© Christophe Valtin

• Architects: Arte Charpentier Architectes
• Location: Aéroport Charles de Gaulle 1, 93290 Tremblay-en-France, France
• Area: 25000.0 sqm
• Project Year: 2015
• Photographs: Christophe Valtin

• Design Department Structure: Conception service consulting
• Design Department Fluids: CTH
• Facades Specialist: Façade 2000
• Kitchen Specialist: PHI2 ingénierie
• Economist: Simonneau Sarl
• Lights Specialist: Gilles Richard
• Construction Company: Eiffage Construction Val de Seine
• Interior Spaces Decoration: Ibis: Agence Blanchet d’Istria, Pullman: Christophe Pillet
• Hotel Ibis Styles: 8469 sqm floor area, 10 levels, 308 rooms of 17 m2
• Hotel Pullman: 16486 sqm floor area, 10 levels, 294 rooms of 26 m², 10 suites of about 40 m2, 1 suite of 60 m² 1 restaurant of 116 spots on 250 m2 with a terrace, 1 lobby bar, 1 wellness center of 500 m², 1 600 m2 of business space including 13 modular rooms, 4 102 m² terrain, with 2 955 m² built and 1 147 m² of free space

© Christophe Valtin

From the architect. Winner of a March 2011 competition hosted by the Paris Airports, on a 4 102 m² space, Arte Charpentier Architectes has designed two distinct hotels for the Accor group: a building housing an ibis Styles (308 rooms) hotel and a building for the prestigious Pullman (305 rooms) chain.

© Christophe Valtin

In front of the «Aéroport Charles-de-Gaulle 1» RER A exit, they have been drawn in the same motion and offer an innovative architectural design. The two buildings’ facades have been treated in the same way:

– The color and materials have been picked for their brightness

– Silk-screened glass partially covers the glassing, drawing an aesthetic and modern checker board pattern. An optical illusion is thus created along the buildings’ frames.

– Thousands of LEDs create lines along the facades; they light the buildings up day and night.

The interspace between the hotels makes a friendly court partially protected by glass shaped petal flowers, real catalyst of the urban life.

© Christophe Valtin

Data volumes are subtly fragmented to break with the extremely dense nature of a program of this magnitude. The fluidity of the structure’s lines and curves also participate to that goal of lightening the frame. As a part of the project the firm also designed the landscapes, from gardening to soil treatment and public spaces.

© Christophe Valtin

Plan 1

© Christophe Valtin

The hotels create a strong visual impact, making this project a real «urban door». They help visitors orientate themselves while renewing Roissypole’s image.

© Christophe Valtin

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© José Campos

• Architects: depA , Margarida Leitão
• Location: Porto, Portugal
• Area: 400.0 sqm
• Project Year: 2016
• Photographs: José Campos

• Consultants: Edgar Brito, Alexandra Vicente

© José Campos

From the architect. Casa do Rosário had almost everything.

A comfortable scale , an appealing compositional structure and a captivating atmosphere. The big challenge was to keep its domestic spirit, refraining from a big design or a deep intervention.

© José Campos

© José Campos

Located on Porto’s Arts District, one of the most central and dynamic locations in the city, the building, once inhabited by a single family was divided over time and came to accommodate multiple families on the three floors of the 307, Rosario Street. Like many other buildings in Porto, this one became an assemblage of homes.

© José Campos

Today the house mirrors the diversity found in Porto’s contemporary cosmopolitanism, gathering under its roof a family that has been in the building for 63 years, and two architects who have fallen in love for the city.

© José Campos

© José Campos

The house was divided in five studios set on a 19th century building, designed so that both families or groups of friends can be accommodated comfortably in a creative and familiar environment.

© José Campos

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© René de Wit

• Architects: Studio Frank Havermans
• Location: Spiegelwaal, 6663 Nijmegen, Netherlands
• Project Year: 2016
• Photographs: René de Wit

• Client: Stichting Fabrikaat Nijmegen
• Basic Construction: KNØP building system, Mesh Construction Technology, Elst
• Production: Studio Frank Havermans, Koos Schaart expeditions
• Funds: Mondriaan Fund, Bouwfonds Cultuurfonds, Municipality of Nijmegen

© René de Wit

This pavilion KAPKAR.SF-P7S is designed and built for a temporary Building Lab (BOUWLAB) organised by Stichting Fabrikaat. This foundation, based in the city of Nijmegen in the east of the Netherlands is specialised in organizing temporary place making projects. This summer they erected a small settlement along the new shaped river bank on the north side of the city to focus on alternative ways of building and living in a more self organised way and show it to a broader public. This client asked me to design a low budget pavilion meant to program discussions, forums, meetings, small scale exhibitions, lectures and other cultural events during the period of BOUWLAB. Specific wishes were that the pavilion should have a striking appearance, be demountable and transportable to their future location, project ‘GRID” in Nijmegen, that it would provide space for 50 people, and that enough daylight would enter the building. Another wish was that I should collaborate with a MCT, a new company that developed a clever building system called KNØP. 

© René de Wit

The site of BOUWLAB and the pavilion is on top of a new dike which has been thrown up for making a new river channel in Nijmegen in order to give the river ‘De Waal” more flow space if the water is high. For this massive infra structural intervention, a part of the Nijmegen-North has been demolished amongst it also old farmhouses.

Model

The first clue for the design of the pavilion is a classic truss frame construction that held up the typical broad gable roofs formerly used in old farmhouses and sheds. In this design I re-introduce this kind of constructions in contemporary design. With the difference that the supporting structure is not only visible inside the building, but that it is also visible from the outside to create more awareness. For me wood frame constructions are one of the anchor points of the Dutch agricultural landscape. Too easily they are destroyed. This design emphasizes on this constructions. I placed the construction of the building to the outside of the building, even so that it spatial becomes part of  theroof and facades itself. In the interior the trusses are folded open and become interior spaces and places to sit for three people.

© René de Wit

The main construction consists seven equal truss pillars, positioned parallel in three pairs. The seventh is turned 90 degrees and functions as a constructive ending. The base of the pavilion is a levelled floor on top the metal KNØP system. This system is not covered at the sides to emphasise in the beauty of this engineered construction method. The top of this base is covered with rough Douglas boards to provide a floor and side bench. The trusses are placed on the higher part. In the interior and outside this higher level is automatic used  as benches by the public. The ‘head’ of the building is all made of steel angels and corrugated steel sheets and gives access to the interior.  

Model

Model

The whole construction is built in segments and can easily be taken apart en replaced. The roof and siding of the spaces between the trusses are made of metal and pvc corrugated sheets. A beautiful but simple and low budget material that slowly disappears from the landscape in the Netherlands. The pillars are treated with a new rubber coating. 

© René de Wit

By charging this construction with several elements from classic farmhouse typology in combination with simple low budget materials I created an experimental hybrid construction that emphasize the importance of farmhouses and sheds in our cultural landscape and that these buildings can be a constant inspiration to design contemporary architecture. This pavilion at the same time  is referring to the architectural heritage and also has futuristic appearance in the landscape.

© René de Wit

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© Quang Dam

• Architects: AD+studio
• Location: Ho Chi Minh City, Ho Chi Minh 70000, Vietnam
• Design Team: Nguyen Dang Anh Dung, Nguyen Van Trung, Vo Dinh Huynh
• Area: 84.0 sqm
• Project Year: 2016
• Photographs: Quang Dam

© Quang Dam

Located in the South West corner of the building, it is a 2-bedroom apartment of which the area is 84 m². After two years for office lending, this apartment has been partly damaged. The current arrangement plan also creates several problems when the using purpose is changed. Refurbishment method is to move the culinary area close to the living room which is arranged symmetrically through the center axis; the old kitchen is renovated into a multi-function space with a storage beneath; adding a private WC to the master bedroom; changing direction for the door of the other bedroom in order to surmount the room crossing disadvantage by giving way directly towards to the laundry balcony which is a new ventilating ways for the apartment. Afterwards, through the narrow hall, the common space has more views to the balcony and towards outside, making the space become bigger and airy.

© Quang Dam

Diagram

© Quang Dam

I personally do not like apartment block in HCMc. It gives me a feeling of living in many stacking boxes which are constructed in a disorganized manner around the city; living with no garden, no breathing space and having no awareness of who behind the wall, all of which are the methods of building a life style to be relatively strange for the one who grew up in the countryside with nature and neighbors all around.

© Quang Dam

This apartment is a gift for my little sister, giving her a familiar living space, a childhood memory of when we were kids together enjoying our COLORFUL life in our little home with FRONT AND BACK GARDEN, where we shared our memories UNDER THE ROOF. Living spaces under the roof has been formed and remained in our mind as a place where we get back for a peaceful, leisurely feeling – the feeling that a common apartment cannot bring.

© Quang Dam

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© Namsun Lee

• Architects: JLArchitects
• Location: Yeongtong-gu, Suwon-si, Gyeonggi-do, South Korea
• Architect In Charge: Solto Jibin
• Design Team: Jae Heon Lim, Namho Jo, Eunpil Jeon, Jihi Min
• Area: 457.0 sqm
• Project Year: 2016
• Photographs: Namsun Lee

© Namsun Lee

From the architect. Near Seoul, a few new cities and towns have been developed in last decades. Gwang-gyo is one of those new developed cities, originally and currently being developed as the center of government administrative and R&D clusters hub. The project is located in the mixed-use zone, which has the floor area ration 1.8. As the other zones of new town, strict design codes are regulating the formal and programmatic rules of the area; then, the district shows the aspect of both sides of regulations, the pleasant unity and boredom of the rule as well.

© Namsun Lee

© Namsun Lee

Since those codes are not functioning in negative way in terms of architecture and the ecological construction and so on, the project has been pushed forward to communicate in better way with contexts around. Those 4 stories mixed-use buildings in neighborhood usually stay individually without conversations except the store in the ground floor. The projects has been put into vertical void in the corner of the building, and making it garden to be able to communicate with the street level breaking the boredom of common new town setting.

© Namsun Lee

Section

© Namsun Lee

Project title, the Ziffer means the abbreviation of ‘the Z-shaped buffer’ melting the closed barrier between public and private. In each floor, folding doors have been installed in the set-back layer of the structural masonry wall to protect from the quite cold winter of Korea. Thus, the Ziffer borrowed the systemic way how the zipper is functioning to open and close insides and outsides in convenient ways.

© Namsun Lee

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© Bambang Purwanto

• Architects: RAW Architecture
• Location: Taman Meruya Ilir, Meruya Utara, Kembangan, Kota Jakarta Barat, Daerah Khusus Ibukota Jakarta 11620, Indonesia
• Client : Mr. Ferdi Septiono and Ms. Joice Verawati and Family
• Principal : Realrich Sjarief
• Project Team: Bambang Priyono, Tatyana Kusumo, Miftahuddin Nurdayat, Rio Triwardhana, Anton Suryanto, Christiandy Pradangga, Maria Vania.
• Area: 180.0 sqm
• Project Year: 2015
• Photographs: Bambang Purwanto, Ifran Nurdin

• Supervisors: Sudjatmiko, Singgih Suryanto
• Construction Manager : Eddy Bachtiar, Jasno Afif Angga
• Structure Engineer: John Djuhaedi
• Master Carpenter : Syarifuddin pudin
• Mechanical And Electrical Engineer : Bambang Priyono, Andi, Karim, Hamim
• Landscape : Mr. Ferdi Septiono, Ms. Joice Verawati and Family
• Plan And Illustrations : Miftahuddin Nurdayat, Tatyana Kusumo, Rimba Harendana

© Ifran Nurdin

Located in Taman Meruya Ilir, West Jakarta region, Istakagrha meaning brick house,Situated in the increasingly crowded West Jakarta area, the 180 sqm house occupies a 150 sqm plot of land, 10m x 15m. Istakagrha is reflected by its name, brick House, it is a small and compact house with a orange painted color on the light weight brick, black colour , and rough concrete texture finishes.The expression creates humble and distinctive look 

© Bambang Purwanto

“We have a dream to have a house which like a villa in Bali. A house more than a functional but a place to live and grow with feel of nature, we really love staying in tranquil house” explains homeowner Mr. Ferdian Septiono and Ms. Joice Verawati Realrich Sjarief. The clients are graphic designer who are willing to have a compact sustainable house. 

Section

Section

The architecture of istakagrha separated inside and outside with the landscape of a barrier wall made by light weight brick. The combination is stacked with pattern of solid void, which provide sense of privacy and security, meanwhile allowing sunlight and air circulation to flow inside the living room. The house faces east side allowing morning sunlight come to the space at 9 am. The stair is placed at the west side, the west side is walled with brick to provide thermal insulation. The air ventilator is placed at the west side of the house above the stair from ground to 1st floor providing fresh air circulation throught air stacking effect. The house has one open air receiving area as anteroom then no more separation wall between living, dining, and cooking which In the living room, the kitchen also takes some importance its final layout is the result of few adjustments based on the owner’s domestic habits. The only enclosed space in the ground floor is guest room, which doubles as a working space and guest bed room. A simple foyer and a light well integrated with stair, and art work is placed after the receiving area at the west side of the building. The first story houses private spaces. At the end of the corridor is 1 bedroom with shared bathroom and a walk-in closet. An simple and functional feel showering area is attached to the bathroom. The material used in this building is choosed based on the best craftmenship available in Jakarta, concrete structure is used because of the cost efficiency, engineered wood is used because of the look and lightness, metal frame for facade and sunshading are used because of durability. 

© Ifran Nurdin

3 types of brick was used based on each character. First, is light weight brick, 200 x 600 x 100 mm, for the facade. Light weight brick was chosed because of the lightness, precision and can be easily molded and constructed as facade/ Second, orange brick which is most common material used in Jakarta, The third one is the ceramic brick 50 mm x 150 mm x 10 mm which is used for covering the stair wall as insulation and interior surface. An additional bedroom, bathroom and a stair way to the attic on the 1st floor is linked by a corridor leading to an open space beside the void leading to the stairwell and stair case through compact space. Istakagrha showed an example of small house in Jakarta with small plot of land with sustainable design approach and keeping privacy from out side to inside through simple form which is stacking brick.  

Diagram

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© Kenta Hasegawa

• Architects: Schemata Architects
• Location: Tokyo, Japan
• Architect In Charge: Jo Nagasaka / Schemata Architects
• Project Team: Ryosuke Yamamoto, Ou Ueno, Takuya Sakamoto
• Area: 239.6 sqm
• Project Year: 2016
• Photographs: Kenta Hasegawa

• Construction: FUYUKI KOGYO / Ideura Kensetu (demolition + landscape + façade) / SPACE(interior) / O.F.C(furniture)
• Collaboration: KIGI (sign and graphic design)

© Kenta Hasegawa

JINS, one of the biggest eyewear brands in Japan, commissioned Schemata Architects to design the renewal of their Ageo shop on the occasion of its 12th anniversary. The existing shop consists of two L-shaped blocks, respectively an eyewear shop and a cafe, positioned around a square courtyard surrounded by an open corridor serving as a cozy outdoor cafe space. However, the existing building was clad in wooden panels and the courtyard and the cafe were hidden from the street. 

© Kenta Hasegawa

We removed the exterior walls and installed Low-E paired glass to initiate the view towards the beautiful courtyard  from the street, while creating an impressive display of their extensive eyewear products highly visible from the street at the same time. 

© Kenta Hasegawa

Plan

© Kenta Hasegawa

The interior design was intended to emphasize the effect of exposing the skeleton of the building. New interior walls are offset from the original wall lines, finished with brick tiles usually used for exterior finishes; shelves and display furniture are designed as independent elements detached from the building. Eyewear products vary in shapes and colors, and we collaborated with the graphic design office KIGI to introduce visual elements in the shop so that the products and the space can relate to each other in a free and independent way. 

© Kenta Hasegawa

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Installation view of the exhibition Bauhaus: 1919-1928, on view December 7, 1938 through January 30, 1939 at The Museum of Modern Art, New York. The Museum of Modern Art Archives, New York. Image © Soichi Sunami

The Museum of Modern Art in New York (MoMA) has released an online archive of over 3,500 of the museum’s past exhibitions from its founding in 1929 to today. Free and available to the public, the database contains photographs, press releases, checklists, catalogues and lists of featured artists.

The archive contains 660 entries tagged under “architecture” and includes some of architectural history’s greatest exhibitions: the Modern Architecture International Exhibition by Philip Johnson and Henry-Russell Hitchcock in 1932; Herbert Bayer’s exhibition Bauhaus 1919-1928 in 1938; Thresholds/O.M.A. at MoMA: Rem Koolhaas and the Place of Public Architecture in 1994; and, most recently, A Japanese Constellation: Toyo Ito, SANAA, and Beyond, which wrapped up its run this past July.

via moma.org/history

The release is the product of a massive undertaking by museum staff to digitize past archives. Many of the pages contain links to related publications or preserved websites dedicated to individual exhibitions. A easy-to-use menu bar allows users to search directly for keywords or refine their search based on exhibition type and year.

Mies van der Rohe and Phillip Johnson at the exhibition Mies van der Rohe, on view September 16, 1947 through January 25, 1948 at The Museum of Modern Art, New York. The Museum of Modern Art Archives, New York. Image © William Leftwich

The database will be continuously updated as new exhibitions are held, meaning architecture lovers will have the opportunity to check out next year’s Frank Lloyd Wright retrospective, even if they are unable to make a trip to MoMA in person.

Check out the online archive for yourself, here.

Installation view of the exhibition Machine Art, on view March 5, 1934 through April 29, 1934 at The Museum of Modern Art, New York. Image Courtesy of Museum of Modern Art

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© Daryl Mulvihill

• Architects: Openfabric, Dmau
• Location: Grevelingenveld, 2515 Den Haag, Netherlands
• Design Team: Francesco Garofalo, Daryl Mulvihill, Barbara Costantino
• Area: 5100.0 sqm
• Project Year: 2015
• Photographs: Daryl Mulvihill, Jacopo Gennari Feslikenian, Francesco Garofalo

• Client: The Hague Municipality, Richard Krajicek Foundation
• Consultant: Arcadis

© Jacopo Gennari Feslikenian

Play is about finding ones place in the world and making sense of that world. We have created a plan that seeks to juxtapose two different worlds. The man made and the natural. The plan has an urban exterior and a wild natural interior, each space contains a different type of play.

© Francesco Garofalo

© Daryl Mulvihill

Section

© Daryl Mulvihill

The formal exterior is a place for sports and structured ordered games, while inside the wild interior children are encouraged and free to construct and destruct their own play spaces using natural materials. A boundary “ribbon” between the two worlds wraps and protects the interior, while adapting towards the exterior to allow games and integrate traditional playground elements.

Grevelingenveld known locally as Deltaplantsoen is a neighbourhood square in Rivierenbuurt, The Hague. The design of the 8.100m2 space links carefully with the development of a new neighbourhood school which faces onto the square. 

Plan

© Jacopo Gennari Feslikenian

The playground concept brings three different types of play together into one ensemble; the interior is a wild natural playscape, the exterior an urban sports court, and the threshold between the two known as “the ribbon” is a playful architectural element containing all the traditional playground equipment. This diversity of playing types arranged as an open ended playscape, creates a rich and dynamic world that offers children endless possibilities for play and to reinterpret and reimagine the space. In contrast to the many mono-functional playgrounds with standard equipment that exist everywhere today. 

© Daryl Mulvihill

Diagram

© Francesco Garofalo

The central natural playground is a space where children are free to construct and destruct their own play spaces from natural materials and fast growing plants such as willow and reeds. Bringing a natural playscape like this into the heart of the neighbourhood will increase children’s daily contact with nature, an important factor for a healthy childhood and an experience that is missing from many urban neighbourhoods. The planting selection is chosen to provide maximum visual variety throughout the year while the biodiversity of flora and fauna will provide a rich context for environmental education offered by the school, and the continual growth of the plants and trees over the years provides an ever changing landscape. 

© Jacopo Gennari Feslikenian

The threshold between the urban and the natural is known as The Ribbon, it’s an undulating playscape where children can navigate between the two worlds in an engaging and inviting way. The Ribbon can be climbed over via the climbing wall, crawled through via the tunnels, slide via the slides, the edge has a steel coping for skating and scooting. It serves as a sitting element at the edge of the sandpit or a spectator stand for those watching the sports courts and much more.

© Daryl Mulvihill

In contrast, the external space is a formal hard surfaced square for sports and structured games. Here patterns of lines define sports courts such as football and basketball and also create an abstract patterns, a playful matrix that can set boundaries for new games.

© Jacopo Gennari Feslikenian

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Beyeler Foundation, 1997 / Renzo Piano Building Workshop. Image © Fran Parente

The office of Peter Zumthor has been selected to design an expansion to the Beyeler Foundation, located just outside Zumthor’s childhood home of Basel, Switzerland. The Swiss architect was chosen from a prestigious shortlist of 11 firms to add to the existing museum building, designed by Renzo Piano Building Workshop and completed in 1997.

“The sky above Basel, the city and its surroundings–those are the landscapes of my youth,” said Zumthor. “It is heart-warming to be able to design a major building here.”

Beyeler Foundation, 1997 / Renzo Piano Building Workshop. Image © flickr user jkz. Licensed under CC BY-SA 2.0.

Zumthor’s design was unanimously named the winner by an international jury board, which included Swiss billionaire philanthropist Hansjörg Wyss, Chairman Emeritus of Vitra Rolf Fehlbaum, Tate Museums Director Sir Nicholas Serota and architects Roger Diener and Jean Nouvel.

“The interaction of human beings, nature, art and architecture is one of the keystones of the Fondation Beyeler’s success, and was also essential for the development of Renzo Piano’s award-winning museum. Peter Zumthor possesses the sensitivity and experience that are needed to create a building of outstanding quality in this very special location,” commented Fondation Beyeler’s Director, Sam Keller, on the decision.

The full shortlist for the competition was as follows:

• Sou Fujimoto Architects (Japan)
• Junya Ishigami + Associates (Japan)
• Christian Kerez Zürich AG (Switzerland)
• Made In Architects (Switzerland)
• Studio Märkli (Switzerland)
• Hiroshi Nakamura & NAP Co., Ltd (Japan)
• Smiljan Radic (Chile)
• Kazuyo Sejima + Ryue Nishizawa / SANAA (Japan)
• Souto Moura – Arquitectos SA (Portugal)
• Tod Williams Billie Tsien Architects (United States)
• Atelier Peter Zumthor & Partner (Switzerland)

Kunsthaus Bregenz / Peter Zumthor. Image © Böhringer Friedrich licensed under CC BY-SA 3.0

The new building extension will be constructed on land previously off-limits to the public, opening up new areas of the park to Beyeler Foundation visitors. The project will be privately financed and is expected to cost CHF 80 million (~$8,000,000 USD), of which CHF 50 million has already been confirmed.

Images of the winning design will be released in late autumn/winter as Zumthor’s design is further developed.

News via Beyeler Foundation.

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