There’s so much to learn about architecture, yet so little time. The smart architect knows to have a variety of sources for their architectural knowledge, and that’s why we’ve put together a shortlist of our Top 12 Architecture Channels on Youtube, and picked some of their best videos for you to see. Read more to find out the best architecture videos, from sketching and rendering tutorials to architecture documentaries.

1. CTBUH

If you are interested in urban planning and the development of housing in major cities, this one’s for you. The Council on Tall Buildings and Urban Habitat (CTBUH) looks for innovative design and construction strategies and organizes conferences, as well as monthly interviews with leading architects – most recently, Bjarke Ingels!

2. Chicago Architecture Foundation

The Chicago Architecture Foundation shares short stories on Chicago’s most iconic buildings. With historical photographs and research material as well as interesting commentaries, the foundation puts the great history of Chicago’s architecture at your fingertips.

3. donot settle

Like travelling with your architecture-geek friends? In #donotsettle, two young graduates from TU Delft experiment with architectural vlogging, showing you around cities, exploring their urban environment, and visiting newly built projects. A fun and refreshing break.

4. Harvard GSD

Harvard GSD is well-known for its prestigious guest lecturers, including Zaha Hadid, Herzog & DeMeuron, and Kazuyo Sejima and Ryue Nishizawa. And you can see them online. Here is a sneak peak at Toyo Ito’s recent lecture “Tomorrow’s Architecture.”

5. Architecture is a Good Idea

Presented by Polish architecture historian Radosław Gajda, this videoblog looks at the iconography of buildings and the way contemporary architecture can reinterpret architectural traditions. Don’t miss his video on the Mies van der Rohe Award-winning Szczecin Philharmonic Hall.

6. TheModmin

If you want to improve your sketching skills, check out TheModmin’s tutorials, and learn about perspective, lineweight, shadows, people, trees and ink texturing among others.

7. Arbuckle Industries

Arbuckle Industries is a mixed-media video production company run by Ian Harris and David Krantz. Their first documentary, Archiculture (2013), received its worldwide premiere on ArchDaily and takes a critical look at the architectural studio. Through a collection of interviews conducted for the documentary and other initiatives since, Arbuckle’s videos feature the likes of Pritzker Prize winners Thom Mayne, Zaha Hadid, Richard Meier and Shigeru Ban, alongside many others.

8. Photoshop. Architect

If you wish to master renderings, look no further. This channel can teach you how to realistically portray grass, water reflections, and night scenes. Photoshop will have no more secrets for you.

9. Autodesk

The software company offers the most complete tutorials on its programs (AutoCAD, 3ds Max, Revit, Maya).

10. Nick Senske

Nick Senske shares tutorials from his courses at Iowa State University, covering a wide range of IT skills. It includes the use of smart layout on InDesign, Rhino, Maxwell texture mapping, and Photoshop Digital Renderings. His series of lectures on Collage Sections and Elevations are particularly worth seeing.

11. How to Architect

How to Architect is all about facts. Each video covers 7 subjects about construction elements, architectural history, and iconic buildings: a didactic and straightforward way to learn (again).

12. ArchDaily

Last but not least, don’t forget ArchDaily’s own Youtube channel! Here you will find interviews with our favorite architects and coverage of major architectural events, such as this year’s Moscow Urban Forum and Venice Architecture Biennale.

Which YouTube Channels do you look to for inspiration or education? Let us know in the comments! And if you’re looking for more helpful architecture tutorials, check out our crowdsourced list at the article below.

The Best Software Tutorials on the Web (According to ArchDaily Readers)
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© Fernando Guerra | FG+SG

• Architects: Studio MK27 – Marcio Kogan, Lair Reis
• Location: Catuçaba, São Luís do Paraitinga – SP, Brazil
• Author: Marcio Kogan
• Co Author: Lair Reis
• Area: 309.0 sqm
• Project Year: 2016
• Photographs: Fernando Guerra | FG+SG

• Project Team: Carlos Costa, Flavia Maritan, Laura Guedes, Mariana Simas, Oswaldo Pessano
• Contractor : Eight Pharcon
• Mep: Natural Works
• Landscape Design: Estelle Dugachard
• Structure And Wood Frame: Carpinteria/Alan Dias

© Fernando Guerra | FG+SG

Laid out over the valley, at an altitude of 1,500 meters, the house has a strong relationship with the local nature, abundant throughout most of the year. That allow for autonomy in generating energy. The main premise of the project is to make energy consumption efficient while simultaneously offer comfort to the user, beginning with the simplicity of contact with the local nature.

© Fernando Guerra | FG+SG

© Fernando Guerra | FG+SG

© Fernando Guerra | FG+SG

It’s FSC wooden pre-fab structure, to the point that it  remains supported on the land through some pillars,  without directly touching the ground, responds well to the necessity of building on a rugged piece of land, far from the city and difficult access. On this, the external ground is a deck also made in certified wood and the internal floor is clay brick made from the local soil. From this same soil the house is made. 

© Fernando Guerra | FG+SG

Plan

© Fernando Guerra | FG+SG

The divisors of the house are wood frames with woolen insulation of PET which makes it an environmentally correct house.  Frames with double windows guarantee the comfort and ventilation.  The roof is a  wooden platform with vegetation which integrates  the house with its surroundings rue composing the area of the land shaded by it. In the vast landscape, the house create a link between that which is built and that which is natural.

© Fernando Guerra | FG+SG

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Courtesy of S&Aa

Soriano & Arquitectos Asociados (S&Aa) has unveiled its plans for ‘The Pitcher’s Mounds’ a project that received fourth place in a competition to design the Tainan Asia-Pacific International Baseball Stadiums and Training Centers in Taiwan.

Courtesy of S&Aa

In an effort to “return to the origins” of the playing field—a horizontally-based, natural concept rather than the vertical and enclosed idea of a stadium—the design of the complex is conceptualized as an urban garden.

A sports stadium for baseball, soccer, or swimming is not a building. But a landscape instead. Hence, a set of sports stadiums is an urban park, an urban garden –  explains the architect in a media release. 

Courtesy of S&Aa

Courtesy of S&Aa

The stadiums, training facilities, and other related programs are arranged in “a landscape of soft hills and waves,” with each program occupying its own ellipse-shaped area. These ellipses of varying sizes are arranged and layered according to three subcategories: natural landscapes, such as lakes and gardens, artificial landscapes, like stadiums, and circulation, which includes pedestrian paths and vehicle roads.

Courtesy of S&Aa

Courtesy of S&Aa

One main pedestrian road cuts across the entire site and leads to the main stadium, which is placed on a large hill, underneath it is where players and administration spaces will be located. This hill will be created from existing soil removed from the site so that no external soil supply is necessary. Furthermore, no soil will be taken from the site, thereby creating an equilibrium of material.

Courtesy of S&Aa

Additionally, the roof structure of the main stadium will not be one continuous or solid piece, but rather, a conglomeration of variously sized pieces resembling clouds or tree leaves, which, together, will cover all of the stands. These pieces will furthermore be translucent, so as to allow for natural lighting, and to lower electricity expenses.

News via Soriano & Arquitectos Asociados (S&Aa).

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© Sergio Grazia

• Architects: AZC
• Location: 122 Avenue du Général Leclerc, 92100 Boulogne-Billancourt, France
• Team: Grégoire Zündel, Irina Cristea
• Area: 10544.0 sqm
• Project Year: 2016
• Photographs: Sergio Grazia

© Sergio Grazia

The project consists of the renovation of an existing building of 10.544m2 surface area in Boulogne Billancourt, the redesign of the facades, taking into account the overall structure, the renovation of the technical premises, and the optimization of office spaces.

Plan

The building required an architectural revival justified by the evolution of office uses as well as the energetic standards.

© Sergio Grazia

The issues of energetic efficiency were subtly approached, in the facades and facilities designs, by customizing solutions rather than simply applying current regulations brutally. The entire building’s facades were wiped entirely clean of all superfluous elements. The whole structure was consolidated with the aim of obtaining good stability and a full transparency (65% in glass).

Section

The building’s new skin, is a double ventilated façade of slight thickness.
The idea of total flexibility was pursued throughout the uniform grid patterning of the facade paneling into 1.35m modules corresponding of the suspended ceilings, and through the electrical and technical “irrigation” of the offices by means of raised floors and suspended ceilings.

The building’s new image forms both out of restraint regarding the economy of means and the taking into account of the client’s expressed wishes and needs. Our proposition highlights generosity of space, light, comfort, and wellbeing. Today more than ever businesses are sensitive to the image their facades present to the world, as well as to the amount of comfort they can provide their employees.

© Sergio Grazia

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© Eik Frenzel

• Architects: Reuter Raeber Architects
• Location: Riehen, Switzerland
• Area: 240.0 sqm
• Project Year: 2016
• Photographs: Eik Frenzel

© Eik Frenzel

Glass, concrete, wood, and metal serve as the basis for drawing rich associations between space, structure, material, and location. What emerges is a house distinguished by contrasting interplays between heavy and light, load and support.  

© Eik Frenzel

The horizontal building structure is thoughtfully embedded into the contours of the hillside; the transition from the interior to the exterior seamless and fluid. The narrow retaining walls bordering the residence and the enveloping yard give shape to a courtyard setting and preserve the palpable feel of the sloping terrain. A set of steps delineates the spatial flow of the interiors from entryway to the living, dining, and kitchen areas, picking up on the character of the descending outdoor terrain. The floor, fireplace, and two exterior load-bearing shear walls are made of concrete. A homogeneous structure, seemingly cast in one piece, encases the living room and serves as the foundation to the overlying wood construction. 

© Eik Frenzel

Plan 1

© Eik Frenzel

A solid wood construction consisting of four exterior sheer walls and two transverse walls forms the structure of the overlying story, where the bedrooms are located. The wood construction is left exposed to the interior, while glass and metal surfaces form a weather barrier on the exterior. The wood structure rests on two vertical concrete shear walls, cantilevering to the front and back. It is stabilized by way of cross-bracing steel tension bars on the east- and west-facing windows that hold the two wooden shear walls together. The ceiling on the ground floor is hung front to back by way of tension rods attached to the two transverse steel roof beams.

© Eik Frenzel

The concrete construction on the ground level and the wood construction on the upper level interlock at two key junctions: the transverse concrete wall balanced over the fireplace forms the rear wall of the upstairs master bedroom and concrete bathtub; on the opposite side by the staircase, the wood construction runs through to the ground level. Two differing construction methods join in mutual dependency. What emerges is a static balancing act that unleashes an energetic, expansive sense of space and engenders an architectural language rich in associations.

© Eik Frenzel

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© Christophe Camus

• Architects: Atelier du Rouget Simon Teyssou & Associés
• Location: Aurillac, France
• Area: 3712.0 sqm
• Project Year: 2014
• Photographs: Christophe Camus , Benoit Alazard

• Project Manager: Mathieu Bennet
• Structure: BET 3B
• Concrete Structure: SETERSO
• Fluids: AES
• Acoustic: C+

© Christophe Camus

From the architect. The eco-district of Le Vialenc marks the change in the urban-planning policy of the town of Aurillac. The new approach implies viewing the town and housing of tomorrow differently and aiming to increase responsibility and sustainability. The proposed building is a symbol in itself of the town’s renewal in an eco-responsible neighbourhood. Its position is strategic, its image emblematic. Its shape is simple and contemporary: two intertwined volumes referring to complementary forces,- verticality and horizontality.

© Benoit Alazard

Location

© Christophe Camus

Viewed from the boulevard, the totem is an element in black zinc, dense, monolithic, partially cored to insert loggias. The linear volume includes exterior passageways and affirms a contrary horizontality.

© Benoit Alazard

The building has an urban façade, directly linked to the boulevard, showing a ground-floor occupied by businesses and the passageways giving access to the floors above, and a quieter façade, turned toward the heart of the eco-district: facing south/southwest, it is made of loggias extending the flats and offices like hanging gardens. Protected from the noise, it gives the occupants a view on the future interior garden of the district. The materials were carefully chosen for their characteristics and qualities.

© Christophe Camus

Floor Plan

© Christophe Camus

Concrete braces the construction, insulates the flats from the noisy boulevard, provides thermal inertia for the whole building and keeps the wood structure off the ground. Zinc protects the building from bad weather. The wide overhanging roof shields the exterior passageways, balconies and façade. These two sustainable and easy-to-maintain materials are the only ones in contact with the ground. A light galvanized-steel structure supports the exterior horizontal passageways and loggias.

© Christophe Camus

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© Park Young-Chae

• Architects: Hyunjoon Yoo Architects
• Location: Sinan-gun, Jeollanam-do, South Korea
• Design Team: Heo Jinsung, Son Insil, Park Jungkyu, Kwon Jinhee, Ham Seungho
• Client: Shinan-gun office
• Area: 604.07 sqm
• Project Year: 2016
• Photographs: Park Young-Chae

• Structural Engineer: Dawoo
• Construction: Joongsan construction company
• Mechanical Engineer: Min Sung engineering
• Electrical Engineer: Hyeob-In
• Site Area: 5,554 sqm
• Gross Floor Area: 1436.47 sqm

© Park Young-Chae

The Community Center in Aphae-do, Shinan-gun, Jeollanam-do is located on a special site, and has a special programme. First of all, it was my first building project to be built on an island. Second, the main programme of the building was the public bath and restaurant for the elders in the village. The elders, who make up most of the population in the fishing village, do not have a decent bathing facility in their home.

© Park Young-Chae

© Park Young-Chae

Therefore, a public bath was necessary and it was going to be the centre of the community. Just like the Baths of Caracalla in the Roman Era, this public bath was going to be the most important public space in the whole island. I’ve learned a lesson while designing the community center in the city of Gongju years ago. For ordinary city folk like me, the verdant, rich paddy through the seasons. When I revisited the site after six months away I found a translucent film had been applied to the large window. They had to cover up the window, because the scenery with the rice paddy reminded the farmers of the work they needed to do, which did not help them to relax.

© Park Young-Chae

Section

© Park Young-Chae

Recalling the lesson, I tried to avoid the views towards the worksite and created an opening towards the inner courtyard instead. A setback method was used to bring in more light as possible. For the islanders, who are always surrounded by water, a little pond was created in the courtyard so the people can surround the water. In this Community Center, people can gather around the water and relax without visibility of their work site.

© Park Young-Chae

© Park Young-Chae

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The Royal Institute of British Architects (RIBA) has announced six projects that will compete for the 2016 Stirling Prize, the award for the building that has made the greatest contribution to British architecture in the first year. Selected from the pool of regional winners around the country, the shortlisted buildings range from a small house in the south of England to a new college campus in Glasgow, Scotland. However, in a first for the Stirling Prize, the shortlist features two buildings coming from one client, Oxford University.

“Every one of the six buildings shortlisted today illustrates the huge benefit that well-designed buildings can bring to people’s lives,” said RIBA President Jane Duncan. “With the dominance of university and further education buildings on the shortlist, it is clear that quality architecture’s main patrons this year are from the education sector. I commend these enlightened clients and supporters who have bestowed such remarkable education buildings.”

The winner of the Stirling Prize will be announced on Thursday 6 October.

Blavatnik School of Government, University of Oxford / Herzog & de Meuron

Blavatnik School of Government, University of Oxford / Herzog & de Meuron. Image © Iwan Baan

City of Glasgow College, Riverside Campus / Michael Laird Architects + Reiach and Hall Architects

City of Glasgow College, Riverside Campus / Michael Laird Architects + Reiach and Hall Architects. Image © Keith Hunter

Newport Street Gallery, Vauxhall, London / Caruso St John Architects

Newport Street Gallery, Vauxhall, London / Caruso St John Architects. Image © James Brittain

Outhouse Gloucestershire / Loyn & Co Architects

Outhouse Gloucestershire / Loyn & Co Architects. Image © Charles Hosea

Trafalgar Place, Elephant and Castle, London / dRMM Architects

Trafalgar Place, Elephant and Castle, London / dRMM Architects. Image © Alex de Rijke

Weston Library, University of Oxford / WilkinsonEyre

Weston Library, University of Oxford / WilkinsonEyre. Image © Hélène Binet

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© Anand Jaju

• Architects: Architecture Paradigm
• Location: Bengaluru, Karnataka 560001, India
• Design Team: Sandeep J, Vimal Jain, Manoj Ladhad, Senthil Kumar and Shreelakshmi
• Area: 4300.0 ft2
• Project Year: 2015
• Photographs: Anand Jaju

• Structural Consultant: B.L. Manjunath & company
• Civil Contractor: G.M. Construction

© Anand Jaju

Located in the neighborhood of Jayanagar, Bangalore the site measured around 2400sq ft where the road is along the northern edge of the site. The clients were a business family consisting of parents and two daughters.

© Anand Jaju

The client’s strong belief in the ancient doctrine of vaastu played a crucial role in the planning and the spatial organizations.Working with the family the program for the 3 bed room house was appropriated to around 3000 sqft. It comprised of three bedrooms along with living , dining, kitchen and the multipurpose room distributed across two levels in a block with a foot print of around 1500 sft..The two story block was organized more towards the southwestern region to create a linear open space along the eastern edge.it comprised of a parking space which could double up as outdoor gathering and also a garden. The set back spaces along the other three sides was also seen as extensions of the internal spaces housing the greens as well as utilitarian spaces.

Diagram

Open aspect of the design relates to their community way of life where extended family is supported and is included in much of their rituals and daily life. Pooja room is a critical part of this culture and was seen as a sub-volume located between the living and dining. This also helped in integrating the entertainment console as a part of the sculptural ensemble of the Pooja room. The stairs to the upper level is organized along the western edge and is also expressed as a sculptural mass integrating with the furniture of the living space lending a theatrical quality to the space. The stairs lead to a large multipurpose family space at the first level, this space is flanked by the bedrooms of thetwo daughters. The stairs to the terrace is mirrored over the lower stairs creating a column of vertical double height space linking the two levels. Natural Light cutting through linear strip of sky light along the western edge animates this volume. The illuminated surface is visible from the ground suggesting subtly the continuum of the spaces to upper private spaces.the terrace also provides space for gathering and also housing utilities.

© Anand Jaju

The resulting form basically cuboid owing to the geometry maintains a quiet but a stoic presence on the street, reinforcing the notion of a refuge from the busyness of the city. The east facing surface of the volume is expressed as detaching itself from the main body in an attempt to redirect connection towards the eastern stretch of open space rather than the road in front. The fracture or the separation facilitates entry into the house and also allows for the creation of the skylight animating the the multipurpose room and the toilets at the upper level.

© Anand Jaju

The idea of refuge fueled the idea of cast concrete structure with the material adding to tactile quality of space.strategically this concrete armature is punctuated with softer plastered masonry, wood surfaces, windows and openings hidden behind timber screens, lending privacy and also controlling the amount of light. Day light coming through the various apertures of this layered envelope is seen as a crucial factor animating the interior spaces and surfaces. Landscape is seen as a vital part of this layering system. Here green walls help in defining envelopes where it adds to the humane experience intended.

© Anand Jaju

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Courtesy of Kikuma Watanabe

• Architects: Kikuma Watanabe
• Location: Kami, Kochi Prefecture, Japan
• Area: 8.0 sqm
• Project Year: 2016
• Photographs: Courtesy of Kikuma Watanabe

• Structural Engineer: Syunya Takahashi + D Environmental Design System Laboratory
• Construction: Environmental Design of Architecture Lab. of Kochi University of Technology
• Owner: Inhabittants of Nakagonyu + Kochi University of Technology
• Site Area: 315.77 sqm
• Total Floor Area: 4.05 sqm

Courtesy of Kikuma Watanabe

From the architect. This is the self-built temporary Shinto shrine in a depopulated village in the mountainous area of kochi in Japan. For over 200 years the village used to have nine houses making up the kanamine shinto community, with a shrine set up in the upper part of the forest. However, the village started to lose its population, resulting in only one house and a neglected shrine that in 2015 was deeply injured by a heavy typhoon. In 2016 the worship structure faced a crisis and collapsed, so the inhabitants, together with the Kochi University of Technology located nearby, decided to construct a temporary shrine in the houses area.

Courtesy of Kikuma Watanabe

Courtesy of Kikuma Watanabe

Because the community was only inhabited by one person, the expenses of the construction were extremely limited. Furthermore, the road to the site was really narrow, obliging the team to carry the construction materials for one kilometer. This led the temporary shrine to be self-built, with little money and with limited materials. The team consisted of ten students plus architect and in five days they erected the worship space with steel pipes for the scaffolding, wooden lumbers, and wooden boards.

Section

Plan

The triangular shape of the shrine symbolizes not only the sacred mountain but also the tunnel that leads to it. In the fall of 2016 a Shinto festival will be held by the inhabitants and members of Kochi University of Technology. The new construction aims to become the core of the community consisted of both inhabitants of the community and members of the university.

Courtesy of Kikuma Watanabe

Courtesy of Kikuma Watanabe

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