© Jens Willebrand

• Architects: Eike Becker Architects
• Location: Schiffbauerdamm, 10117 Berlin, Germany
• Area: 38000.0 sqm
• Project Year: 2013
• Photographs: Jens Willebrand, Stephanie von Becker, Courtesy of Eike Becker Architects

• Building Services: Ebert Ingenieure
• Interior Design Hotel: Neudahm Hotel Interior Design
• Landscape: ST raum a
• Structural Engineering: Wetzel & von Seht GbR, Berlin
• Interior Design Apartments: yoo Limited

© Jens Willebrand

To the left stands the Berliner Ensemble theater, to the right the Weidendammer Bridge, and in front Schiffbauerdamm and the Spree River. Within this expansive, open space the building – stretching southeast – northwest and with a width of approximately fifty-five and depth of some eighty-two meters—occupies a solitary, arresting position. Not only is the property a prime location, but it also has an interesting history. On this very site stood the Grosses Schauspielhaus (great theater), designed by Hans Poelzig and headed by Max Reinhardt, which remained standing until the late eighties, when it was demolished. 

© Jens Willebrand

Section

© Jens Willebrand

Due to the doubled four-wing layout of the structure with two internal courtyards and the staggering of the top four of ten floors above ground level, the building bears a certain similarity in shape and volume to Hamburg’s so-called Kontorhäuser, early twentieth-century office buildings. However, the solid, block-like appearance of these forerunners is altered through façades that are more akin to an airy, light, and even crystalline architecture. Somewhat hidden by the trees on Bertolt- Brecht-Platz, the front of the building is symmetrically balanced. In other words, this main façade is divided into three parts: a broader central section and two narrower side sections. The vertical windows, each divided into separate fields by three to six printed glass panels, are horizontally framed by a light-colored aluminum. 

© Stephanie von Becker

Plan 3

© Jens Willebrand

Just under half of the approximately 33,000 square meters of gross floor area is dedicated to eighty-seven apartments, the interiors of which have been designed by a team led by French designer Philippe Starck. A hotel with a good 300 rooms occupies another third of the floor area. The rest of the space is reserved for offices and shops. All the apartments are situated in the quieter northwestern section of the building, and all of the offices in the less tranquil southeastern section. 

© Jens Willebrand

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© Grant Pitcher

• Architects: Metropole Architects
• Location: Forestwood St, Dolphin Coast, 4439, South Africa
• Area: 650.0 sqm
• Photographs: Grant Pitcher

• Main Contractor: Greg Frizelle – Frizelle Contracting

• Structural Engineers: Davies Lister-James Engineers
• Timber Detailing: Timber Trends
• Landscape Implementation: Tongaat Plants
• Site Area: 1741 sqm

© Grant Pitcher

With the site facilitating a wide ocean frontage, the design was able to respond with a “Wingspread” type architecture that appears to float over the indigenous dune vegetation, taking full advantage of the panoramic beach and sea views. 

© Grant Pitcher

Plan 3

© Grant Pitcher

The Reserve house is a fusion of Tropical Modern Architecture with a number of bold Futurist elements, including a 4.3m high angled offshutter concrete wall that penetrates through the entrance hall, a splayed “T” shaped feature concrete column that supports a significant cantilevered top storey, and upswept cantilever pools that project out towards the ocean, which all combine to evoke the impression of movement. 

© Grant Pitcher

The vibrant and eclectic interior spaces exhibit a rich and high-energy fusion of Mid-Century Modern and Industrial design styles that complement the architecture.

© Grant Pitcher

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© Zhang Zheming

• Architects: Cao Pu
• Location: 1703 Firework Mansion, No.605 Furong Mid Road, Changsha,China
• Project Planning: Sun Shengqi, Xiong Yong, Zhao Xuru, Zou Rong
• Area: 60.0 sqm
• Project Year: 2016
• Photographs: Zhang Zheming

© Zhang Zheming

From the architect. Located on Middle Furong Road, Changsha, the 17-storey Firework Mansion used to be the dormitory building for staff of the former state-owned Hunan Firecrackers & Fireworks Import and Export Company. The company spared no expense to build this mansion and poured the whole building structure with concrete. Nowadays, young people have moved out of this mansion, so those left are mostly retired elderly people.

© Zhang Zheming

diagram dd. Image © Zhang Zheming

© Zhang Zheming

There is a small 60 m2 two-bedroom apartment on the top floor of the building. The once high-expense complete shear wall structure forms a light tight environment between the rooms and between the apartment and the outside. Even in daytime, the interior is dim and the living room has no light at all. The owners want to transfer this apartment into a family bookstore, and name it “Reedom”.They wish to provide a good place to go for the residents in Firework Mansion.

© Zhang Zheming

The small apartment is not qualified to provide environment for reading. We enlarge the window on the outer wall as much as possible; open several holes on each solid wall inside, to let the light and eyesight pass. Meanwhile, the space divided into separate rooms can become an integrated whole. Holes inside the house also invite in natural draught.

© Zhang Zheming

The rooms are small. We decide to go the adverse way to change them into smaller ones and create a more sincere and concentrated environment for reading. Thus, we placed bookcases and partitions in the already small living room and bedrooms. To save space, we’d like to use the holes as desks.

© Zhang Zheming

In this way, we get many mini reading rooms with interlinked light, eyesight and air, while ensuring privacy. The balcony becomes a most unique place for reading, with a good city view and soft breeze when opening the window.

© Zhang Zheming

We once thought about open a scuttle on the roof. However, the plan was finally aborted due to various reasons. In the end, we enlarged a window in the living room. Using a corner of the rooftop platform as the extension of the bookstore, to face it and window of the balcony, a rooftop miniature environment is formed. We have built very good relations with the neighbors. Meanwhile, we are designing better facilities for them to dry clothes and pickled radish on the rooftop.

diagram cc. Image © Zhang Zheming

We hope to finally build the area into a good place to go for the whole community.

The elevator hall of the building has a round window, which just face the outer windows of the Reedom. So we placed the signboard “Reedom” outside it and pasted the logo on it. Seeing from a specific angle, the logo forms other words when linked to the words on the signboard.  Meanwhile, we chose a space and printed the QR code of the bookstore onto the former mosaic outer wall of the building.. The code can be scanned from some angle in the store.

© Zhang Zheming

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Courtesy of MMK+

Within the sprawling metropolis of Seoul lies an island “forgotten by time.” Sitting beneath the Hangang Bridge on the River Han, the floating lot is now nothing but a relic of a bygone era. Formerly a popular man-made beach and recreational area, the past forty years have seen the site erased from the collective consciousness of the city. To breathe new life into the island, the Nodeul Island Dream competition was opened, and Seoul-based MMK+ and Taehyung Park’s proposal ‘Reconfigured Ground‘ took first prize. 

The proposal looks at the evolution of the island from constructed paradise to overgrown void. Throughout this evolution, an ecosystem has developed and gradual formal changes have taken place. The remote character of the island – currently accentuated by its abandonment – is to be transformed into a positive condition, as it becomes a cultural haven within the bustling city. The architects’ design aims to “restore the wild nature of the island while re-programming its natural features as a cultural venue,” once again making it a destination point for inhabitants of the city. 

Courtesy of MMK+

The project proposes a reconfiguration of the ground levels of the site, with a distinct upper and lower level hosting diverse public programs. The ground plane itself has been reconfigured to soften the jarring height difference between the island and the bridge which runs overhead. Two distinct circulatory loops – the upper and lower – form the basis for the distribution of new programs.

Courtesy of MMK+

Though linked by open plazas and visual connectivity, the upper and lower level host distinctly separate programs.  The upper loop is a smaller radius and connects the eco-learning center, Han River observatory, and the Nodeul Forest. In contrast, the larger lower loop wraps the whole island with a promenade, urban beach, bike center, and observation deck. 

The upper-level hosts open public space, intended for temporary installations and gathering points. In contrast, the lower level is designed to accommodate start-up offices, shops, restaurants, plazas, market street, and a 500-person performance hall. Traditional Korean village settings (referred to as Maeuls) evolve here: where a small community of different programs and user groups coexist in harmony.

Courtesy of MMK+

MMK+ said in a press release: Nodeul Maeul’s new structural system will be composed of a 10m x 10m modular precast concrete grid, integrated with a pre-installed flexible MEP system. The expandability of the system allows for a ”participatory design”, where the architect provides the framework, and the spaces are defined by a response to the users’ evolving needs. This dynamic, community-driven, typology brings unique opportunities for users and visitors, creating a place filled with historical values and limitless potential.

Courtesy of MMK+

The existing island forest is augmented by a new planting strategy, designed to breathe new life into the established ecosystem. MMK+ and Taehyung Park propose a four staged approach comprised of; the preservation and removal of decaying plants, seeding and nurturing new plant-life, adding programmatic planting, and curating edge-defining planting. Diverse outdoor landscape programs are interlaced into the circulatory loops, enabling users to move through different natural and built conditions as move across the island. 

Courtesy of MMK+

For more information, check out the competition website, including the other prize-winning proposals.

• Architects: Studio MMK
• Location: Seoul, South Korea
• Design Team: Pilsoo Maing, Jihoon Kim, Donghwan Moon
• Collaborators: Taehyung Park
• Project Year: 2016
• Photographs: Courtesy of MMK+

News via MMK+.

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Courtesy of Moleskine

Thinking about investing in some new technology? Creativeboom has compiled a list of 20 dream gadgets for designers that will either make your workflow more efficient or just be a whole lot of fun to play around with.

Gadgets include maker-targeted machines like the Glowforge 3D Printer and the 3Doodler, along with innovation in sketching technology like Moleskine’s Smart Writing Kit and the Pantone Capsure for finding the right hue from real life surfaces. There are also some products that will make your life easier, like Satechi’s USB Hub that provides you with 4 additional USB ports.

Find the complete list of gadgets at Creativeboom, here.

The Ultimate Guide To 21 Products You Need Now
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© Marcelo Kahn

• Architects: Lab Arquitetos
• Location: São Paulo, State of São Paulo, Brazil
• Project Team: Rodrigo Leopoldi, Marino Barros, Valéria La Terza, Beatriz Paixão
• Area: 470.0 sqm
• Project Year: 2013
• Photographs: Marcelo Kahn

© Marcelo Kahn

In sight of a comfortable house for the whole family, the owners decided to renovate an old house from the early 50s. The architects from Lab Arquitetos developed the project in order to integrate the outdoor area to the inside of the house, making it possible the usage of  pergolas, balconies and wide windows.

© Marcelo Kahn

Searching for an aesthetical look that refers to the northern Argentina fields and grasslands, rustic materials such as wood were used, contrasting with the contemporary furniture and integrated rooms. The original laundry area gave place to a living area with an open garden and grill area, both with view to the refurbished swiming pool.

© Marcelo Kahn

Plan

© Marcelo Kahn

The fence and low walls were removed so all rooms could be integrated, giving place to a exuberante landscape.

© Marcelo Kahn

Plan

© Marcelo Kahn

The lower plan was expanded, conecting the living room and balcony area through the pergola area. Made of corten steel , the pergola has it´s structure apparent and also sustains the upper floor new balcony. One of the greatests urprises during construction was the chance to leave the existing roof structure apparent, requiring only some repair and maintenance in some points and a new painting finish.

© Marcelo Kahn

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Courtesy of Rotem Guy

As a final project at Shenkar College under academic advisor Arch. Yaron Golani, Rotem Guy Workshop has completed Urban Club for Soldiers, a project in Tel Aviv, Israel. 

Based on the duality of order and movement, the project centers on a large multi-purpose building with its programs spread throughout “like a measuring stick.”

The design is generally modeled after historic “Tel Pach” temporary housing, specifically “Nissen huts,” which were cabins built with steel and rounded tin pegs. The project utilizes simple materials, like steel and tin, as well as mineral plaster and wet masonry.

Courtesy of Rotem Guy

Courtesy of Rotem Guy

On the ground floor of the building, an entrance hall leads to an elevated area that hosts a light-filled lobby with a glass ceiling, welcoming station, and computer stations. The space additionally features an all-purpose hall, cafeteria, bathroom, dressing room, and rest cabins.

Courtesy of Rotem Guy

Courtesy of Rotem Guy

Courtesy of Rotem Guy

Classrooms, management, and additional rest cabins are located on the first floor above the ground level.

Courtesy of Rotem Guy

The strict hierarchy of the building is broken by a hovering bridge, which connects the auditorium and resting area, thereby unifying the spaces throughout the building.

Courtesy of Rotem Guy

Learn more about the project here.

News via Rotem Guy Workshop.

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For Mauricio Pezo and Sofía Von Ellrichshausen, the architect’s job is about much more than dealing with functional issues, as well as social issues, sustainability, and safety. “Of course architecture from its very essence is solving problems, and the problems constantly change,” says von Ellrichshausen in this interview with The Architectural Review outside their Vara Pavilion at the 2016 Venice Biennale. “But probably the life span of architecture is many times larger than the problem that it addresses initially. Therefore we think of architecture more in terms of this larger span and hopefully it might embody a set of values and not necessarily propose a solution.”

Vara Pavilion / Pezo von Ellrichshausen. Image © Laurian Ghinitoiu

The duo’s main ambition is to develop a typology of buildings that promote different spatial experiences – all created on the basis of the human scale. Since 2002, the architectural firm designed 70 projects that vary depending on two spatial dimensions: size and direction. Each member of a “family” shares similarities with previous houses, but also shows a certain degree of mutation. As Pezo explains, “although we never refer to anything other than the building we are projecting at a certain moment, we cannot avoid extending our thoughts from previous projects. We believe in invention but always within our own personal memory.”

Vara Pavilion / Pezo von Ellrichshausen. Image © Laurian Ghinitoiu

Individual houses are the most common project type in Pezo von Ellrichshausen’s work, as their small scale allows for the slow process of developing and altering building types. The most recent example, Nida House, was recently examined in an article by The Architecture Review, where the house – described as an inverted pyramid – is analyzed in relation to its predecessors.

Read the full review of Pezo von Ellrichshausen’s Nida House at the Architectural Review and watch the video above to find more about the practice’s architectural philosophy and the Vara Pavilion at the Venice Biennale 2016.

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© José Ramón Oller

• Architects: Equipo Olivares Arquitectos
• Location: Santa Cruz de Tenerife, Spain
• Design Team: Javier Pérez, Alcalde Schwartz, Fernando Aguarta García
• Area: 381.46 sqm
• Project Year: 2016
• Photographs: José Ramón Oller

• Main Contractor: Aguere Construcciones, S.L.
• Rigger: José Floreal Martínez

• Electrical Technician: Tomás Trujillo

© José Ramón Oller

From the architect. This project addresses an excess of servitude derived from the demanding topography and strict regulations through a straightforward strategy: a compact, clean and tidy body overlooking the Atlantic’s rising face and enjoying a panoramic view of the Anaga Mountains to the west. It is a simple‐volume step section that tries to sit naturally on the terraced slope.

© José Ramón Oller

Plan 1

© José Ramón Oller

Located on top of a hill, in a residential area accessible by car, the house begins in the garage. We value entrance rituals, the importance of the short journeys linking different levels. Passing a stout stamped concrete wall bore through with an expansive expanded metal door, we access the house through a humid, Tropics‐inspired garden. From this place we ascend to the top floor through a welcoming walk. A stretched‐out ramp, the underlying basalt rock, wet verdure and expanding overhead light are some of the elements surrounding us. Above, architecture imparts a luminous reading: white surfaces, woodwork, Carrara marble, and concrete.

© José Ramón Oller

Section

© José Ramón Oller

Rainwater pours over natural stone in the patio, slipping into the interior through a crack in the paving. Sunlight is let in through mulberry latticework. Bench‐railings segregate the lines of vision, opening up the blue horizon. At the end of the journey, the top‐level terrace – protected by an overhang that provides a generous shade forms a balcony above a garden of euphorbias (cardones, tabaibas) and Barbary figs, and becomes an aspect of local landscape. 

© José Ramón Oller

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via Rio: Beyond the Map

Google recently launched a new platform “Rio: Beyond the Map,” showing Rio’s favelas using 360º videos. The tool also includes panoramas more than three thousand images and historical exhibitions of Rio de Janeiro. The project integrates Google Arts & Culture, which brings art collections from around the world.

The series of videos available on the platform features stories of the residents of the communities in Portuguese and English. Among the highlights of photographic archives, there are interactive tours of Cristo Redentor (Christ the Redeemer) and visits to Pier Mauá (Mauá pier).

The project aims to show the little-known side of these informal communities, home to 1.4 million Cariocas. “Slums are not simply a place, they are a community, and to understand them, you need to enter and see it for yourself,” says the video as an introduction to the project offering a real immersion in this reality. 

Google also announced the update of the Olympic Park in Google Maps with over 3,000 new commercial establishments including interior views of hotels, restaurants, and bars in Rio de Janeiro. “This will be the most digital Olympics in history, for our part, we will have information on all of the events, before and after, including integrated video searches” said Google spokesman. In addition, Google will provide the official Youtube videos of the best moments of the games in 60 different countries.

via Rio: Beyond the Map

News via: Rio: Beyond the Map, Bluebus and O Povo

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