Woodland Elementary School / HMFH Architects


© Ed Wonsek

© Ed Wonsek


© Ed Wonsek


© Ed Wonsek


© Ed Wonsek


© Ed Wonsek

  • Architects: HMFH Architects
  • Location: Milford, MA, United States
  • Architects In Charge: Laura Wernick, FAIA; Matt LaRue, AIA; Robert Williams, AIA
  • Area: 132500.0 ft2
  • Project Year: 2016
  • Photographs: Ed Wonsek
  • Client : Town of Milford, MA
  • Owner’s Project Manager : NV5
  • Construction Manager: Shawmut Design and Construction
  • Landscape Architect: Crosby Schlessinger Smallridge, LLC
  • Structural Engineer: Foley Buhl Roberts & Associates Inc.
  • M/E/P, Civil, Energy Modeling Engineers: Garcia Galuska DeSousa Consulting Engineers, Inc.

© Ed Wonsek

© Ed Wonsek

HMFH Architects worked closely with educators to develop the concept for this new grade 3-5 elementary school. The educational program for the school is built around a team teaching methodology and inclusionary instruction that makes use of directed learning, small group activities, skill building, individualized instruction, and project-based learning as well as other techniques to ensure that the needs of each student are addressed. This is reflected in the design that features a series of shared spaces and small learning communities for the school’s 985 students. 


© Ed Wonsek

© Ed Wonsek

© Ed Wonsek

© Ed Wonsek

Reinterpreting the predecessor Woodland School’s open plan concept, the new school is organized around grade-level learning. Each grade occupies one floor in the academic wing, grouped into three smaller clusters of six classrooms with a learning commons just outside the classrooms. These common areas, including a media space, amphitheater, circular storytelling rooms and an array of project areas, encourage a range of flexible teaching approaches. Educators can easily shift from classroom environments to large-group events, team projects, and small-group work sessions in the adjacent learning commons. Sinks and flexible furniture are included within the project areas to support “messy” hands-on activities. 


© Ed Wonsek

© Ed Wonsek

The school’s flexible academic wing was also designed for Woodland’s approach to differentiated instruction and RTI (Response to Intervention), in which students of differing abilities work in smaller groups in shared, small-group spaces next to pairs of classrooms. These small rooms are visible from the adjacent classrooms and allow students to stay near their “home base.” 


© Ed Wonsek

© Ed Wonsek

Courtesy of HMFH Architects

Courtesy of HMFH Architects

Bookending the three-story academic wing are two wings housing core and community spaces: a dining/arts wing, which houses a cafeteria/performance space with stage, kitchen, music rooms, art rooms, a STEAM room, a viewing balcony, and administrative offices; and an athletic wing, containing a gym and a multipurpose wellness center. 


© Ed Wonsek

© Ed Wonsek

The new Woodland Elementary School has allowed the Town of Milford to address several critical facility issues, including realignment of town-wide grade configuration that reunites grades 6-8 in a single middle school, first-stage implementation of a new district-wide educational technology program, and accommodation of a growing elementary-aged population. The new school was constructed adjacent to the existing school, which allowed students to safely attend school without disruption while the new school was built. 


© Ed Wonsek

© Ed Wonsek

Product Description. The three-story academic wing is primarily clad with a concrete panel rain screen system. The concrete panels, in an 8-inch horizontal plank configuration, complement the brick masonry employed on the two-story ‘dining/arts’ and ‘athletic’ wings on either end in its range of texture and subdued color tones, as well as in its durability. The lightweight application and thinness of the product allow the panels to freely wrap the fold-out faces of classroom bay windows at the academic wing. Because of the directionality of the bay windows, the concrete panels are the most visible component of the façade until closer approach reveals bright colored panels in the fold of the bay windows, creating an element of surprise.  


© Ed Wonsek

© Ed Wonsek

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Herzog & de Meuron’s Elbphilharmonie in Hamburg Photographed by Iwan Baan


Exterior. Image © Iwan Baan

Exterior. Image © Iwan Baan

The Plaza of Herzog & de Meuron’s Elbphilharmonie has opened to the public. The concert hall’s observation deck, located 37 meters (121 feet) above ground level, is designed around a public square concept and is accessed via a 82 meter (269 foot) long, curving escalator, providing visitors to panoramic views of the city and harbor.

To mark the event, the Elbphilharmonie has released a new set of photographs by Iwan Baan, showing off the newly completed interior spaces. The full building is set to officially open to the public on January 11 and 12, 2017.


Rooftop. Image © Iwan Baan


Grand Hall. Image © Iwan Baan


Plaza. Image © Iwan Baan


Plaza. Image © Iwan Baan


Exterior. Image © Iwan Baan

Exterior. Image © Iwan Baan

Plaza. Image © Iwan Baan

Plaza. Image © Iwan Baan

Plaza. Image © Iwan Baan

Plaza. Image © Iwan Baan

Rooftop. Image © Iwan Baan

Rooftop. Image © Iwan Baan

Plaza. Image © Iwan Baan

Plaza. Image © Iwan Baan

Grand Hall. Image © Iwan Baan

Grand Hall. Image © Iwan Baan

Grand Hall Foyer. Image © Iwan Baan

Grand Hall Foyer. Image © Iwan Baan

Grand Hall Foyer. Image © Iwan Baan

Grand Hall Foyer. Image © Iwan Baan

Grand Hall Foyer. Image © Iwan Baan

Grand Hall Foyer. Image © Iwan Baan

Tube. Image © Iwan Baan

Tube. Image © Iwan Baan

Grand Hall. Image © Iwan Baan

Grand Hall. Image © Iwan Baan

Tube. Image © Iwan Baan

Tube. Image © Iwan Baan

Plaza. Image © Iwan Baan

Plaza. Image © Iwan Baan

Grand Hall. Image © Iwan Baan

Grand Hall. Image © Iwan Baan

Foyer Kleiner Saal. Image © Iwan Baan

Foyer Kleiner Saal. Image © Iwan Baan

Exterior. Image © Iwan Baan

Exterior. Image © Iwan Baan

Grand Hall Foyer. Image © Iwan Baan

Grand Hall Foyer. Image © Iwan Baan

Plaza. Image © Iwan Baan

Plaza. Image © Iwan Baan

Grand Hall Foyer. Image © Iwan Baan

Grand Hall Foyer. Image © Iwan Baan

Exterior. Image © Iwan Baan

Exterior. Image © Iwan Baan

News via Elbphilharmonie.

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Gensler’s Shanghai Tower Named CTBUH’s Best Tall Building Worldwide for 2016


© Connie Zhou

© Connie Zhou

The Council on Tall Buildings and Urban Habitat (CTBUH) has named Gensler’s Shanghai Tower as the 2016 Best Tall Building Worldwide, citing its “innovative design scheme in traditional Shanghainese architectural traditions.” The building was selected from among four regional winners, which included BIG’s VIA 57 West (Americas), Jean Nouvel’s The White Walls (Europe) and Orange Architects’ The Cube (Africa).


© Connie Zhou

© Connie Zhou

The tallest building in China, the design of Shanghai Tower drew from the concept of shikumen, a vernacular housing typology that blends indoor and outdoor space, in its unique sky atria located between layers of the building’s double skin facade.

The jury also lauded the building for its “sustainably minded design,” which used advanced form modelling techniques to result in a building form that reduces wind loading by 24 percent.


© Blackstation

© Blackstation

“Shanghai Tower shows the greatest commitment to communal space in a tall building since Commerzbank Tower completed in 1997,” said CTBUH Executive Director and jury member Antony Wood.

“It contains the world’s first truly ‘inhabitable’ double-skin façade on a skyscraper, which is not only remarkable for its intended greenery, but its incorporation into the tower’s overall ventilation strategy. The sacrifice of valuable floor area to realize this social amenity proves that the aspirations for Shanghai Tower went far beyond mere commercial gain.”

Last year’s award was given to Stefano Boeri’s Bosco Verticale. For more information on this year’s top prize and to see all of the awards, check out CTBUH’s website, here.

News via CTBUH.

Shanghai Tower / Gensler
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VPVC Office / DRAA


© Felipe Camus

© Felipe Camus


© Felipe Camus


© Felipe Camus


© Felipe Camus


© Felipe Camus

  • Architects: DRAA
  • Location: Vitacura, Santiago Metropolitan Region, Chile
  • Architects In Charge: Nicolas del Rio, Felipe Camus
  • Area: 500.0 sqm
  • Project Year: 2014
  • Photographs: Felipe Camus
  • Collaborator: Magdalena Besomi
  • Constructor: FyG

© Felipe Camus

© Felipe Camus

The VPVC office is a project commissioned to solve the demanding layout for a new bureau of lawyers, located in a single 500 sqm story of a translucent curtain-wall building with a single central circulation core in Santiago. Our proposal resulted the winner in a private competition.


© Felipe Camus

© Felipe Camus

Plan

Plan

© Felipe Camus

© Felipe Camus

The programme requested contemplated allocating 23 individual lawyer’s offices, 4 secretaries, accountants, interns and an area of services. As it is commonly arranged there are different hierarchies which are depicted by different office sizes. Nonetheless we opted to organise this array towards the external perimeter (natural illumination) and connect every room with the rest of the office by a public continuous aisle, which was designed alongside a 45 metre lineal wood shelve. The built-in quality cabinet contains archives and consultation books, and is fully designed in Lenga, a highly regarded FSC timber from Patagonia. In order to avoid a locked-in feeling common from deep plan layouts, we opted for translucent layers towards the centre, and in every aisle there was an open end reaching the building facade which allows for a continuous relation with the exterior and the pass of the day and light.


© Felipe Camus

© Felipe Camus

The material palette was carefully overseen to avoid the multiple finishings portrayed by the technical units, therefore we limited the colours to the extensive use of Lenga in corridors, specific ceiling areas and some furniture, whereas we used a crispier finishing such as stainless steel and glass as a counterpoint in frames and partition walls.


© Felipe Camus

© Felipe Camus

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Have We Reached the End of the Iconic Image?


© Flickr user Diego Zingano. Licensed under CC BY-ND 2.0.

© Flickr user Diego Zingano. Licensed under CC BY-ND 2.0.

In October 1997, the unforgettable swooping metal panels of Frank Gehry’s Guggenheim Bilbao made their debut, drawing the attention of art and architecture lovers around the world. Images of the building quickly circulated through the infant world wide web, turning the museum into an instant icon that permanently elevated and transformed the international perception of the city of Bilbao.

Cities all over the world saw the potential in creating their own “Bilbao Effect,” and soon, a slew of new eye-catching, sculptural buildings had be built. This phenomenon persisted through the 2000s, manifesting itself in works by Gehry, Zaha Hadid, and many others. But recently, notable figures both inside and outside architecture have began to distance themselves from the icon, notably in the design philosophies of OMA and alumni such as Jeanne Gang and Matthias Sauerbruch.

In a new opinion piece for the Guardian, photographer Stuart Franklin extends this sentiment not just to architecture, but to all images in general. Franklin explains the history of the “iconic image,” and explains the reasons why it may no longer exist. 

Read Franklin’s full piece, here.

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Eco Village Zmonte / CAVE


© Joana Torre do Valle

© Joana Torre do Valle


© Joana Torre do Valle


© Joana Torre do Valle


© Joana Torre do Valle


© Joana Torre do Valle

  • Architects: CAVE
  • Location: 7090 Viana do Alentejo, Portugal
  • Architect In Charge: Joana Torre do Valle, Joao Pedro Pinto
  • Area: 60.0 sqm
  • Project Year: 2016
  • Photographs: Joana Torre do Valle
  • Contractor: JGDS

© Joana Torre do Valle

© Joana Torre do Valle

This project is a partnership with JGDS, a contractor specialized on adapting containers into eco villas. 


© Joana Torre do Valle

© Joana Torre do Valle

The challenge put by the client was to design a better version of the eco villa that where developed so far. 


© Joana Torre do Valle

© Joana Torre do Valle

CAVE redesigned the floorplan – both interior and exterior spaces – the finishings and tailormade design objects, essencial for the wel-lfunctioning of the villa.


Courtesy of CAVE

Courtesy of CAVE

The spacial concept was to merge the interior with the exterior and transform the social area in one big space with diferent ambients and functions. The bedrooms are all distributed on the same facade to assure privacy and less exposure, while the social and exterior area are oriented south west where they find the best view and sun exposure.


© Joana Torre do Valle

© Joana Torre do Valle

Starting with two 12.5×2.5m containers, space was obviously limited and so it was important to provide well-lit, practical open spaces, thus all the spaces are white and the floor light grey.


© Joana Torre do Valle

© Joana Torre do Valle

Being a vacation house, time is an important theme to bring and create identity and life to the house, so all the exterior space is untreated wood that turns grey with time and makes the interior and exterior melt into one unique space whith similar colors and materials.

 All the furniture is design by CAVE.


© Joana Torre do Valle

© Joana Torre do Valle

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Library of Congress Announces Winners of 2016 Holland Prize for Architectural Drawing





The Library of Congress has announced the winners of the 2016 Holland Prize, which recognizes the best single-sheet, measured drawing of a historic building, site, or structure, completed to the standards of the Historic American Building Survey (HABS), Historic American Engineering Record (HAER), or the Historic American Landscapes Survey (HALS).

The prize is awarded annually to “increase awareness, knowledge, and appreciation of historic resources throughout the United States while adding to the permanent HABS, HAER, and HALS collection at the LOC, and to encourage the submission of drawings among professionals and students. By requiring only a single sheet, the competition challenges the delineator to capture the essence of the site through the presentation of key features that reflect its significance.”

This year’s top prize was bestowed to a team of students from Universidad Politécnia de Puerto Rico for their drawing of the Lazaretto Isla de Cabras, a ruined 19th-century health institution in Puerto Rico, while honorable mentions were given to a drawing of the Chess Pavilion on Lake Shore Drive in Chicago by a team of students from the School of the Art Institute of Chicago and a drawing of the Plaza at the Mission of San Juan Bautista, California, by Cate Bainton.

Winner


Lazaretto Isla de Cabras (Goats Island); Toa Baja, Puerto Rico / Anexyulianne Thillet, Alneris Lugo, Monica Ortiz, Angel Marrero, Jessica Martinez, Fabian Rivera, Natalie Santa and Emmanuel De La Paz. Image Courtesy of Library of Congress

Lazaretto Isla de Cabras (Goats Island); Toa Baja, Puerto Rico / Anexyulianne Thillet, Alneris Lugo, Monica Ortiz, Angel Marrero, Jessica Martinez, Fabian Rivera, Natalie Santa and Emmanuel De La Paz. Image Courtesy of Library of Congress

Lazaretto Isla de Cabras (Goats Island); Toa Baja, Puerto Rico / Anexyulianne Thillet, Alneris Lugo, Monica Ortiz, Angel Marrero, Jessica Martinez, Fabian Rivera, Natalie Santa and Emmanuel De La Paz

Faculty sponsors: Prof. Claudia Rosa-López and Prof. José Lorenzo-Torres (Universidad Politécnica de Puerto Rico)


Isla de Cabras (Goats Island); Toa Baja, Puerto Rico. Image © Flickr user Ricardo_Mangual. Licensed under CC BY 2.0.

Isla de Cabras (Goats Island); Toa Baja, Puerto Rico. Image © Flickr user Ricardo_Mangual. Licensed under CC BY 2.0.

The lazaretto’s original purpose was to house yellow fever and cholera patients, but few remember such noble commitment today. Instead, for over a century today—and in spite for being a ruin—the lazaretto has been an emblematic landscape component in San Juan’s Bay with a distinctive profile that has been appreciated by many generations of residents and visitors to the old city. It represents the only example of its kind ever built in Puerto Rico, simultaneously underlining how Spanish Colonial building codes required health related facilities to be built outside the walled enclave. Its construction methods highlight building practices imposed on the Island (and Cuba) by Madrid’s School of Engineers, Roads and Port Facilities. The project’s dossier (narrative) became the precedent for detailing succeeding comparative building initiatives in terms of scope, tectonics, and contents.

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Honorable Mention


Chess Pavilion; Chicago, Illinois / Joyce Ramos with Melanie Bishop, Brenda Bohnen, and Meredith Stewart. Image Courtesy of Library of Congress

Chess Pavilion; Chicago, Illinois / Joyce Ramos with Melanie Bishop, Brenda Bohnen, and Meredith Stewart. Image Courtesy of Library of Congress

Chess Pavilion; Chicago, Illinois / Joyce Ramos with Melanie Bishop, Brenda Bohnen, and Meredith Stewart

Faculty sponsor: Prof. Charles Pipal, AIA (School of the Art Institute of Chicago)


Chess Pavilion; Chicago, Illinois. Image © Flickr user MichelleBikeWalkLincolnPark. Licensed under CC BY-NC-ND 2.0.

Chess Pavilion; Chicago, Illinois. Image © Flickr user MichelleBikeWalkLincolnPark. Licensed under CC BY-NC-ND 2.0.

The Chess Pavilion is an open-air structure that was built in 1957 out of concrete and Indiana limestone. The site where the pavilion is located has been a popular gathering place for chess players since the 1930s. The Chess Pavilion received a Citation of Merit from the Chicago Chapter of the American Institute of Architects at its Civic Pride Luncheon in 1957.

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Honorable Mention


Mission San Juan Bautista, Plaza; San Juan Bautista, California / Cate Bainton. Image Courtesy of Library of Congress

Mission San Juan Bautista, Plaza; San Juan Bautista, California / Cate Bainton. Image Courtesy of Library of Congress

Mission San Juan Bautista, Plaza; San Juan Bautista, California / Cate Bainton


Mission San Juan Bautista, Plaza; San Juan Bautista, California. Image © Flickr user ronsipherd. Licensed under CC BY-NC-ND 2.0.

Mission San Juan Bautista, Plaza; San Juan Bautista, California. Image © Flickr user ronsipherd. Licensed under CC BY-NC-ND 2.0.

Franciscan missionaries founded twenty-one missions on the Pacific coast of the Spanish colony of Alta California between 1769 and 1823. Control of Alta California shifted to Mexico in the 1820s and to the United States in the 1840s. Some of the communities that grew around the missions became major cities; some missions were abandoned and later reconstructed. Portions of El Camino Real, the road connecting the missions, became interstate or state highways. Mission San Juan Bautista was the fifteenth mission to be established, in 1797. Despite repeated damage from earthquakes on the adjacent San Andreas Fault, Mission San Juan Bautista was never moved from its original location and has been in continuous use as a church since its establishment. Its environs are still largely agricultural, its plaza has been restored to the spirit of its 1870 state, and its adjacent portion of El Camino Real is still unpaved. Noted architect Irving Morrow, landscape architect Emerson Knight, and mission restoration specialist Harry Downie played a part in the restoration of the buildings and landscape. Current and former mission sites are of archeological interest.

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More information on the prize and this year’s winners can be found at the National Park Service website, here; or search through the Library of Congress’ database of drawings, here.

News via Library of Congress, project descriptions via NPS.

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Lonquén School Gymnasium / COMUN Arquitectos


© Aryeh Kornfeld

© Aryeh Kornfeld


© Aryeh Kornfeld


© Aryeh Kornfeld


© Aryeh Kornfeld


© Aryeh Kornfeld

  • Architects: COMUN Arquitectos
  • Location: Calera de Tango, Región Metropolitana, Chile
  • Architect In Charge: Catalina González, Sebastián Yurjevic
  • Area: 923.0 sqm
  • Project Year: 2016
  • Photographs: Aryeh Kornfeld
  • Structure: Silvana Cominetti

© Aryeh Kornfeld

© Aryeh Kornfeld

This is project is part of Calera de Tango’s Municipal sports infrastructure for the Lonquén Public School.


© Aryeh Kornfeld

© Aryeh Kornfeld

Axonometric

Axonometric

© Aryeh Kornfeld

© Aryeh Kornfeld

The client, Calera de Tango’s Municipal Education Corporation along with the local municipal government, strived to build yet another sports hall as part of their master plan for providing adequate sports infrastructure for the community.


© Aryeh Kornfeld

© Aryeh Kornfeld

Courtesy of COMUN Arquitectos

Courtesy of COMUN Arquitectos

© Aryeh Kornfeld

© Aryeh Kornfeld

The proposal tries to keep maintain the aesthetic lines of the previous municipal gymnasium, by repeating the use of Tubest metal frames. This allowed us to think up a clean integrated space of great proportions. Unlike the previous gymnasium, the structure remains inside the walls, creating an independent exterior skin. One of the main ideas was to achieve a clean connection between the existing school and the new sports hall. The connecting element took the form of this was by a steel structure marquee made up of visible steel H-beams, which evokes the modernist ideals and acts as an homologizing element between the different clearance heights of the two buildings. Once again, based on our experiences in Japan, we prioritize simplicity in the use of interior materials. The mixture of white and wood highlights the rhythms of light coming in from the outside to form a balance of warm and light hues that enhance the interplay of dimensions and textures within the hall. Through games and sports these are joined within the expanse, and become themselves the expressions of both the public and the intimate.


© Aryeh Kornfeld

© Aryeh Kornfeld

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Rotermann Grain Elevator / KOKO architects


Courtesy of KOKO architects

Courtesy of KOKO architects


Courtesy of KOKO architects


Courtesy of KOKO architects


Courtesy of KOKO architects


Courtesy of KOKO architects

  • Architects: KOKO architects
  • Location: Tallinn, Estonia
  • Area: 5600.0 sqm
  • Project Year: 2016
  • Photographs: Courtesy of KOKO architects
  • Client: Rotermann City OÜ

Courtesy of KOKO architects

Courtesy of KOKO architects

The Rotermann quarter is in a historically important location in the heart of Tallinn – between the Old Town, the harbour and Viru Square. The roads to Tartu, Narva and Pärnu already intersected on Viru Square in the 19th century, making it Tallinn’s official central point. The Rotermann quarter is packed with historical buildings almost as densely as the Old Town. Christian Abraham Rotermann, the owner of the enterprise Rotermann Factories, established in 1829, initiated the development of the compact industrial district. Industry and trade in the quarter has seen both good times and bad. The Soviet years wrecked the buildings and during the uncertain years that followed the buildings became dilapidated so that repairs seemed impossible. In 1979 the decaying district became the set for Andrei Tarkovsky’s world famous movie “Stalker”. The National Heritage Board designated the Rotermann quarter historically valuable in 2001, and so the old industrial buildings that have found a new function should coexist peacefully with high quality contemporary architecture.


Courtesy of KOKO architects

Courtesy of KOKO architects

Plan

Plan

Courtesy of KOKO architects

Courtesy of KOKO architects

The historic supervisory building in front of the grain elevator (Rotermanni 2) houses a restaurant. The roof of the building has been raised by one metre, thus appearing to hover.  The aim was to let natural light enter and make it possible to use the second floor.


Courtesy of KOKO architects

Courtesy of KOKO architects

Section

Section

Courtesy of KOKO architects

Courtesy of KOKO architects

One of the most spectacular buildings in the Rotermann quarter, the grain elevator located on Hobujaama Street, was completed in 1904. The narrow building is over 100 metres long. The longer sides have no windows, but instead the limestone facade of the building is accentuated by metal straps that reinforce the wall. The wall is packed with metal details, like a useful old coat covered in buttons. The straps had the purpose of keeping the grain elevator walls intact even when the grain expanded.


Elevation

Elevation

Since the inner street side has openings that have been walled shut at various periods, the ground floor of the building houses business premises. The interiors of these rooms have preserved the old grain hoppers hanging from the ceilings. An arcade that crosses the middle part of the building on the ground floor divides the space and creates an entrance to the inner street leading towards the centre of the district. Dance studios are housed on the floor without windows and the attic provides offices with skylights that look out across the district and the Old Town.


Courtesy of KOKO architects

Courtesy of KOKO architects

2016 National Heritage Board of Estonia / recognition of exemplary heritage restoration / reconstruction project of Rotermann Grain Elevator


Courtesy of KOKO architects

Courtesy of KOKO architects

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Kickstarter Campaign Produces Large Affordable CNC Cutting Machine

Young tech team (Bar Smith, Hannah Teagle, and Tom Beckett) has launched a Kickstarter campaign for Maslow, a four-by-eight-foot at home CNC cutting machine made to assist construction efforts by cutting user-specified shapes out of wood or any other flat material. Designed to be affordable—at under $500—easy to use, inclusive, and powerful, the project aims to share designs digitally so that you can build on the work of others or create your own from scratch. 

Based on the design of the hanging plotter, Maslow “uses gear-reduced DC motors with encoders and a closed-loop feedback system to achieve high accuracy and high torque.”


Courtesy of Maslow CNC


Courtesy of Maslow CNC


Courtesy of Maslow CNC


Courtesy of Maslow CNC


Courtesy of Maslow CNC

Courtesy of Maslow CNC

The machine is easy to assemble, requiring no soldering, programming, or complex tools, but rather, only a Philips head screwdriver, a pair of pliers, and a handsaw, as well as additional materials of two bricks, two sheets of plywood, and three two-by-fours.


Courtesy of Maslow CNC

Courtesy of Maslow CNC

Courtesy of Maslow CNC

Courtesy of Maslow CNC

Courtesy of Maslow CNC

Courtesy of Maslow CNC

Furthermore, Maslow connects to your Mac, Windows, or Linux computer with a standard USB connection. All designs, PCB layouts, firmware, and software for the project are available for free on the project website, and users are encouraged to also share their digital files so others can benefit.


Courtesy of Maslow CNC

Courtesy of Maslow CNC

Courtesy of Maslow CNC

Courtesy of Maslow CNC

“Building things digitally is the future, and we believe it should be for everyone,” says founder Bar Smith.

Learn more, or support the project on its Kickstarter page or website.

News via Kickstarter.

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