© Pierre L'Excellent

• Architects: Edouard Francois
• Location: Voie Express Rive Gauche, 75013 Paris, France
• Area: 13830.0 m2
• Project Year: 2016
• Photographs: Pierre L'Excellent

• Client: Paris Habitat DPOs
• Team: Maison Edouard François, BASE (landscape architect), Ecole de Breuil (landscape architect), Arcoba, Arcadis (Engineering)
• Budget : 32 M €

© Pierre L'Excellent

From the architect. The relationship between building height and sustainability is a subject that currently occupies the minds of many city planners.  This is because the city cannot expand infinitely into the landscape.  In France, however, “village” urbanism seems to be adamantly resisting the vertical city, without truly considering its potential.  One of the objectives of our project is to quell these hesitations.  

© Pierre L'Excellent

Elevation

© Pierre L'Excellent

Benefiting from an exception to the 37 meter building height restriction in Paris, the tallest building of our project is 50 meters tall. Covered with plants from wild natural areas, our tower is a tool for seeding:  it allows the wind to spread class one purebred seeds into the urban environment. Its height is a key element for its capacity to regenerate urban biodiversity.  Its titanium cladding generates moiré patterns that give it a subtle, fluctuating character. The tower is thus not only a tool for neighborhood development but also a tool for development on a bigger scale as it distills a “green” aura to the Parisian cityscape.  

© Pierre L'Excellent

Axonometric

© Pierre L'Excellent

The landscaping strategy unfolds in three stages:  first with rapidly climbing vines, later with conifer trees that develop in five to ten years, and lastly with slow-growth trees like oaks that develop in twenty years or more

© Pierre L'Excellent

Detail

© Pierre L'Excellent

The green vegetal façade of the tower extends over the center of the block to the surrounding buildings.  These smaller buildings are simpler, with metal facades in zinc and aluminum.  They are placed at the corners of the block, allowing for the pedestrian to stroll through a calm, protected garden filled with low vegetation, as if outside of the city.

© Pierre L'Excellent

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© Sergio Pirrone

• Architects: WMR arquitectos
• Location: Pichilemu, O’Higgins Region, Chile
• Architects In Charge: Felipe Wedeles, Macarena Rabat, Jorge Manieu
• Project Area: 270.0 m2
• Project Year: 2015
• Photographs: Sergio Pirrone

• Collaborator Architect: Enrique Gastalver
• Project Area House A: 145 m2
• Project Area House B: 125 m2

© Sergio Pirrone

From the architect. The commission is from two young surfer brothers with the need to build a house for each in an area where the sea views are favored for both houses.

© Sergio Pirrone

The idea is to generate narrow volumes to open views of the neighboring sites behind and each other.

Main Level Plan

Elevations

Seeking height to see the wave from the inside, the houses rise from the ground level with a wooden structure with stilts in an area, and a concrete base in another.

© Sergio Pirrone

Sliding partitions allow to separate or join the master bedroom with the living-dining area, achieving greater breadth to the spaces.

© Sergio Pirrone

A terrace on the roof takes advantage of the view of the waves.

The views to the north and south are closed, to achieve privacy within the spaces.

© Sergio Pirrone

A simple materiality was considered (wood, forest area) and local labor (very cheap). The structure is made of black pinewood. The interior finishes of the walls and ceilings are 1″x8″ natural color pine, and floors in 1″x2″ tongue and groove pine also natural color, with vitrification. The wood deck terraces are made of vitrified cypress. The completion of the exterior 1″x8″ pine wood walls is impregnated and dark oak color.

© Sergio Pirrone

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After spending countless hours in front of AutoCAD working on a project, you’re bound to have your own set of favorite commands to standardize a few steps. We also bet that you don’t have them all memorized or often forget them. To help you remember, we’ve made a list of 50 commands that can help you speed up your work game, discover new shortcuts, or come in use as a handy tool for when you forget what the command you need is called.

The following listing was developed and corroborated by our team for the 2013, 2014 and 2015 versions of AutoCAD in English. We also prepared a series of GIFs to visualize some of the trickier ones.

When you’ve finished reading, we would love to know what your favorite commands are (including those that we didn’t include). We will use your input to help us update the article!

APPLOAD

Defines which applications to load when starting / opening AutoCAD. Very useful if AutoCAD and your computer don’t get along so well.

AREA

Calculates the area and perimeter of a defined object or a surface that you select vertex by vertex, according to the metric units defined in settings.

BACKGROUND

Choose a background image for the work area. It can be a single color (Solid), a gradual color (Gradient) or an image (Image) from your computer.

BMPOUT

Generates a bitmap image (.bmp format) after selecting a series of objects, surfaces, or regions.

BOX

Creates a 3D box, defining height, width and depth.

BURST

Explodes a block or an object, but keeps its attributes intact after exploding it. Highly recommended.

CHSPACE

Moves objects from the layout to the model, and vice versa. The best part is that the objects are scaled automatically in the new space.

CLOSEALL

Closes all open AutoCAD windows. If there are changes to any of your files that you haven’t saved yet, you will be asked if you want to save them. Unlike QUIT, you won’t exit AutoCAD with this command, just return to Start.

COLOR

Choose a layer color for future objects, lines and surfaces.

DIMALIGNED

Creates a dimension aligned with an axis / line.

DIMANGULAR

Creates a dimension aligned with an arc or circle.

DIMBASELINE

Creates a linear, angular or coordinate dimension, starting from a baseline of an earlier dimension.

DIMRADIUS

Creates a radius dimension for circles and arcs. Not to be confused with DIMANGULAR and DIMBASELINE.

DIMTEDIT

Edits the text location of existing dimensions.

EDGESURF

Creates a three-dimensional polygonal mesh.

EXPLODE

Breaks up an object or block into each of its individual components. Before using, make sure you’re on the right layer.

ID

Displays the coordinates of any point on the worksheet.

LIGHT

Manage lights and lighting effects on 3D models. You will most likely be prompted to change the viewport, or turn off the default lighting.

LINETYPE

Create, organize, and select line types.

MATLIB

Import and export materials from and to a library.

MLINE

Creates multiple parallel lines.

MLEDIT

Edit multiple parallel lines.

MULTIPLE

Repeats the next command until you cancel (Esc)

MVSETUP

Sets up the layout of a drawing.

OOPS

Restores the most recently deleted items. Its advantage over U is that you can use it after using BLOCK (or WBLOCK, export selected items to a new .DWG file), because those commands can delete selected objects after creating a block.

Unfortunately, you can’t use OOPS after PURGE.

OVERKILL

Cleans up your drawings. It goes over your entire model and deletes any duplicate or overlapping items. An incredible help for those who are obsessed with order and clarity in planimetry.

PAGESETUP

Specifies the page layout, plus the plotting device, paper size, and other settings for each new layout.

PFACE

Creates a 3D mesh vertex by vertex.

PREVIEW

Shows how the drawing will look when printed or sent to a plotter. Before you do this, you need to have configured the layout of the page (PAGESTEUP).

PURGE

Remove unused objects in the drawing you are working on, through a series of filters: blocks, layers, materials, thickness of lines, texts, among others.

QDIM

Quickly creates a dimension, after selecting objects.

QLEADER

Quickly creates a leader, and a leader annotation.

QSAVE

Autosave the file. Very useful when AutoCAD stops working and you’ve gone hours without saving any work. If you haven’t named the file yet, it’s the same as SAVEAS.

QSELECT

Quickly select objects according to a list of available filters: colors, line type and layers, among others.

RECOVER

Recovers a damaged file.

RENDER

Creates a render of the model you’re working on.

REVOLVE

Creates revolved solids (3D) by rotating 2D objects around a user-defined axis.

RULESURF

Creates a surface that joins two curves previously defined by the user.

SAVEALL

Automatically saves all drawings you are working on.

SHOWMAT

Displays a set of information for a selected object, including line thickness, color, dimensions, radius, and area.

SKETCH

Create a series of freehand drawing segments.

SPELL

Checks the spelling in texts using the language settings from your operating system, not AutoCAD.

SUBTRACT

Creates a region from a solid, surface, or region by subtraction.

TABLET

Calibrates and configures a tablet or Wacom.

TIME

Displays a statistics table of the file you are working on: creation date, last update, and edit time. If you’re interrupted, you can activate / deactivate the stopwatch.

U

The same as Ctrl + Z, undoes the most recent operation.

UNDEFINE

Deletes an AutoCAD command, even this one. If you want to reverse your decision, REDEFINE.

VPORTS

Manages AutoCad windows for 2D and 3D models.

XLINE

Creates an infinite line.

3DSOUT

Export a file compatible with 3D Studio (.3ds format).

Created using information from Autodesk Knowledge Network.

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This article was originally published by Archipreneur as “The Pros and Cons of Starting out as a Freelance Architect.”

Freelancing can be a great option for architects looking for more autonomy and freedom in their work. Although there are drawbacks to this kind of work, there are specific strategies that you can use to overcome the challenges and uncertainties of going solo.

It is easy to look down on freelancing. Those who are employed by a traditional company or firm see freelancing as an inferior work model that automatically implies less financial security and suggests to employers a loose definition of responsibility. People often imagine freelancers as slumming it in their pajamas doing just a few hours of work per day, or as Jacks-of-all-trades, overworked and constantly chasing new commissions. While data from recent studies and surveys show that freelancers do indeed work fewer hours than those in traditional employment, the rising number of freelancers proves that this trend is not waning. In fact, according to recent reports, increasing numbers of US and European workers are choosing to go freelance.

A recent survey of the freelance economy, conducted by the NYC-based Freelancers Union and the freelancing platform Upwork, shows that the number of freelancers is growing, making up 35% of the US workforce. The survey also showed that freelancers are upping their rates and earning more than they did while in more traditional roles. Around 63% of surveyed freelancers said that they chose to go freelance, which is a significant jump from 53% in 2014. This also destroys the stereotype that freelancing is a primary consequence of the recession. Although the economic crisis did play a major role in the proliferation of freelancing, figures suggest that an increasing number of workers are not forced into freelancing by unfortunate circumstances.

Before getting into the nitty-gritty of what freelancing is, we should make a distinction between sole proprietorship and freelancing. A sole proprietor has to file appropriate paperwork with local and state authorities to register his firm and acquire the option of hiring workers. Freelancers don’t have the legal ability to hire employees. A freelancer can later choose to file the necessary paperwork to acquire a taxpayer identification number and a business license, in which case they are no longer registered as self-employed but as a sole proprietor. While sole proprietors have to register the address of their business, freelancers have the opportunity to work from anywhere in the country. Freelancers can telecommute, work from home or work part-time in an office while simultaneously pursuing their freelancing gigs outside work hours.

Working abroad depends on the type of requirements of each state, and will potentially require you to file for specific Visas and permits. Self-employed EU citizens have the right to work in any EU member state. As an EU national, you generally do not need a work permit to work in a country within the EU, with a few exceptions. There are also several freelancer associations that promote the interests of freelancers across the EU.

Infographic showing the results of <a href='http://ift.tt/2fmR6vA survey of the freelance economy</a> conducted by the Freelancers Union. Image via Archipreneur

Some of the main advantages of being a freelance architect are: greater control over every aspect of your business, more autonomy, and less bureaucracy that comes with running or working in a large firm. Although the financial insecurity of freelancing is typically linked to the volatile relationship between freelancer and client (as opposed to established, long-term contracts with a single company), around 53% of freelancers believe that having several employers is a more financially secure option than working full-time for one business. The truth is that every job post-recession is relatively insecure, as markets change and companies close or downsize.

However, having versatility and freedom also supposes a lack of employee support, as offered in companies and firms. Freelancing can, in addition, be quite lonely. Not having the opportunity to learn from superiors and talk things through with colleagues can be an isolating experience, causing freelancers to become less productive. Furthermore, managing work hours, figuring out rates, acquiring clients and protecting work can be tricky hurdles to overcome. To circumvent these problems, freelancers are advised to follow a few key guidelines:

Create Relationships and Affiliations

While there are many websites where you can find work, the best way to find work is the same as with any other form of employment: through networks, connections, and relationships with other architects, construction companies and builders. Keep in touch with former co-workers and colleagues, join professional associations, and consider teaming up with other professionals on new projects.

Figure out Your Rate

Some of the common mistakes that freelancers make is undercharging for their services, thus lowering the standard for the entire freelancing community. Set up a contract that ensures you get paid independently of the project development. Construction projects often take months to complete. If you offer design services and commit yourself to a project, you might consider asking for a monthly fee, or getting paid in installments. This will ensure you get paid even when the firm doesn’t need you at specific times, or if the project goes into overtime.

Protect Your Work

Don’t give usable digital copies of your work to anyone until you are paid. If you do give anything away, it must be in accordance with your contract. Create read-only versions of signature-protected files. Similarly, make sure to respect the intellectual property of your clients. Stealing projects, violating authorship regulations and passing off other people’s work as your own will not benefit you in the long run.

***

Setting up a freelancing business isn’t much different to running a firm. You’ll need expertise, a good marketing strategy, and good relationships to compete against others for work. It might be useful to start off by working full time in an office or studio before going into freelancing. This can be a great learning experience and a way to gather a number of contacts. What’s more, if you do decide to establish your own firm after a few years of freelancing, the transition will go much more smoothly because you will be aware of the similarities and differences.

Another smart strategy is to create additional income streams to support your freelancing career. Similar to archipreneurs, freelancing architects are on a less conventional career path, which brings with it a specific set of challenges. As with startups and small to medium-sized businesses, it is important that freelancers have contingency plans and income sources that get them through tough times. Start blogging, podcasting, and creating digital products to get steady income streams that free you up to work on the type of projects you want. Your brand identity and long-term success depend on it.

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VOID is an interactive sensory art installation created by New York-based artists Sergio Mora-Diaz, Oryan Inbar and Jordan Backhus, that manipulates light in physical space to generate an immersive interaction arena and a meditative, transcendent spatial experience, which reminiscent of the cosmic sky and streams of information. 

The installation is composed of an arrangement of translucent screens, digital generative images displayed through a projector and sensors that respond directly and visually to the proximities and movements of its users. 

Courtesy of Sergio Mora-Díaz

The experience takes place in a closed room with a single entrance and in complete darkness, where the only light source comes from the projector. The arrangement of screens gives light a three-dimensional effect in space, while allowing people to walk through the installation.

Courtesy of Sergio Mora-Díaz

Courtesy of Sergio Mora-Díaz

With their work, the artists seek to create an experience that connects to the physicality and emotions of the users, attracting their attention and use of the body as a conduit to the mind. 

Courtesy of Sergio Mora-Díaz

Given the scale of the installation, its arena, the immersive optical effects and the non-traditional display, it will appear that one is traveling through time and space.

Courtesy of Sergio Mora-Díaz

VOID has been exhibited in New York at the Tisch School of the Arts and Livestream Public as a part of Frieze Art Week in 2015. In their last showcase, the artists had the support of Performa and the collaboration of New York City Ballet choreographer Troy Schumacher, to exhibit the installation accompanied by a performance by New York Ballet dancers Sean Suozzi and Claire Kretzschmar.

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© Jann Averwerser

• Architects: Kunze Seeholzer Architekten
• Location: 80995 Munich, Germany
• Area: 198.0 m2
• Project Year: 2016
• Photographs: Jann Averwerser

• Client: Landeshauptstadt München
• Landscape Architects: fischer heumann landschaftsarchitekten, Munich
• Structural Engineeering: LEICHT structural engineering ans specialist consulting GmbH, Munich

© Jann Averwerser

© Jann Averwerser

With optimum orientation and reference to the height differences of the site the construction of the new Lifeboat Station on Lerchenauer See in Munich was designed. In the basement there is the boat garage, which can be operated directly from the lake. On the ground floor are located the common rooms and the control centre.  The functional structure follows the selection of the formative materials. The timber frame construction is fitted on a concrete base, formed from the hang out. Wood and stone are the key elements of the place – it can be found in the Lifeboat Station again and reflected in the water of the lake.

Section

© Jann Averwerser

Plan 0

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© Andrés Flasjzer

• Architects: eneseis arquitectura
• Location: Calle Abad Nájera, 03002 Alacant, Alicante, Spain
• Architects In Charge: Daniel Solbes, Jose Luis Durán
• Area: 170.6 m2
• Project Year: 2012
• Photographs: Andrés Flasjzer

• Collaborating Architect: Daniel Cano, Luis Hernandez
• Constructor: Construcciones y reformas quintanilla

© Andrés Flasjzer

From the architect. Aspe´s half buried house is located in the typical inner Alicante´s half desertic landscape, amongst irrigated crops and low mountains of great beauty, yet surrounded by a single family residential tissue, dense and repetitive.

© Andrés Flasjzer

Winters are not too cold, and at the same time there is a dominant West wind that lowers thermal feeling. Summers are very hot and dry.

© Andrés Flasjzer

Project´s main goal was to achieve an special place, highly related to landscape, in order to live comfortably.

© Andrés Flasjzer

Project´s strategy was to work at the same time plot, landscape and building, to obtain the most of them, enhancing themselves to each other.

Axonometric

Landscape is a prolongation of the garden, which is a prolongation of the home.

Thermal confort was achieved by partially burying the dwelling. Thanks to that, the house takes advantage of the thermal inertia, that naturally adjusts temperature. This, together with a targeted orientation that obtains winnings in winter and protection in summer, plus a crossed ventilation, results into a thermal responsive home.

© Andrés Flasjzer

By burying the house taking advantage of the plot´s slope, two flat levels are activated: the terrace-garden area above, plus the house level where pool is located as well.

Ground Floor

House´s floor plan has S shape, attached to plot´s west edge, where entrance is located too. Dwelling is required pass in order to access the plot, protecting at the same time the pool.

© Andrés Flasjzer

Inner S side generates an open court where main rooms and circulation face, creating an extension of inner space towards outer garden, without an intimacy loss.

Result is a white construction that highlights the house, and that embeds itself into the terrain, interweaving with gardens, courtyards, inner spaces and terraces, creating different ways of experiencing the place, and relating to the landscape.

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© visualis / m.c.herzog

• Architects: Nordic Office of Architecture
• Location: Trondheim, Norway
• Architect In Charge: John Arne Bjerknes
• Area: 250.0 m2
• Project Year: 2015
• Photographs: visualis / m.c.herzog, Espen Grønli

• Client : Vatnan family

© visualis / m.c.herzog

From the architect. Nordic — Office of Architecture was approached by the Vatnan family to deliver their dream home. They had a simple architectural vision, but a demanding site on which it was to be realised.

© visualis / m.c.herzog

Located on the edge of an established residential area with limited access and a steep topography, the site does however offer fantastic views from the private and shielded south-west facade.

© visualis / m.c.herzog

The family desired a home for both everyday life and entertaining, where the primary rooms are all collated on one floor with generous sizes and well resolved spatial relationships. By lifting this main floor up to one floor above the natural entrance level, we captured the best of the views and the sun. The elongated body of the house shelters against the wind and creates an open private outdoor space, while the bedrooms and living areas all have direct access to the garden via a covered terrace stretching the length of the house.

© visualis / m.c.herzog

The simple concept is reinforced by the overall simplicity in use of materials. The entire main floor is covered in pine boards, and the living room, kitchen and terrace are clad in veneered oak. The concrete is sealed throughout the house, and the ceiling height of 2.8 metres further contributes to the experience of the house opening up towards the grand view to the south-west.

Floor Plan

The basement and main deck are cast in concrete and the gable and long walls to the north-east are clad in cedar wood.

© Espen Grønli

Product Description. Dinesen Oak wooden floor, 450mm width. Used on whole upper main floor in all rooms – living, kitchen and bedrooms, establishing the principle idea of one dominant floor for the whole family.

© visualis / m.c.herzog

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© Moobum Bang

• Architects: The Plus Partners, DNC Architects
• Location: Pyeongchang-gun, Gangwon-do, South Korea
• Area: 19.8 m2
• Project Year: 2016
• Photographs: Moobum Bang

© Moobum Bang

‘The Tiny House of Slow Town’, one of the ‘Slow Town’ projects, is the building of small houses  that uses the least modules out of woods to expand the inadequate accomodations in Gangwon city, the host city for the Pyeongchang 2018 Olympic Winter Games, and also to provide an easy access to the geographical beauty of the city.

© Moobum Bang

Floor Plan

© Moobum Bang

Floor Plan

© Moobum Bang

Gangwon city is one of the few clean areas left in Korea and it needs to be protected and kept that way. ‘The Tiny House Of Slow Town’ project has the purpose of providing accomodations with the maximized housing facilities while using the least materials that are environmentally friendly.

© Moobum Bang

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© Hey!Cheese

• Architects: HAO Design
• Location: Kaohsiung city, Taiwan
• Area: 116.0 m2
• Project Year: 2016
• Photographs: Hey!Cheese

© Hey!Cheese

From the architect. Good traffic flow creates a comfortable space. 

Whenever HAO Design receives a new case, the first thing we do is to observe the surrounding environment of the house and list its unique strengths. Then we brainstorm ideas, integrate the space and plan the traffic flow. Take this freestanding house located in Kaohsiung. We assessed it and found four major advantages: a large yard, high roof, good natural light and a rectangular floor plan.

© Hey!Cheese

Plan

© Hey!Cheese

We changed the original traffic flow by moving the entrance to the side of the house. Although you need to walk around the house to get in, the first thing you see is the big yard. It’s like walking from the city into a country cottage; your body and mind both relax immediately. The solid wooden platform at the entrance is reminiscent of old Japanese structures. Residents can sit on it to enjoy the garden view. We made a lot of adjustments to the interior, removing a wall to merge the old living and dining room into one open space. The original entrance is now a raised washitsu (Japanese-style room) where people can have a rest.

© Hey!Cheese

During the renovation, HAO Design knocked out portions of the ceiling and discovered it was sloped. At its highest point, the indoor ceiling is four meters high and significantly widens the room. Therefore, we did not alter the ceiling height, and the room is now spacious and comfortable. The kitchen, connected to the living room, is nearly 8 ping (26.4 square meters). This is a kitchen island design with a 280 centimeter-long counter top, just like a dream kitchen. The house owner likes to cook, and now that he has enough cooking space, he can enjoy his hobby. Even though the ceiling is slightly lower in the kitchen, it is connected to the living room, which gives the impression of a bigger space.

© Hey!Cheese

When we were first planning the renovation, we realized the original layout consisted of too many different sections, and the lack of windows made it hard for light to enter. So the problem of how to integrate the small individual spaces and introduce more light was also a huge challenge. HAO Design introduced a ceiling window in the master bathroom to let in more sunlight. We changed the front door into a large French window so it lets in more light and those in the house can enjoy a view of the garden, a serene place in the bustling city. We also added a window near the ground in the master bedroom so light can enter, but we made sure that the room does not get too bright. The right amount of natural light makes a house more energetic. 

© Hey!Cheese

© Hey!Cheese

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