From the architect. Paradoxically the new main cabin at Årsund was built after the annex. This due to the fact that the original cabin, with exception of the annex, was removed to make way for the new-build. Moreover, the annex was drawn by another architect office and completed a few years ago. We therefore had to design a new whole, which included the annex and yet at the same time created a new building which in itself would provide a satisfactory solution both for site and program
The top, front module facing west contains a small study and has the best ocean views. The room can sway in storms, but the construction allows for flexibility in strong winds! The modules which are leaning towards the eastern wall of the main construction, sheltered from the westerly winds, serve as bedrooms and a retreat for individual family members when they need some time for themselves.
The Taj Mahal-ish front situation shows how the composition is balanced in two ways. First, the ridge of the gabled roof is skewed towards the annex such that the roof of the annex can be seen as the southern side of a large gabled roof, covering both the main volume and the annex. Secondly, the large window of the top front module serves both as a centerpiece for the composition as a whole and as a dynamic counterpart to the glass corner at ground level to the northwest.
The entrance has a somewhat seductive nature by being both inviting and at the same time secretive. You are led towards an entrance by the curved path and by the roofs and volumes surrounding the entrance. Still the entrance remains hidden and uncertain. The use of shingles (which are normally reserved for weather-exposed walls or roofs) on the wall leading to the entrance underlines this ambiguity.
Slabs of board-marked concrete form the walls, floors and roof of this holiday home designed by architects by Luciano Kruk and María Victoria Besonías for a coastal forest near Buenos Aires (+ slideshow). (more…)
Design Of Wayfinding, Interior And Exterior, Design Of Models: Jonthan Penne Architecten
Area: 7.000 sqm
New Construction: 2.500 sqm
Courtesy of Jonathan Penne Architects + Rapp+Rapp
From the architect. In 2015 the Waterlinie Museum at Fort Vechten opened its doors to the public. The new museum and landscape design is “a major cultural highlight in 2015,” said Mariette Pennarts, deputy of culture in the province of Utrecht.
Plan
The two-hundred-year-old fort is part of the Nieuwe Hollandse Waterlinie, a 85 km long military fortification which has been nominated in 1995 for the UNESCO World Heritage list. In this anniversary year, the fort will serve as Waterline Museum to the master plan by West 8 and Jonathan Penne Architecten. Anne Holtrop designed a new pavilion, which is similar to the original bunkers underneath a grass roof.
It is an ingenious system of dikes, locks and fortresses built in the nineteenth century to keep the enemy at a distance by flooding a 3,5 kilometer wide area. The Waterlinie decayed in recent years, including the vegetated construction of Fort Vechten, which then settled various kinds of rare plants and animals in the course of time.
Courtesy of Jonathan Penne Architects + Rapp+Rapp
The narrative intervention of the developed masterplan is not only easily recognisable from the air, but also from the roof of the fort. An eighty-meter wide strip in which the fort is returned to its original, clean geometric condition of around 1880, stretches 450 meters long across the landscape.
3D
The huge dimensions of the fort are also explained by a narrow intersection of the six meter high earthen rampart surrounding the fortress. This cut together with a narrow bridge over the canal makes the the new outdoor museum accessible. The fort is free to the public, and spread over the terrain there are some hidden treasures. There are trails outside the fort, the upper fort, there are several buildings made accessible, there is a cable car and a raft over the moat. Besides the historic buildings there are also new additions, including the pavilion of Anne Holtrop, which folds a 50-meter-long model of the Waterlinie, which visitors themselves can flood. There is also space in the masterplan for topics outside the waterline, like the national forest association, an important partner to explain the special nature, and the Roman Limes.
Penne Hangelbroek has been involved since the beginning of the process, first as a responsible partner of Rapp+Rapp then from Jonathan Penne Architects. He says: “The masterplan consisted in the strip that we then have meticulously restored. This included buildings, bridges as well as reconstructing the earthworks. But we had also determined the location and architect of the new pavilion. Finally we where given a lot of freedom from the content of the exhibition to way finding plan.”
Now this unique piece of historic landscape has been brought back to life.
AAWH Residence is a private home located in Busan, South Korea. It was designed by Architect-K in 2014. AAWH Residence by Architect-K: “Design Direction Busan City suddenly had swollen by the influx of refugees during Korea War. The refugees had built irregular shape’s homes according to the topography of mountains in Busan City in a short time. Numerous alleys has stemmed from the relations of the houses. Now, 65 years..
The proposal is drawn in a very conditioned and rigid plot, traducing the only possible location and implantation area. It has also a very restrict budget that accurate a extreme rationalization.
In consequence of all this major conditions, we had to do an optimization, in several fields, such as areas, volume(s) and program – this house in mainly the result of all this “impositions” and my work was mainly directed to solve very objective questions.
However, the project was developed far beyond this effort of going until the edge, because we knew that the initial conditions couldn’t be all our achievements – we had to promote all this to a different level creating a good balance between the form, the function, image and construction, program and uses.
The plot gave as the conditions to solve the project with relatively simplicity, creating a construction with two different levels, dividing the social uses in the ground floor from the private uses in the first floor, reducing to the minimum the circulation areas, closing possible visual or physical connections to the east side (street) and opening it, the maximum as it was possible, to the west, to the place where the sun is hiding every day, the sea and the great range of the horizon.
Section
Section
The image of this house also assumes this duality between common areas and private areas, using the natural platform to install the first ones and assuming the first floor for the occupation of the other ones.
Constructively the solution reveals this difference, not only as a way to value the distinction of the functions as also to control the scale of the building in its interaction with the surroundings – it translates the gravity of the ground floor with a more heavy volume in the connection with the plot and creates a sense of less weight to the superior volume, white and clean.
New York 2016: New York studio Apparatus has launched two brass lighting designs, a set of marble tables and an umbrella stand during the city’s design week. (more…)
From the architect. The House NO: 2 is located in city of Isfahan and is built on 300 sqm plot of land with 4 residential units And 5 Levels as client general demands :
Ground floor for parking area , entrance and lobby , yard and mechanical room.
Basement as a saloon for ceremonies and some storage rooms .
First floor should divided into 2 small unit for client’s guests settlement.
Because of client’s past bad experiences of living in dark and damp house , we understood quickly that the most crucial issue is providing the maximum possible light and fresh air inside the house especially in living and sitting rooms of two upper floor.
So we tried to locate all living rooms along south side of units with maximum size of openings . even in 3rd floor we decided to break the roof and push the living roof upper, therefore we could have more openings and better ventilation by the side windows in the east and west .
Section A
But the solution in north were the family rooms were located was not as easy as in the south. Because according to municipality limits in Isfahan ,all the buildings must block the view in the north façade up to 175cm height in every stage. And surely masonry materials should be used to fulfill this rule in lower 110 height and between 110-175 frosted glass is allowed .
With focusing on this rule we understood easily that every stage in our north façade is divided into 3 part :
1- Solid part (lowest level)
2- Semi transparent part (middle level)
3- Transparent part (upper level)
In first step, this separation gave us the basic lines for façade designing, and after that we tried to make more details and to develop the solid part by transforming it into double skin layer. So we could have indirect light and ventilation even in lowest part.
South Facade Diagram
In next step we located a plant case between the layers in solid part with some kind of running plants that it caused more freshness in inner spaces and made our façade alive by connecting outside and inside to each other.
As we believe that the façade in residential buildings should never impose any inconveniency for the people who live inside, so in both south and north we tried to adopt the facade to internal spaces and do not add anything useless on the face of the building.
According to the usage of basement as a saloon for ceremonies and a public space it seemed necessary to have natural light and fresh ventilation in there (as we had it always in our historical architecture), so we created a courtyard in down level of basement with plants and flowed water to make better and more enjoyable atmosphere .
RMIT Bundoora features some great common areas with a resident lounge with TV, pool table, and table tennis; a gourmet kitchen with dining tables and chairs; two themed game zones: The Den and The Deck; learning spaces with project rooms and video conferencing; dedicated postgraduate club-style lounge area; and an outdoor terrace with BBQ.
To manage the facility, RMIT has appointed UniLodge a professional management company. UniLodge is a specialist operator of student accommodation providing innovative and responsible pastoral care.
Currently, there are 5500 full-time and 1200 part-time students studying at Bundoora – from vocational education and undergraduate, to postgraduate research. Programs include health and medical sciences, science, engineering and education. The new 11,000m2 facility include:
The Village Hall: combines the functions of common room/shared kitchen/ TED Talks and Discursive Zone, plus ample study and relaxation space
The Living Room: includes dedicated themed game zones – The Den and The Deck
The Postgraduate Research Hub: dedicated space for postgraduates incorporating a club-style lounge area, with a distinct look and feel, and study niches for individuals or small groups
The Project Zone: dedicated informal learning space that includes a project room and meeting rooms with video conferencing
The Pit Stop: provides an opportunity for all students to touch base with reception, guests and each other
The Gourmet Kitchen: a space for group gourmet cooking on Level One, plus a Veggie Patch on campus to access fresh produce
The Communal Laundry: provides commercial washers and dryers in a social space that is central to all residents
Secure resident car park: feature lighting, CCTV, boom gate access and can be rented by resident students for a fee from RMIT University
RMIT Bundoora West Student Accommodation (BWSA) is built around a social and educational central ‘core hub’ with two accommodation wings branching out from this. The hub is a timber structure, using laminated veneer lumbar (LVL), while the accommodation wings are clad in zinc and powder coated aluminum. The central hub is a double-height space for presentations, functions and includes a cinema screen that is concealed in the ceiling. The building sits within an Aboriginal heritage trail and surrounded by 400-year-old red gums and scarred trees and located in the Northwest sector of the Bundoora campus and is bordered by McKimmies Road. RMA worked closely with the Project Arborist to ensure appropriate tree projection zones for these trees, some of which hold particular cultural significance to the local indigenous community.
RMIT BWSA, operated by Unilodge, provides accommodation for 372 students and is the University’s first on campus accommodation building. The broad mix of unit types, single bedrooms, share rooms and apartments for undergraduate and postgraduate students, offer a genuine choice to students and appeal to those remaining on campus over the course of their studies.
RMIT BWSA’s façade is clad with black zinc and powder-coated aluminum with bronze powder forms. The central hub’s exposed wooden beams make a striking statement when viewed from different angles.
The building forecourt has a large outdoor wooden deck and around the future retail space, within the window pop outs, are timber seats for students to enjoy.
The building achieved a 5-star Greenstar design rating. The building uses thermal chimneys, window actuators, solar hot water systems and harvesting of rainwater. Rainwater harvesting is used for toilet flushing, laundry and landscape irrigation. Reduced temperature warm water distribution is used to reduce ongoing loop losses. Water efficient fixtures and fittings have been installed.
RMA has used a lot wood throughout the interiors, including the main staircase and corridors that provide a welcoming and inviting space for those living within the building.
Tasmanian oak flooring is used within the central core hub and main stairwell that snakes its way up through the building’s core. Plywood is used throughout the hub’s ceiling and common areas.
Also, plywood lines all corridor walls throughout the building and has been used on shared kitchen ceilings and within the interior walls of apartments.
The Hub’s timber structure is exposed internally and can be viewed from the street as well from different levels.
We considered the residences as a mini community with a distinct set of functions and how that community will interact with the broader campus community.
We achieved a degree of privacy whilst also providing amenities such as acoustic separation, abundant natural lighting, thermal comfort and safety.
All of this was delivered with a focus on using wood throughout the building challenging conventional student housing accommodations and how a building interacts with nature and natural products such as wood.
Building sits along Aboriginal heritage trail – Keelbundoora Scarred Trees and Heritage Trail – named after a Wurundjeri clan ancestor. As a child in 1835 he was present at the signing of the Batman Treaty, which marked European colonists’ arrival. Keelbundoora’s descendants helped create this trail. It leads from the café near building 202 out to plenty road via the lake and frog pond.Situated near Red gums that are well over 400 years old.
This tree shows evidence of three different scarrings. The original scar may have been of cultural origin, but later scarring – probably caused by fire – has obscured the evidence.
This woodland used to have a sparse cover of red gums over scattered wattles, with a dense ground layer of grasses and forbs, such as kangaroo grass and yam daisy. Yam daisy tubers were a staple Aboriginal food.
The area once had kangaroos, goannas, snakes, birds of prey, ground-dwelling birds, and invertebrates such as beetles, ants and grasshoppers. Local Friends of the Bundoora Red Gums Group is currently restoring the area to its original appearance.
This weekend retreat on the Australian coastline was designed by Melbourne firm Open Studio to peep over the tree canopy, offering views of a creek that runs alongside the beach (+ slideshow). (more…)
