Project of the Month: Tangshan Organic Farm


Courtesy of ARCHSTUDIO

Courtesy of ARCHSTUDIO

The design of industrial architecture presents a considerable challenge, since certain factors such as the industrial workflow and the conditions for the workers and machinery provide the guidelines for the development of the project. However, in many cases, industrial projects are designed without further exploration in terms of materials or construction systems, aiming simply to comply with regulations.

This month we want to highlight the Organic Farm in Tangshan by Chinese firm ARCHSTUDIO, a project in which an interesting structural and conceptual exploration results in a new industrial architectural intention, and which also generates new public spaces to promote a relationship with the nearby community through the construction.

Read on for our interview with ARCHSTUDIO about this Organic Farm.

The concept of “translucent space,” and the materials you selected, are an interesting choice for a project of industrial character. Can you tell us more about these decisions in terms of spatial organization and the materials used?

The research we made at the initial design stage finds that early grain mills originated from farm houses. With agricultural development, food processing machinery becomes more and more sophisticated, and housing spans became wider and wider, and small mills gradually evolved into industrial factories. But this kind of factory is often a dull and boring industrial building, and interior and exterior are completely separated. The design of a space should make people who work there happy. Therefore, we hope this organic farm maintains the feelings of a farm home, while providing a large span to meet the needs for food processing. These considerations naturally bring the idea of a courtyard-style building and natural wood structural materials. In addition, organic food emphasizes the nature of ingredients, free of chemical fertilizer, and this characteristic of the food and brand image can be enhanced through the impression of space.


Courtesy of ARCHSTUDIO

Courtesy of ARCHSTUDIO

Courtesy of ARCHSTUDIO

Courtesy of ARCHSTUDIO

Could you tell us more about the decision process for the composition of the building? In the process model image you show some different layouts before deciding upon the “grand courtyard” building, but always looking to the Siheyuan courtyard house typology.

We considered different building module units during the process, as well as different ways to combine them. These modules included square, rectangular and slope units. Some plan compositions were arranged according to the area that each part of the building needed. The design needs to create a working atmosphere in a vast field. Our original idea was some scattered buildings, like those in a small village. But this approach would have been too fragmented, which is not good for management. Afterwards, we intended to design this farm in both a scattered and gathered way. With this intention, we chose 2.1 meter, 4.2 meter, and 8.4 meter frame structures, and made a concept that created a space with various spans in one sloping roof, and all these are based on the prototype of the Siheyuan typology.


© JIN Wei-Qi

© JIN Wei-Qi

How did this decision about using the Siheyuan typology in the design composition help the internal workflow of the program?

The Siheyuan is a type of architecture which is enclosed on four sides, opening to the courtyard on the inside. In this design, the raw grain storage room is in the north, the grinding mill and oil pressing workshop are in the east and west, and the packaging area is in the south; these simply correspond to the working process from raw materials to packaging. Each of the four factories has an independent exit for vehicular transport and also has an exit facing the central courtyard, which is used as the grain-sunning ground.


Courtesy of ARCHSTUDIO

Courtesy of ARCHSTUDIO

What is the contribution you were looking to add to the community?

The farm is open and approachable from the surroundings. We hope that it is not only a factory, but also a “garden” for leisure. People can relax and have fun in the open external corridors and different-sized landscape courtyards. Many workers in the farm are locals, so we hope that the house brings them a warm feeling and becomes a place with collective memory.


Courtesy of ARCHSTUDIO

Courtesy of ARCHSTUDIO

What is the routine of the farm and what kind of equipment do they use?

At present the farm mainly makes some organic foods, including flour, millet, peanut oil, soybean oil, sesame oil and so on. The main processing periods are in the spring and autumn. The owner recently added a brewery into the raw grain storage room. Some old equipment was brought here from Sichuan, and the first batch of brewed liquor has been completed and stored. The farm is equipped with some small processing equipment, such as a grinding machine, oil pressing machine and so on.


Courtesy of ARCHSTUDIO

Courtesy of ARCHSTUDIO

© JIN Wei-Qi

© JIN Wei-Qi

How does the ventilation and light work inside the buildings?

Ventilation is one of the important considerations while designing, because processing workshops generate dust. Our solution was to combine natural ventilation with mechanical exhaust. There are high windows on the walls, and their positions were designed with the consideration of airflow movement, so they are good for ventilation. There are also vents under the eaves and at the top of walls, so hot air rises to cause air circulation which is suitable for food storage. The polycarbonate panel walls have good light transmission performance, which endows the working space with a soft lighting environment.

Tangshan Organic Farm / ARCHSTUDIO

36 From the architect. The project is located in the farmland on the fringe area of Guye district, Tangshan. Villages and houses are scattered around. The site is a rectangular flat land covers an area of 6000m².

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Half Roof House / AD+ studio


© Quang Dam

© Quang Dam


© Quang Dam


© Quang Dam


© Quang Dam


© Quang Dam

  • Architects: AD+ studio
  • Location: Vietnam
  • Architects In Charge: Nguyễn Đặng Anh Dũng, Lê Thị Hồ Vi
  • Design Team: Âu Ý Nhiên, Bùi Thanh Sang, Nguyễn Hữu Thể Trang, Nguyễn Văn Trung, Võ Đình Huỳnh, Vũ Anh Tuấn
  • Area: 150.0 m2
  • Project Year: 2016
  • Photographs: Quang Dam
  • Constructors: Trần Đáp, Phạm Xuân Trường

© Quang Dam

© Quang Dam

From the architect. For the first time coming here, we have the feeling about the depth of an “aged” house which is filled with its owners’ habit and memories from the very first years after Liberation.


© Quang Dam

© Quang Dam

The owners are a retired couple who want to renovate this house into a more spacious place to enjoy time with their children and grandchildren, particularly in some special occasions like TET. The old house is built on a weak ground and located in a local officers’ resident.


Diagram

Diagram

As time gone by, city replaces towns; new houses replace the old ones. However, this two semi-detached house has managed to preserve their original form after several restorations, not perfectly but adequately to keep the spirit of a traditional Southern houses. The combination in this two semi-detached house has put a silent note on the neighborhood’s transformation trend.


© Quang Dam

© Quang Dam

Design method is to keep a half of the existing roof and the gutter in order to remain the harmony for the whole scene and the spirit of a Southern house. From this, the “HALF ROOF” language is applied for the back block to make the uniformity for the building. The forming language beginning from the existing house will make the house modern but familiar. The old structure is handled in a new way; the columns under gutter are retreated, steel structure is used to make a 5-meter span, which creates a completely opening space, the inner and the outer of the house which are separated by slide doors are connected through this space. Trees are put into groups which cover the lodge. These help the house’s owner preserving their living habit under the porch, around the garden but in a generous and contemporary building.


© Quang Dam

© Quang Dam

Materials, jardinières and furniture taken from the old house are selected, redecorated, reused, and cleverly organized to put back to the new house in the combination with several new parts. As a result, the memories of this house, this street, and of those who has lived here are maintained.


© Quang Dam

© Quang Dam

This construction is located in the countryside of Vietnam where the living style and habit of the residents thereby have been changing due to the impact of the city living style. The new construction at present creates more closed space which is designed to be clear, lightning and filled with amenities but destroy the relationship among people. Accordingly, the living habit of the local residents follows the trend toward closed environment.


© Quang Dam

© Quang Dam

In this house, we desire to preserve the great value, hospitality, “open” way of living of the residents living in the river region: the way they share feelings to each other and to the living environment; the way they care for each other; the way they open the door to welcome visitors or the way they open their heart.

Open house, open hearts.


© Quang Dam

© Quang Dam

Product Description. With the limited budget, most of the old house’s recyclable materials are reused: patterned tiles are cleaned and utilized for tiling the living room’s floor, old roof tiles of the subordinate space are for decorating the culinary ceiling, the mezzanine structure frame and planks are reused for the new upstairs, the old laths, battens of the roof have become the porch louvers.


© Quang Dam

© Quang Dam

Local materials are used for other parts of the building so that the shipping cost is saved and the local atmosphere is created for the house: the clay tiles, mortar coating in combination with trees, terracotta block tiles for lighting, firewood becoming lighting screen of the structure frame. The new building still keeps most of the living style as well as the memories of its owner through the way of selection and reuse of old materials.

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Office OU Designs New National Museum Complex Master Plan in South Korea


Courtesy of  Office OU

Courtesy of Office OU

Chosen from 81 entries, Toronto-based design firm Office OU has been announced as the winner of South Korea’s International Competition for the National Museum Complex Master Plan of the New Administrative City (Sejong City). As a proposed self-sustaining city of 500,000 people, Sejong City will serve as South Korea’s administrative city, transferring multiple national government functions from Seoul. The Museum Gardens will amplify the cultural landscape of South Korea’s new metropolis. 


Courtesy of  Office OU


Courtesy of  Office OU


Courtesy of  Office OU


Courtesy of  Office OU


Courtesy of  Office OU

Courtesy of Office OU

Promoters for the competition described the projects as, a world-class cultural complex that will be on par with Berlin’s Museuminsel, Vienna’s Museumsquartier, and Washington D.C’s Smithsonian museums.


Courtesy of  Office OU

Courtesy of Office OU

Museums for architecture and the city, design, natural history, and Korea’s archival traditions and Office OU’s National Children’s Museum contribute to the almost dozen museums that will be built on the site. At 190,000 square meters, Office OU’s master plan was inspired by its surrounding environment —including rice paddies, wetlands, forests, and riverbanks — all organized around a central square. Each museum will be influenced by its adjacent landscapes, guiding the design of the courtyards. 


Courtesy of  Office OU

Courtesy of Office OU

Courtesy of  Office OU

Courtesy of Office OU

The architecture is not iconic, Office OU principal Uros Novakovic stresses, it’s a permeable, space framing device that allows the unique landscapes to be more fully experienced.


Courtesy of  Office OU

Courtesy of Office OU

The master plans also draw from the traditional palace architecture of Korea’s Joeseon Dynasty, in addition to creating an organic integration of nature and architecture. This strategy is exemplified by the landscape of the Children’s Museum, which allows children to play and adventure within the space. Similarly, the Archives Museum will be nestled in a mountainous environment, creating a secluded identity, while the Architecture Museum is distinguishable in an urban landscape.  


Courtesy of  Office OU

Courtesy of Office OU

Courtesy of  Office OU

Courtesy of Office OU

News Via: Office OU

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Is Arch has Unveiled the Winners of its ISArch Awards for Architecture Students


Courtesy of Is Arch

Courtesy of Is Arch

Is ARCH has announced the winners of the seventh edition of the ISArch Awards, an international award competition for students of architecture. In an effort to provide students with a “gateway to the professional and corporate world,” the competition calls for students to engage in dialogue and debate within the framework of their university studies. 

The three winners of the seventh IsArch Awards are:

First Prize: Delta Reconfiguratoria / José Alberto González Martín; Spain


Courtesy of Is Arch

Courtesy of Is Arch

The Ebro Delta is disappearing because of sea level rise due to climate change and the lack of sand coming from the mountains due to over construction of reservoirs. This project proposes a temporary low-tech industrial overlay made of traditional knowledge and local materials and techniques that will let Nature itself draw a new productive delta and restore balance.

Second Prize: No man’s land / Orit Theuer; Academy of Fine Arts Austria


Courtesy of Is Arch

Courtesy of Is Arch

Regarding the Israeli-Palestinian Conflict, this law is a powerful political tool to prevent a union between two peoples. I interpret this lack of status and the gaps in the legal system as a socio-political No-Man’s-Land. With the architecture I want to discuss the role of borders and walls through materiality and through the site. The veil represents the metaphysical border between two people. This border gets dissolved by lifting the veil in the wedding ceremony. The changing geometry of the cloth represents the vagueness of the border and the changing power relations.

Third Prize: Explorative Synergy / Stephan Ritzer; Universtiy of Applied Arts Austria


Courtesy of Is Arch

Courtesy of Is Arch

Education guides us towards our collective and individual future. This project combines a Kindergarten and cognitive research center into a prototype, exploring, discussing, and playing with novel pedagogic concepts, which extend our supporting capabilities for fostering all children based on their individual talents.

News and project descriptions via Is Arch.

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NorthEdge / Perkins+Will


© Lara Swimmer

© Lara Swimmer


© Lara Swimmer


© Lara Swimmer


© Lara Swimmer


© Lara Swimmer

  • Architects: Perkins+Will
  • Location: Seattle, WA, United States
  • Architect In Charge: Kay Kornovich, Erik Mott, Gavin Smith, Ed Palushock, Nathan Williams
  • Area: 210.0 ft2
  • Project Year: 2016
  • Photographs: Lara Swimmer
  • Client : Touchstone Corp
  • General Contractor: Lease Crutcher Lewis
  • Structural + Civil : Magnusson Klemencic Associates
  • Electrical Design Build Contractor: Prime Electric
  • Hvac/Plumbing Design Build Contractor: Bellevue Mechanical
  • Mep Design Engineer: Glumac
  • Mechanical: Glumac
  • Energy Consulting + Energy Modeling: Glumac
  • Geotechnical: Associated Earth Sciences
  • Landscape Architect: PFS Studio
  • Environmental Graphics: Studio SC

© Lara Swimmer

© Lara Swimmer

NorthEdge is a 208,000-square-foot hi-tech office space in Seattle, Washington’s Wallingford neighborhood.


© Lara Swimmer

© Lara Swimmer

It’s design inspiration came from the adjacent Gasworks Park, which was former home to the city’s municipal gas works. The park today contains much of the original 1900s machinery. The rustic and modern materials selected for NorthEdge harmonizes with materials found at the park to celebrate the area’s industrial past. 


Diagrams

Diagrams

Perkins+Will’s design approach focuses on a single four-story building with stepped forms and natural coloration to enhance and transform a site that, until recently, was a derelict and contaminated brownfield. 


© Lara Swimmer

© Lara Swimmer

The building is organized around a 38-foot wide central outdoor court comprised of a series of small roof terraces and walkways that step down the site toward the lake. Developed on a challenging 60-foot terrace, Perkins+Will’s design strategically stacks all four floors of the building along the grade to take advantage of nearby views. The lobby creates a multi-story link that is highly transparent to frame views for pedestrians who also have access to a public roof terrace. 


Section

Section

The building is certified LEED-Silver by the U.S. Green Building Council. The construction phase included substantial water conservation and clean up to improve water quality in the near and long-term


© Lara Swimmer

© Lara Swimmer

Product Description. One of the principal materials used on this project was weathered steel (A606), often referred to by its trademark name Cor-Ten. The panels were pre-weathered off-site for six months and used in a rainscreen application. Thoughtful detailing sought to minimize oxidation run-off including providing sill flashing with river rock to help filter any residue. 


© Lara Swimmer

© Lara Swimmer

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PLH Arkitekter Wins Rail Baltica Competition with Arch-Inspired Infrastructural System


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

PLH Arkitekter has been announced as one of two winners in the international design competition for Rail Baltica, organized by The European Railroad Lines, Ltd. As a part of the European transport network, Rail Baltica will be a multi-modal public transport hub in the Latvian capital of Riga, with a railway bridge crossing the Daugava River. 

The focal point of the project will be a train station building “that creates a strong visual identity in the cityscape, strengthening the sense of Riga as a metropolis.” Inspired by the archetypal form of the arch and the Art Nouveau period, the building will feature canopies that resemble arched fern leaves. On the north side of the building, the canopy shape allows for a unique view over the historic city, ideal for travelers entering or leaving the city to create a strong sense of place.


Courtesy of PLH Arkitekter


Courtesy of PLH Arkitekter


Courtesy of PLH Arkitekter


Courtesy of PLH Arkitekter


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Throughout the building, geometric features, symmetry, and repetition will enhance wayfinding and maintain orientation throughout travel.


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

The project additionally features two new train tracks that run parallel to existing tracks and over a new bridge . The architects explained that it will be “designed with a light and floating expression. To maintain the relationship between the old and the new, the bridge has a varying cross section that emerges on the underside of the bridge, with a rolling, wavy line that refers to the large arch construction of the old bridge. The new bridge is designed with integrated bicycle and pedestrian paths, creating a better connection along the rails and across the Daugava.”


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

A sew sequence of green urban spaces will also be included in the project, in order to “remedy climate challenges by creating better micro-climates in the city, and improving air quality, thermal comfort, biodiversity, stormwater management, and preventing urban heat islands.”


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

The Baltic Rail project not only has the potential of becoming an iconic, significant and beautiful gateway to Riga – but also to be an engine for the further development of the city, said Steen Enrico Andersen, partner at PLH and leading architect for the design proposal. The central station, the connected station area, and the adjacent infrastructure hold great potential to be much more than just infrastructure – becoming an important city hub with a strong visual identity in the cityscape in a modern sustainable urban development.


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

News via PLH Arkitekter.

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Farm Grubbehoeve / Jeanne Dekkers Architecture


© Holly Marder

© Holly Marder


© Holly Marder


© Holly Marder


© Holly Marder


© Holly Marder

  • Architects: Jeanne Dekkers Architecture
  • Location: Dalestraat, 6262 Banholt, The Netherlands
  • Architects In Charge: Jeanne Dekkers, Anton Zoetmulder, Elise Zoetmulder
  • Area: 800.0 m2
  • Project Year: 2016
  • Photographs: Holly Marder

© Holly Marder

© Holly Marder

Jeanne Dekkers Architecture redeveloped  a existing L-shaped farm in the hilly countryside of Limburg into a residential home with studio, exhibition hall, holiday accommodation and a carport. The authentic shape of the carre-farm is restored in a contemporary way. The carre is a farm which encloses  an inner courtyard; a typology often found in the Province of Limburg. By means of a horizontal  façade of larch wood, starting from the old farm into a new carport and closing the courtyard, the carre shape is restored. 


Sketch

Sketch

Ground Floor Plan

Ground Floor Plan

This new heart has become an essential part of the internal experience of the whole complex. A non-symmetrical composition of anthracite concrete and Belgian block stone combined with local and native vegetation determines the format of this enclosed outdoor area. The height difference is visible by means of a water system which flows in through the courtyard ending in a round basin. In the complex, the old horse stable is transformed into a light and modern living space with an office. Two large openings, made of Iroko wood, frame the landscape and let light inside. In the middle of the building a stainless steel core is placed, it contains the kitchen, bathroom, toilet and storage. Two round wooden stairwells connect the ground floor with the second floor. The new intermediate floor consists of large oak beams with an aoak floor. The old characteristic beams remain in sight, at the same time, the whole roof and all walls are insulated. The original shed has been converted into a spacious studio with a large round skylight, this space can be used for exhibitions and meetings.


© Holly Marder

© Holly Marder

This project is a collaboration between architect Jeanne Dekkers and her son Anton Zoetmulder (architect) and daughter Elise Zoetmulder (designer). For the design they employed a wide research of the environment and its scenic and architectural history. As a result, the modern design seamlessly joins with the local landscape and small-urban context. In addition, the traditional qualities of the area are highlighted by the historical shape of the building and the use of authentic materials.


© Holly Marder

© Holly Marder

Axonometric

Axonometric

© Holly Marder

© Holly Marder

Product Description. Throughout the entire project we found collaboration with local artisans, and we used locally available materials and techniques. Sustainable materials of high quality were used and the house was built according to the sustainable principles of a passive house. Also materials were reused in different ways; the old steel ledgers of the intermediate floor are reused as construction of the new terrace, the roof tiles are used for an artistic pavilion in the landscape and the removed bricks are used for a new gate for the landscape.


© Holly Marder

© Holly Marder

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A Look at London’s New Design Museum Through the Lens of Luc Boegly & Sergio Grazia


© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

With the opening of the new Design Museum in London, the former Commonwealth Institute building designed by RMJM in 1962 has been given a new lease of life. With an exterior renovation by OMA and Allies & Morrison, and interiors by John Pawson, last month the building reopened after a fourteen-year closure—finally offering the public a chance to experience the swooping paraboloid roof from the inside. Read on to see photographs of the Design Museum’s new home by Luc Boegly & Sergio Grazia.


© Luc Boegly & Sergio Grazia


© Luc Boegly & Sergio Grazia


© Luc Boegly & Sergio Grazia


© Luc Boegly & Sergio Grazia


© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

© Luc Boegly & Sergio Grazia

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_naturehumaine [architecture+design] Transforms a 1930s Home in Montreal

Canari House by _naturehumaine [architecture+design] (14)

Canari House is a private residence renovated by _naturehumaine [architecture+design]. It is located in Montreal, Canada and was completed in 2016. Canari House by _naturehumaine [architecture+design]: “An athletic young couple wants to transform a fourplex to create their primary residence, while maintaining a rental unit on the first floor. The existing part of the house, dating from the 1930s, is restored on the street side, and the attached garage is..

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Physical Education Ground of Saint-Paul Gardens / NP2F


© Antoine Espinasseau

© Antoine Espinasseau


© Antoine Espinasseau


© Antoine Espinasseau


© Antoine Espinasseau


© Antoine Espinasseau

  • Project Owner: City Hall of Paris – DJS
  • Cost: €250,000 excl. tax

© Antoine Espinasseau

© Antoine Espinasseau

From the architect. The Physical Education Ground of Saint-Paul Gardens meets the new sportive program which stems from the participative budgets vote, and offers a wide range of sports in the heart of Saint-Paul area in the 4th district of Paris.


© Antoine Espinasseau

© Antoine Espinasseau

The French studio NP2F architectes dedicated itself to organize the project in reflecting the place force: its own characteristics (the Philippe August enclosure bordering the field), its aesthetic appearance (a unique site-specific colorimetry), and its long morphology.


© Antoine Espinasseau

© Antoine Espinasseau

The main idea of the project was to develop and characterize the ground, about 3,000 m2, by making it more efficient and functional in terms of optimal use for game and sport.

To do so, the studio NP2F put into place a sport ground (toping) made of yellow, white, and black aggregates overall the Physical Education Ground. Then, the agency made up the sport areas: the existing 100m running track with a basketball court, a volley/tennis court, a football field at 5, and a sport initiation space for young children.


Axonometric

Axonometric

To organize the practices, while leaving the most open spaces to each other, the studio put ball impact guards divided by 2 pitches, and sport furniture on this large ground.


© Antoine Espinasseau

© Antoine Espinasseau

Delimited by an octagonal ball impact guard of 6m high, the sport initiation space for toddlers allows the children to discover sport and to awaken with a climbing hill, balance rods, gymnastic rings, a basket for basketball (170cm high) and 3 punching bags.


Plan

Plan

Fully derived from their previous works on urban sport spaces, this operation promotes a decompartmentalization of sport spaces for the town and revendicates a strong and vernacular aesthetic for each one, in a particularly constrained location.


© Antoine Espinasseau

© Antoine Espinasseau

The specific furniture required for practicing is combined with a more neutral equipment (concrete bench, metallic arch) which leaves infinite and undefined beforehand opportunities to the sport practitioners.

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