Our US job of the week on Dezeen Jobs is for an exhibition production manager at New York’s subterranean National September 11 Memorial and Museum, which was completed in 2014 (pictured). Visit the ad for full details or browse other architecture and design opportunities on Dezeen Jobs.
Opinion: the light-filled, social spaces at Diller Scofidio + Renfro’s medical education centre at Columbia University could make future doctors demand more from their workspaces and ultimately pave the way for better hospitals, says Alan G Brake. (more…)
German collective Plastique Fantastique have created “superKOLMEMEN,” an inflatable structure encircling a historic sculpture in Three Smiths Square (Kolmen sepän aukio) in downtown Helsinki for Helsinki Design Week. Throughout the event, the installation was used as a space for lectures, performances and workshops, as well as a casual gathering place.
The compressed-air pavilion surrounded Three Smiths Statue, a sculpture by Felix Nylund that has been a Helsinki landmark since it was erected in 1932. Taking the form of an enormous bubble, the intervention was designed to provide shelter for visitors and disrupt the typical atmosphere of the plaza.
“superKOLMEMEN is an urban intervention, popping up temporarily for one week in the center of Helsinki, which will change the view and the perception of the place,” said the architects before the event. “The daily life scene, happening in the square that people pass by, sit, walk or drive through, will be converted to a playful environment where people can gather, talk, dance or relax. superKOLMEMEN will offer cultural experiences extending the summer fever to autumn – with a programs organised together with Helsinki Design Week.”
Concept: Marco Canevacci, Yena Young
Team: Mirjam Dorsch, Stephanie Grönnert, Antonia Joseph, Julia Lipinsky, Christoph Tettenborn
Photos: Simone Serlenga
Sound: Marco Barotti, Marco Madia
Thanks to: Kari Korkman, Petra Majander, Reetta Turtiainen, Martina Wuoristo-Huhta
News via Plastique Fantastique, Helsinki Design Week.
The Inflatable Architecture of Plastique Fantastique
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Open House London takes place this weekend, giving members of the public access to 750 buildings. Dezeen editor Anna Winston picks 10 of the best houses and apartments that will open their doors to nosy visitors and architecture enthusiasts. (more…)
A residential avenue, built on lot 279 America Avenue, quiet and very green, the building Casa America is located in a mixed-used neighborhood in the city of Porto Alegre.
The program was largely developed due to the extremely small dimensions of the land, with only seven meters and seventy of frontage by thirty meters of depth, causing the structure of the building addorsed the two boundaries, and thus creating two large blind gables. The resulting lack of side windows also made two apartments delimited per floor, separated by a light well, avoiding large linear extensions without natural lighting and ventilation in a single unit. Another required condition resulting from the blind gables was to extend the full length of the facades, using frames in large format and railings in clear laminated glass. This frontal amplitude, beyond the scope to offset the deficit caused by the gables, It was also designed in a way that allows a better framework of the arboreal area from the resident’s perspective, thusly to find luxury in such a way of insight in nature, and not in ornamental exhibition.
Casa America is a scaled-down building, but humane, loaded with sensoriality both externally and internally. The building has a reduced condominial area, with six floors where there are parking spaces, it also comes with a rooftop common area on the last floor and six residential units. These are divided by three types of typologies, with areas ranging between 72 and 115 square meters of private area and plants that allow different possibilities of internal layouts, it comes with just a bathroom and a toilet built internally. This choice is aimed to give its residents freedom to choose their apartment space, whether its internal layout, the number of bedrooms, or the dimensions of each environment, thus reflecting their life styles.
The project aims to respect the importance of the condominial areas on our daily routine, such areas often overlooked from the architectural point of view, and which comprises an important transition zone between the urban chaos and the coziness of our home. For this purpose we created the same sensorial identity starting from the facade throughout the condominial areas, garage, free movement access to the apartments and the vegetated rooftop terrace, using organic materiality with warm colors and artistic interventions to create energetic and warm intimacy. This energy created is intended not only to make the resident feel at home from only inside his home, but also from the moment you walk through the garage of the building. Hence the building’s name: House America.
On the facade, done with simple lines and neutral forms, you can find the contrast of the materiality, seeking for an aesthetic language that displays it in a harmonious way from the past to the present. The presence of rustic clay bricks expresses the idea of creating an atmosphere not only for comfort but also of nostalgia to the residents of the building and also it’s area, bringing us back to the construction techniques. As a counterpoint to the brick rusticity, a volume is designed slightly offset from black porcelain, together with the glass panel’s facade, explore and reveal the aesthetic differences of each material, offering a distinguished contrast of textures and reflections.
Compensating for the lack of common equipment, for instance a ballroom or gym (spaces which are offered in abundance in the neighborhood where the building is located), a space for leisure and introspection was design on the top floor with a vegetated terrace with technology that does not require daily watering nor major maintenance, due to the continuous presence of water and nutrients in its base. This space, in addition to offering residents the opportunity to enjoy a full view of the city, it provides the surroundings of the neighbor’s buildings a nicer view when compared to conventional roofs, increasing the amount of green areas to their daily landscapes.
Five notable projects have been selected as finalists for the 2016 International Highrise Award (IHA). One of the world’s most important architectural prizes for highrises, the award is given to projects that exemplify the criteria of future-oriented design, functionality, innovative building technology, integration into urban development schemes, sustainability, and cost-effectiveness.
Led by 2014 IHA winner Stefano Boeri, the competition’s world-class jury noted the significant trend in high-rise development away from office buildings and towards residential towers, as well as the geographic dichotomy of the finalists.
“Asia versus America is an interesting conclusion at this point – they are the defining forces on the map,” commented jury member Ole Scheeren. “In Asia you can see the impact of the tropical, climatic and environmental consequences are very well translated into new types of residential high-rises. In New York the finalists all show some way of power-statement.”
See the 5 finalists with comments from the jury, after the break.
Four World Trade Center, New York, USA / Maki & Associates
The Four World Trade Center (New York/USA) by Maki & Associates is the second new tower, after the 7 World Trade Center, that was completed on Ground Zero after the attacks on 11 September. The office tower blends quietly and unpretentiously into its significant neighbourhood. The glass facade reflects the surroundings so perfectly that the contours of the tower practically dissolve. This effect allows the precious building ground to be used commercially whilst granting due space to this emotional location. “The mirrored façade and the sculptural qualities of this project are executed so outstanding, that there are moments of disappearance when the perspective is changed. This immateriality seems to give an answer to the question: What can you create of nothingness?” (Jury member Ole Scheeren)
432 Park Avenue, New York, USA / Rafael Viñoly Architects
Since the completion of the shell construction in October 2014, the slender tower 432 Park Avenue (New York/USA) rises significantly above all other buildings in northern Manhattan. The building by Rafael Viñoly Architects is currently the highest residential high-rise in the world and the third-highest building in the United States. Innovative support structure techniques enable this dizzying height on a relatively small ground plan. With these extremely slender proportions, the project serves as an example of new towers in the densest metropolises in the world.
For Jury-Chair Stefano Boeri it is evident that “Viñoly wanted to create a landmark, he wanted to establish a new prototype in high-rise-building. His super slender needle with the astonishing slenderness ratio of 1:15 is the sheer icon of the idea of a high-rise and will definitely be copied all over the world.”
SkyHabitat, Singapore / Safdie Architects
The white residential sculpture SkyHabitat (Singapore) by Safdie Architects consists of two stepped twin towers, connected by means of three sky bridges. Situated in a green park landscape, the building with its open structure is adapted to the requirements of the extreme climate. At the same time, it offers its residents appealing outdoor and communal spaces. The project is therefore a high-quality example of new residential forms in the tropics.
For Peter Cachola Schmal, Director of the DAM the project “shows a new and fascinating concept of the vertical city. It is a machine for living, with certain high-class amenities, like balconies for everyone, skygardens, pools etc. for all its middle-class residents. It does take residential housing to a new level.”
SkyVille@Dawson, Singapore / WOHA Architects
SkyVille @ Dawson (Singapore) by WOHA with 960 apartments is an exceptional example of social housing in Singapore. The flexibly designed units on the extremely dense complex are grouped into little “villages” that share various communal spaces. Little communities are formed and solidarity is strengthened. “This is what I like about it: You’re in a high-rise building but they break down the units and you have this sort of a sky village on top of two other sky villages and you are part of a whole, but also part of a smaller unit at the same time”, said Jury member Brigitte Shim. This type of high-rise therefore makes a special contribution to counteracting anonymity in the megacities of our time.
VIΛ 57 West, New York, USA / BIG
The 136-metre-high hybrid of a classical high-rise and a traditional European perimeter development VIA 57 West (New York/USA), situated right by the Hudson River, rises up in the form of a silver, shimmering tetrahedron. “The project is outstanding in its interpretation of a New York block – this is what makes it really interesting” (chair of the jury, Stefano Boeri). Under its steely roof skin, over 700 apartments are grouped around an interior courtyard with greenery, which serves as a tranquil oasis for spending sociable hours within this industrial neighbourhood with a motorway, a power plant, and a waste processing facility. In addition, the prototype of a “courtscraper” with its “innovative design” (Thomas Schmengler, Jury member) on the western edge of Manhattan offers all residents an unobstructed view of the river, due to its unique shape.
The full jury for the award is as follows:
Jury Chair Stefano Boeri (Stefano Boeri Architetti, Milan), Lamia Messari-Becker (civil engineer , Professor at the University of Siegen), Ole Scheeren (architect, Buro-OS, Beijing/Berlin), Brigitte Shim (architect, Shim-Sutcliffe Architects, Toronto), Horst R. Muth (Head of Project Management at Deka Immobilien GmbH, Frankfurt/Main), Peter Cachola Schmal (Director of Deutsches Architekturmuseum, Frankfurt/Main), Thomas Schmengler (CEO of Deka Immobilien GmbH, Frankfurt/Main) and Felix Semmelroth (Former Deputy Mayor in charge of Culture and Science for the City of Frankfurt/Main). Substitutional Jury members were: Claudia Meixner (architect, MEIXNER SCHLÜTER WENDT Architekten, Frankfurt am Main) and Holger Techen (civil engineer, imagine structure, Frankfurt am Main).
Past winners of the award include Boeri Studio’s Bosco Verticale in 2014; 1 Blight Street by Ingenhoven Architects and Architectus in 2012; The Met Bangkok by WOHA Architects in 2010; The Hearst Tower by Foster + Partners in 2008; Torre Agbar by Ateliers Jean Nouvel in 2006; and De Hoftoren by Kohn Pedersen Fox Associates in 2004.
The winning project will be awarded by the City of Frankfurt/Main together with Deutsches Architekturmuseum (DAM) and DekaBank Deutsche Girozentrale at Frankfurt’s Paulskirche on November 2, 2016.
News via The International Highrise Award.
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Program
A full-service restaurant and bar with a vintage arcade. Button Mash is intended to be an integral and vibrant neighborhood hub for all ages with a design that showcases a careful curation of arcade games and stellar creative cuisine.
The layout is segmented into three distinct areas that are visually interconnected and geometrically interlocking; each with varying seating types that encourage interaction, exchange, and shared experiences.
Design
Located in a ubiquitous strip mall along Sunset Boulevard in Echo Park, the neighborhood is rich with a varied history and recent transformative change. The overall design is rooted in multiple LA-centric time periods with nods to the 1980s and 1990s in material and color choices, mixed with the local haunt feel resonant in film noir classics like “Chinatown”. These inspirations and influences intertwine with post-modern design and pop cultural references to create a maximal timeless experience- an Elysian Drift.
The bold exterior paint color is historically common in the neighborhood where a variety of bright spots punctuate this stretch of Sunset Boulevard. A kaleidoscopic journey through layers of transparency, reflectivity and pattern pull you in through a portal cut into the strip mall’s exterior, past the hand painted Talavera tiles and round window that bring visitors into an otherworldly tunnel filled with a dense custom wallpaper by artist Joseph Harmon.
On the interior banquettes are covered with camel colored vinyl and plywood paneling; smokey mirror, marmoleum, and dark brown are all nods to the noir mystique and a contemporary version of police academy haunts of the past. Interior details reflect a mash-up of both local real and fictionalized influences juxtaposing post-modern laminate with brass foot rails, marmoleum and oak wood paneling, and vermilion powder coated steel with camel colored vinyl. Unusual material exploration is playfully scattered throughout the space from painted battens on wood paneling, hand-painted artwork to pyramidal acoustic foam and 3D coffered ceiling patterns made of homosote.
“This part of Sunset Boulevard is home to colorful punctuations in an otherwise unassuming and unspectacular streetscape,” Johnson and Rudolph explained. “A vibrantly eccentric internal life has always marked what we love about the neighborhood.”
Sig Nordal 