The Dinosaur Egg Geological Museum / Wuhan HUST architecture and urban planning design institute


Courtesy of Wuhan HUST

Courtesy of Wuhan HUST


Courtesy of Wuhan HUST


Courtesy of Wuhan HUST


Courtesy of Wuhan HUST


Courtesy of Wuhan HUST


Master Plan

Master Plan

From the architect. Yunxian situates in the mountain area in central China, at 32°40′N, 110°37′E. It is in the “Hot-summer and Cold-winter climate zone”. The museum design adopts all local material, local teams and local construction techniques. It strives to create least disruption with most locally-sourced design input.

Cast-in-place concrete, reinforced concrete system, local construction team and local materials are used as much as possible.


Courtesy of Wuhan HUST

Courtesy of Wuhan HUST

Floor Plan

Floor Plan

The design used locally fast-grown bamboo as concrete molds, it also used old tiles from deserted local earth houses as the 2nd layer of roof. It also helps keep interior temperature in good condition for hot summer climate region. Without any decoration for inside and outside facade, only using some chimney-shaped light well in order to draw in natural daylight as spotlights for the dinosaur eggs.

Following the passive design principle, the Museum does not need to use any air condition and other artificial ventilation facilities.


Axonometric

Axonometric

Aside from design philosophy, another benefit of the local material and construction team/technique is the economic budget. The site condition including its topography and accessibility is rather complicated, which also results in a building form complicated to construct. Using local material and local construction technique also helps to ensure a modest construction budget while keeping a high-quality contextual design. The Design team also made very frequent trips to the construction site to deliver quality-controlled project within a friendly budget.


Courtesy of Wuhan HUST

Courtesy of Wuhan HUST

The morphology of the design roots in spatial distribution of the dinosaur eggs and vertical variation of the on-site topography. The site remained least disturbed, with the minimally- designed walking bridge gently floating above to hug around the site of the eggs, which further determines the direction and form of the architecture that serves as a silent backdrop for the site. It is a building that is modest to the site, honest to the history and respectful to the archaeological excavation.


Courtesy of Wuhan HUST

Courtesy of Wuhan HUST

Old material + New construction technique:

– The fast-growing local bamboo was chosen as a low-budget sustainable material. However the conventional material is used with innovation: the bamboo was used mostly to make molds that provides concrete a unique, rough and textual finishing.
– The old tiles from deserted earth houses nearby were also recycled in an innovative way: They are used to constructed second layer of the roof. Two layers of roof enables the circulation of air in between, therefore minimizing heat from entering the building during the summer.
– “The Chimneys of Light” are used to provide simple and pure “natural spotlight” for the dinosaur eggs, the only item on exhibition in the entire museum. “The Chimneys of Light” also construct a mysterious atmosphere for the exhibition.


Elevation

Elevation

Innovative “wind-transparent but light-blocking” window system, solving conflicts between dark visual indoor environment and well-natural-ventilated exhibition sensual environment. 

The project collects and piles big rocks from rivers and creeks nearby to protect the foundation of architecture. The unaltered natural grass-field and 800-year-old ancient trees are the main landscape feature, which echoes the natural and minimalistic design principles from the architecture.


Courtesy of Wuhan HUST

Courtesy of Wuhan HUST

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Lahinch House / Lachlan Shepherd Architects


© Ben Hosking

© Ben Hosking


© Ben Hosking


© Ben Hosking


© Ben Hosking


© Ben Hosking

  • Architects: Lachlan Shepherd Architects
  • Location: Torquay VIC 3228, Australia
  • Architect In Charge: Lachlan Shepherd, James Donaldson, Kang Gao
  • Area: 350.0 sqm
  • Project Year: 2016
  • Photographs: Ben Hosking
  • Builder: Torquay Homes Pty Ltd
  • Engineer: Andrew Cherubin and Associates
  • Interior Designer : Sweden Interiors

© Ben Hosking

© Ben Hosking

Floor Plan 01

Floor Plan 01

In the first briefing meeting with our clients Angie, Vic and their Dalmatian Pirate, Angie’s main brief requirement was that she wanted people to walk in and say/think “holy f***”…

It was conceived as a place for entertaining, whereby the owners regularly have guests stay including family and friends from within Australia and abroad. Thus, the house had to function firstly as a home to its two full-time occupants (and their Dalmatian) and secondly as a luxury hotel; each guest bedroom is provided with its own ensuite and robe areas, so essentially their guests can “check-in” to their own space before moving into the main living zones of the house.


© Ben Hosking

© Ben Hosking

The planning responds to the site surrounds by turning its back on the one adjacent neighbour and opening up to the beautiful golf course views to the south and east. Large expanses of glazing work to draw the rolling golf greens and sound dunes beyond into the home, blurring the distinction between outside and inside.


© Ben Hosking

© Ben Hosking

The main kitchen and living zones are also tied to an integrated plunge pool, which is heated year-round, providing a practical, usable pool and doubling as a water feature which is viewed from all living zones. There are no walls diving the lounge, kitchen, dining, and sitting zones but they are separated visually and spatially by the sunken lounge area.


© Ben Hosking

© Ben Hosking

© Ben Hosking

© Ben Hosking

The building, whilst highly detailed and technical in its design/construction, also represents an honest, low-maintenance and warm home.


Sections

Sections

Product Description:
The shade factor external blinds were utilized to provide full sun-control to the northern façade of the building, allowing for solar passive gain as required, along with allowing for privacy for guests as required at the street interface.


© Ben Hosking

© Ben Hosking

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IKEA Recreates Syrian Home Inside their Store in Efforts to Aid Refugee Crisis


via POL

via POL

Swedish mega-retailer IKEA is taking action to combat the destitute living conditions faced by Syrian refugees.

Partnering with the Norwegian Red Cross and advertising agency POL, IKEA has installed a replica of refugee house in Damascus, Syria at their store in Slependen, Norway.


via POL


via POL


via POL


Screenshot via Design Museum

Just 25 square meters in area, the structure represents the actual home of a woman named Rana and her nine family members. Presented in stark contrast to the nearby IKEA room displays, the room’s concrete block walls and sparse furnishings highlight the everyday struggles of Syrian citizens.

“When we had to flee to this area to find safety, we did not have enough money to rent a better place. We have no money to buy mattresses and blankets, or clothes for the children,” Rana told the Norwegian Red Cross.


via POL

via POL

via POL

via POL

Items throughout the model home feature the iconic IKEA tags, but instead of price and dimensions, they list stories about the Syrian family’s daily life in the face of war and the crippling shortages of the basic needs like food, water, and medical supplies. Most importantly, each tag also provides information about how customers can help.


via POL

via POL

Meanwhile, in London, the Design Museum has installed one of IKEA’s flat-pack refugee shelters, “the Better Shelter,” outside the South Kensington Underground station, just steps away from the institution’s new home within a 1960s structure renovated by a team including OMA and John Pawson.

The occasion marks the Better Shelter’s first public exhibit in the UK, and will be on display up until the museum’s reopening on November 24th.

Nominated for the Design Museum’s Beazley Designs of the Year Award 2016, the Better Shelter was designed by the IKEA Foundation in collaboration with the UN Refugee Agency (UNHCR) and the Refugee Housing Unit in 2013 to provide a high-quality temporary accommodation that could replace the tents currently used in refugee camps all over the world.

Thousands of the structures have since been deployed worldwide, serving as a longer term solution for housing and other needs.

News via TV-aksjonen, Norwegian Red Cross, the Design Museum. H/T Bored Panda, Dezeen.

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From Prospect to Client in 30 Seconds

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New York City – New York – USA (by Dominik “Dome”)

New York City – New York – USA (by Dominik “Dome”)