Office in Debrecen / Archiko Kft


© Tamás Bujnovszky

© Tamás Bujnovszky
  • Architects: Archiko Kft
  • Location: Debrecen, Ötmalom utca 5, 4029 Hungary
  • Architect In Charge: Péter Kovács DLA (Doctor of Liberal Arts)
  • Area: 237.0 sqm
  • Project Year: 2014
  • Photographs: Tamás Bujnovszky


© Tamás Bujnovszky


© Tamás Bujnovszky


© Tamás Bujnovszky


© Tamás Bujnovszky

  • Architect Designer: Péter Kovács DLA (Archiko Kft.)
  • Architect Co Workers: : Barna Hajdú, György Kazamér
  • Static Designer: Zsigmond Dezső
  • Building Engineer Designer: Béla Bodó
  • Electrical Designer: Zsolt Nagy
  • Transport Planner: László Tarcsai
  • Area Plot: 347 m2

© Tamás Bujnovszky

© Tamás Bujnovszky

From the architect. Actually, the latest building designed by Péter Kovács, architect from Debrecen (city in east side of Hungary, 240 km. fare from Budapest) does not quite fit into the genre detailed in the introduction as the house is not a family house but a studio. However, a parallel can still be drawn since the building is a deep, personal, self-reflexive work of art, which reflects the role of the architect, layered as it is.


© Tamás Bujnovszky

© Tamás Bujnovszky

Such an artistic expression makes us think through many things – first of all, the atmosphere of the place. The plot can be localized both on a 1771 Debrecen map and on a map from a hundred years later. This is almost the oldest urban tissue of the so-called “civis city” (civis is a Latin word for “citizen”, it is also a root word for city; in Hungarian history civis cities were old country-towns on the Hungarian Great Plains) which remained intact and consists of barely a few streets. The impressive widening road in front of the house and the name “ötmalom” (five mills) indicate the former circle-shaped dry mills that were attached to work-horses with rods. The wide gates and inner gardens of the old houses found here still show the civil character of the country-town. Péter Kovács knows all the neighbours and their houses very well. He understands these streets. He understands the scales, the whys, the hows. He sums it all up in the following way: a strong, 2.35 m high brick fence turning into the street on the corner closes the plot’s side overlooking Ötmalom Street. The presence of the fence ensures its historical identity and the unique nature of the plot. The slightly appearing bricks – there is a brick paving, too – under the weathered plaster not only show the old building material but also make one feel like travelling back in time. They refer to the old houses’ few opening schemes, which differed from the architectural design of modern apartment houses: back then, mainly walls and roofs dominated. Moreover, the fence is not a part only of this plot; it is a characteristic feature of the street-line. There is another dominant feature of the scenery: the steeple of the so-called “Verestemplom” (red (brick) church) in the background, built it in 1887 (arch. Samuel Petz). The third major feature is the presence of trees. The inspiring key elements at the site are definitely the brick fence, the church steeple, and the trees.”


© Tamás Bujnovszky

© Tamás Bujnovszky

Obviously, there is a special client-designer relationship when it comes to designing one’s own building.  This situation tells us about self-knowledge, the freedom of expression, self-discipline, inner struggles, desires and limits.


Floor Plan

Floor Plan

We can almost inhale the evaporating past of the weathered flesh and mossy tiles of the surrounding old houses from the inner terraces and the garden of the corner house – the building is somehow transforming into a house-shaped sculpture. Strolling through the clean white interiors, we get an insight into the inner layers of the realm of architecture.


© Tamás Bujnovszky

© Tamás Bujnovszky

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Lacapelle-del-fraisse / Atelier du Rouget Simon Teyssou & associés


© Christophe Camus

© Christophe Camus


© Christophe Camus


© Christophe Camus


© Christophe Camus


© Christophe Camus

  • Collaborators: Chadebec (ingénierie)
  • Project Manager: Mathieu Bennet
  • Entreprises: PUECH, Terrassement – menuiseries intérieures bois / MEYNIEL, Gros-oeuvre / BOUYSSE, Charpente – menuiseries extérieures bois / CROUZET SANCHEZ, Couverture – étanchéité / VEINAZES DECO, Cloisons doublages – peinture / LEYBROS, Isolation / SEMETE, Plomberie / LONGUECAMP, Electricité / CUMINGE, Carrelage
  • Software / Programs: autocad LT / 3DS max

© Christophe Camus

© Christophe Camus

From the architect. The house nestles against the slope. Partially buried to the north, it opens to the south over the valley of the Veinazès through a wide glass-panelled façade.


© Christophe Camus

© Christophe Camus

Reinterpreting several elements of the vernacular architecture from the area of the Châtaigneraie in the département of the Cantal, the design of the house aims to fit it into the environment, as it favours responsibility and sustainability. Thus the concrete volume embedded in the soil benefits from an exterior facing in granite on which rests a structure in Douglas fir. The joint-covered siding is a technique frequently used in the region. The green roof contributes to blend the construction into the landscape as well. From stone to wood, from shade to light, its design also incorporates a bioclimatic approach. The north/south orientation of the construction allows passive solar gain. The masonry volume which shelters the buffer space adds inertia. In winter, the latter accumulates solar energy during the day and feeds it back at night. In summer, combined with a natural ventilation system, it cools the house. The living spaces are set in the wood volume. They extend outside onto a wood terrace sheltered by a wide roof overlap, which screens the sun during the summer months. 


© Christophe Camus

© Christophe Camus

Plan

Plan

© Christophe Camus

© Christophe Camus

At the intersection of the two volumes, a circulation space with a strip of natural light links the different areas. The green roof also provides inertia and improves climatic comfort. The insulation is made with cellulose wadding and hemp, optimizing the project’s energy performance and environmental report. The interior ceiling and wall covering is in wood. The choice of Douglas fir for the structure and of larch for the exterior favours local resources. The firms involved in the building are local as well.


© Christophe Camus

© Christophe Camus

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Ophir / Architect’s Creative


© Charlotte Clements

© Charlotte Clements
  • Architects: Architect's Creative
  • Location: Redcliffs, Christchurch 8081, New Zealand
  • Architect In Charge: Daniel Sullivan
  • Area: 356.0 sqm
  • Project Year: 2015
  • Photographs: Charlotte Clements


© Charlotte Clements


© Charlotte Clements


© Charlotte Clements


© Charlotte Clements

  • Structural Engineer: TMCO ltd – Matt Blyth
  • Landscape Architect : Ben McMaster
  • Site Area : 910m2
  • Building Area : 356m2

The rebuild of the owners’ previous home lost to the Canterbury 2012 earthquake created an opportunity to reimagine their family home on a new site. Their brief called for a robust dwelling to allow for everyday living to occur on a single level, with the lower level to accommodate their growing family on occasions.


© Charlotte Clements

© Charlotte Clements

Conceived as a sculptural form, this hill house comprises a palette of raw materials including concrete, steel and timber, composed and detailed in a refined manner. Precast concrete walls extend into the landscape and anchor the house to its site. 


© Charlotte Clements

© Charlotte Clements

Black zinc wraps over the upper level providing a protective metal clad enclosure perched on, and cantilevering beyond, the precast concrete wing walls below. 


© Charlotte Clements

© Charlotte Clements

Exposed structural steel portal frames provide a quality of lightness by way of allowing the upper level living area to float into the view. Honest use of each material exposes the structural integrity to the occupants.


© Charlotte Clements

© Charlotte Clements

Accessed off a quiet right of way, privacy is afforded by solid walls of zinc, concrete and cedar. Entering through a dramatic backlit space, occupants make the transition from privacy to transparency and are rewarded with expansive views over the estuary to the Southern Alp’s beyond from the main living spaces. The lower level is accessed through a cedar-lined stairwell overlit by large skylight offering a continually changing quality of light. 


Diagram

Diagram

Timber finishes provide richness and visual warmth to the interior. High quality materials used throughout will patina gracefully ensuring the longevity of the dwelling. Meranti plywood sheets line the ceilings throughout and return down the walls capping the crisp white plasterboard walls. Meranti plywood is used in joinery throughout.


© Charlotte Clements

© Charlotte Clements

Concrete block masonry forms the lower level wall finish and is finished with a coat of white paint to express the construction technique used.


Plan

Plan

Custom made fittings, such as oak sliding door pulls and turned blackened steel handrail caps add to the crafted nature of this project.


© Charlotte Clements

© Charlotte Clements

Designed with passive features in mind this dwelling is orientated for maximum solar gain, with opening arrangements for cross ventilation to utilise predominant breezes ensures this dwelling maintains a temperate interior.


Section

Section

Outdoor living is accommodated by eastern, western and northern terraces offering a choice for protection from prevailing winds and the ability to follow the sun as required throughout the day.


© Charlotte Clements

© Charlotte Clements

The resulting home offers a sense of security, substance and permanence, and affords moments of calm within spaces for reflection, embodying a way of living to better suit its occupants.

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Spanning the Future: A Documentary About the Life and Work of Frei Otto

Frei Otto: Spanning the Future, a documentary focusing on the life and work of 2015 Pritzker Prize winner, Frei Otto, has finished production and will be screened at various venues during the course of 2016. The film features one of the last interviews Otto gave before his death, in addition to commentary from renowned architects and engineers, including Zaha Hadid and Jürgen Hennicke, on the importance of his work. In the film, Otto discusses the influences on his work and his approaches on form finding and the development of tensile structures.

Check out a few clips from the documentary below:

AVIARY:

PHILOSOPHY:

BUCKMINSTER FULLER:

See additional bonus video footage and learn about upcoming screenings of the film on the official documentary website, here.

“Spanning the Future” Documentary Traces the Life and Work of Frei Otto
//cdn.embedly.com/widgets/platform.js

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Berazategui House / Besonías Almeida Arquitectos


© Federico Kulekdjian

© Federico Kulekdjian
  • Architects: Besonías Almeida Arquitectos
  • Location: Buenos Aires, Autonomous City of Buenos Aires, Argentina
  • Design And Project Management: Estudio Besonías Almeida (Arch. María Victoria Besonías, Arch. Guillermo de Almeida)
  • Area: 174.0 sqm
  • Project Year: 2016
  • Photographs: Federico Kulekdjian


© Federico Kulekdjian


© Federico Kulekdjian


© Federico Kulekdjian


© Federico Kulekdjian

  • Collaborators: Arch. Diorella Fortunati, Arch. Micaela Salibe
  • Site Area: 474m2
  • Built Area: 174m2

© Federico Kulekdjian

© Federico Kulekdjian

From the architect. The Place

It is a lot in a new closed district, with a young vegetation and very few buildings, so that the house had to be conceived lacking of all data provided by an already established neighborhoods. The particular location of the lot, still without adjoining houses, neither added relevant data to the described environment, except those related to its orientation.


© Federico Kulekdjian

© Federico Kulekdjian

The challenge of this request then was to conceive a house which will set their own laws, pending completion of the boundaries lots that, according to the regulations of the neighborhoods, shall be only free buildings surrounded by gardens.


© Federico Kulekdjian

© Federico Kulekdjian

The Commission

The clients, a young couple with a small child, arrive at the studio following the interest aroused by our concrete houses. They value of them both its material and the fluid relationship established between indoors and outdoors, emphasizing the ones which proposed a complex spatiality. As a special requirement they mark out the possibility that some of the rooms may be highlighted with a greater height in relation to the standard.


© Federico Kulekdjian

© Federico Kulekdjian

The Program

Quite free, they only added that they had in mind a family growth, certainly indeterminate over time and on its components. They assumed it was logical to think in three bedrooms, not knowing if all would be used as such, and they let us free to propose. It was clear they needed a generous gathering place with an integrated kitchen, a veranda with barbecue and a swimming pool that should be protagonist.


Plan 1

Plan 1

The Proposal

In response to such indeterminate environment we proposed a house with an open interior garden and closed to the street and its future neighbor, defined by two volumes perpendicular to each other that, when intercepted, determine the vertical circulation and, that by its position, leave defined the expansion yard and the pool.


© Federico Kulekdjian

© Federico Kulekdjian

The volume of two plants parallel to the street contains the access and the most private areas of the house and closes itself to the street through concrete walls in different planes that work as screens, letting the light in and controlling the visual. The opposite facade opens frankly to the patio.


Section

Section

The perpendicular volume is on one level and it was proposed of 3.50 m tall and raised on a podium to meet the request of the clients of having a more hierarchize room, and also get a better view of the garden and a better relationship with the two floors volume. In this sector develops the social area that stretches through openings from floor to ceiling in an also elevated expansion, which extends along the pool to finish on the grill area.


© Federico Kulekdjian

© Federico Kulekdjian

Light Treatment and Landscape Views

This is a topic that interests us particularly, so there is, in all the projects, a special intention addressed both to control the incidence of sunlight on glass surfaces as to improve natural light as a project material which brings wealth to the living spaces.


Section

Section

If we understand the openings as such, not as standardised elements with preset measures and positions, but rather as carved into the buildings which, of course permit ventilation and lighting environments, but also leave undefined the indoor-outdoor relationship, framing the landscape, filtering light, reflecting it on a wall, etc., these perforations will be the result of the special way in which we want to establish these relationships.


© Federico Kulekdjian

© Federico Kulekdjian

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Brick by Brick LEGO Exhibition on Display at Chicago’s Museum of Science and Industry


Fallingwater. Image © J.B. Spector

Fallingwater. Image © J.B. Spector

Brick by Brick features a spectacular collection of more than a dozen LEGO-built structures of engineering marvels, constructed by LEGO Certified Professional and Chicago native, Adam Reed Tucker. These model structures include:

  • • A 60-foot-long Golden Gate Bridge
  • • The Hoover Dam, made with 42,000 bricks
  • • The American Eagle roller coaster from Six Flags Great America, and it even operates!
  • • The Roman Colosseum, whose oval structure was designed more than a dozen times to get it right
  • • A 9-feet-tall Burj Khalifa


Egyptian Pyramids. Image © J.B. Spector


Colosseum. Image © J.B. Spector


St. Louis Arch. Image © J.B. Spector


Golden Gate Bridge. Image © J.B. Spector


Colosseum. Image © J.B. Spector

Colosseum. Image © J.B. Spector

Guests will also experience hands-on building challenges that reinforce key principles of engineering, construction and architecture—and encourage creativity. Get inspired by the architectural feats in the exhibit, and go head to head in a design challenge or build a structure that can withstand wind and turbulence!


One World Trade Center. Image © J.B. Spector

One World Trade Center. Image © J.B. Spector

Hoover Dam. Image © J.B. Spector

Hoover Dam. Image © J.B. Spector

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The Design of These Beautiful Sundials Is Unique to Every City


Courtesy of Prescription

Courtesy of Prescription

Design group prescription., in conjunction with Arup, have developed a sophisticated sundial based off of solar path data that takes the form of a flowering fan. The geometry is optimized using the specific solar data from any world location, giving the sundial a completely unique form based on where it is constructed, and is materialized in a strong, flexible plastic through a 3D printing process.

As the design is 100% scalable, the designers foresee applications for the design in both park and festival pavilions and home installations. Watch the video below to see how the sundial’s geometry is generated, and how a small-scale prototype designed for Amsterdam proves the design concept.

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Medgar Evers College Library / ikon.5 architects


© Jeffrey Totaro

© Jeffrey Totaro
  • Architects: ikon.5 architects
  • Location: United States, Brooklyn, NY, USA
  • Design Team: Joseph G. Tattoni, FAIA / Arvind Tikku, AIA / J. Daniel Cummings, AIA / Michael Herbst, AIA / Benjamin J. Petrick, AIA
  • Area: 45000.0 ft2
  • Project Year: 2016
  • Photographs: Jeffrey Totaro


© Jeffrey Totaro


© Jeffrey Totaro


© Jeffrey Totaro


© Jeffrey Totaro


© Jeffrey Totaro

© Jeffrey Totaro

From the architect. Set within the existing Bedford building of The City University of New York, the Medgar Evers College Library renovation transforms an existing 45,000 square foot traditional library into a modern information commons. A new addition, located adjacent to the library, adds a glassy 2,000 square foot welcome center that gives the library a civic presence on the street while providing a new front door to the College along Bedford Avenue.


© Jeffrey Totaro

© Jeffrey Totaro

The concept for the renovation is inspired by the brilliant and reflective pages of illuminated manuscripts and their modern counterpart, the computer screen. Treating each interior surface as a bright reflective page, the renovation transforms the former dark and shadowed space into a bright and airy learning environment that takes advantage of an existing north facing two story glass wall and space frame to admit light deep within the building. Natural light enters the three story space from north facing windows and an overhead skylight to illuminate the space frame, interior surfaces, sculptural stair, group study rooms and offices. A new three story opening along the north facade and new sculptural staircase physically and visually link all three levels. The opening increases the legibility of the space and hence the building’s clarity by allowing the visitor to see the various program functions of the library from the entry. The result is a light-filled inspiring information commons with adjacent study and classroom spaces.                


© Jeffrey Totaro

© Jeffrey Totaro

In addition to the interior transformation of the space, the renovation completely transformed the program of the library. Built in the early 1980’s, just before the advent of the computer revolution in libraries, the Medgar Evers library was designed as a traditional collection and study space relying on the isolated individual scholarship model for learning. While individual study spaces and book collections are still available, the renovation transforms the functions of the library into a modern information commons that supports collaborative learning. Significant to this transformation is the reclamation of under-utilized storage space on the lower level for the less public functions such as, technical services, special collection storage and the traditional book collection. This approach freed up space on the main and second floors for more collaborative study areas and technology driven classroom spaces.               


© Jeffrey Totaro

© Jeffrey Totaro

1st Floor Plan

1st Floor Plan

© Jeffrey Totaro

© Jeffrey Totaro

The renovated library provides for collaborative technology workstations adjacent to staff reference and nearby help desks. Supplementing the information commons on the main level are group study rooms, a media center and casual seating throughout. Previously the library provided ten computer workstations. The new space now provides 42 computer workstations on the main level, 15 computer workstations on the lower level and access to power and data at every seat. In addition to the information commons, 10 group study rooms, an emerging technology center, testing and advising classrooms, special collections archives and gallery are provided. These additions were possible within the existing structure by reducing and placing the most important collections in compact mobile storage, thus freeing up valuable floor area for program use.              


© Jeffrey Totaro

© Jeffrey Totaro

The renovation incorporates a number of sustainable features in order to reduce energy consumption and improve interior environmental quality. The north facing glass wall permits diffused natural light to enter the library and photo optic dimming system monitor light levels and keeps artificial lights off for most of the daylight hours. All enclosed rooms have glass partitions oriented toward the information commons to borrow natural daylight throughout all spaces of the building. Reflective roofing reduces heat gain on the facility and a new high performance heating ventilation and air conditioning system vastly improves energy consumption. Recyclable backed carpet, bamboo wood flooring and paneling, low VOC paints and LED lighting are used throughout to improve the quality of the interior environment.


Sections

Sections

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FC Barcelona Explains the Design and Construction of the New Camp Nou in these Videos

At a press conference on Thursday, FC Barcelona presented the design of the new Camp Nou, a project led by Nikken Sekkei (Japan) with Joan Pascual i Ramon Ausió Arquitectes (Barcelona), who won the international competition in early March.

Alongside the team’s players, the board of directors chaired by Josep Maria Bartomeu presented the model of the project, which will begin construction in mid-2017 to expand the stadium’s capacity to 105,000 spectators. In addition, the organization published a series of videos about the project, including an explanation of how the expansion will take place without affecting a single football match.

“We will build a great open space around the stadium, like a giant piece of origami arranged not to disturb the flow of people into the stadium,” explained Takeyuki Katsuya, the lead architect at Nikken Sekkei. “The solution for the stadium was to continue the path started by Mitjans,” the original designer of the stadium, Francesc Mitjans-Miró, added Joan Pascual. “In this sense, we said: the climate of Barcelona allows it. We open it and we leave all of this open space. This is what makes it unique, different.”

The new Camp Nou is part of Espai Barça, an ambitious remodeling project involving all the facilities of the Catalan team, including the new Palau Blaugrana designed by HOK and TAC Arquitectes, the Barcelona Campus and new Mini Estadi – all without interrupting matches in future seasons.

News via FC Barcelona.

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Rooms with a View / Rue Royale Architectes


© Studio Erick Saillet

© Studio Erick Saillet
  • Architects: Rue Royale Architectes
  • Location: 69230 St-Genis-Laval, France
  • Client: Région Auvergne Rhône-Alpes, Direction Immobilière des Lycées Unité Territoriale Rhône Ouest
  • Area: 2014.0 sqm
  • Project Year: 2015
  • Photographs: Studio Erick Saillet


© Studio Erick Saillet


© Studio Erick Saillet


© Studio Erick Saillet


© Studio Erick Saillet

  • Landscaping: Autre nature
  • Structures: Iliade – Structure Génie Civil
  • Economics: Iliade – Economie Gestion de projet
  • Fluids : Iliade – Génie Climatique et Electrique
  • Environmental: Se&Me
  • External Works: SIAF Ingéniérie
  • Acoustics: Génie Acoustique
  • Building Control: Apave Sud Europe
  • Scheduling, Supervision And Coordination: TPF.I
  • Health And Safety: Alpes Contrôles
  • Environmental Project Management: Cap Terre

© Studio Erick Saillet

© Studio Erick Saillet

“Rooms with a view”, evokes not only the film of the same name, but also the magic of a domestic, landscaped setting. It is in this poetic, yet functional, spirit that the architects imagined their project for the LEGTA (Agricultural Technological and General High School) boarding house in Saint-Genis Laval. 


© Studio Erick Saillet

© Studio Erick Saillet

The need to comply with very stringent energy standards (BEPAS) increased the complexity of the project’s starting point which was to provide an appropriate architectural solution for an imposing programme, which would fit into an agricultural landscape and organize the relationship with the existing buildings. 


Plan

Plan

A co-educational 96-bed boarding house with communal areas (common room, study rooms and staff housing) in addition to the teaching facilities (250 pupils) composed of several heterogeneous entities, located on the Coin estate, 12 kilometres from Lyon. 


© Studio Erick Saillet

© Studio Erick Saillet

The project has had to fit into a very heterogeneous setting with the different structures built over time to meet the growing needs. On the Coin agricultural estate which covers 75,000 m2, the old farm with its characteristic manor house features was extended in the 1970s with a second set of buildings built in the style of time to house the teaching facilities and dining room. Twenty years later the agro-food research laboratories, resembling industrial premises, were built on the outer boundaries of the plot. 


Plan

Plan

In terms of the landscaping, the hilly topography offers a number of viewpoints looking out across the surrounding countryside, taking in the Monts du Lyonnais, the Pilat, and the Rhône valley. The rural nature of the setting is still pre-dominant, with orchards and remarkable woodland spaces, but the surrounding urban housing estates are gradually getting nearer.


© Studio Erick Saillet

© Studio Erick Saillet

In this context, the boarding house can be viewed as the last piece of an architectural puzzle. It both brings together the different components and reveals their true nature. It is the final full stop, organizing the space and landscape, guiding the resident and the user. 


© Studio Erick Saillet

© Studio Erick Saillet

An urban response.

In order to meet the dual challenge posed by a dense programme covering 2,000 m2 in a rural setting which needs to interact with the original building, the designers decided to divide the project into three structures and to simultaneously reorganize the outside spaces.


Elevation

Elevation

Elevation

Elevation

Two new buildings, facing east to west, act as the backdrop. Converging slightly, they form an angle with the manor house around a levelled off contemplation garden. The boarding house on the second floor dominates the architectural grouping. It accommodates the bedrooms and support services and extends to the west with the staff housing and technical rooms. The common room on the ground floor benefits from the advantages of all four aspects and frames the square formed by the high school. The main entrance, reception area and common room are all located in this part of the programme. At a right angle a second volume outlines a clear, simple outcrop which organizes the vertical accesses, the study rooms, and the service rooms. An old hangar with golden stone pillars has been renovated to form a covered courtyard. Sheltered, but still open, it closes off and confirms the status of the central square around which the rest of the programme is built.


© Studio Erick Saillet

© Studio Erick Saillet

The overall layout uses a rift effect to treat the interface between the old and new buildings which takes the form of an old pedestrian alleyway which is used to access the service spaces for the project: student parking and staff housing.


© Studio Erick Saillet

© Studio Erick Saillet

The walkways and staircases are absolutely crucial to the project. They benefit from lots of natural light and differentiated views. The bay windows in the boarding house are north-facing and positioned at different heights which allows for natural smoke control and offers views over the orchards.  


© Studio Erick Saillet

© Studio Erick Saillet

Rooms with a view.

Splitting the project over three buildings gave the project a certain functionality and improved efficiency. This is notably true for the bedrooms, the mainstay of the boarding house, which are housed in a separate building accommodating one hundred high school students.


© Studio Erick Saillet

© Studio Erick Saillet

Each 30 m2 unit is designed for three people and contains three beds, separate wardrobes, individual aligned desks and a bathroom with a shower and two wash basins.


© Studio Erick Saillet

© Studio Erick Saillet

This unity aims to create a feeling of domestic harmony which allows each person their own privacy in a pleasant shared space. Every last detail has been thought out to optimize the use of space and enhance the user-friendliness of the communal areas. The essential features have been carefully preserved and the architects have worked hard to include details which create a sense of family living, including components that can be customized by each individual, such as the curtains and bookshelves. These bedrooms are protected, welcoming spaces in which community and individuality coexist.


© Studio Erick Saillet

© Studio Erick Saillet

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