© Maxime Brouillet

• Architects: Atelier Pierre Thibault
• Location: Sillery, Québec City, QC, Canada
• Lead Architects : Pierre Thibault, Charlène Bourgeois
• Area: 3300.0 ft2
• Project Year: 2014
• Photographs: Maxime Brouillet

• Collaborators: Groupe Habitat, Mathieu Simard and Simard cuisine et salle de bains

© Maxime Brouillet

The Residence Belcourt is a typical Canadian house built in the 1970s. The clients wanted to improve their home’s functionality and maximise natural light. The home’s massing and original masonry walls were preserved. The interior separations were completely removed, creating an open-plan ground floor that encompasses the home’s public areas. 

© Maxime Brouillet

Plan 1

© Maxime Brouillet

The space wraps around a central staircase made of baltic plywood. To make room for this amenity, service cores were pushed to the edges of the property. The ground floor was cleared by reserving the home’s lateral walls for services and storage. The new layout fosters family living within interconnected spaces. At the back, an expansive terrace covered by a wooden pergola was added, which leads out to the existing swimming pool. The terrace provides exterior living spaces that extend to the garden and facilitate access to the intimate courtyard. At the top of the stairs, a small reading area and study space that is illuminated by two skylights was created. This floor contains three compact bedrooms, as well as a master bedroom with its own ensuite. A fifth bedroom located in the basement can welcome guests overnight. The home’s interior finishes are mostly comprised of wooden floorboards and clean white surfaces. This minimal decor is complemented by understated modernist furniture pieces.

© Maxime Brouillet

Plan 2

© Maxime Brouillet

Product Description. Baltic plywood, a high-grade wooden laminate that comprises more layers than typical plywood.

The home’s interior finishes are mostly comprised of clean white surfaces except for the central staircase and all horizontal work surfaces.

© Maxime Brouillet

© Maxime Brouillet

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Cardiff City Council has just approved the third and latest phase of Cardiff University’s £300 million Innovation Campus. Hawkins\Brown and HOK each designed one building for the project, which will bring together researchers, students, investors, and businesses to work on technological innovations and new enterprises that aim to drive economic growth. The project is the latest development in Cardiff University’s vision of embedding innovation within the university’s fabric and generating a self-sustaining cycle of economic growth for the community as a whole. 

© Cardiff University

“A new campus helps us create opportunities for all,” said President and Vice-Chancellor Colin Riordan. “Our innovation ambitions go beyond the sum of the physical buildings. Cutting-edge research, technology transfer, business development and student enterprise will put ideas to work.”

In keeping with the goal of innovation, the new campus will house facilities such as the Institute for Compound Semiconductors, a unique UK-based research center; the Cardiff Catalysis Institute to support Cardiff’s leading chemical research; SPARK, the first social science research park in the world; and the Innovation Centre, a creative base for startups. The public areas will also include recreation space, alfresco dining, and exhibition and event space, while offices and labs will be available for lease.

© Cardiff University

“In generating our design, we worked closely with Cardiff University to develop new models for the integration of industrial partnerships and collaboration,” said Oliver Milton, partner at Hawkins\Brown. “This has resulted in a very clear design with interactive working spaces organized around a central oculus that connects the seven stories. Shared facilities include a TEDx-style event space and a fabrication lab.”

© Cardiff University

In addition to these 12,000–square meter buildings, the development includes a bridge that joins the Innovation Campus and the Cardiff Business School. Work on the site is projected to begin in early 2017.

News via: Cardiff University

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Courtesy of Sean Lally

Humanity is at a key moment in a larger story, one in which we are willfully manipulating both our global environments as well as our human bodies. The first is changing the makeup of the physical spaces we occupy and the second, the very body that perceives that space. At this intersection are the physical boundaries that define architectural space. Both our environments and our bodies are therefore open for design, and architecture has swerved in a new direction.

Created in response to these changes is a new podcast, “Night White Skies” w/ Sean Lally: A podcast about architecture’s future, as both earth’s environment & our human bodies are open for design. The podcast is about conversations with designers, engineers, and writers on the periphery of the architecture discipline, engaging in these developments from multiple fronts. Though the lens of discussion is architecture, it is necessary to engage a diverse range of perspectives to get a better picture of the events currently unfolding. This includes philosophers, cultural anthropologists, policy makers, scientists as well as authors of science fiction. Each individual’s work intersects this core topic, but from unique angles.

Courtesy of Sean Lally

Climate and energy (harnessing, storing, deploying) and the human body (bioengineering, wearable technologies) are often seen as two distinct yet influential industries advancing new research, startup companies, and consumable products on what feels like a daily basis. But architecture is in a prime position to engage and influence this ongoing work because our discipline exists at their intersection – material manipulation and how one perceives those resultant physical boundaries. The architectural discipline of course does more than borrow technologies from outside industries or simply enforce policy developed beyond our field. The architect gives novel shapes to spaces, and tests organizational and spatial implications that each reflect and influence the cultural and technological tones of the day.

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The podcast looks to stimulate discussions not only within architecture but the general public as well in order to expand, inspire and spark the imagination – advancing the political and environmental significance of energy and bioengineering today.

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And though I’m sure it hasn’t come across in the last 400 words, these conversations are also intended to be just a bit… fun…

New episodes are available on NightWhiteSkies.com, Itunes & Soundcloud each Monday.

Sean Lally is the founder of Weathers, and author of The Air from Other Planets, A Brief History of Architecture to Come.

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© Javier Callejas Sevilla

• Architects: José Luis López Siles y Francisco Moreno Martínez
• Location: 18600 Motril, Granada, Spain
• Area: 12000.0 m2
• Project Year: 2015
• Photographs: Javier Callejas Sevilla

• Promoter: Ayuntamiento de Motril
• Builder: SACYR / URBACON
• Build Area: 5.4000 m2

© Javier Callejas Sevilla

From the architect. The proposal focuses on the idea of renouncing the “autonomous object” that every public building tends to adopt by inertia, looking for a project that responds to the heterogeneous urban environment where the diversity of its uses is already implanted without losing its vocation of a new urban milestone. For that, a series of volumes, vertical and horizontal, are proposed, connected with each other, which assume or yield the necessary role in each point. This fragmented volume generates a continuous interior public space, which begins with a large entrance square and continues with a sequence of covered outdoor spaces and open courtyards that gives to the project the degree of privacy or publicity suitable for each of its uses.

© Javier Callejas Sevilla

Plan 0

© Javier Callejas Sevilla

In contrast to existing semi-industrial low-rise buildings lacking in interest, the building closes aligned to the rear road through a continuous and horizontal volume that increases its height as we approach the free space. In the front of the plot, the natural access area to the whole, have been projected two towers connected with the rest of the set through buildings-walkways. The most singular one, 30 meters high, rises above the nearest residential buildings as a new urban reference, where there  have been located more tourist uses, the visitor reception center, a restaurant and a viewpoint on the roof where visitors can see the landscape of the region: Sierra Nevada, the towns near the coast, the river and the sea. There by the proposal responds to its vocation as a new urban landmark of the part of the city by the coast to become a new landscape reference on other nearby elements of high altitude of an industrial character.

© Javier Callejas Sevilla

© Javier Callejas Sevilla

The complex consists of three buildings under a single volumetric element. The main one that includes the congress and cultural events centers , has a constructed area of ​​3.600 m2. The main multipurpose Room of 28.50 m x 15 m for Congresses and Scenic performances with capacity for 500 people, which incorporates two mobile platforms with removable chairs, to enable its transformation into a large exhibition space. In addition it has other room of intermediate capacity of support to the main room or for small events. These uses are complemented by the program of the main tower with the visitors’ reception center on the access floor, the restaurant and the point view on the roof.

© Javier Callejas Sevilla

Detail

© Javier Callejas Sevilla

The rest of the set is completed with the buildings destined to School of Hospitality and Center of Infantile Education, respectively.

© Javier Callejas Sevilla

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Courtesy of Liljewall architects

Gallivare, Sweden might be known for its reindeer, but it’s gradually undergoing an urban transformation. Liljewall Architects in collaboration with MAF architects have created Kunskapshuset (House of Knowledge), a new school, for the archetypal “arctic city.”

Courtesy of Liljewall architects

Courtesy of Liljewall architects

The mission was to create a sustainable, functional and architectural whole. A school that is welcoming, accessible and safe – a flexible and beautiful environment equipped to meet the future needs of change and development – noted the architects on a recent press release. 

In an effort to reflect the surrounding environment, the school looks to the subarctic vegetation and site conditions. Through its varied heights, House of Knowledge respects and interacts with its neighboring buildings.

Courtesy of Liljewall architects

Locally produced wood material mixes with Malmberget-mine concrete to form the foundation and floor structure of the school. The interior of the structure was created with laminated wood columns and wood beamed ceilings. 

In addition to a cafe and reception area, the central hub of the building is designated by a “social staircase,” which leads to different classrooms and units. Stunning views of the well-known “Dundret” ski resort can be seen from the fifth-floor terraces.

Courtesy of Liljewall architects

The school projected opening is fall of 2019.

News via: Liljewall Architects

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© Paul Younger

• Architects: Hewitt Studios
• Location: Berkeley GL13, United Kingdom
• Area: 4500.0 m2
• Project Year: 2016
• Photographs: Paul Younger , Martin Cleveland

• Client: South Gloucestershire and Stroud College
• Project Manager : Provelio
• Quantity Surveyor : Mott MacDonald Ltd
• M&E Engineer: Hoare Lea
• Structural Engineer : O’Brien & Price Stroud Ltd
• Lighting Designer: The Lighthouse Design Partnership
• Main Contractor: Kier Cheltenham

© Martin Cleveland

Hewitt Studios LLP have recently completed the first phase of the conversion and refurbishment of a former nuclear research and engineering building at Berkeley Centre on the Severn Estuary in the UK. 

© Paul Younger

The project provides SGS College with a renewable energy and engineering skills centre supported by both local enterprise funding and international technology partners, such as Schneider, Welink and Bosch.

© Martin Cleveland

The delivery of a reinvigorated, dynamic and sustainable facility is key to this offer – the building is designed to become an exemplar of regenerative investment and an education tool in its own right.

© Paul Younger

Elements of the building fabric will be used to deliver specific areas of curriculum (e.g. solar pv and timber construction), whilst the responsible re-use of an existing building sets a low-carbon precedent for future developments to follow.

Site Plan

Green initiatives include an integrated photovoltaic (BIPV) facade, thermally efficient envelope, innovative heat-recovery ventilation system, LED lighting and low-impact timber structure. 

© Paul Younger

The Laminated Veneer Lumber solution was chosen for a variety reasons:

– It allowed for a rapid on-site build and limited the associated environmental disruption.
– It was effectively self-finished, requiring no lining or applied finishes.
– It gave the flexibility for services to be fixed anywhere.
– It was carbon-sequestering, with only certified timber from sustainably managed sources used.

– It created a better environment than a steel-framed building; warmer / softer / quieter.
– It was cost-comparable with a steel frame (when ‘knock-on’ savings considered)
– It provides a striking contrast with the existing structure, helping users to read the building’s story.

© Martin Cleveland

Elsewhere, the design employs sustainable timber cladding, minimising waste through use of plywood in standard 1200mm sheets. Its distinctive pattern is based upon the dazzle camouflage of World War I warships. Rather than ‘daze and confuse’, it is here intended to reduce the visual mass of the lower levels of accommodation. It is also perforated and backed with acoustic material to suppress reverberation within the main hall.

Section

BIPV panels will shortly be to a screen suspended from the building envelope. They will not only generate electricity, but will shade the glazing behind from the southerly sun and act as a wind-break in the exposed estuary location. They use latest generation thin-film solar cells which offer a cost-effective power output (c.100kW) and good low-light performance.

© Martin Cleveland

Hewitt Studios are also developing plans for a site-wide renewables package with the ultimate aim of becoming a zero-carbon campus. This includes a government-backed solar at scale scheme (with building, car park and ground mounted pvs), tidal power, wind generation and battery storage. Impact will be minimised with significant areas of habitat creation (supported by the Gloucestershire Wildlife Trust) and a comprehensive green transport strategy including a cross-campus electric minibus infrastructure.

The result will be an exciting new hub for the sustainable energy industry; raising aspirations, attracting young people to stem careers and providing skilled people to fill the technology skills shortage, all within a sustainable and low-impact environment.

© Martin Cleveland

Product Description. Steel would have been the obvious choice for the structural modifications, but Hewitt Studios instead chose a combination of HESS Laminated Veneer Lumber (LVL) beams, glued-laminated (GLULAM) columns and cross-laminated (CLT) floors and balconies. This palette of pre-fabricated, sustainable and attractive timber products was chosen for its speed of construction, ease of fixing / finishing, carbon-sequestering credentials and excellent thermal and acoustic properties.

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© Yang Woosang

• Architects: LEESLIST & Leejae Architects
• Location: Ilsan-dong, Ilsanseo-gu, Goyang-si, Gyeonggi-do, South Korea
• Project Team: Leejae Architects, Eunhye Kim
• Area: 148.76 m2
• Project Year: 2016
• Photographs: Yang Woosang

• Consultant: Eunyoung Kim
• Constructor: HNH CON

© Yang Woosang

From the architect. This house is a detached house, size of 148.76㎡, built in Ilsan, Gyeong-gi Province.

General floor plan for three-member-family consists of the main living room, three bedrooms, two bathrooms, one dress room, kitchen and a workshop; a detached house of 148.76. This house, so called a Light – House, represents the characteristic of owner’s occupation. The land condition for this Light-House was created by land division of about twenty-house-size. Five houses are already completed, and others are currently under construction. Light-House is aims for something higher than a physical housing where you simply eat and sleep; it pursues co-existing of nature and humanity through continuous relationship via interior and exterior of the building. Predicting this region to be crowded with houses in a near future, Light-House is designed to protect owner’s private life from others’ eyes. The three land sides that are touched by other residents’ are equally divided so that they can be entirely surrounded by the exterior wall of the housing. For the last side, an open view of whole window is installed towards the beautiful landscape, created by the thorough design of terraced heights of the housing complexes. Moreover, in accordance with owner’s lifestyle, Light-House is designed for the frequent use of outdoor space in warm seasons. We hope our residents to have a peaceful and protected space where you can enjoy your rest in an outdoor space and courtyard, separated from others’ view.

© Yang Woosang

 The exterior wall of Light-House is finished with white cement render. It faces a clear, open courtyard which you can naturally meet entering the building along with the wall. Residents can enter the building as they walk along the courtyard. The courtyard, due to the fake wall installed for blocking the attention, is both an inside and an outside of the building, which is a traditional architectural concept of Oriental Architecture, intentionally applied to the sequence of Light-House spaces. Therefore, residents can experience a flexible relationship with inside and outside following the natural spatial flow. In the Light-House, two big courtyards and one small courtyard – three in total – are designed, and they allow you to enjoy the fresh air and sunshine totally alone in your own space. Moreover, two exterior terrace spaces are located closely with each room in outdoor, in which the identical finishing to the floor is used, which also makes it difficult to distinguish inside from outside.

© Yang Woosang

1st Floor Plan

© Yang Woosang

Light-House, in order to maximize the energy efficiency of natural temperature control, has its big windows directed towards south so that whole house can be heated through sunlight in winter. Also, to use energy efficiently, radiant heating system is installed in newly constructed concrete floor. Moreover, you can almost feel the inside of house as the part of outside, due to the reflected natural light thanks to finishing the whole with white-colored interior and the ceiling installed on the roof which leads the light into the deep space of its house.

© Yang Woosang

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Courtesy of ABD architects

• Architects: ABD architects
• Location: Moscow, Russia
• Area: 20000.0 m2
• Project Year: 2016
• Photographs: Courtesy of ABD architects

• Engineers: RBTT Consultants
• Construction: Pridex

Courtesy of ABD architects

Courtesy of ABD architects

adidas HOME OF SPORT is currently located in a new building of Krylatsky Hills Business Park where it occupies 20,000 sq. m. Three of six floors house offices, two floors accommodate a fitness centre, and the adidas Academy is on the last floor. The architects from ABD architects were challenged to design a complex of spaces for different functions and purposes, to organize an understandable and comfortable structure and communication for various streams of visitors. In addition, such a brilliant company as adidas should have a catchy and dynamic office, and should inspire employees and guests to change everyone’s life through sports. While developing the design concept, the architects were guided by the Adidas corporate style and logos of the companies within the Group. This resulted in basic colours and combinations — black and white with bright colour accents. Three office floors are made in different colours: orange, green and blue. This facilitates navigation and creates a specific mood and atmosphere on each of the floors.

Site Plan

Plan

When designing the interior, the architects sought to reflect the Adidas logo. On each floor at the same place, there are white capsule meeting rooms which, when seen from the atrium, resemble three iconic stripes. At the same time, when seen while walking about the floor, they resemble a well-known trefoil. Each of the three meeting rooms is installed at an angle, is made in black and white colours, and is well noticeable.

Courtesy of ABD architects

Courtesy of ABD architects

When designing the interior, the architects also sought to reflect the company’s focus on active lifestyle and love for sports. For example, this led to the idea with scooters: on each floor there are tracks and parking lots — anyone can use scooters to move about the office area. Also this triggered the idea of a lighting pattern — a pattern of a traditional soccer ball. Most of the partitions on the office floors are transparent, and blank walls are decorated with adidas graphics and motivating quotes.

Detail

Courtesy of ABD architects

The central part of the office floor is active in colour and in function: small and large meeting rooms, furniture for individuals to work, areas for informal socializing and networking, coffee points. Design of work stations in the areas located closer to the whole glazed walls with panoramic view on Moscow is calmer: white tables and black chairs. The tables are arranged very comfortably, there is enough space between the rows to accommodate mobile file pedestals with seat cushions on the top and to organize internal negotiations. In addition to stationary workplaces, in the office there are temporary workplaces with high tables and ergonomic bar chairs.

Courtesy of ABD architects

Courtesy of ABD architects

Much attention in adidas HOME OF SPORT was given to the acoustic comfort: privacy screens and cubicle partitions; acoustical panels; additional meeting rooms are made of sound absorbing material.

Courtesy of ABD architects

The central reception hall resembles a real sport stadium. The focus was made on a big media screen with a running text line and a display for videos, and two big lighting fixtures resembling lighting towers. Reception desk and turnstiles are in the depth of the hall and do not catch the eye as they usually do in traditional offices. From the main lobby people can access two shops, and, without passing through turnstiles, to the reception room of the fitness centre. The BASE, a premium class fitness centre, is made in the loft style: open communications, large industrial fans, brutal and monochrome colours.

Courtesy of ABD architects

Courtesy of ABD architects

adidas Academy is a space for a company’s new and unique project intended to incorporate sports to daily life and to change life for better. Adidas gathered a team of professional coaches and developed a programme which helps people to better learn themselves and their abilities, as well as to find time for sports activities. The Academy includes a reception room, a number of classrooms and lecture halls separated by transformable partitions. The Academy also has a kitchen to deliver master classes for preparing right and healthy meals.

Courtesy of ABD architects

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© Piyush Rana photography

• Architects: Kapadia Associates
• Location: Gandhinagar, Gujarat, India
• Architect In Charge: Kapadia Associates
• Design Team: Sanket Jayker, Gaurang Raiyani, Kalyani Shroff-Gupta, Manasi Shah, Kalgi Shah, Vivek Patel
• Area: 465.0 ft2
• Project Year: 2016
• Photographs: Piyush Rana photography

• Client: BAPS Trust
• Engineers: Anal Shah Structural Consultants, ARKK MEP Consultants
• Consultants: Graphics Beyond – for Screen Design
• Contractors: Aarti Constructions (Civil) , Hifeb (Windows)
• Site Area: 23 acres

© Piyush Rana photography

BAPS is a charitable organization with holistic and spiritual education as one of its key goals. This Trust approached the architect with a brief to build a self contained Girls school campus on the outskirts of the city of Gandhinagar, very close to Ahmedabad. The school campus is conceived as low-rise network of buildings and landscape spaces that encourage encounter & communication. 

Ground Floor Plan

The concept is driven by the central spine or street as organizing device along which a series of linear blocks are attached. Used by students from all the blocks, this central street creates porous zones of interaction that flow into each other.  Along this spine, the sequential visual journey also matches the structure of program- Administration, School, Sports hall, Residential in that order. Upstairs the corridors layer the learning spaces and allow Diffused natural light and ventilation by means of a GRC Jalli designed with a distinct graphic pattern. This custom pattern was designed to resonate with the Trusts iconography and identity. 

© Piyush Rana photography

The corridors are spaced with concrete walls with round geometric openings. These shaded pockets allow pause spaces and relief from the harsh sun glare during summers. The exposed concrete facades draw architectural inspiration from the institutional heritage of Ahmedabad. The Material Pallette is very restrained , neutral,  in shades of grey and is meant to be a backdrop to the colorful artwork and uniforms of the school children.

© Piyush Rana photography

Product Description.To match with the palette of the Concrete building façades –  Matt finish Grey vitrified tiles for flooring were used manufactured by Restile

© Piyush Rana photography

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National Museum in Szczecin – Dialogue Centre Przełomy / Robert Konieczny + KWK Promes. Image via World Architecture Festival

Robert Konieczny + KWK Promes’ National Museum in Szczecin – Dialogue Centre Przełomy has been named the World Building of the Year 2016 as the World Architecture Festival (WAF) in Berlin comes to a close. The project consists of an atmospheric underground museum below an expansive, undulating public plaza, adjacent to Barozzi Veiga’s Mies van der Rohe Award-winning Philharmonic Hall Szczecin.

The National Museum in Szczecin – Dialogue Centre Przelomy is now the ninth project to hold the World Building of the Year title. Last year, the award was given to “The Interlace” by OMA and Buro Ole Scheeren.

Winners of the year’s Future Project, Landscape, and Small Project awards were also announced. Read on to see the winning projects with comments from the jury. 

World Building of the Year:

National Museum in Szczecin – Dialogue Centre Przełomy / Robert Konieczny + KWK Promes    

National Museum in Szczecin – Dialogue Centre Przełomy / Robert Konieczny + KWK Promes. Image via World Architecture Festival

The judges, chaired by Sir David Chipperfield, gave the following commendations:

“This project enriches the city and the life of the city. It addresses a site with three histories, pre-World War II, wartime destruction, and post-war development, which left a significant gap in the middle of the city.

“This is a piece of topography as well as a museum. To go underground is to explore the memory and archaeology of the city, while above ground the public face of the building, including its undulating roof, and be interpreted and used in a variety of ways.

“This is a design which addresses the past in an optimistic, poetic and imaginative way.”

Future Project of the Year:

South Melbourne Primary School / Hayball    

South Melbourne Primary School / Hayball. Image via World Architecture Festival

The school is a new model of vertical school responding to the specific inner-urban context of the developing Fishermans Bend urban renewal area in the city. Accommodating 525 students, the new school will be an integral component of the Montague Precinct within Fisherman’s Bend providing an education and community focus as the area is developed.

WAF’s Future Project super-jury, comprising Kim Nielsen, Ole Scheeren and Coren Sharples selected the project for “the way the space interprets and promotes pedagogy” commending it for the way it connects indoor and outdoor teaching areas and differentiated learning environments.  The judges felt the architects overcame the challenges of designing a vertical school, using a central staircase as a point of interaction and as a gathering space.

Small Project of the Year:

ZCB Bamboo Pavilion / Chinese University of Hong Kong School of Architecture

ZCB Bamboo Pavilion / Chinese University of Hong Kong School of Architecture. Image via World Architecture Festival

The public event space was built for the Construction Industry Council (CIC)’s Zero Carbon Building (ZCB) in the summer of 2015 in Kowloon Bay, Hong Kong. It is a four-storey-high, 37 metre spanning, bamboo gridshell structure with a usable area of approximately 350m2 and a seating capacity of 200 people, placed in the ZCB Garden Area.  It is built from 473 large bamboo poles that are bent onsite to shape the structure and that are hand-tied together with metal wire using techniques based on Cantonese bamboo scaffolding craftsmanship. Recognised by judges as “an excellent architectural outcome” the project was commended as a “brilliant example of cutting edge simulation and modelling combined with delightful traditional craft and skill.”

Landscape of the Year:

Kopupka Reserve in New Zealand / Isthmus

Kopupaka Reserve, Auckland, New Zealand / Isthmus. Image via World Architecture Festival

The project is a hybrid park, where a storm water reserve has been combined with an urban park, playground and skate park, all made possible by dovetailing the masterplanning of the streets with the green infrastructure of the 22-hectare reserve. Judges praised the project as “a successful translation of Maori traditions that succeeded in being both poetic and imaginative in its creation of a landscape that captures the soul and nature of the area.”

News and descriptions via WAF.

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