Location: The Netherlands, Roosendaal, Netherlands
Area: 429.0 sqm
Project Year: 2016
Photographs: Courtesy of zone zuid architecten
Main Contracter: Bouwgroep middenbrabant
Electricity: Jos van Dijk electo
Furniture: Piet Jan Dekkers
Courtesy of zone zuid architecten
From the architect. Dutch design office zone zuid architecten recently completed a new home in one of the suburbs of Roosendaal. The 225 sq m house is designed as a deconstruction of a traditional Dutch house silhouette, several floors for living with a gable roof.
Diagram
The main goal was to create a strong relation between the interior and the exterior of the plot. For example the house is placed on a raised terrace. This terrace becomes part of the living space but also the other way around. The volumes are then shifted relative to each other and are abstracting the silhouette.
Courtesy of zone zuid architecten
Floor Plan
Courtesy of zone zuid architecten
In addition, the outdoor relationship is enforced by the glass wedge that splits the volume into two, this creates light and space deep into the home. But also the bay windows contribute to a optimal penetration of the surrounding area, they come out of the façade literally.
Courtesy of zone zuid architecten
Courtesy of zone zuid architecten
The house contains next to the living room and kitchen, 4 bedrooms, 2 bathrooms, a game room, two storage rooms a partly covered sun terrace and the swimming pool. All of these spaces are connected to each other by a strong pattern of lines materialized wood, concrete, plaster and glass.
Courtesy of zone zuid architecten
Zone zuid architecten designed the house, but also the matching furniture is the work of the architect. So for example the kitchen is extra narrow which comes out on the bay window in the front volume. The kitchen is made of a combination of wood, steel and concrete and floats above the floor, exactly like the house floating above ground level.
From the architect. At the con uence of the Loing and the Seine, the overpass constructed by the DVVD architecture, design and engineering agency blends perfectly with its remarkable setting in the heart of Seine-et-Marne, a favourite site for walkers in the Ile-de-France. This panorama inspired numerous studies, sketches and paintings by the famous impressionist artist Alfred Sisley in the late 19th century. !00 years later, the spirit of creativity is still at large here, as evinced by the clean- cut metal arch, 67 metres in length, which connects the municipalities of Saint-Mammès and Veneux-les- Sablons.
Elevation
First conceived early in the 20th century, the installation of an overpass has been much discussed since, with a fear in many quarters of the consequent spoiling of the site. It was by the particular consideration of this mandatory respect for the existing setting that the DVVD agency was able to win the competition organized in 2010 by the Inter-municipal Syndicate of Boundary Developers [Syndicat Intercommunal des Maisons du Bornage]. Given a free choice of location, the architects sited their project at the margins of the Seine, at a location where the Loing is relatively broad, and where the banks are free of road tra c and urban development. This siting also allows the lines of force delivered by the landscape to be exploited, and to enjoy the fruits of reciprocal enhancement.
Caressing both banks, the overpass unfurls freely, on the left bank towards the Veneux-les-Sablons tow path, and on the right bank towards the car park of the Saint-Mammès market. Its arched form is more clearly suggestive of a water crossing than a girder or trellis structure, while establishing a strong visual link between the two towns. The structure is supported on foundations which are independent of the banks, which themselves are reinforced over a length of 10 – 15 metres: on the Saint-Mammès side, the existing quayside, of cement construction but a ected by cracks, has been consolidated by the installation of a beam; on the Veneux-les-Sablons side, a bundled structure of willows and timber piles, combined with geotextiles, improves the mechanical strength of the bank, hitherto comprised of back ll covered with herbaceous vegetation and a few woody plants. The symmetrical design of this structure is comprised of two slender load-bearing arches, with a deck suspended from reinforcements which are supported by the arches. Manufactured and painted at the Viry workshops in Remiremont (Vosges), the latter were transported in three sections respectively and welded in situ. The curvature in elevation is matched by the curvature of the decking plane: the decking is expanded in the central section to form a panoramic viewpoint over the river. Over and above its function as a crossing, the overpass serves as a landmark, a destination for walkers and an exceptional observation point.
Section
The overpass is distinguished by the restraint and elegance of its geometry, which render it virtually transparent in the landscape, without impairing the impression of freedom and exposure to the sky which are symbolic of the con uence of the Loing and the Seine. This sensation is attributable to the lightweight pro le of its superstructure, constructed of high- performance steel, for the optimization of structural behaviour. The arches are designed in rectangular sections, reconstituted by welding, constant in the area above the decking and of variable inertia in the lower sections, aring to form a bedding structure at ground level. The reinforcements which support the decking are also reconstituted by welding in a variable inertia arrangement, and are suspended from the arches.
The overall form of the structure is resistant to bending, but also to torsional loading associated with winds or the application of imbalanced dynamic loads to the decking. Dictated by the proximity of the naval shipyard, the air draft has been extended up to 6 metres, reducing the visual impact of the structure while enhancing the dynamism of its design. Broadly-spaced cradles (at intervals of 5.40 metres) are suspended below the arches, and carry H-section girders for the formation of the decking structure. In the interests of convenience, natural water drainage and anti-slip properties, the latter is formed of rot-proof timber planks in a crosswise arrangement. The architects from DVVD summarize the design as follows: “In spirit, the project as a whole is distinguished by details, which we have endeavoured to keep clean and simple, allowing the intent of the project to take precedence ”.
The Pavilion was built on an existing underground water tank that dictated the foot print of the structure. Glass became the primary material for construction as the Pavilion was sited amidst lush tropical greenery. Glass not only formed the walls but also the roof in the form of a strategically placed skylight opening up to the view of a large jackfruit tree above blurring the boundaries between the inside and the outside.
The structural members were mainly the wooden door frame acting as columns and wooden rafters supporting the roof that were left exposed to the interior. An existing stone compound wall formed the fourth edge of the Pavilion accentuating its natural material palette.
Section
The architecture of the Pavilion is a minimalist expression of structure, space and materiality.
The restaurant sits in the outskirts of Shanghai in the newly formed Disney town, with views from within over a large lake.
Plan
Occupying a concrete framed building the design seeks to occupy this banal framework; exposing slabs, columns and ductwork whilst shrouding the honest backdrop in certain areas with planes of plaster and ply.
A central white ceiling plane organises the dining space dividing between inward facing with restaurant views and outward with views towards the lake outside. The inner adopts a language of dark leather and dark tables offsetting against the white ceiling plane. Whilst the outward has deep red warm leather with carefully exposed and neatly finished ductwork above.
A private dining room is fully enclosed with this method, with incisions in the form to create door and window openings that ignore the rigor of radial ribs that give the room form.
Lighting fixtures were developed especially for the project; a carefully balanced height adjustable pulley light; cast concrete counterweight, cast resin drop pendant with a brass cowl diffused COB LED within.
The Huffington Post is an American liberalism internet newspaper with 14 branch offices around the world. The office of Huffington Post Korea, a joint venture of Hangyeorye, is located on the 7th floor of Taeyoung Building in Mapo-gu, and various columnists are covering a wide range of topics with a catch phrase ‘life is full of news.’
The text of a concept, ‘NEW TYPE(OF)WRITER,’ claims to support a new type of writers and was derived from a ‘typewriter’ that quickly delivered information in history. Characteristics of space also captured spirit of journalists from pure and righteous period by using design vocabularies and colors of traditional typewriter. Every table was designed in opened shape to create vertical hierarchy and order of offices of the older generation, and boundary of communication was eliminated by arranging an island type conference room at its center. Rest area that all employees can share is arranged by the window with the possibility of political space to induce office atmosphere with full of neoliberal characteristics. The harmony of light bulb color and daylight color lighting on dark background is to create comfortable space where members of the Huffington group can focus more on the contents.
The Huffington Post Korea can be considered as a new news platform beyond a simple online media. They approach people in different ways when delivering information from ‘editor’ and ‘blogger’s’ position, not ‘reporter.’ The public gets to hear news that fits their preference because choices of the public become a high priority when they gather information. Since the space is to be used by an organization with the strength to lead the culture, the purpose was to provide peaceful space with authenticity in an atmosphere of freedom. It is expected to be the healthy media of Korean society.
From the architect. An alley where this house is located is a heavily populate urban area that surrounded by clothing factories in old shop houses. Yet this crowded and chaotic environment, which sometimes leads to unpredictable events, does not obstruct the house owner to buy the land and build home for a newlywed couple. In fact, their main business is precisely the one that creates chaotic atmosphere in this area.
A short distance is essential in making this place their home. Although the environment is unpleasant, a careful design may solve all problems and bring sense of home through various elements such as the three courtyards that scattered throughout the space. The flow of space starts from the entrance where railroad sleepers from the old factory in another alley form the road and the car park. Then the small canal that runs across the land divides the space between the land and a huge glass wall where the third court, the highlight of the house, can be seen through. This distinctive space is surrounded by all essential elements of the house.
– All rooms and all walkways
– A tree : that functions as natural clock The sunlight filters through the tree and creates interplay between the light and the leaves, branches and flowers. At the moment of gaze, one would be prevented from the chaotic environment outside as all the rooms are intentionally designed to generate privacy.
– Metal : wall As time goes by, rust will appear on the metal wall and make it look like floating, creating a beautiful background for the tree.
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– Wooden curtain : the wooden curtain that covers the top of the house functions as a blanket that gives warmly atmosphere. The starlight and moonlight that filter through the curtain also shade spectacle motifs on the lawn as if it is a carpet.
All these should suffice a home for any newlywed couple.
Ennead Architects has released images of the new Engineering Education and Research Center for the University of Texas at Austin’s Cockrell School of Engineering. Currently under construction, the 433,000 square foot (40,200 square meter) building will house undergraduate education, interdisciplinary graduate research and two distinct engineering departments, and will become a new hub of activity at the edge of campus. The design takes advantage of a unique section featuring stacked atrium and outdoor spaces to serve a variety of educational and public functions.
Atrium. Image Courtesy of Ennead Architects
In reflection of the school’s area of study, the building has been designed as a showcase for engineering, with an exposed concrete structural frame and steel truss systems, bridges, a glass roof, large-span sun shading systems and a centerpiece spiral staircase.
The educational program has been divided into two limestone-clad towers containing labs, offices and work spaces for the different engineering departments. The wings are connected by a triple-height public atrium capped with a folded glass and steel clear-span roof structure that also becomes the base of a 5-story outdoor volume, shielded from the sun by a screen hung between the two towers. Glass and steel bridges connect the building’s upper levels along the eastern and western facades.
Exterior. Image Courtesy of Ennead Architects
Atrium. Image Courtesy of Ennead Architects
Fronting the atrium is the National Instruments Student Project Center, which provides 23,000 square feet (2,100 square meters) of maker space to undergraduate students, putting a strong emphasis on design, fabrication and rapid-prototyping early in their educations. The majority of lab spaces in the two-story Project Center feature floor-to-ceiling glazing, putting student work on display for anyone passing through the building.
Courtesy of Ennead Architects
The Engineering Education and Research Center is scheduled to be completed in 2017.
This project involved the rehabilitation of a house located in the center of Porto, with basement, two floors, attic and a small patio. The lower floors are open space interconnected social areas, thus enhancing the interaction between the spaces and spreading natural light.
On the 2nd floor, were implanted 2 bedrooms. All floors are connected by a new staircase that connects the spaces from the front door to the attic.
Section
Section
From the pre-existence it has kept the memory of a lantern that illumined the 2nd floor. In this new skylight window 3 new windows arise taking advantage of natural light and forward it to other spaces in the attic. In terms of artificial lighting, it was decided to create a minimal uplight integrated system in the house elements (walls, cabinets, ceilings) and thus, in a house with small dimensions, be achieved a hidden general lighting that makes the space highlight without adding to it.
The original granite walls were showed in some specific points, revealing the centenary main structure of the house. All the floor pavements were made with traditional wood beams, spiked in the granite walls such as the original wood structure of the house was built.
The latest stage of the Governors Island Park project, “The Hills,” is set to officially open to the public on this Tuesday July 19th – nearly a year ahead of schedule. Designed by internationally acclaimed urban design and landscape firm West 8, the park will feature ten acres of sloping landscapes that will provide residents and visitors with slides, art and unparalleled views of the New York Harbor.
The project consists of 4 themed hills, rising as high as 70 feet above the island to offer a unique 360-degree panoramic experience of the harbor:
Grassy Hill, the smallest hill, rises 26 feet via a gentle, grassy slope perfect for naps and relaxation and overlooks the Island’s new and historic landscapes and the Manhattan skyline.
Slide Hill, at 36 feet high, encourages play and activity with four slides that have been carved into the landscape, including the longest slide in New York City.
Discovery Hill, 39 feet high, is the hill dedicated to contemplation, and is home to Cabin, a site-specific sculpture by internationally recognized British artist Rachel Whiteread
Outlook Hill is the park’s tallest hill at 70 feet, and offers accessible pathways to the most dramatic lookout point on the island. More adventurous parkgoers can ascend Scramble, a pathway constructed out of reclaimed granite seawall blocks, to reach the Outlook.
The Hills have been constructed from recycled demolition debris, general fill and lightweight pumice held together with geotechnical reinforcement. To help combat erosion, shrubs, trees and grassy lawns have been organized in strategic planting patterns. More than just offering views, the dramatic topography will also improve the island’s resilience to volatile weather conditions and rising sea levels.
“Sculpted topography works in concert with winding pathways and trees to create ‘conceal and reveal’ vistas, choreographing the park experience,” said design director Adriaan Geuze, co-founder of West 8. “It maximizes the sense of anticipation, pulling a visitor through the park or signaling a place to sit and stay just a bit longer. The topography defines the very character of the area.”
The first 30 acres opened to the public in 2014 and include recreational fields, food concessions, seating, a public plaza, a hammock zone, a hedge maze and more. With the opening of the Hills, visitors can now access the entire 2.2-mile promenade encircling the island and Picnic Point, which had been closed since 2012.
The Hills will be open for the season daily from July 19 – September 25, 2016, Monday-Friday 10am-6pm, Saturday/Sunday 10am-7pm. For more information, visit www.govisland.com.
Governors Island – The Hills. Image Courtesy of West 8
A young team of six architectural designers from Feilden Clegg Bradley Studios won an open call competition released by the RIBA (Royal institute of British Architects) to rethink or construct community within the built environment. The team developed a proposal for the mobile installation now known as ‘Pea Soup House’.
Diagram
London’s air was once described as ‘thick as pea soup’ during the industrial revolution and Londoners were known as ‘Pea Soupers’. In 1952 11,000 deaths were attributed to poor air quality. Today is not much better. The Pea Soup team aims to ‘construct communities’ by bringing them together through food whilst creating awareness of air pollution in cities, specifically London.
Courtesy of FCB Studios
Pea Soup House serves daily soup that reflects the Air Quality Index (AQI) of that day – 1 being pea soup (green and good) 10 being bad (beetroot soup), and are collaborating with King’s College who monitor air pollution throughout London.
Courtesy of FCB Studios
Pea Soup House is part of a much larger exhibition called ‘At Home in Britain’ and part of the London Festival of Architecture 2016. It is planned that the mobile installation will go ‘on tour’ to other locations within London to help raise awareness of poor air quality within the city.
Courtesy of FCB Studios
Pea Soup House is just the first step. The team aim to develop their research into answering the question of how our built environment can help reduce air pollution and increase our health and well-being.
Sig Nordal 