World Architecture Festival Announces Judges for 2016

via World Architecture Festival

The World Architecture Festival (WAF), the largest international gathering of architects, has announced its judges for 2016. The annual event, consisting of awards, a conference, and an exhibition, recognizes outstanding projects in a variety of categories, and is attended by over 2,000 visitors from 65 countries. This year’s festival will be held from November 16-18, 2016 at Arena Berlin in Germany.

The festival grants awards in 31 categories broken into three sections: Completed Buildings, Future Projects, and Landscape. All submissions are placed in the WAF archive, the World Building Directory Online Database, where projects can be searched by section, country, year, award, and keyword.

An abridged list of this year’s judges:

Louisa Hutton, Sauerbruch Hutton

David Chipperfield, David Chipperfield Architects

Sanjay Puri, Sanjay Puri Architects

Christina Seilern, Studio Seilern Architects

Richard Francis Jones, Francis-Jones Morehen Thorp

Kongjian Yu, Turenscape

Ole Scheeren, Buro Ole Scheeren

Christoph Ingenhoven, Ingenhoven Architects

A complete list of this year’s judges can be found here.

Winners in the different categories are considered for World Building, Future Project, or Landscape of the Year awards. Last year’s World Building was awarded to The Interlace by OMA/Buro Ole Scheeren, and the Future Project of the Year went to BIG’s Vancouver House.

Applicants who submit before April 28 can take advantage of an early bird rate. More information about award categories and how to enter is available here.

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Molteni&C appoints Vincent Van Duysen as creative director to get “more sophisticated look”

Business news: Molteni has become the latest Italian design brand to appoint a non-Italian creative director, signing up Belgian architect and designer Vincent Van Duysen for the role. (more…)

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Casa Rampa / Andrés Remy Arquitectos

© Alejandro Peral

Architects: Andrés Remy Arquitectos

Location: Patagonia, Argentina

Design Team: Andrés Remy, Gisela Colombo, Hernán Pardillos, Lilian Kandus, Julieta Rafel, Diego Siddi, Carlos Arellano, Juan Etala, Denisse Pressón, Antoine Mouy.

Area: 650.0 sqm

Project Year: 2016

Photographs: Alejandro Peral

Interior: MYOO interior design

Construction Management: Brenda Kucich

Landscape: Ing. Jorge Wirth

© Alejandro Peral

This home is located in a privileged plot in Patagonia Argentina, surrounded by forests and incredible views to Limay River.

© Alejandro Peral

It’s original placement with the home located towards the back of the plot, comes from the decision to approach the river side and optimize the views, generating the garden towards the front taking advantage of the best orientation.

Plan

This 650m2 home develops in section, obtaining three levels of uses interconnected by a central space, still maintaining the privacy of each room. The social area is located in an elevated level to get the best views of the landscape. It is accessed by an irregular ramp that creates a unique path towards the house entrance.

© Alejandro Peral

The private areas are divided in two, one sector for the visiting grown up children and the other for the parents.

© Alejandro Peral

This way, the loudest areas such as the garden, pool and quincho are together with the guest rooms, while the master suite is located in a third level to ensure privacy and comfort.

Section

The functional aspects and the singular way the levels are connected by a central green space give a special character to this home.

© Alejandro Peral

The custom made cut stone access ramp, carefully designed with aromatic plants, invites us to a path that indulges our senses. It’s views to the spectacular landscape and the design garden takes us to the immense 4 meter height main door, made with local Lapacho wood.

© Alejandro Peral

For the interiors a warm and rustic palette of materials were used, working with white lacquered woods, dyed walnut and sanded lapacho.

© Alejandro Peral

The living room with lapacho floors is surrounded by an elevated reflection pool, reminding us of the river in the back. 

© Alejandro Peral

The concrete stair with it sculptural shape is combined with black iron sheets accentuating the verticality of the central space, drawing the triple height waterfall, and generating the handrails along the space.

© Alejandro Peral

The spa area is materialized with black granite floors and black slate for the swimming pool and it’s visually connected to the exterior pool by a submerged glass. A playful gesture that creates unique reflections on the stone wall, and allows us to see people swimming outside.

© Alejandro Peral

The quincho, located in the same level as the swimming pool, has two glass openings that open completely, merging interior with exterior. With a rustic look, the sanded lapacho walls hide doors and storage spaces, in dialing with the black iron grill in the opposite side.

© Alejandro Peral

This house amaze us at every step, with its originality, warmth and attention to details, becoming one with the surrounding and making justice to the true protagonist, the landscape.

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Today we like: sustainable design

To celebrate Earth Day, we’ve put together some of the best examples of green and eco-friendly projects on Dezeen – from a vertical garden covering the side of a five-storey Parisian block, to a bikini designed to absorb pollution from the sea. See more sustainable design »

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Snøhetta’s MAX IV Laboratory Landscape Set to Open in June

Courtesy of ABML4

Snøhetta’s MAX IV Laboratory Landscape Design will open in June on the edge of Lund, Sweden. Selected for the project in 2011, Snøhetta’s design fills 47-acres (19 hectares) of formerly agricultural lands northeast of the city, and is the first project in a larger masterplan to transform the Brunnshög area into a “Science City.” The MAX IV national laboratory is a synchrotron facility with two electron storage rings, and is jointly operated by the Swedish Research Council and Lund University.

Courtesy of Snøhetta

Snøhetta’s mountainous, wave-like design had several guiding strategies:

Mitigate ground vibrations (a nearby highway generates sound waves that can disturb research, but are disrupted by the landscape conditions)

Mass balance (to create the site’s wavelike form by shifting earth, not importing new soil) 

Storm water management (the city limits water usage and thus all water required must be managed through collection on site) 

Plant selection and maintenance (vegetation was imported from a nearby natural preserve, and conditions are maintained by sheep and conventional machines)

Courtesy of Snøhetta

The careful planning for this project anticipates the site’s uncertain future, when the synchrotron is decommissioned. Currently, the site’s contractor, PEAB/ Whilborgs, will stay involved with the project through a 25-year maintenance contract.

Courtesy of ABML4

“In MAX IV, the process was like having a giant 3D printer producing the project on a 1:1 scale,” says the architects. “The high-tech research facility together with the low-tech meadowland creates the iconic image of the waves that protects the research facility from the vibrations. The digital model gets an analog interpretation through the hand of the machine operator and native meadow grasses maintained by sheep to tell a fun and functional story of this research laboratory.”

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Rooms Novel Living Concepts show in Milan presents interior architecture by Italian designers

Milan 2016: a hollow head-shaped chamber by Fabio Novembre and a geometrically decorated “prison” by Alessandro Mendini are presented as conceptual interior spaces at the Rooms – Novel Living Concepts show (+ slideshow). (more…)

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Conjunto Acacias / Tectum Architecture

© Gonzalo Viramonte

Architects: Tectum Architecture

Location: Villa Allende, Cordoba, Argentina

Author Architect: Manuel González Veglia

Area: 1200.0 sqm

Project Year: 2012

Photographs: Gonzalo Viramonte

Construction: Ing. Nicolas Gordillo

Collaborator Architects: Natalia Bartolilla, Santiago Cismondi

Developer: Tectum – Architecture

© Gonzalo Viramonte

From the architect. These group of houses are located in an acacia’s forest near Cordoba, Argentina. One of the main aims of these project was to preserve the original atmosphere of the site where the houses are located. The project is austere and the protagonist is nature.

© Gonzalo Viramonte

A central street leads to 8 plots where each unit is placed in isolation dodging the largest trees.As these homes where going to be perceptible around the whole perimeter, we decided to work with a simple formal operation that involves breaking the plants at different angles, in some very acute cases, generating contrast of light and shadow and deconstructing the idea box. As a result, these houses are composed by two articulated prisms that allow almost panoptic vision in all directions of the forest.

© Gonzalo Viramonte

Plan

© Gonzalo Viramonte

Outwardly, these white and abstract prisms serve as a figure where the background is the forest. Inside, each window is oriented towards better views serving as a framework for the enjoyment of the forest.

© Gonzalo Viramonte

We took the decision not to build dividing walls between plots and not on the perimeter of the property. In this way, the public space of the street and sidewalk visually links the gardens of each house returning to the city the view that originally had to the woods.

© Gonzalo Viramonte

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AD Readers Debate: Preserving Breuer’s Brutalist Library in Atlanta Problems with Coliving and More

Marcel Breuer’s Central Library in Atlanta. Image via Docomomo

The past two weeks have seen an interesting mixture of comments on ArchDaily. Topics of conversation have ranged from Brutalist preservation to the future of living, and from neoliberal planning systems to restrictive copyright laws, raising insightful questions, interesting ideas and impressive arguments. Read on to find out what has been occupying our readers’ minds these past two weeks.

Brutalist Woes for Marcel Breuer

via Docomomo

The news that Marcel Breuer’s Central Library in Atlanta may soon face demolition upset many of our readers, as is often the case when a fine example of Brutalism is in trouble:

Why would they demolish this? It’s a fantastic building, and I’m sure that restoration of it would not cost anywhere near $275 million dollars. I doubt it would be replaced with anything as impactful and interesting, probably just some generic glass and steel yawn. – jessie6693

I had the opportunity to visit this building a few years ago. Even in somewhat shabby condition, this building is still spectacular and an important part of Atlanta and Georgia’s architectural legacy. Hopefully, if the involved governmental bodies believe it should be replaced, they will seek out a new owner that can use it, restore it, and keep it open to the public. – John in Georgia

However, others had a more measured view of what needs to happen with the building:

Strictly from a design standpoint, I’m a fan of Breuer and this seems like a good opportunity to save an example of Brutalist architecture since it’s not a housing project. Preservation of Brutalist housing always seems to involve rationalizing the typically poor apartment units somehow. However, I don’t think the public should have to foot the bill for an underperforming building. Restoration and re-use should get privatized. – HeywoodFloyd

This seems an interesting point, and privatization certainly would bypass the issues that some members of the public take with brutalist preservation. Somewhat ironically, this technique has already been a strong force for the preservation of brutalist housing in places like London, where the Balfron Tower, for example, is now a highly desirable place to live. However, I wonder how this system would work in the case of Atlanta’s Library; is there an alternative use for the building that would be profitable enough for a private company to take on its restoration?

The Problem with Co-Living

Living space in a Crown Heights, New York coliving space owned by Common. Image © Common

After an article about the trend toward “space as a service” which discussed coworking spaces and the newer concept of coliving spaces, one commenter was less than convinced:

I love the growing concept of worksharing, as flex hours and working remotely become more popular, a temporary office space system makes a lot of sense. The co-living concept gives me a lot of concern, however. With the exception of professionals who travel often for work, this seems to take advantage of many of the dismal affordable living options most young professionals face.

Trends like “living with roommates” and tending towards smaller and smaller spaces isn’t indicative of what the market truly wants. More likely it is a symptom of wage stagnation and being grossly outpaced by the cost of living, or the proliferation of “luxury” developments in lieu of affordable housing.

I’m glad that more options are becoming available, but the result seems to be profiting off of a symptom instead of finding a solution. – Daniel James

I think this is an interesting point – certainly, coliving is not for everybody. But I believe the idea is to tap into not only “professionals who often travel for work” but also the new breed of workers who are not tied to a location by their job: freelancers and remote workers who might choose to travel and work from a new location intermittently. The phenomenon is also very closely tied to economic trends as Daniel James discusses here; the best explanation of this that I’ve encountered is this article by TechCrunch, which takes a positive stance on the situation, but your own interpretation of these economic trends is sure to be very personal.

More Questions about Freedom of Panorama

© Samuel Ludwig

Our article detailing the mess that is freedom of panorama laws around the world – the laws that determine whether you can or can’t take a photograph of a copyrighted building – led to just more questions:

What does this mean for resources like Google Earth and Google Street View? In Sweden or other panorama-controlled jurisdictions, are they now infringements of copyright? – Lawrence Bird

A good question – and the answer to this, as with most issues surrounding freedom of panorama, is “nobody really knows, and it’s complicated.” There is no publicly available information discussing how Google bypasses such laws, however this Wikimedia discussion about Street View in Belgium (another non-freedom of panorama country) comes up with a number of possible explanations:

As streetview images are 360 degrees, it is possible to argue that any building or artwork is not the “subject” of the photograph, therefore granting more leniency under most legal systems.

Most of Google’s servers are located in the United States, so they can make a reasonable case that they only have to comply with the United States’ freedom of panorama laws.

Google is a large company with a lot of money for impressive lawyers, and therefore copyright owners would prefer not to risk a lawsuit over Street View images.

Challenging Patrick Schumacher’s Planning Vision

Courtesy of Monocle 24

In Patrick Schumacher’s article Coup De Grâce, he argues for a new form of neoliberal urban planning, describing a system which frees governments of their responsibility to plan cities and allowing the emergence of what he believes would be a more effective, democratic planning system. However, commenter Daniel Carrapa took issue with Schumacher’s argument, posting a response which is so thorough it needs to be appreciated in full:

This article presents a very questionable “thesis.”

The issue of “negative planning” is decades old and has nothing to do with the process of urban deceleration we’re experiencing today. We have witnessed the effects of the downfall of the CDO market and its worldwide ramifications, striking at the heart of the construction industry that was being used as a vehicle for a massive financial model of debt-based growth. This is what happens when architecture and urbanism becomes the outcome of financial products – the city as a tool of finance.

And the article gets worse: “We are witnessing a sustained drive towards urban concentration in global hub cities like London.” No, no we’re not. We’re witnessing the effects of the monetary expansion policy (quantitative easing) followed by the Bank of England and now the European Central Bank. Without an economy functioning properly, the liquidity of the banks is being channeled to purchasing assets, particularly in the real-estate sector, instead of being used for productive investment.

There is a secondary (but likewise important) factor operating as well: the instability that is being felt in the financial markets and the risk of a worldwide deflationary crisis – which has motivated serious warnings by major financial institutions earlier this year.

So what you have is an inflationary bubble in the real estate sector, visible in many major European cities, the result of massive funds looking for safer haven by purchasing real estate assets. London is at the core of the interest by such investment funds, and the effects of that are hardly benign: inflated prices that push the middle-class away from the city center all over again. The city not for people, but as a tool for allocating money.

This transfer of funds, by the way, often has no repercussion in the construction market, which remains at an all time low in many European countries – meaning that the “real” economy might not be benefiting much from this phenomenon either.

To interpret these side effects as the dawn of a new “market-based” urbanism is quite pathetic. These are the results of deregulation in the financial sector, shattering all through the economy and most particularly in the field of construction and urbanism.

The impact of the crisis of 2007/2008 is still unfolding. We face economic paralysis, unemployment, growing inequality, poverty, massive migrations. Are we expected to believe “neoliberal post-fordism” and the invisible hand of the market will provide an answer for the issue of dwelling for massive waves of migrants? – just to give one example?

Planning models of the past may not suit the requirements of today, but to believe that our contemporary problems can be resolved without a serious consideration of the role of the state is, quite frankly, ludicrous – and, unfortunately, dangerous as well. – Daniel Carrapa

Keep the debate flowing! Please post any responses to these topics in the comments below.

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ODA designs trio of irregularly stacked towers for Williamsburg waterfront

Architecture firm ODA New York has conceived three glass towers for Brooklyn that feature setbacks and protrusions to ensure tenants are afforded expansive views. (more…)

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In Celebration of Earth Day 5 Overviews of Our Planet

Earth “Overview”. Image Courtesy of NASA

In celebration of Earth Day, we invited Benjamin Grant—founder of the Daily Overview—to select the five “overviews” which he considers to be among the most inspiring that his platform has shared. The image above, taken on Christmas Eve in 1968 by astronauts of NASA’s Apollo 8 mission is, according to Grant, “believed by many to be the first “overview” of our planet, captured by astronaut Bill Anders.” This photograph dramatically pulled into focus the simultaneous magnificence, intricacy, and terrifying fragility of the planet we inhabit. Since that moment the advent, acceleration, and accessibility of satellite imagery has made one thing abundantly clear: that humankind has had a considerable effect on Earth, for better or for worse.

Edson, Kansas (USA)

Edson, Kansas (USA). Image © Satellite images 2016, DigitalGlobe, Inc

​Center pivot irrigation fields cover the landscape surrounding Edson, Kansas, USA. The circles that you see here are created when lines of sprinklers, powered by electric motors, rotate 360 degrees to evenly irrigate crops.

This Overview is one of my favorites and has special meaning to me because it was this pattern of perfect circles that first caught my attention and helped me realize that this project was possible. I also love the vast scale of this image, covering hundreds of square kilometers, yet it still feels like a cohesive frame of satisfying geometry.

Hagadera, Dadaab Refugee Camp (Kenya)

Dadaab Refugee Camp (Northern Kenya). Image © Satellite images 2016, DigitalGlobe, Inc

Hagadera, seen here on the right, is the largest section of the Dadaab Refugee Camp in Northern Kenya – home to 100,000 refugees. To cope with the growing number of displaced Somalis arriving at Dadaab, the UN has started to move people into a new area called the LFO extension, seen here on the left. Dadaab is the largest refugee camp in the world with an estimated total population of 400,000.

I think this is one of the most important and powerful Overviews I’ve ever created for the project. I believe Overviews such as this have the ability to catch one’s attention with vibrant colors and mesmerizing patterns, but then they can also take you to a more meaningful level where you get a better understand what is going on in different areas of our planet.

Eixample District, Barcelona (Spain)

Eixample District, Barcelona (Spain). Image © Satellite images 2016, DigitalGlobe, Inc

The Eixample District in Barcelona is characterised by a strict grid pattern and apartments with communal courtyards. This thoughtful and visionary design was the work of Ildefons Cerdà (1815–1876). His plan features broad streets that widen at octagonal intersections to create greater visibility with increased sunlight, better ventilation, and more space for short-term parking.

From an architectural stand point, I love that the Overview vantage point allows us to better understand how the urban plan of a city truly shapes it and how it impacts both human movement through it as well as social interaction. With this particular example of Barcelona, you definitely get an entirely new appreciation for Cerda’s plan once you see it from above.

Port of Rotterdam (The Netherlands)

Port of Rotterdam (The Netherlands). Image © Satellite images 2016, DigitalGlobe, Inc

The Port of Rotterdam was the world’s busiest port between 1962 and 2002, but has since been surpassed by the Ports of Singapore and Shanghai. The massive docked container ships seen here can weigh up to 300,000 tonnes and extend up to 366 metres (1,200 feet).

Port complexes are always some of my favorite Overviews. I love the beauty and coloration that results from the complexity of these systems that our species has developed. There is also something magical about finding beauty in this scene as its not a place one would typically seek out for a beautiful landscape. However, when we look at it this way, it’s quite stunning.

Jacksonville, Florida (USA)

Jacksonville, Florida (USA). Image © Satellite images 2016, DigitalGlobe, Inc

A turbine interchange connects two highways in Jacksonville, Florida, USA. This structure consists of left-turning ramps sweeping around a centre interchange, thereby creating a spiral pattern of right-hand traffic.

Put simply, this Overview also reinforces this idea that we can find beauty in the most unexpected of places. Our infrastructure, designed for incredibly practical reasons, can also be beautiful and something that we can view with wonder.

Daily Overview’s satellite imagery is courtesy of DigitalGlobe.

Civilization in Perspective: Capturing the World From Above

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