Pecase Creek Villas / John Friedman Alice Kimm Architects


© Su Chen

© Su Chen


© Su Chen


© Su Chen


© Su Chen


© Su Chen

  • Architects: John Friedman Alice Kimm Architects
  • Location: Section Rd, Port Allen, LA 70767, United States
  • Architect In Charge: John Friedman Alice Kimm Architects
  • Area: 14000.0 m2
  • Project Year: 2015
  • Photographs: Su Chen

© Su Chen

© Su Chen

Site Plan

Site Plan

In a country known for massive housing blocks and residential environments that, as in many other cultures, rely on traditional architectural styles to attract the newly prosperous, John Friedman Alice Kimm Architects (JFAK) has created something unique: a peaceful, human-scaled neighborhood of single family detached houses that are completely contemporary in form and materials. 


© Su Chen

© Su Chen

As part of a larger development called Luxe Lakes, the architects and their clients took the calculated risk to reject Western-based traditional architecture in favor of an aesthetic and design solution that would combine China’s longstanding respect for Nature with their own particular embrace of an aspirational future. The end result is a new prototype for middle to upper class single family dwellings in China and beyond. 


© Su Chen

© Su Chen

Working within a constructed landscape in Chengdu’s rapidly growing “suburbs” designed by two Los Angeles-based landscape designers, Fei Huang of Famous Gardens and Pamela Burton, JFAK created something unexpected. “We wanted to offer a new kind of experience,” says John Friedman, “something more organic and based in natural forms, even anthropomorphic at times.” The guiding concept was to create spaces that flow into one another with continuous forms that enclose and engage as well as open up to the outside. “Without trying to mimic the actual environments seen in traditional landscape painting, we aspired to create the same kind of floating, dreamlike quality that is expressed in those paintings,” says Friedman. 


© Su Chen

© Su Chen

Floor Plans

Floor Plans

The clients hired JFAK based on the firm’s reputation for adventurous and original design. “The clients wanted us to design something not seen before,” says Friedman. “They gave us the freedom to explore – not just for the sake of doing something new, but rather to find a unique model that would resonate with how people might want to live in the new China.” 


© Su Chen

© Su Chen

Each of the villa types is three stories high, with the public living areas located at the middle levels which are accessed from the road. The upper levels are given over to private bedrooms, and the lower levels to additional recreational and communal spaces that open out to the lake or canal. The structural system for all villas is poured-in-place concrete, with various cladding materials that include hard-troweled plaster, wood, metal, stone, and glass.


© Su Chen

© Su Chen

In employing this material palette, the architects created organic forms that curve in both plan and section and create a sense of continuous flow and connection. Curved walls and floors reinforce a connection to nature and produce a softening effect. They also create structures with a tube-like “directional transparency” that simultaneously capture the views of the surrounding landscape and provide lateral privacy. The houses are alike enough – in character and materiality – that they create a strong sense of a community, but different enough that the environment is not homogeneous or predictable.  Inside of each of them, there is ample natural light through skylights, views to the natural landscape, and also the unexpected, surprising, playful views that one would not necessarily expect, marking each house as special, and designed with care and thoughtfulness. It is these small details, as much as the big moves and overall character of the villas, that make them unique and timeless.   

Well before construction was complete, all 43 units sold in one day. 


© Su Chen

© Su Chen

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10 Apps That Can Help You Be More Productive and Make Better Architecture





This article was originally published by Archipreneur as “Top 10 Apps to Help You Achieve Your Goals and Build New Habits.”

With the daily distractions of Facebook, emails and calls, it can become difficult to keep your eye on the ball. This is why having an app that tracks habits and helps you stay organized can made a huge impact on your professional and personal success.

There are numerous digital tools dedicated to optimizing workflow, communication and time management, helping business owners and freelancers realize their full potential. This can also apply to goal setting. Goals are closely connected to our daily habits. Whether you’re looking to start a new project, learn to use a new tool or launch a product, your habits will play a crucial role in moving things forward. This is why we have compiled a list of great apps and tools that will help you keep track of your work dynamic and make good habits while breaking bad ones.

#1 – Evernote

(Free / Web, Android, iOS)

Evernote is a popular note-taking and goal-tracking app that can be synced across your other devices. You can record your thoughts and notes, upload and save photos, audio files, bookmarks, and any type of reference materials all in one place. It also features an in-app chat box that lets you instant-message coworkers in real time.

#2 – Wunderlist

(Free / Web, Android, iOS)

Wunderlist is a to-do app that entrepreneurs love. It has a minimalist design and can also be accessed from all your devices. It’s great for both short-term and long-term lists and includes a lot of functionality even at the free level. Each task list contains to-do items, and each item can have a series of subtasks.

#3 – GoalsOnTrack

(subscription-based, 30-day free trial / Android, iOS)

Available for both Android and iOS, GoalsOnTrack helps you break down goals into smaller tasks which is great for minimizing procrastination. It tracks your progress in real time and allows you to partner with other apps. As a great productivity app, it documents your journey as you move toward achieving your goals, which can help boost motivation.

#4 – Strides

(subscription-based, 30-day free trial / Web, iOS)

Strides is a hybrid app for habit and goal tracking and organizing. It can be used to track goals like losing weight, marathon training as well as work-related projects. It color-codes your progress in green or red to keep you on track. Projects can be broken down into smaller steps and the Milestone Tracker helps to keep track of your overall pace.

#5 – Optimized

($3.99 / iOS)

Optimized splits all your activities into four categories: health, creativity, routine, and pleasure. You can set a timer for each activity and log the amount of time spent on it. Using the data, the app establishes correlations between activities and lets you know if you’re falling behind on any of them.

#6 – Habit List

($3.99 / iOS)

Habit List lets you track your habits through streaks, which show how many times in a row you’ve completed that habit. You can create flexible schedules, reorder your lists and mark different habits for different days. You can also toggle between the calendar and stats view.

#7 – Way of Life

($3.99 / iOS)

Way of Life can track everything from your eating habits to exercise and productivity, but it can also track when you don’t do things that are bad for you. If you log a habit that is marked red, it means that it’s not good for you. Green means the opposite. You can add notes when you log a habit, which can help you remember why you chose to skip it on specific days. Informative charts show the ratio of good vs. bad for each habit you select.

#8 – Irunurun

(Free for personal use / iOS)

Irunurun is a performance and accountability app that allows you to enter an action or habit and assign it a point value up to 100. You start at zero and with every completed action the number increases. You can share your experience with other users and build an accountability team that can encourage you. It can be used as a personal, team or enterprise app.

#9 – Momentum

(Free / iOS)

This app in calendar form allows you to complete habits and turns them from grey to green. Two tabs underneath the calendar allow you to set up and maintain habits. There’s also a Tips option in case you’re looking for suggestions for alternative ones. The free version allows you to track up to three habits, while the Premium version allows for an unlimited number. Momentum can be paired with an Apple watch.

#10 – HabitBull

(Free / Android, iOS)

HabitBull has a simple calendar layout to show progress on different goals color-coded to be easily identified. It tracks your success rate and also allows you to get support from other users. It recently expanded from Android only to include iOS. The free version lets you track up to five habits, and offers reminders, while the premium version allows up to 100 habits, cloud backup and other features.

We all have bad habits that stipple our productivity and affect our overall mood. While these digital tools are no substitute for the hard work needed to increase efficiency and productivity, using one can be extremely helpful in turning things around.

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Bjarke Ingels to Feature in New Netflix Series on Design and Architecture

On February 10 2017, Netflix will launch a new documentary series—Abstract: The Art of Design—which will present “the most creative designers” from various fields in the design word, with the aim of demonstrating how design influences all aspects of our lives. One of the eight protagonists in the spotlight will be Danish architect Bjarke Ingels, of BIG, who will present his vision of architecture alongside professionals in interior design, graphic design, automotive design, illustration, and set design.

Check out the series feature designers after the break:

  • Graphic Designer – Paula Scher
  • Illustrator – Cristoph Niemann
  • Photographer – Platon
  • Nike Shoe Designer – Tinker Hatfield
  • Automobile Designer – Ralph Gilles
  • Architect – Bjarke Ingels
  • Interior Designer – Ilse Crawford
  • Set Designer – Es Devlin

The show has been produced by Scott Dadich, the Editor in Chief of WIRED.

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Museum of Mechanical Music / Miguel Marcelino


Courtesy of Miguel Marcelino

Courtesy of Miguel Marcelino


Courtesy of Miguel Marcelino


Courtesy of Miguel Marcelino


Courtesy of Miguel Marcelino


Courtesy of Miguel Marcelino

  • Architects: Miguel Marcelino
  • Location: R. Aceiro dos Arraiados, 2955 Pinhal Novo, Portugal
  • Architect In Charge: Miguel Marcelino
  • Area: 1.04 m2
  • Project Year: 2016
  • Photographs: Courtesy of Miguel Marcelino
  • Structural Engineering: João Esteves
  • Plumbing Engineering: José Rodrigues
  • Electrical Engineering: Miguel Julião
  • Mechanical Engineering: Mário Silva
  • Landscape Design: Viviana Rodrigues + Miguel Marcelino
  • General Contractor: Magnokbilding

Courtesy of Miguel Marcelino

Courtesy of Miguel Marcelino

Plan

Plan

From the architect. The museum consists of a completely closed, opaque and abstract box. Just the main façade has a concavity that marks the entrance of the building. It houses a private colection of mechanical music boxes.


Courtesy of Miguel Marcelino

Courtesy of Miguel Marcelino

The organization is cruciform, around a central patio, that distributes to the buildings four sides. In one side there is the lobby, that works as a vertical distribution space, and to the other sides are three galleries of varying sizes. The transition between each of these four spaces is done through four antechambers.


Courtesy of Miguel Marcelino

Courtesy of Miguel Marcelino

The result is a box that seen outside looks very elementary, but whose interior dismantle this simplicity: exploring long diagonal perspectives that open as spaces are crossed – letting us see glimpses of galleries in a game of spatial seduction that seeks to maintain the curiosity of the visitor from the beginning to the end of the visit.


Courtesy of Miguel Marcelino

Courtesy of Miguel Marcelino

Section

Section

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Considering the Airport Terminal of Tomorrow


Courtesy of Aerial Futures

Courtesy of Aerial Futures

Aerial Futures, Grounded Visions: Shaping the Airport Terminal of Tomorrow was a two-day symposium held in October 2016 as part of the European Cultural Center’s collateral event at the 2016 Venice Biennale. It encouraged discussion about the future of air travel from the perspectives of architecture, design, technology, culture and user experience. The event featured presentations and discussions by the likes of airport architect Curtis FentressNelly Ben YahounDonald Albrecht, Director of the Museum of the City of New York; Anna Gasco, post-doctoral researcher at the ETH-Future Cities Laboratory in Singapore; Jonathan Ledgard, co-founder of the Droneport Project; and Ashok Raiji, Principal at Arup New York.


Courtesy of Aerial Futures


Courtesy of Aerial Futures


Courtesy of Aerial Futures


Courtesy of Aerial Futures

Airports and the aviation industry are at the frontline of global demographic shifts, acting as economic engines and cultural icons. Despite being among the youngest of building typologies, airports are taking the lead as intricately-designed, highly frequented and resource-intensive structures that define how we travel, trade and connect with each other.

Keynote: Curtis Fentress, Principal Terminal Designer at Fentress Architects

Fantastic Infrastructure: 21st Century Terminals

We are all familiar with current terminal paradigms, from Arrivals to Departures and all of the complex spatial gymnastics in between. What do advances in technology and contemporary demands on air travel infrastructure mean for the terminals of the future – and how do past projects inform current trajectories?

Icons and Engines: Catalysts for Urban Development

The 21st century has seen an increase in high-profile terminals that act as economic engines and emblematic portals for cities. In an era of global competition between cities – in addition to nations – superior airports have a significant influence. Development –and redevelopment– play a critical role defining the urban and even regional dynamics beyond the airport. How can a single building have cultural, economic and political implications?

Keynote: Nelly Ben Hayoun, award-winning director and experience designer

Getting to Departures: User Experience

Architecture facilitates the intricate transition between airspace and passengers’ much-anticipated destinations. Moving through time and space in airport terminals is still often perceived as more of an obstacle than an enjoyable experience. As interaction with terminal infrastructure increases in frequency and engagement, airports can offer travellers choices to relieve the stress of travel. How should architects balance functional design, digital interfaces, place specificity and comfort to heighten user experiences across the board?

Landing in the World of Tomorrow

A bit of speculation is essential when we consider the future of airports. Trends and demographic shifts may help forecast the future of air travel and infrastructure. If change is constant on all are fronts, what are the critical considerations when projecting future scenarios? How will architecture adapt to transformations in the aviation industry and the culture of global travel over the next century?

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Eco-lodges_les Echasses / Patrick Arotcharen Architecte


© Vincent Monthiers

© Vincent Monthiers


© Mathieu Choiselat


© Mathieu Choiselat


© Vincent Monthiers


© Mathieu Choiselat


© Mathieu Choiselat

© Mathieu Choiselat

Site Plan

Site Plan

From the architect. Right in the heart of the Landes region of France, this hotel installation interacts with a landscaped tableau where human intervention is in dialogue with nature. The first stage of the project consists in transforming the existing lake into a landscape of dunes crowned with slender pines: the dredged sand is heaped up around the edges of the lake in order to create little bays where the bungalows lie. Built in wood, these are characterised by a notably prismatic arrangement which favours openings onto the lake whilst conserving the privacy of the occupants.


© Mathieu Choiselat

© Mathieu Choiselat

© Mathieu Choiselat

© Mathieu Choiselat

The pavilion’s oblique lines, as well as the reception building’s, form a contrast with the rounded dunes and the linear canopy behind. The harmony between the constructions and the environment is not built on imitation: the architecture and the site are defined by a contrasting homology. Placed over the water that mirrors them, these small, autonomous units are a point in the landscape and allow nature to form a continuous milieu. Different pathways snake between the hills and, through the variety of perspectives on offer on the site, this feeling is confirmed.


© Mathieu Choiselat

© Mathieu Choiselat

Product Description:

The project was developed with the aim of using as many local resources as possible (maritime pines_Landes Forest). Constructed in timber and steel, the material elements respond to the desire to reduce the architectural impact within this landscape.


Detail

Detail

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Marubi” National Museum of Photography / Casanova+Hernandez architects


© Christian Richters

© Christian Richters
  • Architects: Casanova+Hernandez architects
  • Location: Shkodër, Albania
  • Architect In Charge: Jesus Hernandez, Helena Casanova
  • Advice Photo Curator: Kim Knoppers
  • Historian: Zef Paci
  • Local Architect: Atelier 4
  • Structural Engineer: Diana Lluka
  • Mechanical Engineer: Spiro Drita
  • Electrical Engineer: Dëshire Mena
  • Constructor: R&T Group
  • Area: 1138.0 m2
  • Project Year: 2016
  • Photographs: Christian Richters, Courtesy of Casanova+Hernandez, Blerta Kambo

Site Plan

Site Plan

© Christian Richters

© Christian Richters

From the architect. In 2013, the Albanian Ministry of Culture envisioned a plan to rebuild the cultural infrastructure reactivating abandoned historical buildings. The Marubi Museum is a pioneer project of this programme. The plan to create the museum has enjoyed an enormous national repercussion because of the historical importance of exhibiting, among others, the photographic legacy created during more than one century by three generations of photographers from the Marubi family. 


© Christian Richters

© Christian Richters

Dialogue between tradition and modernity 

The design for the Marubi Museum aims to promote a rich dialogue between tradition and modernity, between the past and the present. The legacy of the tradition is underlined by restoring the historical building designed by the Albanian architect born in Shkodër, Kolë Idromeno, while preserving its spatial and structural qualities without any volume transformation or new interior partitions. Conceptually, Idromeno’s building becomes an important “object” of the exhibition to be shown, contemplated and visited. 
A modern image associated to the new museographic program is achieved by installing five “functional boxes”, which are prefabricated and detached from the original building, working as pieces of furniture or sculptural elements. Tradition and modernity establish a dialogue in every corner of the building. At the exterior of the museum, a showcase element works as a landmark that indicates the museum entrance; in the interior of the building, the original windows and spatial qualities of the building dialogue with the exhibition boxes; and in the courtyard, the old building coexists with a new modern volume. 


© Christian Richters

© Christian Richters

Section

Section

Open, accessible and alive cultural landmark 

On the one hand, the museum program expands into the public space and one of the “functional boxes” becomes a showcase installed in front of the museum, serving as a landmark that invites citizens to visit it. On the other hand, public space enters the museum and the project erases the border between street and institution with a transparent and accessible ground floor that hosts a free-entrance multifunctional space for lectures, workshops and temporary exhibitions. As a result, the project intends to create an open and alive museum capable of becoming a cultural landmark linked to the street life of Shkodër. 


© Christian Richters

© Christian Richters

Museum Identity 

The modern image of the museum is based on an abstract pattern, which is inspired by the geometry of the aperture of the photographic camera that opens and closes to control the light. This abstract pattern is used to design the structural layout of the five exhibition boxes installed in the building, integrating as well a complete and versatile exhibition system that includes frames to exhibit photos and documents, showcases for objects and video screens for slide-shows and short movies. 


© Christian Richters

© Christian Richters

© Christian Richters

© Christian Richters

The abstract pattern, which is always mixed with the photos and objects of the collection, becomes the symbol of the museum. It can be recognized at different scales and in several parts of the building such as in the logo of the museum, in the design of the street showcase, in the layout of the functional boxes inside the building, and even in the structure of the new artistic facades of the courtyard that frame the views over the surroundings and filter the light within the building. Marubi National Museum of Photography acquires its own specific identity by linking all spatial, structural, functional, graphic and visual aspects, helping visitors to identify building and collection with a complete, rich and unique experience.


© Christian Richters

© Christian Richters

Concept

Concept

Product Description: The design of the different parts of the museum is based on the abstract pattern inspired by the geometry of the aperture of the photographic camera. This pattern is used on different scales within the building and defines its identity. On the bigger scale, the pattern is used to define the geometry of the curtain walls of the courtyard that frame glasses of three different transparencies. On the smaller scale it defines the geometry of the supporting aluminum cladding system of the functional boxes. The Deko GV cladding system has been adapted specifically to the necessities of the functional boxes in order to allow, on the one hand, the creation of frames to exhibit photos, documents and information texts and, on the other hand, show cases to exhibit objects. Other frames support translucent glasses where there are no pictures or objects behind.

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New Youth Commune / META-Project


View from basketball court to east facade

View from basketball court to east facade


Main entrance bridge


Public atrium space


Sunken playground  under the entrance bridge


South facade partial

  • Architects: META-Project
  • Location: Ji Lin,Songhua Lake
  • Project Date: Design 2014/12;Complete 2015/12
  • Client: Vanke Songhua Lake Resort
  • Area: 10000.0 m2
  • Status: Construction Complete
  • Design Team: Wang Shuo,Zhang Jing, Cao Shibiao, Lan Tian,Wu Yaping,Zhao Yu
  • Lighting Consultant: Han Xiaowei
  • Project Year: 2016
  • Photographs: Chen Su, Fang Chun

View from the pathway to the basketball court

View from the pathway to the basketball court

Location plan

Location plan

From the architect. New Youth Commune, a mixed youth community on the edge of Vanke Songhua Lake Resort bordering natural villages, contains 800 people with the upper space for Vanke staff, the middle rented to self-employed townspeople and the ground facilitating camping students and open to surrounding villagers.


Sunken playground  under the entrance bridge

Sunken playground under the entrance bridge

Addressing the ant tribe problem, having investigated the mixed dwelling phenomena peculiar to China from hutong, tube-shaped apartment to village-in-city and comprehended the inner dynamics of youth communities, the architect proposes a new spatial paradigm restructuring interpersonal relations in a gesellschaft.


Mountain view from the north side

Mountain view from the north side

The ordinary residential pattern is mutated into a quartet, externally undulating and internally interlocked. Bridges, stairs and tiered seating around the full-height atriums compose an open-street-like public route connecting all communal spaces for varied daily utilities. Thus, the simple and flexible framework blends innovative spaces into daily lives, encouraging inter-level encounters among the private, shared and collective zones and finally the community growth.   


Interior facade in the atrium

Interior facade in the atrium

The project responds to the hybrid contemporaneity and proposes a new paradigm for community symbiosis: mutual cooperation and positive environmental interaction through inter-spatial sharing based on equality and self-sufficiency – a prototype community for contemporary ‘new youths’.


The step seats near the entrance

The step seats near the entrance

The practice continues [META:HUTONGS] and Reset Apartment, a series of experiments that analyses the spontaneous evolution of urban space production and elicits a valid composite social-cultural-spatial archetype.


Evolution of share-living Typology

Evolution of share-living Typology

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Hamyangjae / guga Urban Architecture


© Yoon Joon-Hwan

© Yoon Joon-Hwan


© Yoon Joon-Hwan


© Yoon Joon-Hwan


© Yoon Joon-Hwan


© Yoon Joon-Hwan

  • Architects: guga Urban Architecture
  • Location: Pangyo-dong, Bundang-gu, Seongnam-si, Gyeonggi-do, South Korea
  • Architect In Charge: Junggoo Cho, Jina Yoon, Seunghwan Jeong
  • Area: 223.9 m2
  • Project Year: 2012
  • Photographs: Yoon Joon-Hwan

© Yoon Joon-Hwan

© Yoon Joon-Hwan

From the architect. This contemporary red brick house embraces Hanok, a traditional Korean architecture, for a family with two children near Seoul. Clients had specific demands for their own house that it should have a restful space for them and a spacious home for their children.

A fifth of the population of the entire country now resides in the capital. As a response to the growing demand, it has been inevitable to build tall apartments with less consideration on design to speed up the whole process. Correspondingly, it became the most popular type of living. However, there are also shortages. “Clients told us that they could hardly feel at home in their house. Apartment blocks are famous for noise issues between the floors.” Architect continued “Accordingly, activities are highly limited” The identical design and restrained lifestyle now make many inhabitants to find an alternative way to dwell in the city.


© Yoon Joon-Hwan

© Yoon Joon-Hwan

Embedding Hanok into a contemporary building was a big challenge for the architect. “There were two requests. Firstly, a part of the house should be Hanok. Secondly, it should have Madang, Korean garden, facing south” The contrast between the Hanok part and the contemporary part seems to be prominent. Balancing these two different construction methods was the main concern in this project. “Madang is like a buffer zone to dilute any possible disconnection” said architect. Madang also naturally blends into the living room through the large windows. It functions like a big playground for the children where they can run around all day. This playful moment continues to upstairs where the small library and the study room can be found.


© Yoon Joon-Hwan

© Yoon Joon-Hwan

Section

Section

The three big volumes of Hamyangjae was the manoeuvre to enclose Madang. The architect had to seek an alternative solution that could keep Madang private since having fences is not allowed in the neighbourhood.

As a result, the entrance is enlarged that has a terrace on the top and a storage below. The three masses of Hamyangjae makes every side of the building distinctive. From the outside of the entrance, Hanok completely disappears. On the other side, the whole mass splits into three volumes and gives a hint of Hanok. Hanok unit can be completely detached from the red brick part without any damage” explained the architect.


© Yoon Joon-Hwan

© Yoon Joon-Hwan

Product Description.

Bay window: The bay window was carefully chosen in order to fit with the whole conceptual design. Apart from bringing a strong visual connection, the bay window is able to open from the center to the extremity, allowing a strong physical continuity from the inside to the outside Madang


© Yoon Joon-Hwan

© Yoon Joon-Hwan

Traditional design system windows: Windows are important elements in the traditional korean architecture. First, they allow the light to enter in the house while giving a strong privacy to the habitants. Secondly, the type of pattern are related to the inside program and also symbolic to the status of the habitants. Finally, it is also an important factor of the inside atmosphere. In this project the use of a modern system window allowed the project to keep those traditional qualities but also to have a good isolation and ease of use. 


© Yoon Joon-Hwan

© Yoon Joon-Hwan

Wooden floor: Wooden floor is usually need to in the Hanok to symbolize the meeting spaces. The use of the precious material give some importance to those space that we used to call Maru. It is also used to differentiate the meeting space from the individual room called Bang. In this way a Hanok can be seen as an alternating of Maru and Bang. The Maru can also be seen as a threshold which connect the inside space between themselves and also the inside spaces with the outdoor spaces. In this project, the whole Hanok is covered with a modern wooden floor in order to take advantage of the floor heating system which is not compatible with the traditional one.


Plan

Plan

Granite stone: Granite stone is an important element in the traditional Hanok. They are used for the foundation of the project Gidan and also the wooden columns are standing on a strong piece of stone called Choseok. In this project, in order to fit with the modern life style, we decided to extend the granite stone as the ground material for the whole Madang Korean courtyard. Compared to the originally soil covered Madang, the stone pavement allows the children to play in a clean environment but also multiply the programmatic possibilities. The living room rather than covered with a wooden floor is covered with a stone pavement which highlight the continuity between the Madang to the inside space.


© Yoon Joon-Hwan

© Yoon Joon-Hwan

Red bricks: The red bricks are an important outside materials for the contemporary and traditional Korean architecture. It is also, usually, used for the urban Hanok. It is then logical to use this material to connect the contemporary and traditional part of the house into a unique ensemble.

Hanji paper wall: Hanji paper are used in order to create a limit between spaces. It separate in a subtle way the spaces between them. Those frameless elements, when they are closed, give the feeling that the wall is unified. In the other hand, when opened, they give the feeling that 2 connected spaces look like a unique space. Finally, the slight transparency of the Hanji give an impressive and harmonious atmosphere to the space.


© Yoon Joon-Hwan

© Yoon Joon-Hwan

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Mành Mành salon / H&P Architects


© Nguyen TienThanh

© Nguyen TienThanh


© Nguyen TienThanh


© Nguyen TienThanh


© Nguyen TienThanh


© Nguyen TienThanh

  • Architects: H&P Architects
  • Location: Van Quan urban zone, Ha Dong district, Hanoi, Vietnam
  • Architect In Charge: Doan Thanh Ha & Tran Ngoc Phuong
  • Project Team: Pham Linh Chi, Trinh Thi ThanhHuyen, Chu Kim Thinh, Nguyen Hai Hue, Nguyen Thi Ngoc Mai, Nguyen Duc Anh, Nguyen Xuan Khiem, Pham Nang Toan, Ha Van Phu, Nguyen Ba Dan, Dao Hong Duong.
  • Area: 85.0 m2
  • Project Year: 2016
  • Photographs: Nguyen TienThanh
  • Manual Woodwork: Mành Mành salon, H&P Architects, volunteers

© Nguyen TienThanh

© Nguyen TienThanh

Plan Renovation

Plan Renovation

From the architect. Mành Mành salon is renovated from a deteriorated hair dressing salon in a populous community in Van Quan urban area. The project develops an approach to reuse available materials such as door, glass, table and chair, brick, low-quality wood,.. to create a fresh and distinctive but friendlier space to the nature.


© Nguyen TienThanh

© Nguyen TienThanh

Diagram

Diagram

The ordinary and simple charm at street hairdresser’s in Hanoi, which is closely associated with Trees giving wide shade and Old brick walls, inspires designers to create an unusual but familiar space- a space suggesting the idea of A long hair as well as Mành Mành climbing plant garden or Cissus sicyoides pergola (a quite popular climbing plant in Vietnam, also known as Princess vine, Millionaire vine and Curtain Ivy) with its long roots covering the space underneath.


© Nguyen TienThanh

© Nguyen TienThanh

Highlights of the project are some 200 thousand wooden beads (diameter d=2.7cm) recycled from low-quality wood (of 2 types: colorless and color of vine fruits at their ripeness). These wooden beads are chained into strings of various lengths (11 beads/ string in average) to produce effects on human senses of zigzag–styled ceiling and beaded curtain separating the space underneath. 


© Nguyen TienThanh

© Nguyen TienThanh

Five human senses will be awoken in Mành Mành climbing plant garden by gentle light (sight), soft rustle among the beads (hearing), blend of light fragrance of leaves and beads (smell) while one is there, sipping at his tea (taste), and hairdresser’s skill fulness that brings about comfort (touch) and relaxation to customers upon their experiencing the hair service.  

Like Architecture, Human will become more Beautiful and Healthier once he lives in a harmony with the Nature.


© Nguyen TienThanh

© Nguyen TienThanh

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