Sig Nordal

In Kara Walker’s new exhibition, it is as though she has drawn her images of antebellum violence from the nation’s hindbrain. Walker has been creating her historical narratives of disquiet for a while, and they are always a surprise: the inherited image is sitting around, secure in its associations, but on closer inspection something deeply untoward is happening between an unlikely pair, or suddenly the landscape is going berserk in a corner.

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