A dormer window with a thick black frame offers views of the garden from this reading room, which is one of three new loft spaces created for a home in south-east London by A Small Studio. Read more
A dormer window with a thick black frame offers views of the garden from this reading room, which is one of three new loft spaces created for a home in south-east London by A Small Studio. Read more
The BRIT Awards has announced that the statuettes that will be given during their 2017 awards ceremony have been designed by the late Zaha Hadid.
Hadid had accepted the project in January of this year and developed concepts for the design before her sudden passing in March of this year. The work has since been led by Zaha Hadid Design Director Maha Kutay and the BRIT Awards Niamh Byrne.
“Zaha was truly excited to be doing this,” recalled Kutay. “Her vision was, being an architect, to focus our efforts more on the 3D element, as the statue had previously been used as a canvas for artists to paint on for the last few years. Our design expresses Zaha’s unwavering belief in progress and optimism for the future and a break from the norm. The biggest challenge was to create something different within certain guidelines, yet achieving a result recognisable to the public. You have to respect the existing to create something new.”
The final designs will consist of a family of 5 interrelated statuettes representing diversity, and will be revealed in full later this year.
“The family is connected by a wave of transition, they are different yet connected,” explains Kutay.
Explaining his reasons for approaching Hadid, BRITs Chairman Jason Iley remarked, “Zaha’s work is innovative, original and recognises diversity in culture. It has much in common with music. She was the perfect choice for progressing the Award into the future.”
A self-proclaimed huge fan of music, Hadid took part in an interview with BBC’s Desert Island Discs, in which she listed a range of artists including Drake, Bryan Ferry, The Beatles, Sam Smith and Adele amongst her favorites.
In 2015, Hadid collaborated with artist and producer Pharrell Williams to create a pair of sneakers for the Adidas Originals line. About the collaboration Williams said, “I’m a huge fan of Zaha’s. I would venture to say that she’s one of the most talented architects of our time, and of history in my opinion.”
The BRIT Awards 2017 will take place at London’s O2 Arena on Wednesday February 22nd.
News via Zaha Hadid Architects.
Blossom is a residential project designed by Alfonso Ideas. It is located in Taipei City, Taiwan. Photos courtesy of Alfonso Ideas
We are almost 100% sure that there isn’t a living man who doesn’t want to quit bad habits, either those were smoking, alcohol, sweets or whatever is a bad habit for you. But let’s face it, it’s damn difficult to quit bad habits no matter how hard you try.
In order to achieve the desired results and finally free yourself from your bad habits you need to look deeply in yourself. Use all the willpower you have, kick out the doubts and fears how you won’t succeed and imagine the goal you want to accomplish. Only on that way you will effectively break bad habits.
If you want to really succeed and quit bad habits here is our 10 steps guide which will help you achieve what you’ve imagined. Practicing more of them you increase the chances of success, so the choice is yours.
People think that motivation like “I’ll quit smoking because it’s bad” is not a strong factor. But if you paraphrase it like “I’ll quit smoking because it’s killing me, my kids are living in smoke because of me and probably they’ll smoke as an adults” it’s the kind of motivation that will finish the job and make you feel guilty.
The first step is done! You are armed with the right motivation and all you need to do is to make massive commitment. After your motivation is clear and defined, you need to commit to it at the very first moment. Do not make the mistake and advise yourself “Do it tomorrow” because it won’t work. Include someone close to you whom you feel comfortable with and share your successes and fails with him. You’ll feel much better.
What triggers your bad habits? If you want to quit bad habits you need locate what events cause them and prevent those events from happening. Maybe you take a cigarette when you are bored (that’s one trigger), or after you ate your dinner (another trigger). Observe yourself for a week and write down the triggers on a paper. Become more aware of them and simply avoid them.
There must be something that satisfies you and for that reason you continue repeating it. There is some dirty pleasure isn’t it? Now, to prevent these “dirty needs” work out this step with the third one from our guide on how to quit bad habits. Next to each trigger, write the pleasure that follows. Next, think of ways that will help cope with them.
What would you do about if your bad habit is taking a cigarette when you feel stressful? Just to stop taking, the need behind the habit will stay unfilled, so you need to make something else instead like short walk stress ball or something which won’t bring you back you bad habits.
Simply make delays, if you feel like you need a cigarette tell yourself that you will take next time, but not this time and so one when it occurs again. Or you can call someone close and talk about your urge. You’ll feel the release.
It will happen, and it will continue happening in near future. It won’t be easy and it will demand a lot of conscious effort but you must strive to quit bad habits. If you feel like you need a cigarette, instead of it take a chewing gum. Make your new habit and stay committed.
We justify bad habits with our thoughts. Observe your thoughts and locate the excuses you are making for not quitting. Don’t believe your rationalizations. Never make excuses.
If you have some big bad habit it’s almost impossible and only few will succeed to quit it instantly. For example, if you smoke 20 cigarettes per day start by lowering on 15. Then to 10 and so on, to the point when you’ll totally quit from this bad habit. It’s more efficient and the chances for succeeding are way higher.
We know that it’s really difficult for many of us to learn from our own mistakes. If you improve your plan on how to quit bad habits and improve it constantly over the time you will effectively deal with them. But first you must be honest, admit your mistakes and accept them as they are. Next, work on them to prevent them of occurring again. Only on that way you’ll break everything you don’t want as a part from your life.
At the very end of our guide we want to say that it wouldn’t be easy, it will be difficult, it will demand a lot of hustle. But if you dedicate yourself and want to do something good for yourself just stay committed. If you have a different guide or advises how to quit bad habits please share it with us and our appreciated audience, we’ll be grateful. We just want to help.
Stay strong and committed and you’ll never need to deal with bad habits again. Above that you can help the people you care about to break their bad habits.
The post Quit Bad Habits – The Ultimate Cheat Sheet in 10 Insane (But True) Steps appeared first on Change your thoughts.
From the architect. The building is part of a complex which englobes the Dunalastair School (Colegio Dunalastair), located in the Community of Peñalolén, which is characterized for being a traditional, slightly urbanized rural area.
The working plan consists in designing/developing a building dedicated mainly to indoors sport activities but also suitable for cultural events such as concerts and stage plays.The whole project, totaling an extension of 2070 m2,will consider a multi activity field with bleachers for 300 spectators, dressing rooms, storage rooms plus an infirmary.
The gymnasium will be built in a piece of land with a 7% slope which, considering the size of the construction, will result in a considerable difference in level. For this reason, it has been decided to sink the construction to certain extend so as to minimize the volumetric impact in relation with the surrounding landscape.
The building consists of 2 concrete volumes (invested with bricks) at each end, making up the most hermetic space of the structure, holding the stage, toilets and storage rooms at one enf, and the dressing rooms at the other end. A more light structure in between, holding the playground and bleachers, is totally accessible from the school.
One of the main objectives is to allow natural light to infiltrate in all the premises, thus reducing to a minimum the energy consumption. This has been accomplished by different ceiling levels, using metal trusses 2 meter high by 28 meter in length as dormers. The resulting geometry of this structure improves the acoustic of the space and, at the same time, provides a greater spatial amplitude.
Due to the multiple purpose uses of the building it was necessary to improve the warmth and acoustics of the premises by using an interior finishing with MDF boards,veneered with natural wood, in 2 different formats: a) In the ceiling, through the original modulation of the manufacturer in 15 x 240 cm strips, 3 cm apart, lined with an acoustic insulation fabric in the inner side, in order to reduce resonance, and b) in the walls, 60×120 cm panels drilled with holes of different diameters, with the same acoustic objective but aimed to simulate an interior vegetal landscape, providing an atmosphere connected with nature.
Elon Musk has revealed his company Tesla’s latest world-changing innovation: a solar roof system so fully integrated into a home’s architecture as to be indistinguishable from a traditional roof.
At the unveiling event on Friday, Musk invited a crowd to the old Hollywood set of “Desperate Housewives,” the quintessential model of American suburbia. After an introduction about the imminent effects of climate change, he revealed the reason for the unique site.
“The interesting thing is that the houses you see around you are all solar houses,” said Musk. “Did you notice?”
As it turns out, nobody had. Musk had installed prototype versions of his new solar tiles onto the roofs of the surrounding houses, but their aesthetic nearly identical to that of traditional roof shingles. With many homeowners turned off by the appearance of other solar panel systems, this represents a possible breakthrough to full acceptance of solar technology.
Made from textured glass, the tiles feature microscopic louvres that allow light to pass through while blocking views to the photovoltaic cell within. Tesla claims the tempered glass shingles would be “tough as steel,” with a “quasi-infinite lifetime,” and that heating elements could be added to melt snow in colder climates.
The solar roof will come in four different architectural styles: Tuscan, slate, smooth, and textured, and will be integrated into Tesla’s Powerwall 2 home solar battery, allowing most homes to produce all of the energy they would need for a typical day. Tesla is also in the process of further refining the louvre technology to bounce reflected light back onto the solar cell, potentially increasing the tiles’ efficiency.
Pricing on the system has not yet been released, but Musk claims that the solar roof could cost less than than the installation of a traditional roof combined with the cost of electricity from the grid.
News via Tesla, The Verge, Bloomberg News.
Candice Millard is already the author of two superb dramatic works of nonfiction: River of Doubt, which tells the tale of Theodore Roosevelt’s expedition to explore Rio da Dúvida deep in the Amazon jungle, and Destiny of the Republic, which takes up the shooting of President James Garfield and his subsequent death at the hands of the medical profession. Both were stirring, revelatory studies in the interaction of character and extreme circumstance, well stocked with lively side stories and material detail. Now Millard trains her inquisitive eye on young Winston Churchill in Hero of the Empire: The Boer War, A Daring Escape and the Making of Winston Churchill, a study in ambition, bravery, luck, recklessness, self-confidence, and swagger.
By the last quarter of the nineteenth century, European colonization of Africa had become a frantic and bloody scramble. With the discovery of diamonds in southern Africa in 1867 and large deposits of gold in the Witwatersrand mountain ridge in 1886, British imperial lust for Transvaal territory, then controlled by the Boers — a group of colonists who were chiefly Dutch with Huguenot and German elements — became uncontainable. (Needless to say, the genuine claim on the land by native peoples was not even considered.) Britain annexed the Transvaal in 1877, but that came to naught when, outmatched by the Boers’ “ungallant and cowardly” guerrilla tactics, superior marksmanship, and battle cunning, the British were defeated with great loss of life in the First Boer War. Waged from December 1880 to March 1881, it was a short, mortifying affair that ended with the Battle of Majuba and “the shocking, sickening sight of British soldiers fleeing in humiliating retreat.”
The British, however, were not to be thwarted: “Imperial troops must curb the insolence of the Boers. There must be no half measures,” wrote Churchill a few years after the disaster. The result was the Second Boer War (1899–1902), the first four months of which brought further misfortune, casualty, and defeat. Finally, at the end of February 1900, British troops managed to win a couple of costly battles and relieved their comrades besieged at Ladysmith. Over the next two years, imperial forces — taking “no half measures” — prevailed by virtue of Lord Horatio Herbert Kitchener’s scorched-earth policy, which resulted in the destruction of some 30,000 Boer farms and the incarceration of Boer women, children, and noncombatant men in brutal concentration camps. These disease-ridden, food-deprived, inadequately sheltered enclosures were themselves the cause of tens of thousands of deaths, the great majority of them children. The entire conflict was ugly in every possible way, but it was the making of Winston Churchill’s political career.
The Winston Churchill who arrived in Cape Town in October 1899 as a war correspondent was not yet twenty-five, but he had already served as an observer in Cuba during the Spanish-American War, as a soldier and correspondent in India during the Pashtun revolt of 1897 and in the Sudan in 1898. Earlier in the year, he had lost a by-election in his first attempt to become a member of Parliament, the initial and necessary step toward his goal of becoming prime minister. Churchill, who made no real distinction between civilian correspondent and soldier, came to southern Africa not only to teach the Boers (“a very small and miserable people”) a lesson but, most crucially, to perform heroic deeds. Properly publicized, these would, he was certain, ensure his election to Parliament and propel him onward to his glorious destiny. He had already acted with reckless courage, even foolhardiness, in combat in India, and there was no possibility in his mind that he would die on the battlefield. (“I do not believe the Gods would create so potent a being as myself for so prosaic an ending.”)
Three weeks after the outbreak of war, Churchill — equipped with a servant and a large supply of fine wine and liqueur, plus eighteen bottles of scotch — had made it to Estcourt, some forty miles from besieged Ladysmith, where, under the command of Colonel Charles Long, troops were awaiting the arrival of the main British force. Long, a man of indecision and blunder, sent an armored reconnaissance train bearing soldiers, civilian railway workers, and Winston Churchill right into the teeth of a Boer ambush. In the midst of devastating enemy gunfire, Churchill, notionally a civilian, led a near-suicidal attempt to free the engine, an act of resourcefulness and monstrous bravery. (“Surrounded by screaming shells and deafening explosions, dead and dismembered men, desperation and almost certain failure, Churchill, eyes flashing, cheeks flushed, began shouting orders.”) Eventually, after truly appalling difficulties and setbacks wonderfully described by Millard, the engine was freed and, packed with men, many wounded and dead, managed to make its way back to a British camp. Still, to his infinite disgust, Churchill was captured with many others and marched off to Pretoria to be locked up as a POW. Nonetheless, the main goal was met: News of his valor, leadership, and determination in freeing the train filled the British newspapers.
From the moment of his capture, Churchill thought of little but getting free. He eventually inserted himself into the escape plan hatched by two other men, neither of whom wanted him along. They had good reason: He was out of shape, his now famous person would be quickly missed, and he couldn’t keep his trap shut. The last was immediately borne out as Churchill at once began boasting to his follow prisoners of his intended escape. And he did get away, completely fouling up the original plan and leaving its two originators behind. By what means this impetuous hero made it over more than 300 hundred miles from Pretoria to the British consulate in Portuguese East Africa is for you to discover, as I do not wish to take one excruciating pang of suspense away from you. I will say only that the ordeal involved jumping on and off moving trains, trekking across arid lands surrounded by enemies on high alert, living with rats down a mineshaft, and being smuggled across a border buried in wool. It was an enterprise in which Churchill’s remarkable courage, audacity, and luck played equal parts along with the bravery and willingness of others to put their own lives on the line to aid him.
Millard has enriched this tale of adventure with details of the quiddities and tribulations of late-nineteenth-century British warfare: the change in battle dress from the glorious red tunic to despised khaki; the use of bicycles and hydrogen-filled balloons; the danger of being hit by lightning on the veldt; and the deplorable rations that included Johnston’s Fluid Beef, an unpalatable substance processed into such incorruptibility that the leftovers were served to the troops in World War I.
The book also includes a fine selection of photographs, including one of Churchill at age seven, wearing such a look of haughty disdain that it not only made me laugh but summed up the man as I have always conceived him. And, indeed, until now, a very little of the imperialist, racist, anti-Hibernian snob, money scrounger, and spendthrift Winston Churchill has gone a very long way for me, but I read this book with real pleasure (and pounding heart). It is, quite simply, a thumping good read.
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