Community of Municipalities’ Offices / Atelier du Pont


© Takuji Shimmura

© Takuji Shimmura


© Takuji Shimmura


© Takuji Shimmura


© Takuji Shimmura


© Takuji Shimmura

  • Associate Architect: Michel Joyau
  • Structure Engineering: Arest
  • Fluids Engineering: Area
  • Construction Economics: ECB
  • Acoustics: Serdb
  • Landscape Designer: Paula Paysage
  • Sustainable Engineering: Plan02

© Takuji Shimmura

© Takuji Shimmura

History and context

The Community of Municipalities of the Pays des Herbiers was created in 1995. It enables eight municipalities in the region of Vendée to share resources and competencies in the fields of economic development, town planning, environment, and standard of living. Like the rest of the Vendée, the Pays des Herbiers is a rural area with a strong sense of identity. It is also economically very robust and home to numerous companies active at the national level. 


© Takuji Shimmura

© Takuji Shimmura

Ground Floor Plan

Ground Floor Plan

© Takuji Shimmura

© Takuji Shimmura

The new Hôtel des Communes (Community of Municipalities offices) was built as an extension of the Herbiers City Hall, a mid-19th century mension situated in a public park. The contemporary architecture of the new building provides its citizens with a custom, high-performing tool that reconciles landscape, architectural heritage, and modernity. It is an expression of the region’s territorial influence and of the high level local cooperation. 


© Takuji Shimmura

© Takuji Shimmura

Landscape Sculpture

A Building that approaches Land Art

The Hôtel des Communes represents a sculptural kind of architecture that approaches Land Art. It is a smart and spectacular building that capitalizes on the strengths of its site – the public park, the trees, and the current city hall – to insert itself gently into the landscape. 


© Takuji Shimmura

© Takuji Shimmura

Supple and athletic, it coils around the existing trees, surrounding them to preserve them. It pushes up into the sky and outward into the park, finding its place without upsetting the harmoniousness of the place. It slaloms lightly and gracefully, and its skin uses the path of the sun to its best advantage. 


© Takuji Shimmura

© Takuji Shimmura

Section

Section

© Takuji Shimmura

© Takuji Shimmura

Despite its size, it only reveals part of its whole. The visible sides, which are proportionate to the surrounding buildings, blend into the urban landscape, while its curves and texture make the building a singular event in the town. As an installation, it hides from view under the reflection of the surrounding landscape on its skin, as if it were a chameleon. 


© Takuji Shimmura

© Takuji Shimmura

Working among the trees

The intelligence of the building’s form resides in the way it increases the size of the façade and thus the workspaces while reducing the technical areas to their necessary minimum. Offices in the Hôtel des Communes are grouped into compact, effective clusters to create greater work synergies. The ground floor hosts the offices that provide public services (civil registrar, marriage hall, etc.). The spaces on the upper floors were designed to be effective and flexible, on the basis of the principle of modular offices. The curving and counter-curving circulations connect one space to another. They allow people to walk through the building or enter the existing town hall fluidly, with a sense of continuity, all the while remaining immersed in the surrounding park’s greenery.


© Takuji Shimmura

© Takuji Shimmura

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A Scaffolding System for a Temporary Facility / Peris+Toral.arquitectes


© José Hevia

© José Hevia


© José Hevia


© José Hevia


© José Hevia


© José Hevia

  • Architects: Peris+Toral.arquitectes
  • Location: Plaça de les Glòries Catalanes, Barcelona, Spain
  • Architects In Charge: Marta Peris, José Manuel Toral
  • Area: 300.0 sqm
  • Project Year: 2015
  • Photographs: José Hevia
  • Client: BIM/SA
  • Collaborators (Students): Izaskun González
  • Stracture: Manel Fernández
  • Installations: Jaume Pastor
; Eletresjota tècnics associats
  • Collaborators: Ana Espinosa, Leticia Soriano
  • Construction: Benito Arno e Hijos
  • Cost: 168.579 €

© José Hevia

© José Hevia

From the architect. In response to both the temporality of the facility and the context where is located, Peris+Toral stands up for a detachable and reusable construction that minimizes the trace on the territory: a scaffolding system as structure and formal solution of the project. 

This temporary facility built a year ago by the Catalan practice Peris+Toral, is part of the provisional urbanization of the Glòries Square in Barcelona. With this project, the studio reasserts a new way of working and enhances its search for new solutions and constructive processes. 


© José Hevia

© José Hevia

Section

Section

© José Hevia

© José Hevia

The facility is thought to be an information point, an exhibition area about the proposed project of the square and rental point of electric bicycles. Is located in a crossroads of pedestrian circulations; which crosses the square towards the sea-mountain and another which transversely connects the two nearby facilities: nursery oaks and the new pergola. 


Axonometric

Axonometric

Axonometric

Axonometric

In its temporary condition, the construction is subtly integrated into the transformational environment of Glòries Square. Its linear shape, materials and its structural system highlight both their ephemeral character and the idea of permeability. Along these lines, scaffolding acts as a support of the three envelopes necessary to provide habitability to the construction: an impermeable and translucent polycarbonate skin, a shade mesh and a metal mesh as a protection. 


© José Hevia

© José Hevia

The areas which host the internal program and services are solved by two structural prefabricated modules of site hut, whereas wood on the pavement and on the transverse thresholds provide warmer areas in the facility. 


© José Hevia

© José Hevia

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Jey Official Building / Sarsayeh Architectural Office


© Farshid Nasrabadi

© Farshid Nasrabadi


© Farshid Nasrabadi


© Farshid Nasrabadi


© Farshid Nasrabadi


© Farshid Nasrabadi

  • Lead Architect: Behnam Sefidi
  • Design Assist: Hengameh Akbari
  • Contractor: Farhad Bahramipour
  • Client : Javad Shakeri

© Farshid Nasrabadi

© Farshid Nasrabadi

This project referred to our office when its structure was totally built. And according to client’s demand the ground and basement floor were assigened as commercial spaces and every other levels designed as official saloons with enough flexibility to be divided into different patterns. 


© Farshid Nasrabadi

© Farshid Nasrabadi

After visiting the project site one point attracted all attentions and it was the constant green line of trees across the street that they were hiding the most part of all neighbor buildings façade behind itself. But because of our building extreme height it was appearing as a disharmonious spot across the street and trees were unable to hide its face.


© Farshid Nasrabadi

© Farshid Nasrabadi

So minimizing this disharmony and adopting our building with its context was the main goal in designing procedure. 


Section

Section

We decided to choose a linear and vertical geometry for the main division of façade as we had this geometry in trees standing across the street. And also we tried to find a way for continuing the greenery of trees on building’s face. After primary division on building facade we assigned some parts as green zones. And by transforming the surfaces to volumes we had some double skin and semi-opened spaces for making greenery in there.


© Farshid Nasrabadi

© Farshid Nasrabadi

So with this method not only we had many freshness inside, but also the movement of plants toward outside and running on building face could create some relation between building and its context in people minds.


© Farshid Nasrabadi

© Farshid Nasrabadi

We chose brick as main material because of historical characteristic of our city and we used wood as a complementary for having more harmony with environment.


© Farshid Nasrabadi

© Farshid Nasrabadi

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MAIIAM Contemporary Art Museum / all(zone)


© Soopakorn Srisakul

© Soopakorn Srisakul


© Soopakorn Srisakul


© Soopakorn Srisakul


© Soopakorn Srisakul


© Soopakorn Srisakul

  • Architects: all(zone)
  • Location: Chiang Mai, Mueang Chiang Mai District, Chiang Mai, Thailand
  • Architect In Charge: Rachaporn Choochuey, Sorawit Klaimak, Asrin Sanguanwongwan, Aroonrod Supreeyaporn in collaboration with Sarin Nilsonthi
  • Area: 3330.0 sqm
  • Project Year: 2016
  • Photographs: Soopakorn Srisakul
  • Client: MAIIAM Contemporary Art Museum
  • Engineer: Next Innovation
  • Lighting Designer: Kris Manopimok
  • Daylight Designer: Narongwit Areemit
  • Landscape Architect: Rachaniporn Tiempayotorn
  • Environmental Graphic Designer: Cookies Dynamo
  • Contractor: Urban Form
  • Total Site Area: 3700 sqm

© Soopakorn Srisakul

© Soopakorn Srisakul

The MAIIAM Contemporary Art Museum, located in the northern Thai city of Chiangmai, a thriving art and cultural center, has been created to house an important private collection of Thai and regional art.  


© Soopakorn Srisakul

© Soopakorn Srisakul

To present the collection, an old warehouse was dramatically transformed into a dynamic space that provides a well-facilitated platform for a wide range of activities.  While the industrial spirit of the warehouse has been maintained, light wells that brighten and illuminate the interior space have been created with the use of local materials. In addition to the gallery space, a front section of the building was designed for support activities.  


© Soopakorn Srisakul

© Soopakorn Srisakul

Plan 1

Plan 1

© Soopakorn Srisakul

© Soopakorn Srisakul

Plan 2

Plan 2

© Soopakorn Srisakul

© Soopakorn Srisakul

From the exterior, the museum immediately draws attention because the main façade is clad with thousands of small, decorative mirror tiles that reflect light, a decorative technique inspired by traditional Thai temple architecture. However, here new techniques of installation have been applied to create tile patterns that explore contemporary art expressions. The reflections help to dissolve the wall into the surroundings and vice versa, while at the same time, calling the attention of passersby with the lightness of the architecture.


© Soopakorn Srisakul

© Soopakorn Srisakul

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Bloomberg Hong Kong Office / Neri&Hu Design and Research Office


Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office


Courtesy of Neri&Hu Design and Research Office


Courtesy of Neri&Hu Design and Research Office


Courtesy of Neri&Hu Design and Research Office


Courtesy of Neri&Hu Design and Research Office

  • Associate In Charge: Christine Chang
  • Designe: Wu Dong
  • Designer: Jiameng Li
  • Senior Associate In Charge Of Product Design: Brian Lo
  • Product Designer: Zhao Yun
  • Associate In Charge Of Graphic Design: Christine Neri
  • Graphic Designer: Haiou Xin
  • Architectural Materials: Pre-cast exposed fine aggregate concrete, Electroplated Bronze, American Ash wood (floor & wall finish), Clear Glass, Grey Mirror, Green leather, Gray leather, Wood laminate

Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office

From the architect. Robin Evans’ 1978 essay Figures, Doors and Passages analyzes how ordinary elements of a plan and their arrangements interact and shape occupancy. A simple corner or window opening is in fact inscribed with a complex matrix of spatial relationships that determine how a space is used. Neri&Hu’s design for Bloomberg Hong Kong’s internal office stair is in part inspired by the mundane elements of space-making – windows, passages, staircases and thresholds. The client’s brief was to design a staircase to connect the 3 different floors of their office with the explicit rule that this stair should to be used daily as the only vertical connection within the office to encourage employee interaction. Part of the brief was to also create a design that would respond to the locale of Hong Kong to create a link to the larger context of the city. The site is situated in the client’s existing office, within a typical office tower and surrounded by existing conference rooms, break-out areas, a recording studio and an auditorium. The existing spiral staircase was sculpturally iconic but the geometry was not conducive for the daily high traffic volume. Our challenge was re-design a staircase that would work within the structural limitations of the knock-out panels in the floor slab, while still creating a more spacious journey.


Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office

The new staircase integrates elements of platforms, landings, built-in seating and strategic window framing that echo what one may find in the extremes of Hong Kong’s natural landscape and urban terrain. Expressed as a wooden box insertion, the staircase massing actively denies the view to Victoria Harbor (a typically sought after and framed view in Hong Kong corporate offices) and instead focuses on framing activity within the office while still offering curated views out. Enclosed in a light ash wood massing, with exposed fine aggregate concrete treads and bronze metal railing accents, the staircase winds and turns to offer unexpected views – through windows, up double height cuts, down large voids and across to surrounding programs. Recessed barrisol lighting was designed to mimic natural skylight cuts in the ceiling.


Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office

Section

Section

Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office

Each of the three levels is designed with different functions to accommodate a diverse set of vertical programs. The journey begins on the 25th floor reception, expressed as a carved niche with a window framing the harbor view beyond. This level is designed to be the most extroverted in nature with a large event space stage for gatherings, built in benches on the perimeter as well as dedicated areas for small break-out group seating. The niche seating was also inspired in part by the break-out meeting pods that were displaced in the enlarged staircase scheme; rather than reinstating these as separate meeting spaces, we integrated functional seating and meeting areas into the architectural language of the staircase. Upon closer interaction with the millwork, hidden bespoke details are revealed to the user within these seating niches – small wood and bronze panels fold out to reveal charging ports, mirrors, and functional ledges where a cup of coffee or cell phone may be placed – unexpected details in support of the ordinary rituals of daily office life.


Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office

Continuing up to the 26th floor, different views are framed along the circulation path. Given that the Bloomberg recording studio is located on this level along with conference rooms, the idea was to create a more introverted space to address issues of acoustic containment and visual privacy. The mass is split into two boxes, allowing the landing to become the threshold zone that visually opens up to the harbor view along the curtain wall on one side and linked to a passage to the conference rooms on the other. The visual framing also satisfied the client’s request to provide a controlled glimpse or “borrowed scene” of the activated staircase from the recording studio as a filming background. In consideration of the more quiet nature of this floor, built-in seating facing the harbor view side is provided for solitary respite.


Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office

On the final level of the 27th floor, the staircase opens up again to be more extroverted to bring in views of the surroundings. The massing is reduced further in scale, punctuated with larger openings and clear glass to provide expansive views. A cantilevered viewing podium is designed as part of the auditorium break-out space to provide dramatic views down the multiple levels and the journey culminates in a lounge facing the harbor view.


Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office

Through careful composition and juxtaposition, the ordinary vignettes we take for granted on a daily basis, especially in an office typology, are choreographed into a rich journey that allows for moments of chance encounters, of pause and informal conversations.


Courtesy of Neri&Hu Design and Research Office

Courtesy of Neri&Hu Design and Research Office

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Office in Tokushima / OHArchitecture


© Toshiyuki Yano

© Toshiyuki Yano


© Toshiyuki Yano


© Toshiyuki Yano


© Toshiyuki Yano


© Toshiyuki Yano

  • Architects: OHArchitecture
  • Location: Itano District, Tokushima Prefecture, Japan
  • Architect In Charge: Kosuke Okuda, Tatsuya Horii
  • Area: 415.64 sqm
  • Project Year: 2016
  • Photographs: Toshiyuki Yano
  • Produce And Contract: WELL Co,.Ltd

© Toshiyuki Yano

© Toshiyuki Yano

“Cover” that wears the environment

This office building is located in a residential area in Itano district, Tokushima prefecture. There are new and old houses in a mixed, which are organized or have been there for a long time.


© Toshiyuki Yano

© Toshiyuki Yano

In this location, the building is required the consideration for these houses which have the different time axis of life. On the other hand, it also should open to outside as a place in which various people are in and out to produce new things.


© Toshiyuki Yano

© Toshiyuki Yano

Floor Plans

Floor Plans

© Toshiyuki Yano

© Toshiyuki Yano

In this plan, we thought about how to open the office to such as surrounding environment. As a method, instead of delineating the inside and the outside, we devised a way to cover both sides as an office space integrally. The space is made up of the “cover”, instead of walls and roof that separate inside and outside, or windows that obliterate the border between inside and outside.


© Toshiyuki Yano

© Toshiyuki Yano

This “cover” which opens like an umbrella takes in the soft reflected light inside while shielding the direct sunlight, and ventilates from the top by the wind blowing up along the “cover”. In this way, this cover makes the space homogeneous and confortable technically. The “cover” has the internal space wear the external environment and the natural environment. As a result, it has achieved a rich office space which ensuring the concentration and relaxation.


© Toshiyuki Yano

© Toshiyuki Yano

Material’s brief: Concrete

The finish of the first and second floors is concrete finishing driving the hot water pipe. It is possible to thermal storage heating effect, and it can be reduced the air-conditioning load. As a result, it realizes the office comfortable without air draft from the air-conditioner.


Diagram

Diagram

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Haskell Health House / Weaver Buildings


© Atelier Wong

© Atelier Wong


© Atelier Wong


© Atelier Wong


© Atelier Wong


© Atelier Wong

  • Architects: Weaver Buildings
  • Location: Austin, TX, United States
  • Architect In Charge: Jen Weaver
  • Area: 850.0 ft2
  • Project Year: 2016
  • Photographs: Atelier Wong
  • Landscape Architecture: Studio Balcones
  • Structural Engineering: Structures
  • Environmental Design: Positive Energy
  • Interior Space: 850 sf
  • Landscape Living: 1100 sf
  • Surface Livable: 1950 sf

© Atelier Wong

© Atelier Wong

The Haskell Health House, modeled after concepts in Richard Neutra’s Lovell Health House, reinterprets how a conscientious architecture might be embodied in Austin, Texas today. The urban infill home holds 850 sq ft of interior living and pairs it with 1,100 sq ft of landscaped living along downtown’s hike and bike trail on Lady Bird Lake.


© Atelier Wong

© Atelier Wong

The efficient and tall interior spaces of Haskell Health House form a footprint designed for maximum utility. The stair tower acts as lungs, pulling rising heat to exit through north-facing clerestory. Hopper windows above all of the doors feed the stair tower, creating constant air movement. A 3-head split system offers an option for mechanical climate control as well. The upgraded vapor barrier provides greater thermal comfort – keeping the air conditioner on 70F in Texas’ July, the energy bill was only $118 (1/3 normal costs for the same size space.)


Courtesy of Weaver Buildings

Courtesy of Weaver Buildings

In keeping with the design manifesto, the outdoor kitchen, dining table, cocktail lounge, master screened porch and roof deck that overlooks Lady Bird Lake bring living spaces outside. Native plant selections and edible features qualify this yard as a Natural Wildlife Federation Certified Wildlife Habitat. Visitors are greeted by range edge plantings like persimmons and prickly pear to form a hardy barrier from the street. The front yard hosts a hypernature plant gallery with loquat, agarita, and various wildflowers of central Texas. Privacy is enhanced along the fence with screened edge plantings like virginia creeper, mustang grapes and Will Fleming yaupons.


© Atelier Wong

© Atelier Wong

Haskell Health House depicts a future in which the new urban home truly celebrates garden living.Reduced impervious cover allows for greater recharge of our underground water resources.


© Atelier Wong

© Atelier Wong

Landscaped living fosters natural habitats to be a greater part of our daily life, not relegated tovisitation in municipal and state parkland only. Individuals who can connect with nature every day ontheir personal urban nature preserve can lead more fulfilling, healthy lives. As Mies van der Rohe sopopularly shared, “Less is more.” Within our current context of sharing finite resources, the HaskellHealth House proves that using fewer resources in building consumption and in energy systems canprovide both a healthy and luxurious solution.


© Atelier Wong

© Atelier Wong

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Watch BIG & MVRDV Explain Their Finalist Proposals for the San Pellegrino Competition


via San Pellegrino

via San Pellegrino

The competition to design a new flagship factory and bottling plant for San Pellegrino has been narrowed down to two firms: BIG and MVRDV. Searching for a “truly innovative project that not only conveys an artistic vision, but also sets new standards in terms of efficiency and compliancy to environmental sustainability,” the jury committee selected the two final proposals from a 4-firm list which also included designs from Snøhetta and aMDL Michele De Lucchi.

“The judging committee were so impressed by the four proposals that they decided to narrow their selection to a shortlist of two and deliberate further before announcing the winning project early next year,” explained San Pellegrino in a press release.

San Pellegrino also released video proposals of the designs, explained by firm founders Bjarke Ingels and Winy Maas.

BIG

Their proposal embraces and enhances the architecture of the existing factory while at the same time forming an elegant framework that will allow the visitors to sense the power and purity of the surrounding Alpine nature.


via San Pellegrino

via San Pellegrino

The proposal’s design is focused around a series of expanding and contracting internal archways that create a multitude of spaces like majestic vaults, covered tunnels, arcades and green pergolas, whilst at the same time providing stunning views of the surrounding mountains.


via San Pellegrino

via San Pellegrino

At the centre of the campus, a giant geological sample will visualise the natural water’s 30-year journey during which it acquires minerals and achieves the pure flavour that is unique to S.Pellegrino.

MVRDV

Their proposal is centred around the famous and historic S.Pellegrino star. Their aim is to make the centre of the new complex (‘Experience Lab’) as iconic as the brand’s internationally recognised bottles.


via San Pellegrino

via San Pellegrino

The ambitious project includes a giant raised star with transparent sides that will allow visitors to admire the surrounding valley. The star’s roof will be covered with water which can be turned into a massive cooling waterfall in the hotter summer months.


via San Pellegrino

via San Pellegrino

The project also includes a more open glass façade than the current factory buildings that allows views of the surrounding nature, plus a rooftop restaurant and a pedestrian bridge.

See all four of the designs, with official project descriptions from the architects, here.

News and project descriptions via San Pellegrino.

http://ift.tt/2dGQUmU

Treehouse Suite / Deture Culsign, Architecture+Interiors


© The Cubic Studio

© The Cubic Studio


© The Cubic Studio


© The Cubic Studio


© Leonardo Palafox


© Leonardo Palafox

  • Management Company: Playa Viva S de RL de CV
  • Owner: David Leventhal

© The Cubic Studio

© The Cubic Studio

From the architect. Stroll the one-mile beach of this 12-key 200 acre eco-resort, and what draws your gaze is an elliptical shaped bamboo wrapped platform hovering somewhere between the canopy of palms above and green shrubbery below.  This perch is the beachfront bedroom of the 700sf bi-level treehouse suite.


© The Cubic Studio

© The Cubic Studio

Upon approach, though hard to distinguish interior from exterior, there is an open-air lower-level villa housing the sitting area and bathroom and upper-level perch for the sleeping area. The villa’s palm-tree-pierced, clay tile roof and exposed wood beams provide a textural ceiling for the lounge and bathroom, where locally sourced wood becomes countertop, carved stone is the vessel sink and hand-laid pebbles create the graphic shower floor.  Bamboo screening provides privacy while the roof is intentionally carved back so showering can be experienced outdoors, revealing palm trees by day and a blanket of stars by night.  With all water heated by solar, all water recycled, all electrical provided by 100% solar power and all-inclusive yoga classes, the impassioned eco-traveler or curious explorer can find harmonious balance with the surroundings and one’s self.


© Leonardo Palafox

© Leonardo Palafox

The perch removes all unnecessary elements to deliver an au naturel, immersive retreat. An oversized, curved wood door perfectly arches to the bamboo sheathed perch. Minimal locally made furnishing deliver unobstructed front and rear views, while hatch windows scatter about for continual peeks of nature and support passive cooling. Interior and exterior bamboo shoot reflects splaying branches of a true perch. Locally sourced woods create the perch edges of floor, ceiling and wall, each stagger as the randomization of elements found in nature. Hoping to nudge guests to peel away typical inhibitions, a two-person floor hammock with unobstructed views down gives a true sense of suspension.


Floor Plan

Floor Plan

With an expedited schedule, it took 6 months from the initial design meeting, to receiving the first treehouse suite guest.


© The Cubic Studio

© The Cubic Studio

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20 Projects Featuring Animals That You Will Fauna Over

As we celebrate World Animal Day, take a look at 20 stunning projects we have previously published that do just that, celebrate animals #WorldAnimalDay. 

Whether the space was designed for them or these animals were simply photobombing, these inspiring project images illustrate our quadruped, furry friends enjoying architectural spaces.

See the 20 projects where humans are not the only users. 

Housing for Mahouts and their Elephants / RMA Architects


© Carlos Chen

© Carlos Chen

Mirador House / CC Arquitectos 

 


© Rafael Gamo

© Rafael Gamo

A’Bodega / Cubus 


© Adrià Goula

© Adrià Goula

MaHouse / MARC FORNES / THEVERYMANY 


© Brice Pelleschi

© Brice Pelleschi

Till House / WMR Arquitectos 


© Sergio Pirrone

© Sergio Pirrone

Boatsheds / Strachan Group Architects + Rachael Rush 


© Patrick Reynolds Photography

© Patrick Reynolds Photography

City Villa S3 / Steimle Architekten 


© Brigida González

© Brigida González

One Man Sauna / Modulorbeat 


Cortesia de Modulorbeat

Cortesia de Modulorbeat

Comporta House / RRJ Arquitectos 


© Fernando Guerra | FG+SG

© Fernando Guerra | FG+SG

Fazenda Boa Vista – Equestrian Center Clubhouse / Isay Weinfeld 


© Fernando Guerra | FG+SG

© Fernando Guerra | FG+SG

Remisenpavillon / Wirth Architekten


© Christian Burmester

© Christian Burmester

Terra Cotta Studio / Tropical Space


© Hiroyuki Oki

© Hiroyuki Oki

Igúzquiza / LopezNeiraCiaurri


© Miguel de Guzmán

© Miguel de Guzmán

Shokan House / Jay Bargmann


© Brad Feinknopf

© Brad Feinknopf

Casa no Tempo / Aires Mateus + João and Andreia Rodrigues


© Nelson Garrido

© Nelson Garrido

Xieira House II / A2 + Arquitectos


© Fernando Guerra | FG+SG

© Fernando Guerra | FG+SG

C/Z House / SAMI-arquitectos


© Fernando Guerra | FG+SG

© Fernando Guerra | FG+SG

Taíde House / Rui Vieira Oliveira + Vasco Manuel Fernandes


© Fernando Guerra | FG+SG

© Fernando Guerra | FG+SG

Bovero House / German Müller


© Federico Cairoli

© Federico Cairoli

Perth Zoo Orang-utan Exhibit / iredale pedersen hook architects


© Peter Bennetts

© Peter Bennetts

http://ift.tt/2dHrQNN