This is a single shot with the Sony A7R and the Canon 14mmL2. One of the hardest things about processing the image was to take the colors that were severely unrealistic to the eye, as well as unrealistic in the initial Raw default settings, and dummy them down, and settle on a point where they would be more believable but not lose the original craziness. I decided to attempt to strike a balance between the ridiculousness of the light we saw that night (which runs the risk of turning some people off) and a more neutral realistic version. We can never please everyone but with some critical help I ended up settling on this version.
As always I share my processing techniques on my various Photoshop Videos.
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Fine art Fuji Flex Acrylic mount prints or Metal PRINTS are sold direct only at my website:
I have some AWESOME encouraging photographer friends to thank considerably for critical feedback in fine tuning the image over the last few days. HUGE thanks and a great debt of gratitude go out to:
Ted Gore, Alex Noriega (these guys are savant freaks when it comes to post production!) Peter Cosken, Andrew Mitchell, Erin Babnik (she is a guru too!) Ryan Engstrom, Brain Adelberg (Brian rocks!) Micheal Shaniblum, Rob Lafreniere, Scott Smorra, Majeed Badizadegan, Max Vuong, TJ (monster work ethic) Thorn, David Richer, Dylan Toh, Paul Rojas, Justin Poe, Terrence Lee, Paul Bowman, Nick Diggins and Enrico Fossati.
Thank you for looking and great light to you!
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Sig Nordal 