineers.
  • Design Partner: Dr Ir Ridder Philippe SAMYN, architect & engineer
  • Directors : Arch. Benedetto CALCAGNO, Åsa DECORTE, Arch. Thierry HENRARD, Arch. IrArch. Denis Mélotte (partners, Philippe SAMYN and PARTNERS sprl), Arch. Piera BISIGNANI (director, Studio Valle Projettazioni).
  • Pictural Integration (Colours): Georges MEURANT
  • Structural Engineering : Study phase: BURO HAPPOLD (Ir Nick GREENWOOD) with Philippe SAMYN and PARTNERS for the concepts (Dr Ir Philippe SAMYN).
  • Mep Engineering : Study phase: BURO HAPPOLD (Ir Steve Mc CLEAVE) with Philippe SAMYN and PARTNERS
  • Technical Control : SECO scrl/cvba

Courtesy of Georges Meurant

Courtesy of Georges Meurant

From the architect. The current building used for European Council and Council meetings – the Justus Lipsius – was planned in the late 1980s, when the EU had 12 member states, and is in use since 1994.


© Marie-Françoise Plissart

© Marie-Françoise Plissart

It was not conceived to host meetings of heads of state or government (they were organised away from Brussels at the time), nor for 27 or more member states.


© European Union

© European Union

Floor Plan

Floor Plan

© Marie-Françoise Plissart

© Marie-Françoise Plissart

 Since 2008, the number of meetings of Heads of state or government in the Justus Lipsius has doubled on average (from 4 to 8). In addition, since 2009, the JL hosts summits between the EU and third countries (e.g. EU-China, EU-Russia, etc.) 


© European Union

© European Union

 For each meeting of EU Heads of state or government, all other meetings have to be cancelled during three days (more than 20 meetings of experts, diplomats, etc. of the 27 member states take place each day in the Council premises).


© Quentin Olbrechts

© Quentin Olbrechts

http://ift.tt/2hrRF8k

AAK Villa / MORIQ


© Riyazuddin Quraishi

© Riyazuddin Quraishi
  • Architects: MORIQ
  • Location: Amwaj Islands, Bahrain
  • Architect In Charge: Riyazuddin Quraishi, Simeen Quraishi
  • Area: 977.0 m2
  • Project Year: 2016
  • Photographs: Riyazuddin Quraishi
  • Interior Designer: CREATIVE LIVING
  • Civil Contractor: Sirajuddin Khalid, Ghumais Company

© Riyazuddin Quraishi

© Riyazuddin Quraishi

From the architect. This being an ocean facing plot, the client’s top most priority was the sea views, with lot of prominence to entertaining family and guests. He is also a good cook and wanted all extra kitchens (tepanyaki) and dining areas to be planned on the top most level as well to enjoy the views of the waters. The Master suite had to be well-equipped, multi-functional, multi-spatial, area with the best view of the ocean. The architecture and interior spaces had to be modern, technologically advanced and seamless. The Interior spaces should be flexible (as in open spaces to become private and vice versa). Privacy from neighbors and roads was a priority. This home is designed on a linear plot with attached homes on south and north sides and is opening to the sea on the west side and the road on the east side. Because of its location, it comes under high value properties of Amwaj, Bahrain. The plot covers 809.2sqmts and the total built up is977sqmts.The two side boundary walls looked like two imposing retaining walls and the home had to be designed within these walls. Because of the attached home layout covers the built up space could touch the two longer sides (south and north boundary walls) without any windows (so no light and ventilation) and views either. 


© Riyazuddin Quraishi

© Riyazuddin Quraishi

Taking this as challenge the whole layout was directed towards the views of the ocean (west). Further we envisaged volumes of cubes placed randomly and intersecting with cutouts, water bodies, courtyards and skylights suspended within these two boundary walls. Two Internal courtyards were created with skylights to compensate for the lack of setbacks on south and north. The walls whole layout was planned with unhindered space movement.  This way every room is ensured views of the sea, great light and ventilation. There are three floors with couple of bedrooms for family and friends and great lounges, dining and eating spaces as the owner is a passionate cook.


© Riyazuddin Quraishi

© Riyazuddin Quraishi

 The home is planned on 3 levels with two entrances, entry one facing east and entry two facing south both leading to same level with Landscape and car parking in the front and Formal lounge, kitchen and dining in the main area on the ground floor. An infinity swimming pool with Jacuzzi and wooden deck are planned on the rear of the building facing the ocean. The First floor consist of two bedrooms with a cut out in the center and the passage connecting the two and lavish Master suite with personal plunge pool, bath tub, lounge area with pantry and large opening towards ocean. Master bedroom is more like a (suite) personal apartment where in all needs of family should be met with collapsible shutters (flexibility). It has a lounge opening to a courtyard, pantry (equipped with coffee vending machine, moveable, hot plate, refrigerator etc) , plunge pool , free standing stalls of W.C and shower (not to hinder the views) etc. 


© Riyazuddin Quraishi

© Riyazuddin Quraishi

© Riyazuddin Quraishi

© Riyazuddin Quraishi

Second floor consists of two bedrooms, lounge area along with bar and dining area with partition.The pantry consists of cabinets along with customized moveable chimney tepanyaki projecting from wall and seating at the terrace on the front.All three levels are connected by means of a staircase and a lift.The focal point of this villa is the view of ocean from all the level which is on the rear.Specks of colors are used in customized furniture and artifacts only keeping the basic canvas neutral (in grays and whites). Natural grey stones are used for the flooring, and one side walls are cladded with Silver grey Travertino, whereas the ceiling are in pristine white and wooden in some accented area. Partly wooden steps with LED strips running on risers and threads are designed for the staircase. The cut out in the center connecting all three flows brings in a lot of natural light. Every room has visual and physical access to the outside. Furniture is from Italian brands. Rugs and lamps are all handpicked. A lot of old Bahrain streets images were used as Art on walls. As mentioned earlier the emphasis was more on scale, proportions and integration rather than on decoration. 


© Riyazuddin Quraishi

© Riyazuddin Quraishi

Product Description. One of the principal materials used in the house is the silver grey travertine which runs along the entire south/north wall covering the total height of two levels.  The same materials also shows externally extending out from the open skylight and thereby tightly links the inside with the out.


© Riyazuddin Quraishi

© Riyazuddin Quraishi

http://ift.tt/2hmfoTW