A Conversation With Koolhaas, Foster and More at the Biennale’s First “Meeting on Architecture”


Courtesy of La Biennale di Venezia

Courtesy of La Biennale di Venezia

On May 28th, a selection of participants of the 2016 Venice Architecture Biennale, including Rem Koolhaas and Norman Foster convened for the first of Alejandro Aravena‘s “Meetings on Architecture,” a series of talks that will take place throughout the Biennale. Under the theme of INFRASTRUCTURE, each invited speaker was given the chance to explain stories behind their participating projects in the Biennale, and the floor was also opened up for questions from the audience.

However, as Aravena explains about the talks, “we have organized them around themes, but architecture by nature always integrates more than one dimension. These Meetings will thus be a way to get from the authors themselves the richness and complexity of the built environment, and what it takes to get things done.” While highlighting unique projects, topics at the first Meeting converged around the focus on shaping the urbanization of emerging economies and the socio-political process and effect of realizing each project. The rest of the speaking panel was comprised by Joan Clos, Andrew Makin and Grupo EPM.

Here are highlights from the discussion:

  • 7:20 – 18:00: Norman Foster begins the discussion with the Droneport project by Foster + Partners—a proposal towards approaching the challenges of infrastructural development in rapidly emerging economies, specifically in Africa.
  • 18:00 – 30:30: Andrew Makin, a South African architect, discusses work on the economic and social transformation of Durban South Africa’s Warwick Triangle through an urban public project consisting of pedestrian bridges and stairs.
  • 30:35 – 39:00: Grupo EPM talk about the urban transformation of Medellin, Colombia from one of the most violent and crime-ridden, to the most innovative city in the world through public projects such as UVA (Unidades de Vida Articulada).
  • 39:00s – 49:30: Rem Koolhaas turns a critical eye on globalization and brings attention towards the architecture, form, and infrastructure of the “digitized country-sides” which support the processes of cities worldwide.
  • 49:30- 1:06:00: Dr. Joan Clos, executive director of UN Habitat, recounts previous Habitat meetings and discuss the goals and challenges of the world’s urban agenda for the upcoming Habitat III meeting.
  • 1:07:00 – 1:19:00: The floor is opened to questions and comments from the audience with arising topics on agency and inclusion, promethean spirit and revolution, and a question on whether city-dwellers were “lazy.”
  • 1:19:00: Paolo Baratta closes by discussing the relationship of architecture and politics: that public space is the result of each individual acceding power to a central authority in order to act against our own individual will and towards the common good. Architecture alone cannot create public space. 

With a panel featuring Mexico Project, BeL Sozietät für Architektur, Assemble and Al Borde, the next Meeting on Architecture, entitled PERIPHERIES, will be held on June 11th at Teatro Alle Tese in Arsenale.

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Twin House / StudioPietropoli






Twin House  / StudioPietropoli


Twin House  / StudioPietropoli


Twin House  / StudioPietropoli


Twin House  / StudioPietropoli

  • Architects: StudioPietropoli
  • Location: Padua, Province of Padua, Italy
  • Architect In Charge: StudioPietropoli
  • Area: 1000.0 sqm
  • Project Year: 2015
  • Contractor: Impresa Salvalaio
  • Structural Engineer: Studio PRO GE CO
  • Construction Manager: Studio Chiucchini




From the architect. In a quiet residential neighbour in Padua, this house consists of two cubic volumes mounted on a concrete basement. The cubes above ground are made entirely of wood, covered with wood (grey/white and brick red) as well. The two houses have similar plants and are symmetric according to the horizontal and vertical axes. A unique flat vegetal roof covers both houses and is projected to the north and south in two large porches. A portico in between the cubes divides the two houses and is a sort of private alley. There is no parking at the garden level. Cars are parked in the basement with a car lift. Particular attention has been paid to the windows: the wooden frame is in fact only visible from the inside while outside is covered by a glass skin.


Underground Plan

Underground Plan




The pictured house is composed by 4 levels:

– Basement: garages, a living-room (with a fireplace and a small kitchen on one side) which can turn into a playroom, laundry-room
– Ground floor: entrance, living, dining, studio, kitchen and a small bathroom
– First floor: master bedroom and 2 bedrooms, two bathrooms
– Third floor: a small guest-room opened on a slightly elevated terrace on the roof level.









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Sabri Pasayigit Design Office Releases Master Plan for Turkish Municipality


Courtesy of Sabri Pasayigit Design Office

Courtesy of Sabri Pasayigit Design Office

Architecture and planning firm Sabri Pasayigit Design Office has released its new master plan for the Municipality of Kayseri in the Sahabiye neighborhood of Kayseri, Turkey.

The project balances historic and modern architecture elements, with a focus on the historic castle of Kayseri as the city center point. Cultural and public buildings will be placed near this historic center, with taller buildings set farther out of the city.


Courtesy of Sabri Pasayigit Design Office

Courtesy of Sabri Pasayigit Design Office

In an effort to design public spaces as physical connections, a large-scale park will be added between the historic center of the city and an existing green area. At the crossing of these two parks will be two commercial towers, which are meant to represent the role of Kayseri in the Turkish economy, as well as Kayseri’s role as a commercial meeting point along the historic Silk Road.


Courtesy of Sabri Pasayigit Design Office

Courtesy of Sabri Pasayigit Design Office

This added green space will become the longest public space in Kayseri, and is intended to emphasize the value of public space as a piece of urban infrastructure.


Courtesy of Sabri Pasayigit Design Office

Courtesy of Sabri Pasayigit Design Office

Courtesy of Sabri Pasayigit Design Office

Courtesy of Sabri Pasayigit Design Office

The project is one of the largest urban transformations in Turkey, and is hoped to illuminate the commercial profitability of urban planning, so as to bring new investors to underdeveloped parts of the city.


Courtesy of Sabri Pasayigit Design Office

Courtesy of Sabri Pasayigit Design Office

Learn more about the project here.

News via Sabri Pasayigit Design Office

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Monts Et Merveilles / Jean Bocabeille Architecte


© Sergio Grazia

© Sergio Grazia


© Frédéric Delangle


© Marianne Waquier


© Sergio Grazia


© Frédéric Delangle

  • In Collaboration With : Atelier Du Pont (Nursing Home)
  • Structure Engineering : Kephren
  • Fluids Engineering : Alto Ingénierie
  • Construction Economics : Mazet & Associés
  • Sustainable Engineering : Plan02
  • Acoustics: Acoustique Vivié et Associés
  • Landscape Designer : Atelier Jours
  • Light Designer (Religious Center) : Pinard Design
  • Total Cost : 24 600 000 € (pre-tax)

Site Plan

Site Plan

© Sergio Grazia

© Sergio Grazia

From the architect. Formerly a railway enclave, the Clichy-Batignolles ecodistrict is reconquering this forgotten piece of Parisian ground. This major municipal project was envisioned as a response to the elevated need for housing while paving the way for a durable, mixed-use 21st century city. So much data that had to be compiled to come up with smart solutions for a multi-program block (nursing home, social housing, private housing, religious center, and retail businesses).


© Sergio Grazia

© Sergio Grazia

These programs, with their fruitful cohabitation, contribute to the city’s growth with their high quality and symbolic significance. The project provides a strong architectural response to the challenges of urban density and new environmental requirements by creating collective strategies for the entire block.


Diagram

Diagram

This project is the result of a lengthy consideration of zoning rules for minimal distances between structures. Shoehorned into its larger setting as the final piece of a larger puzzle, it is tied to a sense of proximity in this neighborhood and a desire to create density. The horizontal and vertical paneling carves out an unusual volume, at once a glacier and a rocky outcrop. This form gives the residence a strong sense of identity while also refining and streamlining the rigorousness of the construction system used.


© Sergio Grazia

© Sergio Grazia

The two housing programs were designed as parts of a larger whole. The equal treatment in the choice of materials and colors creates a sense of cohesion between the social housing and the private housing.

Located in the eastern end of the parcel facing rue Cardinet, the social housing units form the prow of the block. This compact building is associated with the Ehpad senior housing realised by Atelier Du Pont, with which it shares a patio in the middle of the block towards the park, thereby forming a coherent whole.


© Frédéric Delangle

© Frédéric Delangle

Facing the parc Nelson Mandela and representative of the landscape of the Batignolles, the private residence is an inhabited prism whose physiognomy changes during the day : it is urban on the city side and green on the park side. The 86 apartments have an unrestricted view of the park and the skyline of the Saussure block beyond. Facing northwest onto the park and southeast onto the interior of the parcel, they all have large terraces facing the park or the gardens. They are protected from direct sunlight by perforated, sliding shutters.


© Sergio Grazia

© Sergio Grazia

© Sergio Grazia

© Sergio Grazia

Consisting of a chapel and a meeting space, the Ozanam house lies at the base of the private residence and is characterized by its complex volumes and orange color. A cross planted in the ground signals the entrance at the intersection of rue René Blum and the impasse Chalabre. The double height chapel faces the garden in the center of the block and provides a generous sense of space, one that was dug out from the mass of surrounding housing units.

132 housing units + 1 religious center + 2 retails businesses, Clichy-Batignolles ecodistrict in Paris


© Marianne Waquier

© Marianne Waquier

© Frédéric Delangle

© Frédéric Delangle

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Cirkus, Scandiascenen / White Arkitekter


© Åke E:son Lindman

© Åke E:son Lindman


© Åke E:son Lindman


© Åke E:son Lindman


© Åke E:son Lindman


© Åke E:son Lindman

  • Architects: White Arkitekter
  • Location: Djurgårdsslätten 43, 115 21 Stockholm, Sweden
  • Lead Architect: Anders Arfvidsson
  • Design Competition: Anders Arfvidsson, Per-Mats Nilsson, Håkan Langseth
  • Area: 2000.0 sqm
  • Project Year: 2015
  • Photographs: Åke E:son Lindman, Anders Bobert
  • Client: Förvaltningsbolaget Cirkus HB
  • Contractor: NCC Construction AB
  • Construction Phase:: Anders Arfvidsson, Jens Hansson, Patrik Buchinger, Camilla Kappel, Tove Jägerhök

Plan

Plan

Plan

Plan

Skandiascenen is a modern addition to the historic Cirkus theatre, in Stockholm, founded in 1892. The new construction was built into a niche of solid rock on very limited grounds and houses a new foyer, stage and salon seating 800 theatre guests. White Arkitekter’s creative solution was to place large portion of the house below ground allowing the foyers to be placed on two different levels.


© Åke E:son Lindman

© Åke E:son Lindman

The extension is designed with a form that deliberately juxtaposes Cirkus, the existing historical theatre building; hence, consciously designed to possess a form and character of its own – equally reflective of its own period in time. Stainless steel gracefully clads the façade in an overlapping fish scale-like pattern. In its modern ornateness, the silky matte facade adds to the aura of festivity. The gently curved metal façade, with its high curved glass partitions, provides a dynamic sense of momentum when travelling alongside the adjacent Hazeliusbacken hillside. Starkly contrasting the culturally historic main building of stucco and brick, Skandiascenen’s round metal façade allows for the expression of another era.


© Åke E:son Lindman

© Åke E:son Lindman

Section

Section

However different the two exteriors may be in appearance, the interiors of the new theatre are equally as intimate as the original Cirkus. The new salon has a colour palette in shades of red in the same vein as traditional theatre auditoriums. The difference in level between Hazeliusbacken hillside and the new exterior ground at the building front, creates an entrance area that can be used for dining al fresco during the summer.


© Åke E:son Lindman

© Åke E:son Lindman

© Åke E:son Lindman

© Åke E:son Lindman

An advanced load-bearing structure with beams and columns of glass functions marks the entry building. The reasoning behind the placement of a fully glazed entrance at the front of the historic Cirkus was that such a volume would be as unobtrusive, light and transparent as possible. At twilight and evening hours, the older building’s interior facade appears behind the light glass volume while the glass connects down to a natural stone clad entrance area in front of the new theatre.


© Åke E:son Lindman

© Åke E:son Lindman

© Åke E:son Lindman

© Åke E:son Lindman

Details

Details

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CJ azit / Betwin Space Design


© Yong-joon Choi

© Yong-joon Choi


© Yong-joon Choi


© Yong-joon Choi


© Yong-joon Choi


© Yong-joon Choi

  • Architects: Betwin Space Design
  • Location: Dongsung-dong, Jongno-gu, Seoul, South Korea
  • Architect In Charge: Betwin Space Design
  • Design Team: Jae-yeol Lee, Jeong-ye Park, Jung-bin Sung, Min-woo Nam
  • Area: 388.68 sqm
  • Project Year: 2016
  • Photographs: Yong-joon Choi
  • Design Director: Hwanwoo Oh, Jung-gon Kim
  • Client: CJ Culture Foundation
  • Construction Manager: Cheon-ho Shim
  • Stage Designer: Dong-woo Park

© Yong-joon Choi

© Yong-joon Choi

Floor Plan

Floor Plan

From the architect. CJ azit is a theatre for rising artists to support their creative works and communication with audience. It’s studio type of atelier for diverse genres to perform (music, play, musical and etc.). Since the first opening date of 2009, it has been playing role as an art incubator. They have an incubating program named ‘Creative Minds’ at this renovated azit daehak-ro. It gives full support from artist training to contents development and production.


© Yong-joon Choi

© Yong-joon Choi

Section

Section

The concept is Culture-tainer (Culture+Container), meaning that it contains culture and artistic creation. We have planned transformable stage to enable diverse genres to perform within the space. With its module system, it can be redirected according to purpose of performances. The location of the seats can also be re-arranged.


© Yong-joon Choi

© Yong-joon Choi

To express its concept metaphorically with emotional values, we tried to push the limits of material usage beyond our imagination while maintaining the shape of container. Common area and walls in theatre are filled with light permeating through F.R.P. with simple and repetitive lines. The volume of light gives silent resonance. The lighting container box is hard but soft, bright yet dark.


© Yong-joon Choi

© Yong-joon Choi

Section

Section

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Former Fuji Ice Plant / O.F.D.A.


© Rino Kawasaki

© Rino Kawasaki


© Rino Kawasaki


© Rino Kawasaki


© Rino Kawasaki


© Rino Kawasaki

  • Architects: O.F.D.A.
  • Location: Fujiyoshida, Yamanashi Prefecture, Japan
  • Architect In Charge: Taku Sakaushi, Yusuke Sagawa, Hirofumi Nakagawa, Soichiro Omura
  • Area: 219.0 sqm
  • Project Year: 2016
  • Photographs: Rino Kawasaki
  • Structure Engineer: Kanebako Structural Engineers
  • Construction: Takiguchi Kenchiku
  • Land Size : 1540 sqm
  • Building Area: 92 spm

© Rino Kawasaki

© Rino Kawasaki

Plan 1

Plan 1

From the architect. Unused former ice plant in Fujiyoshida City was converted into a complex building consists of a day nursery on the ground floor, a community kitchen on the 1st floor, and an NPO office on the 2nd floor. 


© Rino Kawasaki

© Rino Kawasaki

A tunnel-like passage was created, which has a big opening and a staircase inside.  Its wall and ceiling have Japanese cedar finish, and the rooms connected with the staircase have the same finish, emphasizing the connection of two different worlds. 


Section

Section

© Rino Kawasaki

© Rino Kawasaki

It is an experiment to remodel an old closed building into a functionally and design-wise open architecture.  Comparable concepts are adopted in many renovation projects all over Japan today.


© Rino Kawasaki

© Rino Kawasaki

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Little Bay / Fox Johnson


© Brett Boardman

© Brett Boardman


© Brett Boardman


© Brett Boardman


© Brett Boardman


© Brett Boardman


© Brett Boardman

© Brett Boardman

From the architect. This new apartment building in a Sydney southern beachside suburb stands apart from its neighbours, using sleek urban sculptural forms and urban materials to carve out a different, more urban, way of living by the sea.


Plan

Plan

Traditionally, apartments on Australia’s spectacular eastern coastline were not designed for year-round living. They grew out of a ‘summer holiday’ short-term occupancy tradition, characterised by inexpensive construction, cheap and cheerful materials, ill-considered layouts and poor thermal control.


© Brett Boardman

© Brett Boardman

As a result, older coastal apartments can be uncomfortable to live in year-round, and are ill equipped to deal with the harsh conditions that come with close proximity to the sea: high summer heat, fierce on-shore winds at the end of the day, sea spray, salt laden corrosive air, and noisy neighbours. Much energy is wasted heating and cooling internal spaces to deal with summer heat and winter chills.


© Brett Boardman

© Brett Boardman

With this in mind Fox Johnston conceived this newly completed 45-apartment complex, SOLIS at Little Bay to Sydney’s south, as a new kind of seaside apartment living: more a sophisticated, high quality urban complex -by- the-sea, albeit one with beach-living characteristics and a relaxed seaside vibe, than a holiday flat.

They also wanted to design a building that had minimal impact on the fragile coastal environment in which it sits, and one that conserves and efficiently uses both energy and rainwater.


Diagram

Diagram

Part of the wider Little Bay community, SOLIS sits on a remarkable site on 13.6 hectares of rare oceanfront land – with exposure to a naturally spectacular and at times, unforgiving rugged coastline.

“Australian coastal environments like this are particularly harsh: too much wind, sun and salt. At certain times of the day, it can feel like you are on the prow of a ship, being buffeted by 100km per hour winds,” says Fox Johnston Director Conrad Johnston. “Older apartments are always too hot in summer and too cold in winter.


© Brett Boardman

© Brett Boardman

“We have designed the building with this front of mind. At the same time, it is obviously important to maintain maximum access to sunlight, views and airflow, but to be able to manage these throughout the day more effectively as conditions change.”

Approaching from the north, the visitor first sees a distinctive, curved steel-clad five storey form, as the building turns its back to the road in favour of the spectacular coastal views. Four floors of apartments, each with its own scissor-shaped north facing balcony and strong horizontal lines, are bookended by another strong sculptural form at the eastern end.


© Brett Boardman

© Brett Boardman

The building comprises three parts: the central volume houses one bedroom and study apartments, with eastern and western building volumes housing mainly two bedroom apartments. Each apartment in the central section runs the full width of the building and is accessed via walkways at the rear of the building, again with strong horizontal lines defined by steel screens.

SOLIS’s distinctive scissor shaped balconies ensure full northerly orientation and maximum sunshine for every apartment – creating a dynamic dialogue with its new neighbours to the north and east as well as the central Urban Lounge.


© Brett Boardman

© Brett Boardman

Each apartment has been sensitively designed to give complete cross ventilation – with the ability to open up or close down spaces as desired, during the day and at various times during the year.

Natural sunlight filters through bedroom and living spaces throughout the day with adjustable sun shading screens controlling the preferred environment. These living and bedroom spaces will benefit from opening onto large private terraces, offering a seamless connection between outside and in.


© Brett Boardman

© Brett Boardman

Given the building’s proximity to the sea, Fox Johnston has used elegant, durable, external cladding and wall finishes with inbuilt longevity – face brick, metal cladding, concrete and steel. Internal spaces are finely crafted and use natural Australian, spotted gum timber floors and joinery, and stone kitchens.

Environmental sustainability and energy conservation are major objectives for the Little Bay precinct as a whole, and for this building in particular. “A key driver for the design was our desire to reduce environmental impact through energy and water reduction, minimising waste, stormwater and rainwater management and promoting biodiversity,” says Conrad Johnston. Close proximity to the ocean and sensitive marine environments has motivated outstanding water use and treatment initiatives. An integrated water cycle ensures wastewater is recycled for reuse in dwellings as well as the near by public parks and golf course. All stormwater and rainwater is treated through a series of swales and bio-filtration ponds, improving water quality before discharging.


© Brett Boardman

© Brett Boardman

The orientation and linear proportions of the design allow passive heating and cooling to be maximised. Direct solar access is achieved all year round in 100% of apartments. Each and every apartment also boasts duel aspect and a balcony allowing natural ventilation.


Section

Section

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Spring Valley Brewery Tokyo / General Design


© Daici Ano

© Daici Ano


© Daici Ano


© Daici Ano


© Daici Ano


© Daici Ano

  • Architects: General Design
  • Location: Daikanyamacho, Shibuya, Tokyo 150-0034, Japan
  • Architect In Charge: Shin Ohori / General Design
  • Area: 749.32 sqm
  • Project Year: 2015
  • Photographs: Daici Ano

© Daici Ano

© Daici Ano

Floor Plan

Floor Plan

From the architect. Spring Valley Brewery Tokyo is a combination of restaurant and brewery, where brewery tanks and heating kettles are lined up next to the restaurant area. Here customers can freely enjoy craft beer freshly brewed on the spot.


© Daici Ano

© Daici Ano

Our idea is to communicate the craftsmanship of the brewery by showing the brewing process to customers by integrating the restaurant seating area and the brewing equipment area. Large communal tables, counters, and outdoor terrace seating serve as places for active communication and various beer experiences.


© Daici Ano

© Daici Ano

Spirit of craftsmanship is expressed spatially by raw textures of materials such as concrete, steel, wood, as well as exposed equipment and air ducts on the ceiling.


© Daici Ano

© Daici Ano

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Cut Maps Adds Contemporary Precision to Cartographic Objects


Oak State Art, Ohio. Image Courtesy of Cut Maps

Oak State Art, Ohio. Image Courtesy of Cut Maps

Have you ever wanted to decorate your walls with old-style maps but been discouraged because they don’t fit your minimal and contemporary aesthetic? Enter Cut Maps, the Virginia-based company that creates cartographic representations of cities and states using laser technologies to precisely define borders and streets. The resultant maps offer the illusion of their paper precedents, but with an otherworldly precision only possible in the digital age. 

Cut Maps’ products are available in stainless steel and wood, and come either framed – sizes ranging from 5 x 7 inches to 18 x 24 inches – or as variable size wall reliefs depicting individual states and their road networks. The company also created wooden map adorned iPhone cases, state ornaments for the holidays, and offers the opportunity for customers to design and create custom maps of locations that are important to them. Watch the videos below to see how the map intricacies are generated with speed and precision by software driven laser heads. 

Stainless Steel City Maps (5 x 7 inches)


Stainless Steel City Map, 5x7 inches. Image Courtesy of Cut Maps

Stainless Steel City Map, 5×7 inches. Image Courtesy of Cut Maps

Stainless Steel City Map, 5 x 7 inches. Image Courtesy of Cut Maps

Stainless Steel City Map, 5 x 7 inches. Image Courtesy of Cut Maps

Stainless Steel Wall Maps (11 x 14 inches)


Stainless Steel City Map, 11x14 inches. Image Courtesy of Cut Maps

Stainless Steel City Map, 11×14 inches. Image Courtesy of Cut Maps

Stainless Steel City Map, 11x14 inches. Image Courtesy of Cut Maps

Stainless Steel City Map, 11×14 inches. Image Courtesy of Cut Maps

Framed City Maps (18 x 24 inches)


Wood City Map, 18x24 inches. Image Courtesy of Cut Maps

Wood City Map, 18×24 inches. Image Courtesy of Cut Maps

Oak State Art


Oak State Art, California. Image Courtesy of Cut Maps

Oak State Art, California. Image Courtesy of Cut Maps

Oak State Art, New York. Image Courtesy of Cut Maps

Oak State Art, New York. Image Courtesy of Cut Maps

Cell Phone Cases


Cell Phone Case. Image Courtesy of Cut Maps

Cell Phone Case. Image Courtesy of Cut Maps

Cell Phone Case. Image Courtesy of Cut Maps

Cell Phone Case. Image Courtesy of Cut Maps

Videos

Cut Maps is pleased to offer ArchDaily’s users a 20% discount at checkout with the following code: ARCH20

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