A collaboration between Friis & Moltke and WE architects has won the competition to design Roskilde Campus, a new university complex in Roskilde, Denmark. The Campus will be a new 10,000 square meter educational area for 1,500 students in the fields of marketing, IT, and food engineering, made up of renovation and 4,000 square feet of new space.
Three main concepts, community, respect, and durability, have driven the overall design process.
Courtesy of Friis & Moltke + WE architects
In order to support community, the design features flexible spaces for diverse programs, such as large-scale events, informal meetings, intimate conversations, breaks, parties, and interdisciplinary creative and social interaction.
Courtesy of Friis & Moltke + WE architects
Similarly, the project seeks to “respect” the needs of its users—both large groups and individuals—by creating a variety of learning environments conducive to a wide range of learning styles.
Courtesy of Friis & Moltke + WE architects
Furthermore, the durability of the campus is emphasized in its design, which is intended to meet current requirements, but also to accommodate future needs.
Courtesy of Friis & Moltke + WE architects
Courtesy of Friis & Moltke + WE architects
The new building addition will house educational areas, classrooms, a canteen, production kitchen, and administration space.
On behalf of the Flughafen Stuttgart GmbH a new car park (P14) has been built in spatial proximity to the Airport City and the airport terminals. On the ground floor of the approx. 210 meters long and 37 meters wide new construction the Stuttgart Airport Busterminal (SAB) is located.
The station for long distance bus lines of the city of Stuttgart has got a total of 18 bus platforms, which can be approached by national and international long distance busses as well as local public busses. The room programme is including a service point with waiting room, a ticket sale center with offices, a kiosk with sanitary facilities plus a control center.
On the 6 floors above, the approx. 1,550 parking spaces are distributed. On the first floor of the car park the comfort parking spaces with a width of 3.50 meters each are located. These parking spaces offer an easier placing and a more comfortable exit from the car. From this level a new bridge enables the users of the car park to reach directly the airport terminals– without crossing the flow of pedestrians of the bus terminal on the ground floor.
On the southern side of the homogeneously designed metal façade the three staircases, built in reinforced concrete, are stepping forward three-dimensional and structuring the large building volume. Due to its long-distance effect as well as its immediate proximity to the airport terminals and the Stuttgart trade fair the design of the parking garage is of particular importance. Therefore the new construction has not only been planned economically but also technically and visually appealing. The outside-effective façade with its anodized and perforated plate elements is demonstrating the high architectural standard of the car park: By the diagonal structured metal façade, shimmering in golden and brown colours, a sensual and significant expression is achieved which takes into account the particularity of the car park and the site.
The project has been realized in cooperation with the engineering offices Mayr + Ludescher (supporting structure) and Thurm & Dinges (technical building services).
The law courts of Caen redefines a new domain of urban planning in the centre of the City. The original design from the office of Christian Hauvette & associés was revised by Baumschlager Eberle Architectes together with the Atelier Pierre Champenois a former partner of Christian Hauvette.
It comes with a simple geometry which comprises several duties and responsibilities: the cube underlines the importance of jurisdiction by the means of its architectural form. The fundamental necessity of justice and the elementary methods of architecture correspond with each other as is the long tradition in Europe. The cube also clearly reflects its location and surroundings. The building and its public spaces constitute a self-confident district within an area which is under development.
An orthogonal pattern constitutes the base for the internal organisation of the law courts. The main rooms are adjacent to the facades; the corridors throughout the building always terminate at the facades. This results in good lighting and comfortable working areas. But this pattern involves more than a pragmatic and optimized organisation of the building – it involves an experience of interior space. The circular centre spans all 5 floors; it is the heart of the law courts, a landmark and also a parameter for the interior area. A horizontal band highlights the first floor where the court rooms are located. In so doing, the new law courts of Caen in Northern France communicate a message both to its users and to pedestrians: transparency, stringent shape and essential architectural means. Therefore it is not so far away from what a European civilisation expects from jurisdiction. But our civilisation today expects even more from a building – it should simply add to the longevity of our world.
The buildings sustainable strategy is driven by two axis: the project offers both high comfort to the users and optimal energy performance. The passive and active strategies ensure the building achieves low energy consumption: a very compact volume, a double skin façade system and a bioclimatic atrium which helps to reduce heat loss while increasing thermal inertia. This project is part of the Ministry of Justice’s goals to provide the courts a contemporary environment, corresponding to the current requirements of functionality, safety and serenity, while providing optimal public reception conditions.
From the architect. Just like the Siedlung Halen did back then, the “urban island” on the Areal Giessen site on Lake Zurich translates the village motif into a contemporary form. Ten houses with 34 freehold ats and up to eight commercial units were built in Meilen in to- tal. Even though the design is clearly based on the countryside character of the place, its abstract, geometrical shape creates a dialectic tension with the surrounding landscape. The residential units have been arranged densely on a narrow rectangular plot, forming an island in the landscape of Lake Zurich. The residential buildings have been arranged on the plot like on a chessboard and in a staggered order, so that all ats have a view of the lake. The terraces and staircases provide a range of different vistas on the lake.
Floor Plan
The new residential site is characterised by its compact urban design and the interaction between narrow alleys and broad, semi-private open spaces. A network of paths and streets as well as a small public square with sycamore trees at the centre of the estate give the Areal Giessen site an urban feel.
This deliberate arrangement of public and private spaces also extends into the buildings. Different spatial layers within the ats, ranging from the private area of the bedrooms to the living and dining areas facing towards the south, provide a 180-de- gree view of the surroundings. The ats on the Areal Giessen site have sizes of up to 257 sqm and contain 2.5 to 7.5 rooms each. Every at has its own individual, generously sized outdoor area facing to the south – either a roof-deck, a loggia or a pri- vate garden. Beneath the buildings, hidden under the slope, there is a basement garage from which all ats can be accessed. Every building also has a separate entrance. Sustainability, good noise insulation, and accessibility as well as spacious eleva- tors were important factors in the design process.
From the architect. The story of the J House originates from its surroundings. The view from the street to the entrance reveals a resolute stone path, a sidewalk, asphalt and an outdoor wall, all forming one complete composition. After a moment, tension is created by the realization of the slope downward from the street and the ambitious reach of the roof upwards – a roof noted by its whiteness, long window and sense of levity.
The contrasting lines of the ascending roof and descending land foreshadow the inner scheme of the home. For example the iron white lattice whose hollow spaces serve the light pouring in from diagonal roof – shadowy shapes appear to swim amidst reflections of light. An iron white staircase lends itself to the general atmosphere of the home- prismatic, multi-dimensional, exposing its occupant to the light and air wafting about the home. A frozen dance full of play – transparency and her opposite – are always picture perfect.
Ripples of water, the lines of glass, cable rails, and patches of light, all become actors in a domestic tableau. The pace of their movements is dictated by the sun – every degree of movement changes the light and the sequence of reflections and shape – the existing choreography of the home amplifies a visitor’s sense of being as either an additional source of movement or the beholder thereof.
The choreography of the home is not just a dramatic tableau – it is full of humor as well. There is free-wielding hand of movement that creates virtuosic freedom wherever one roams. The freedom of design is intimately connected to its complexity across levels – two floors of private bedrooms intersected by common split-levels – the higher one is the busiest hub for visitors. It showcases the fallen garden whose greenery embellishes the intricate shadows and provides vantage to the pool, surrounding walls and outdoor lounge.
These aspects, integrated into the design, play across levels and enhance the dimension of movement of the entire architecture – the lowered seating area, the English yard, reflecting pools and the entrance bridge. These are borne of the same logic – to enforce the visitor’s experience of presence in the space.
Thus, the visitor is an agent in their experience – that is to say – it is incumbent upon them to understand the ongoing transformation – every look, every movement, every use of space requires sensory awareness and wakefulness. Every moment is a new one-time occurrence, where sunlight falls on the building components providing a never before seen unique performance. Dance envelops in the visitor’s presence as it does even without them.
From the architect. Davich Optical Chain is one of Korea’s representative eyeglass chains, having hundreds of stores throughout the nation and supplying consumers with eyeglasses at all prices. The client for this project asked us to symbolize their own brand with more unique and architectural identity, in addition to being as a special retail store for eyeglasses. In other words, they wanted that a more luxurious feel and upgraded image (selling culture products) are to be added to this chain, not just an ordinary optician’s for selling products.
An early concept started from a circle, shape of glasses. The repetition of circles creates diverse patterns of façade which glasses are overlapped, and it was intended to remind of a specific image through groups of such repetition. The image made from groups of overall patterns symbolizes the flow of a river. The shape of the river in the hometown of the founder who established Davich Optical Chain was combined with a pattern of the circle, creating a major motive of the façade.
Its premise is located at the representative residential area in Gangnam, Seoul. This area is quite busy with ordinary citizens and students due to a lot of residential buildings and a lot of prestigious schools. Despite of high residential rates, commercial facilities such as department stores, various retail shops have been built around this area. 8-land roads play an important role in connecting key areas of Gangnam to each other, which lead many vehicles to pass by here. The building owner desired to renovate this building which symbolizes Davich Optical Chain and enables consumers to have various kinds of cultural experiences.
Ground Floor Plan
2nd Floor Plan
3rd Floor Plan
In addition to the front side exposed, the other three sides are focused to be renovated. The building is set to increase its height in order to highlight the symbolism of the architecture, being almost the same height as other neighboring buildings. The back side on the 1st floor is designed with parking lots pursuant to the laws, and rooftop with upper terrace of various functions.
Areas with four floors above ground and a basement will be used as a specialized optician, offering consumers various brands of eyeglasses at all prices. The 1st floor has a main entrance, displaying low and middle priced general brands. Consumers who visit here move at the flow designated. After being accepted at the optician, consumers follow a certain process, such as selecting glasses frame, checking vision, standing by at the coffee shop for reexamination. Properly displaying various types of eyeglasses by considering the flow was a very important factor for this project. There are various brand shops on the 2nd floor, luxury brand products (eyeglasses and sunglasses), and hearing aids and premium brands (eyeglasses) on the 4th floor. A contact lens shop and coffee shop are located in a basement, which enables consumers to wait until their glasses are made. For a barbecue party and external events, a mini garden with a beam projector is designed on the rooftop.
Façade consists of triple panels. Due to the characteristics of this building, windows to outside are not necessary, thus sides near the structures perform a function as a background panel for waterproof and lighting. 3,600 panels with glasses pattern interact over such primary side, forming the façade.
Panels with glasses pattern which determines the external image consist of inner and outer panels, which are placed alternately. Combining with panels in different sizes of openings leads coverings to have the rich texture of the façade and in-depth sensitivity. A flow of various light beams makes the surface look different slightly. To enhance the aesthetic effect, anodized coatings are to be applied over 2mm aluminum.
As inner and outer panels whose shape are glasses are intercrossed, the assembly order and configuration method of brackets which support the panels were considered an important part of the construction. The vertical structure which supports 3,600 panels and horizontal brackets which are bugled vertically and LED lights are to be constructed according to certain procedures and rules.
The façade is to be constructed in order of panels for waterproof and lighting, inner panels, and outer panels. One of difficult parts especially in configuration of this façade was to set a space for lighting installation and maintenance. The wall grazer light which shines the back panel is an important device that projects light onto the back side of glasses and lets a certain patterned image come out between gaps of glasses. This shines a wide variety of light sensitivity at the rear-end panel according to the LED dimming function. Furthermore, it is designed to change images in different colors according to color variations of RGB programmed. During the daytime, it helps stay true to the feeling of aluminum (raw material), and at night create various images of outer pattern in accordance with the certain LED program.
For interior finish, we intended to form the façade with the glasses pattern, same as the motive of glasses pattern on the outside. In other words, the Galvalume panels which become the motive of glasses form the main façade of the interior space which displays glasses. Such laser cut façade and black iron plate create a linear feeling for major space. Also for floors, epoxy lining is applied over concrete and mortar, intended for materials used to mingle with each other. We have selected the furniture with a unique streamlined design, representing the interior space. The show room across the interior space is furnished with consultation tables and vision measuring machines, etc.
This entire building is characterized by its commercial use and non-windows on outside, thus consists of closed façade without windows on three sides of outside. Triple panels are very effective in maintaining an appropriate temperature for diverse climate changes in Korea. These triple panels, also known as multiple layer panels, absorb the heat of the sun in summer in a regular pattern. Moreover side and rear windows as well as the air-conditioning and heating system help supply and exhaust air regularly in the building. We have considered not only using LED lights with great excellent thermal efficiency against an enormous amount of power spent for image advertising at night, but also their installation and maintenance costs for reasonable consumption.
For this renovation program, it is quite important to secure the emergency exits in case of fire. In addition to the main exit on the 1st floor, a sub exit is prepared at the parking lot in the back of the building. Signs and other sign graphics for evacuation guide people to exits promptly in case of fire. As fire extinguishers and detectors are installed in main stairs of interior space, safety is concerned for fire. This building is equipped with CCTVs, which enables people to effectively manage and cope with safety issues. As such safety and security systems are managed as an integrated circuit; they can be under control by the supervisor.
From the architect. Designed specifically for the K11, Golden Bubbles reflect and exaggerate the movement of people above, below and around. These large golden inflatables span the atrium, weaving between multiple levels and escalators. The objects act as curved mirrors distorting reality by warping the surroundings into one field of view.
The hue of Golden Bubbles references Hong Kong’s irrefutable strength as a global financial capital. In a related manner, the impossibility of such massive metallic objects floating in space denies comprehension. Only until we look beyond the enticing skin do we discover the hollow space within. The public is invited to peer into these inflated objects and examine the kaleidoscope-like interior filled with fleeting images of our projected desires.
Team: Erikjan Vermeulen, Rob Wagemans, Cindy Wouters, Matthijs Hombergen, Jolijn Vonk, Jesse Nolte, Sofie Ruytenberg, Ana Bissau Pereira, Eva Stekelenburg, Melanie Knuewer Johanna Zyschki, Robert Schellekens, Kayla Lee
From the architect. Every day, 180,000 people around the world move to the city. And all those people need a place to live. But with rising demand comes rising rent, making it virtually impossible for young potentials and the middle class to find rental housing that is not only affordable, but also caters to the needs of the modern urban citizen. In a time characterised by flexibility, community and sustainability, the available rental- housing increasingly fails to meet modern-day demands.
And so in 2009, Concrete was approached by Ironstate to develop a better rental-housing product for New York’s densely populated areas. ‘Better’ in this context was defined as a product that more adequately meets the needs of the modern urban resident, offers higher value for the money and facilitates a more positive way of living. Concrete and Ironstate joined forces and before long, Urby was born. A unique residential concept that offers premium value at sub-premium rates and a truly connected living experience.
Urby is a holistic housing concept that offers residents much more than living quarters. That said, Concrete started out with focusing on the essence: the apartments. The design team created Small (studio), Medium (one-bedroom) and Large (two-bedroom) units. In order to test functionality, flow and setup, several mock-up apartments were built in a Jersey warehouse. In 2012, Concrete and Ironstate completed a 48-unit building in Jersey City and started renting the apartments out to gauge market response and collect user feedback. Three apartments have been kept on for testing purposes to this day, in order to constantly fine-tune layouts, finishes and fixtures. Meanwhile in 2011, Concrete started working on the Urby Staten Island project, applying the learnings from the test building to the first official Urby building.
The Urby Staten Island project consists of more than 900 rental apartments, 571 of which have been completed in phase 1. This fall, construction begins on the remaining 340 apartments. Next to Staten Island Urby will be present in other areas close to the city as well. End of the year the 69 story tower of Urby Jersey City with 763 apartments will open, while construction of Urby Harrison (450 apartments) is on it’s way and Urby Stamford will start construction in fall. Other sites in and around New York are currently under design investigation.
Hainan Airlines Group has announced an international competition between 10 top architecture firms to design the master plan and central buildings of the South Sea Pearl Eco-Island, an island located in Haikou Bay, on the island of Hainan, China. Featuring teams from China, Europe and the United States, the competition calls for the creation of an 250 hectare eco-tourism hub, which will contain housing, hotels, tourist attractions and a port with capacity for two large cruise ships.
Competition organizers China Building Center selected Vicente Guallart, former chief architect of Barcelona and director of Guallart Architects, to develop the strategic vision for the island, aiming to “achieve a new urban development based on ecological principles, the best available technologies and an excellent design, creating in this way a landmark for the new urbanism in China.”
A winner will be selected in the last week of August by a jury comprised of leading architectural figures including Aaron Betsky (USA), Benedetta Tagliabue (IT), Donald Bates (Australia), Sergey Kuznetsov (Moscow Chief Architect), Peter Poulet (New South Wales State Architect, AU)), Horacio Werner (Cisco) y Margarita Jover.
Construction on the island is expected to begin in 2017, with a tentative completion date of 2027. Additional studies are currently underway to determine the design potential of other islands in the Haikou Bay. Hainan, an island in the South China with a population of 9 million people, was declared as an independent province in 1988 to become a tourism-oriented state and has seen many tourist-driven developments since.
“The Forest “, is situated minutes away from Córdoba Capital in the town of Calera. This house belongs to a family with a strong passion for art and design.
We designed a housing scheme that would take the least amount of trees, and integrate them into every room of the house. We also took full advantage of this idea by using the trees as a “shield” preserving the privacy by also closing the house off from the street and directing all activities towards the backyard.
The project consists on a two story house with a separate covered patio. On the first floor to the right is the service area, kitchen, playroom, “family room” and a social room equipped with T.V dining area and a bar. To the left side of the house, there is the children’s bedroom, a library, reading room and a mediation area that visually connects with the pool and its surrounding trees, creating a warm and calm atmosphere.
We used mainly materials such as wood and stone to integrate the house as much as possible with its natural surroundings. The same concept is brought to the interior space by providing as much natural lighting as possible thanks to the large openings strategically placed throughout the house.
Sig Nordal 