Courtesy of Copeland Associates Architects

The largest football club in New Zealand, the Three Kings United Football Club, is set to receive a new headquarter and community center at Keith Hay Park in Auckland. Designed by Copeland Associates Architects (CAA), the single storey pavilion sits on a raised plinth to elevate it from the flood plain and gives spectators a greater vantage point over the surrounding sports fields. Comprised of predominantly lightweight, prefabricated elements, the building has a sense of lightness which increases in accordance with its greater transparency at the northern end.  

The building takes advantage of the openness of the adjacent fields, incorporating 360-degree views of the park’s activities. The flat fields allow the new structure to be the prominent focal point for the north side of Keith Hay Park, directly overlooking the park’s Number One field without blocking key views. The clubhouse is designed to centrally connect a series of proposed pathways, forming the circulatory center of the park complex.

Courtesy of Copeland Associates Architects

The building is conceived as a single storey pavilion sitting lightly on a finely finished concrete plinth set into the landscape. The pavilion is expressed as a floating sculptural roof resting on a series of eleven steel triangulated supports rising from the stepped plinth. The enclosed built spaces are set back under the roof and behind these supports, thus creating several generous verandas around all sides of the building, from under which the stepped viewing terraces emerge – said CAA in a press release.

Courtesy of Copeland Associates Architects

The new headquarters follows a gradient of permeability, with the changing rooms forming a solid, concrete anchor point on the southern end which eventually opens up in both form and materiality to the northern end. The club room sits at the northernmost point, allowing visual connectivity across the grounds from inside the building. This end of the building features dominant glazing, but the airy, tent-like structure is still weighed down by a precast concrete hearth panel bearing the Three Kings United Football Club Emblem. 

Courtesy of Copeland Associates Architects

The architects said that “the shape of the roof was initially inspired by the notion of a leaf floating over the park and coming to rest. From that idea, the form evolved not only in response to economic and functional requirements, but also from the wish to capture the ethos of the club and its aspirations.” The building rises gently from the fields, and its softness fits appropriately within the quiet, residential suburb of Mt Roskill.

Check out the animation above from Copeland Associate Architects for an explanation of the club house’s internal arrangement and structural systems.

• Architects: Copeland Associates Architects
• Location: Keith Hay Park, Mount Roskill, Auckland 1041, New Zealand
• Design Team: Barry Copeland, Franklin Mwanza, Marco Duthie
• Area: 900.0 sqm
• Project Year: 2017
• Photographs: Courtesy of Copeland Associates Architects

News via Copeland Associates Architects.

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© Cristina Beltrán

• Architects: DTR_studio architects
• Location: 29480 Gaucín, Málaga, Spain
• Architects In Charge: Jose Miguel Vázquez , Jose María Olmedo
• Area: 163.0 sqm
• Project Year: 2015
• Photographs: Cristina Beltrán

• Architects Collaborators: Claudia Gutierrez, Alba Márquez
• Quantity Surveyor In Charge: Javier Sánchez Berdugo
• Contractor : Criseba S. L.

© Cristina Beltrán

From the architect. This house has three elements very importants: 1. The developers: Joseba and María . 2. The situation, Gaucín and 3. The position, linked with the land and the amazing views.

© Cristina Beltrán

1.       Joseba and María are a  very special partner. They have  marked the character of the house. He is a renowned painter (http://ift.tt/2aRpnkD) who comes from Basque country to Gaucin attracted by the position and the views of the city. He needed  a place to work and looked for an architect who understood  his ideas of  the lights and the space. The work developed shared the client and the architect ideas

Plan 1

2.                The geographic  situation is very important too. Gaucin is one of the most singular villages in the Ronda mountain area. The Town is like a balcony looking at the Strait of Gibraltar and Africa. Its privileged situation gives to Gaucin a amazing weather in addition to the views. The Villa is configurated by narrows  streets and white Walls. Our idea is to play with white faces and shadows to be integrated with the surroundings

© Cristina Beltrán

3.                The plot position is in the highest area of the village and its link with the views and the landscape will be decisive in the concept of the form of the house: a white prism sculpted in the rock to hold a painting  studio and a dwelling

Section

The painting studio, sited in the ground floor, has double height  to allow paint  large format pictures. The control of the natural light, thanks to a patio drilled in the stone, is other requirement.

© Cristina Beltrán

The bedroom is in the same space. This attic room is built with a light structure and open to the work area .

Section

The living area is upstairs, developed as a open space and looking at the amazing views.

© Cristina Beltrán

You can go  to the roof trought a footbridge sited in the backyard garden . This area is like a white oasis, where the swiming pool , the Infinity views and the sky allow you to dream.

© Cristina Beltrán

Finally is very important to highlight the work to integrate the project in the nearest surroundings. We have tried to not design anything new, we have just used the tradition, the light and the shadows

© Cristina Beltrán

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via Royal College of Art

London’s Royal College of Art (RCA) have revealed seven invited shortlisted practices for its new state-of-the-art £108million Battersea South campus. Featuring a smattering of architects from Europe, including Herzog & de Meuron and Lacaton & Vassal, and from the USA, such as Diller Scofidio + Renfro and Studio Gang, the organisation intends to announce the winning scheme in October 2016.

The competition is a key part of “the most exciting phase of development in the RCA’s 179 year history” as it transforms itself into “a STEAM-focused graduate university.” As a result, the College is seeking to expand its research and knowledge exchange centers into the domains of computer and materials science, the impact of the digital economy, and intelligent mobility in order to “bring together the worlds of science, art, design and technology.” They ultimately wish to have a transformational impact in fields relating to connected cities; robotics, the internet of things and intelligent mobility; sustainability, mass migration and city design.

The shortlisted practices are:

• Christian Kerez (Switzerland)
• Diller Scofidio + Renfro (US)
• Herzog & de Meuron (Switzerland/UK)
• Lacaton & Vassal (France)
• Robbrecht en Daem architecten (Belgium)
• Serie Architects (UK/Singapore)
• Studio Gang (US)

According to Adrian Lahoud, Dean of Architecture at the RCA: “At the centre of the Battersea South vision are the practices of artists and designers. The project should support and inspire their work, offering an incredible opportunity to explore new frontiers in learning and research in art and design.” Dr Paul Thompson, Rector of the RCA and Chair of the Architectural Selection Panel remarked that the “shortlist represents an exceptional cross-section of international talent all wanting to engage with a world class institution. The panel was particularly delighted with the range of talents and approaches, not least because the building has to reflect the radical nature, experimentation and high design standards of the world’s pre-eminent art and design university.”

Members of the selection panel included:

• Dr. Paul Thompson (Chair)
• Professor Naren Barfield
• Richard Benson
• Dr. Adrian Lahoud
• Professor Judith Mottram
• Baroness Gail Rebuck
• Alan Leibowitz (lay member of Council)
• Professor Ricky Burdett (lay member of Council)
• Professor Rachel Cooper OBE (lay member of Council)
• Paola Antonelli
• Marcus Cole (student)

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© Jussi Tiainen

• Architects: Hirvilammi Architects
• Location: 60100 Seinäjoki, Finland
• Area: 204.0 sqm
• Project Year: 2014
• Photographs: Jussi Tiainen

© Jussi Tiainen

House H / a’ House was built for the architect’s own family. The wooden building is situated in the traditional residential area of Kivistönmäki, close to the children’s schools and grandparents as well as the railway station. The narrowness of the plot and its wedged shape influenced the form of the house and its building location. The open views and orientation determined the fenestration and the passive sun screening. The materials were chosen to appreciate and accommodate the surroundings and satisfy our personal preferences.

© Jussi Tiainen

Plan 1

© Jussi Tiainen

The house consists of the main building and an annexe. During the design process the views outwards and how to create a memorable dwelling experience within an ordinary urban structure were carefully studied. Somewhat against convention, the bedrooms and utility room were placed on the ground floor and the living room on the upper floor because of the views that opened up from there into the surroundings. The annexe comprises a workroom and guest room as well as a wood-heated sauna. A sheltered area for a garden is created between the buildings.

© Jussi Tiainen

The high standard of the workmanship, which came about in cooperation with local material suppliers and builders, provided the finishing touches to the totality. The architect has been able to learn from the craftsmen and other building professionals. Additionally, this has been a way of passing on tacit knowledge.

© Jussi Tiainen

Section

© Jussi Tiainen

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Courtesy of DROM

• Architects: DROM
• Location: The Netherlands, Emmen, Netherlands
• Design Team: Timur Shabaev, Marco Galasso
• Area: 2550.0 sqm
• Project Year: 2016
• Photographs: Courtesy of DROM

• Local Architect: Detail10
• Clients: Lefier
• General Contractor: Zomers

Courtesy of DROM

A europan 10 winner, Suture is a project that provided a solution to the problem of a fractured site, the ownership of which was irregularly and inconveniently divided between the Municipality of Emmen and the housing corporation Lefier.

Courtesy of DROM

Masterplan

Courtesy of DROM

The project called on the owners to exchange the land in a way that allowed for a fully usable and useful community space to emerge in the center of the project site. This newly injected garden space worked as glue that bound the pieces of the fractured site to form a whole. The garden also formed the second facade for the privately owned housing lots arranged at the perimeter of the block. The project took into account the existing pattern of informal paths that already functioned as shortcuts to the nearby amenities.

Courtesy of DROM

Floor Plans

Courtesy of DROM

The internal public space will be turned into a green park and will be used for various types of activities. Future tenants will decide how their courtyard will look and will be editable to build and maintain it by their own effort.

Elevations

The housing is composed of 24 rental homes, all of-which are accessible from the ground level. The housing stock includes two typologies or units (5,4 and 6 m wide) with a variety of possibilities for customization available for different types of families, from young couples with kids to senior residents. 

The project was a collaboration between Timur Shabaev and Marco Galasso.

Courtesy of DROM

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© Shinkenchiku-sha

• Architects: Atelier BNK
• Location: Shibetsu, Hokkaido Prefecture, Japan
• Area: 3893.0 sqm
• Project Year: 2008
• Photographs: Shinkenchiku-sha, Koji Sakai

• Collaborators : Kanebako Structural Engineers, SOGO Consultrants

© Koji Sakai

From the architect. This is a small elementary school with approximately ten students in each grade. A merger with neighboring towns has led to the disappearance of the former name of the town, Asahi. However, the school has a long history, and this project aimed to renew the school building as a symbol of the town for future generations. Our design had to take into account the fact that activities outside of the school buildings are extremely limited in cold, snowy areas and most activities have to be done indoors.

© Shinkenchiku-sha

Floor Plan

© Koji Sakai

 Also, it was important to create a family-like sense of unity unique to a small school in which a dozen or so teachers form one team and engage with all of the children. Therefore, our design comprised a compact floor plan that integrated the gymnasium into the school building, and adequate interior space was obtained by using corridors and other areas as teaching space rather than having them solely dedicated to movement. We also sought to make the building sustainable in a way that is appropriate to the region. While focusing on reducing the heating load by making the building compact, our design allows natural sunlight and cross-ventilation in the building. Also, eaves and perforated screens were installed to prevent overhanging snow.

© Koji Sakai

Section

© Koji Sakai

 In order to build a large roof using locally- produced laminated lumber of Jezo spruce and Sakhalin fir, a hybrid, reinforced concrete and steel structure that reduces the load on the wood sections was employed. Lightening the framework of the roof reduced the required wall volume and, as well as increasing the amount of freedom in the floor plan, created a space in which the light and the flow of air are unobstructed. Natural light coming through the openings between the laminated lumber creates varying patterns of light and shade on the floor surface. Our design included a detailed plan of the furniture layout based on a simulation of the light distribution; however, it also allows for free movement of the living space as the light changes with the time of day and the seasons. 

© Shinkenchiku-sha

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© Zhejia Dai

• Architects: Amphibian Arc
• Location: Zhengzhou, Henan, China
• Area: 1200.0 sqm
• Project Year: 2016
• Photographs: Zhejia Dai

• Design Team: Nonchi Wang (Principal), Luoya Tu, Dennis Roney, David Rodriguez, Nicholas Poulos, Charles Liu, Zhexiong Hu, Nedi Dimova-John, Xiaofeng Mei
• Executive Architects: Atmosphere Architectural Design & Planning

© Zhejia Dai

From the architect. Standing as a precursor to the adjacent shopping mall building, the Sales Center embodies similar characteristics to the design of the shopping mall: the unyielding pursuit of organic and liquid-like geometries, which allows it to blend harmoniously with its future contextual surroundings.

© Zhejia Dai

 The design is characterized by its limpidness and visual permeability as is emphasized by the double-heighted glass fin, curtain wall system. The transparent glass volume is enveloped by an elegant, organic form constructed with GFRC. The continuous and fluid surfaces navigates between interior and exterior nearly seamlessly.

Section

Section

 The main lobby is surrounded with an abundance of floor-to-ceiling glazing, which provides a wealth of natural light throughout the space.  At the main entrance, the GFRC reveals a large span of curtain wall and a floating canopy as a welcoming gesture to the adjacent main thoroughfare.

© Zhejia Dai

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© Paul Crosby

• Architects: Substancearchitecture
• Location: United States, Winterset, IA 50273, USA
• Area: 90.0 sqm
• Project Year: 2015
• Photographs: Paul Crosby

© Paul Crosby

From the architect. This small, hand-made space was conceived as a Deployable Smocked Porch.  Deployable because it is small enough to be moved once it is made; Smocked, due to the embroidery technique utilized to pleat and sew the layers of insect screening together; and a Porch, referring to the archetypal space that is created – both inside and outside.  A simple wooden frame defines the small space and supports two porch swings.

© Paul Crosby

The smocked screening creates curtains that can be opened and closed to allow access, as well as provide shade and enclosure. A rectangular opening in the roof allows a defined shaft of daylight to enter the space.  This opening is echoed in the small turf area cut into the floor.

Diagram

The project was designed and constructed adjacent to the courthouse square in Winterset, Iowa as a pro bono effort to support The Iowa Preservation Alliance. 

© Paul Crosby

The wood was salvaged from a demolished home, and the labor to sew, fabricate, and construct the space were provided by the design team.  As a result, the budget for the project was $900 (screen material, fasteners, and cross-bracing).

Sketch

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© Paul Crosby

• Architects: Substancearchitecture
• Location: United States, Winterset, IA 50273, USA
• Area: 90.0 sqm
• Project Year: 2015
• Photographs: Paul Crosby

© Paul Crosby

From the architect. This small, hand-made space was conceived as a Deployable Smocked Porch.  Deployable because it is small enough to be moved once it is made; Smocked, due to the embroidery technique utilized to pleat and sew the layers of insect screening together; and a Porch, referring to the archetypal space that is created – both inside and outside.  A simple wooden frame defines the small space and supports two porch swings.

© Paul Crosby

The smocked screening creates curtains that can be opened and closed to allow access, as well as provide shade and enclosure. A rectangular opening in the roof allows a defined shaft of daylight to enter the space.  This opening is echoed in the small turf area cut into the floor.

Diagram

The project was designed and constructed adjacent to the courthouse square in Winterset, Iowa as a pro bono effort to support The Iowa Preservation Alliance. 

© Paul Crosby

The wood was salvaged from a demolished home, and the labor to sew, fabricate, and construct the space were provided by the design team.  As a result, the budget for the project was $900 (screen material, fasteners, and cross-bracing).

Sketch

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© Pierre Vallet

• Architects: Gbau
• Location: 74150 Rumilly, France
• Area: 2750.0 sqm
• Project Year: 2010
• Photographs: Pierre Vallet , Philippe Ruault, Emmanuelle Blanc

• Structural Engineering: Batiserf
• Fluids Engineers: Nicolas Ingenierie
• Economy: Bureau Michel Forgue
• Technical Controller: Socotec
• General Contractor: Ser Construction
• Construction Company: Earthwork Barel & Pelletier

© Philippe Ruault

From the architect. The 0.00 level of the gymnasium is located roughly 3.5 m below the natural level of the terrain.

© Philippe Ruault

© Philippe Ruault

The service premises – changing rooms, sanitary facilities, storage, circulation – are buried entirely with this layout, so that only the sports hall volumes emerge above ground.the complex is served by two ramps, one for the public, the other for technical maintenance.

© Philippe Ruault

© Philippe Ruault

On the surface, the building can be summed up as the essential: two twin volumes emerging from a prairie to a height of 7 m, one 46 x 26 m for the large competition hall, the other 46 x 17 m for two small training halls.the façades clad with translucent coloured polycarbonate are smooth, flat, without mouldings or beads.the angles are incisive without relief.two thick cantilever canopies set to the height of the interior roof structure shade the south-east and south-west façades.

Gymnasium Level

Their corpulence exacerbates the twinning of the volumes, their section precision, their clean outlines and the abstraction of the areas.

© Philippe Ruault

The repetition, sliding of the volumes, brightness of the two colours, and its immateriality relate this construction to visual arts research on the perception and impact of perfect or immaterial volumes.

© Philippe Ruault

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