© Hamed Badami
- Architects: Harmonic Trend [L]
- Location: Hamadan Province, Hamedan, Buali Sina Square, Iran
- Architect In Charge: Ali Hamidi Moghadam
- Area: 110.0 m2
- Project Year: 2016
- Photographs: Hamed Badami
- Consulting Engineers Co : Harmonic Trend [L]
- Model: Mahya Zeyneddin
- Diagram: Mohamad Hosein Rahimian
- Associates: M. Sajad Ghaderi, Yasna Izadi, Kamran Navayi, Hasan Asnavandi, Irsa Khaleghi
- Construction Company: Harmonic Trend [L]
- Budget: 32000 USD
© Hamed Badami
From the architect. Project subject
Interior design and reconstruction of “MAHER” women’s apparel (clothes – dresses) store, which is a part of a fine 40 years old building. MAHER store has been in Hamedan for more than 60 years.
© Hamed Badami
Locality (Location in city)
This building is located next to the circle, which houses the mausoleum of late BOO ALI SINA a well- known doctor and philosopher. This location is a tourist attraction. City dwellers and tourists are wondering around in the area for shopping or otherwise. This point has been a main source for the design idea.
© Hamed Badami
Design description
Design has been formulated in such a way in which store’s internal space is a continuation of city’s space and impact of the city is felt in the store. In fact, if the commercial application of the store is removed, still it could be a proper space for people to wondering around the city and could be taken as a part of city. The experience and memory of a space whether commercial or otherwise motivates people to go back to space, for shopping or entertainment.
© Hamed Badami
Huge staircase, aligned with city
There was a balcony inside the building, which was demolished during the reconstruction, due to structural problems. This created a space with 5.5 meters height. We placed the staircase in this space as an independent object. This object (staircase) is independent, with 50 cm distance from the walls of the main building. The staircase has created diverse spaces with various applications within 5.5 meters height. People could walk through the stairs, which goes through store’s glass showcase, stop at landings of it and look around. They could also stop at the last landing, which is a kind of a balcony.
Diagrams
Showcase, a place for people to go through, not mannequins
Usually, mannequins placed in the showcase to attract people, and customers to the store. However, in MAHER store, mannequins are not placed in a showcase and instead people see some walkers who go through, stop or even sit in the showcase. People from outside watch those inside and those inside watch them outside. In a way, mannequins and people have taken each other place.
© Hamed Badami
In MAHER store, people who go through staircase in the showcase are visible and attracting people from outside not the dressed mannequins. This feature gives a distinctive position to the MAHER store, as mannequins have scattered throughout store.
Section
In this design project, a social topic is addressed and a social expression, evaluation and interpretation of mannequin-ism are done via architectural space.
© Hamed Badami
Inner space skin (membrane)
An independent inner space skin, coordinated with old building’s walls is created in the main space of the building with 5.5 meters height. This is an integral membrane, which covers floor, walls and ceiling and its form and texture are integrated with Persians patterns in a nostalgic way.
© Hamed Badami
In relation to the organizing volume of huge staircase, diversified and attractive spaces are created (in every turn 0f 360 it happens frequently). Depths, shades and repetitions in the texture, creates a particular space which promotes the space potential and people desire for shopping and converts it to a desirable space for wondering around and entertainment.
© Hamed Badami
Supports and services allocations
Fitting room is located at the top of the huge staircase, on a last landing as an attached box with a triangle base. Services and storage spaces are separately located on the store’s ground floor.
Floor Plan
Handrails and regales, an integrated and continuous structure
Staircase’s handrails and landings end up to regales and dress hanging location, which make an independent, continuous and integrated structure, while each as an separate object has its own structure and configuration. Either at the top or on the ground floor, all of them are integrated and continuous pipes, which are running at 50 cm distance from the staircase and main membrane.
© Hamed Badami
A central column
We did not try to hide that column and we approached it as an added element in general space design and in contrast with … ceiling. In addition, it was a major factor for laying out elements in internal zoning, circulation and directions.
Sig Nordal 