The Longcave is a residential project designed by 23o5 studio in 2015. It is located in Vĩnh Long, Vietnam. The Longcave by 23o5 studio: “Urbanization process in Vietnam that is seen as the development, but in our opinion it is the disorder and vandalism. People are driven to the house where they are not inherently subject to change and adapt to his way of life and the environment. Tra On..
Chile and Cuba’s contributions to the London Design Biennale suggest that, while the Global South is expected to copy the design of the north, it could offer a more radical future, argues Owen Hatherley in his latest Opinion column. Read more
The Museum of Contemporary Art San Diego (MCASD) first opened in 1941 in the oceanfront La Jolla home of philanthropist Ellen Browning Scripps. In the half century that followed, the museum saw three distinct expansions; now, as it turns 75, MCASD anticipates its latest addition, a flexible new multipurpose design by Selldorf Architects that will quadruple the current gallery space.
Courtesy of Selldorf Architects
There is a spirit that is made up of all different things, from the collection and the location to all the people that make it a very special place, there is work to do and I think the rewards are going to be tremendous said Annabelle Selldorf, founding principal of the New York-based, 65-person firm. Inspired by San Diego‘s diverse cultural influences, Selldorf hopes to make the original Scripps house, designed by Irving Gill, the centerpiece of the area.
Courtesy of Selldorf Architects
The addition, which is conceived as a series of smaller volumes, aims to create a more welcoming entry to the museum and blend it more cohesively to its coastal site. In a harmonious contrast with the stucco finish of the current building, the addition will be composed of cast concrete, travertine panels, and aluminum brise-soleils. The new buildings will provide spaces for both the permanent MCASD collection and changing exhibitions, as well as public programs, performance art, and other educational activities.
The museum will close next January to prepare for construction, which is projected to begin in the second half of 2017. The building is expected to reopen in late 2019.
The Klinker Cultural Centre was given a lively exterior to reflect the expressive nature of its programs. Its central location in Winschoten makes it easily accessible to the residents who can enjoy the cultural offerings of the theatre, arts centre, radio studio and library, or savour a coffee in the theatre café. In this way, residents themselves actively contribute to their city’s cultural life.
Site Plan
Cultural icon in Groningen region The striking carved exterior of the centre is designed without front or back facades in order to better engage its surroundings on all sides. This also maximises and accentuates its footprint on the site, while the gentle angles of the continuous facade play with the laws of perspective and shorten visual distances. The horizontal sections, curved edges and overhangs recall 1920s Expressionist architecture in Groningen. The building anchors itself in Winschoten by echoing the morphology of its surroundings. It functions as a juncture between the small-scale buildings of the historic inner city and the larger scale of post-war developments and renovations. The adjacent city centre is characterised by double-storey masonry houses made of local Groningen clay. The reduced scale is emphasized by the horizontal bands that split and join as they move around the building. Major characteristics of the building are its richly detailed vertical masonry and deep, sloping window recesses which lend the building a strong and bold appearance. Different types of bricks were specially designed for the project and produced in traditional orange Groningen clay. The technical zones in the plinth also reflect a connection to the surroundings. The raw, brown/orange ends of the building feature CorTen steel surfaces perforated with the contours of Groningen’s landscape.
Façade The main innovation is the fact that the facade is entirely sculpted from brickwork. A very specific production process enabled the use of deep reveals around the window frames. These are composed of six separate elements poured into one single structure in the factory and installed as one piece on site in front of the windows.
Courtesy of Atelier Pro
The prefab facade is completely constructed without traditional sills or eaves/overhangs. Water that runs over the window frame is discharged through the drainage cavity. In principle no additional drain is necessary. In case of excessive leakage it was decided to implement gutters under every frame to reduce the risk of damage and make maintenance easier. For extra reassurance, the gutters catch excess water and drain it away through the sewage system.
F | A Interior is a digital residential project created by ZROBYM Architects in 2016. It consists of a stylish contemporary apartment in Minsk, Belarus. Renderings courtesy of ZROBYM Architects
For Casa Cor Rio 2016, the most important architectural and interior design event in Brazil, Gisele Taranto Arquitetura was challenged to create six different designs for a dining room. The 26th edition of the event takes place in a house surrounded by Burle Marx gardens in Gávea, an affluent residential neighborhood located in the South Zone of the city of Rio de Janeiro. Ovoo Dining Room by Gisele Taranto – Casa..
Glasshouses double as informal meeting spots inside this former warehouse in Amsterdam, which has been converted into offices for a pushchair company by Dutch studio Space Encounters. Read more
In spite of the prefab wood elements used in this construction, this private house on Steigereiland in IJburg conjures up the idea of an outsize, five-storey wood-carving. Maatworks architects were commissioned to fill the entire building envelope with a town house inspired by the clients’ beloved Scandinavians houses. As in previous projects in IJburg, the architects used one material in particular: pine wood.Here that material was even painted bright red for the facade. Behind that eye-catching facade lies a prefab system based on glulam building components that allows the architect to connect nearly all the components both structurally and spatially. For example, the wall of the staircase are both banisters and walls for the adjoining rooms. Via a large skylight and several small openings in the stairwell, daylight penetrates deep into the house, an effect that is further enhanced by the floor-by-floor widening of the stairwell as it rises.
The house required minimal detailing because the dimensionally accurate prefab internal walls allowed for plain connections, while all the ducting and recesses for wall sockets were concealed during prefabrication. Pine’s tendency to yellow has been counteracted with a coating of lye. Maat architects avoid monotony in the interior with whitish-grey doors and cement covering floors, with integrated floor heating, finished wit fair-faced concrete.
Floor Plans
The house was designed in accordance with the passive solar energy principle: large expanses of south-facing glass ensure that solar heat floods the house in winter, while architectural solar shading in the form of balconies and a roof overhang above the terrace prevent overheating in summer. Surplus heat is expelled via the skylight above the stairwell. In combination with the material properties of this “wooden house”, this provides for a pleasant indoor climate and Scandinavian-style domestic bliss in the middle of the big city.
Product Description.The wood construction of the house consists of prefab cross laminated elements. The elements were made by the german company Züblin. Due to the precision of the product, we could even use it for the interior, for example the stairway in this house.
Apartment in Estrela is a private home located in Lisbon, Portugal. Completed in 2016, it was designed by Aurora Arquitectos. Apartment in Estrela by Aurora Arquitectos: “It is not necessary to create a world, but the possibility of a world. Jean-Luc Godard in Reflexivity in Film and Architecture, 1985. Reflectivity as concept, as much in its use in film or literature as in its appropriation by architecture, refers to that..