Gandare house by Ninkipen! has a metal skin that appears to peel up



Japanese architect Ninkipen! has completed a house in Osaka Prefecture, featuring a metal surface that appears to be peeling up from the structure (+ slideshow). (more…)

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Reappearance, South Iceland by lisabettany by lisabettany

And then the crowd parted and one figure remained…

I waited ages, days it felt like, for the crowds of people to leave this extremely popular spot to grab this lone figure agains the epic falls. The weather was just about to turn and moments after I took this shot I had to make a mad dash for shelter as it started to HAIL. Oh Icelandic weather… You can never be too prepared.

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Half Light in Bryggen by Rainman by Rainman

Get my Lightroom presets & Photoshop actions on Creative Market: http://ift.tt/1ZbcmSx

Bergen, Norway
September 2010

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Faculty of Fine Arts University of La Laguna / gpy arquitectos


© Filippo Poli

© Filippo Poli


© Filippo Poli


© Filippo Poli


© Filippo Poli


© Filippo Poli

  • Architects: gpy arquitectos
  • Location: Campus de Guajara, San Cristóbal de La Laguna, Santa Cruz de Tenerife, Spain
  • Project Team: Juan Antonio González Pérez, Urbano Yanes Tuña, Constanze Sixt
  • Area: 32260.0 sqm
  • Photographs: Filippo Poli
  • Collaborators: José Juan Aguilar Ramos, Attenya Campos de Armas, Carhel Chaves, Michel Correa Dos Ramos, Raquel Guanche García, María Elena Lacruz Alvira, Juan Luis Marichal Hernández, Vanessa Mayato Antón, José Luis Novo Gómez, Laura Pérez Rodríguez, Michela Pestoni, Alessandro Preda, Rubén Servando Carrillo, Gabriel Walti
  • Technical Team: Luis Darias Martín (Asat), Héctor González Niebla (Asat), Juan Luis Marichal Hernández, José Ángel Yanes Tuña, Miriam Hernández Pérez
  • Consultants: Fhecor Ingenieros Consultores, Gpi Ingenieros, Servicio de Ingeniería del Terreno (ULPGC), Poa Jardinería
  • Client: Universidad de La Laguna
  • Model: Katarzyna Billik, José Luis González Doña, Andrzej Gwizdala

© Filippo Poli

© Filippo Poli

From the architect. The new Faculty of Fine Arts is located in a heterogeneous area, adjacent to the island highway and on the periphery of the University Campus.


© Filippo Poli

© Filippo Poli

Our main challenge was to create a link between the new faculty building and its surroundings by working with the open public spaces and to increase the synergies between the academic complex and its urban context.


© Filippo Poli

© Filippo Poli

Plan Level 3

Plan Level 3

© Filippo Poli

© Filippo Poli

The new building presents itself as an extension of the Campus’s public space, while creating an autonomous interior landscape of its own. A skin of suspended concrete slats adopts a curved shape which develops on the different levels protecting and wrapping the open space of the building. 


© Filippo Poli

© Filippo Poli

Campus circulation is collected and guided by a public plaza that extends through the building’s main entrance and is transformed into a spacious terrace overlooking the inner courtyard. From the main entrance, circulation is continuous, following half-open, undulating corridors.


© Filippo Poli

© Filippo Poli

The teaching areas are distributed along a continuous band accompanying the open corridors and dispose of mobile dividing walls that allow for creating classrooms of different sizes or even opening up the whole floor, depending on the needs. Adding to this flexibility in use are multiple spaces like the patio-gardens and open ramps, the covered galleries and the entrance terrace, conceived as open exhibition and teaching areas and places for social exchange. 


© Filippo Poli

© Filippo Poli

We like to see the new Faculty of Fine Arts as a building that offers ground-breaking, innovative spaces for experimental and creative education of future students of visual arts.


© Filippo Poli

© Filippo Poli

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View on Tevere river by PetraInvernizzi by PetraInvernizzi

In Rome, Italy

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Rippling Granite by mattademoraes by mattademoraes

My partner and I are both Science nerds. Fact. One of the most amazing things about the universe is interconnectivity. The man standing on the boat is part of a vehicle disturbing the surface of the water. The surface of the water reflects this as a series of waves. In reality, the man on the boat is connected in a small way to every molecule of water in the river as they go downstream. His presence there is felt not just at the surface of the water but throughout the billions of atoms forming the canal. To put it simply- the universe knows we are here, and our impact on this planet is felt. Be that good or bad.

For more of my non-infrared work please search for Matt de Moraes and for more of my partner’s work (which is honestly amazing) search for Nadia Schweimler

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Monet’s Kitchen: Blue Rouen Tiles#2 by steve_madden by steve_madden

Another view of the kitchen at Monet’s house in Giverny, this time showing the huge stove that must have kept this kitchen quite cozy when it was fired up!

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charles-bridge by olet by olet

summernight in prague

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Chinese Doll (s) … by DanielJehanno by DanielJehanno

China XVII

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