The project España 8477 is generated when searching for a typology for a small-scale vertical housing building, where all users can enjoy a different spatial quality and at an affordable price. The multifamily building that is common in the city is a repetition of a typical plan for ‘n’ number of levels. Where outdoor spaces are limited to the access corridors or stairs and inside the views are determined by the height of the building.
This building has 10 housing units, with a flexible distribution inside, 80 to 90 m2, with 1 and 2-level units due to the composition of the structural design.
Two main volumes linked by their circulations are mounted on the exposed metal structure. The variation of the plans generates very large outdoor spaces. Each unit can double the size of the social area when opening sliding doors, creating an indoor-outdoor environment, taking advantage of the best views of the neighborhood, without relying on them. The atmosphere of each unit changes according to their orientation and relationship with their terrace, allowing each one to have a different atmosphere. The gaps between volumes function as light cubes that light up the lower floors, allowing the building to ventilate naturally through all of its facades.
The 2-level units allow access to the apartments in the first four of five levels, freeing the building from depending on an elevator. The scale of the construction remains friendly to pedestrians and respects the existing urban scale, which we consider very important in the neighborhood.
MAD Architects has unveiled the design of the new China Philharmonic Hall in Beijing. Conceived in collaboration with renowned acoustic expert Yasuhisa Toyota (Walt Disney Concert Hall, Philharmonie de Paris, Suntory Hall, etc.), the concert hall will serve as the China Philharmonic Orchestra’s first permanent residency while becoming “a cultural exchange and China’s new locus for classical music.”
To be located at the south side of the Workers Stadium East Gate in Beijing’s Central Business District, the 26,587 square meter (286,000 square foot) building has been envisioned as a “hidden gem” and a place of peaceful respite within the city.
“We wanted to create a pure and sacred oasis in the midst of the bustling city,” says Ma Yansong, founder & principal partner of MAD Architects. “From the moment you enter the building, you will be taken to another time and space.”
Bird's Eye View. Image Courtesy of MAD Architects
Surrounded by a lotus pond and lush greenery, the building’s draped, translucent façade lifts at the entrances to invite in visitors. Once inside, the soaring lobby will provide access to the two performance halls and serve as an area for mingling within the soft light.
“Audiences will experience a transition from an urban setting to one of music and nature, preparing them for a journey of self-discovery,” says Ma Yansong.
Lotus Pond View. Image Courtesy of MAD Architects
Lobby. Image Courtesy of MAD Architects
The design of the 1,600-seat main concert hall draws inspiration from the natural, with “vineyard style” seating rising around the stage in a series of sloping terraces and white sound reflection petals on the ceiling will take the form of segments of a lotus flower. During the day, natural light will filter through the ceiling elements, while at night, lighting and visualizations can be projects onto the interior surfaces to create natural scenes that harmonize with the musical performances.
Main Concert Hall. Image Courtesy of MAD Architects
Main Concert Hall. Image Courtesy of MAD Architects
On the south side of the building, a 400-seat rehearsal hall will be nestled within curved wooden walls. An adjustable sound reflection panel at the back of the stage can be configured for different performance types; in its most dramatic arrangement, it can be raised to allow the natural lotus pond outside to serve as the backdrop for the performance.
Small Concert Hall. Image Courtesy of MAD Architects
Cafe. Image Courtesy of MAD Architects
Lobby. Image Courtesy of MAD Architects
The building will also contain professional recording studio, a library, a collection gallery, offices, rehearsal rooms, and other auxiliary function spaces. MAD Architects hopes the design will become “a new formula for concert hall design and introduce a space within the busy city that promotes conversations between people, nature, and music.”
Construction on the China Philharmonic Hall will begin later this year, and is expected to be completed in 2019.
Philharmonic Hall diagram. Image Courtesy of MAD Architects
Design Team: Kin Li, Liu Huiying, Fu Xiaoyi, Brecht Van Acker, Zeng Hao, Li Guangchong, Jacob Hu, Xiao Ying, Dora Lam, Zhao Wei, Shen Chen, Dmitry Seregin, Zhu Jinglu, Yukan Yanagawa, Wang Deyuan, Hiroki Fujino, Zheng Fang, Sear Nee
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From the architect. Building O by META strengthens the heart of the UA-campus in Antwerp. META and TRACTEBEL with Storimans Wijffels architects completed for the University of Antwerp an auditorium and research building. Building O houses 3 faculties.
“By paying special attention to the structure, we were able to dispense with several layers of finishing. The result is a solid, student-resistant construction.” [ Niklaas Deboutte, META architectuurbureau ]
“Building O is a bright and compact volume, an eye catcher for the campus but with the smallest possible spatial stamp.” [ Eric Soors, META architectuurbureau ]
Mirror symmetry in a readable building Building O is a bright and compact volume that, on the one hand, is intended to be an eye-catcher on the campus. On the other hand, it was also required to leave the smallest possible spatial stamp on the site. The balance between affirmation and integration, and the unifying role of Building O, resulted in a universal building with a double entrance section that is mirrored diagonally. The four auditoria on each of levels -1 and +1 are arranged around the central atrium, the large skylight of which permits zenithal daylight to penetrate to the underground level. The ground floor accommodates shared functions and the large entrance-cum-meeting rooms. Four compact stairwells lead off from this area. The upper level (+3) is reserved for the laboratory and microscopy rooms.
Plan 0
Maximum light ingress with floating volume clad in golden perforated aluminium sheets By positioning the ground-floor facade inwards to a depth of 1 module META creates a covered interior circuit. The floating volume is enveloped in golden perforated aluminium plates that function as fixed blinds. These allow a soft filtered light to permeate the building while also permitting views outside. The panels on the 3rd floor can be opened to allow maximum light into the practice spaces. Using the same material for both the façade and ceiling of the interior circuit, as well as the foyers, gives rise to a floating volume that, in the diffuse evening light, reveals a glimpse of its inner life to passers-by. Prominent role for art with artist Perry Roberts Art was integrated through the work of Perry Roberts (UK). A photograph of students and teachers was punched into the golden aluminium facade panels. A reference to traditional class photographs, the image was rasterized into dots with 5 different diameters. When viewed close-up, the image appears to be abstract, but becomes readable at a greater remove.
Structural work is finishing work META also deployed the ‘structural work is finishing work’ principle. By paying special attention to the basic structure, it was possible to dispense with several layers of finishing. The end result is a solid, student-resistant construction.
Plan 1
Durable shell The University Antwerp attaches great importance to a reliable and well-insulated exterior shell. The compact nature of the volume and use of multiple layers of suitable insulation enabled us to obtain low U-values that resulted in a very favourable K16.
Product Description. The floating volume is enveloped in golden perforated aluminium plates that function as fixed blinds for the auditoriums, microscopy and laboratory rooms. These allow a soft filtered light to permeate the building while also permitting views outside. The panels on the 3rd floor can be opened to allow maximum light into the practice spaces. Using the same material for both the façade and ceiling of the interior circuit, as well as the foyers, gives rise to a floating volume.
For several decades, a set of oriental practices and techniques have strongly infiltrated the western world. A new program that, as architects, we must start solving more often, and that poses interesting challenges from the point of functional, environmental, and aesthetic.
These disciplines are completely focused on the human being, as they seek to work and satisfy their physical, psychological and spiritual needs, and that’s why it seems important to analyze how these needs are being met spatially by architects. Many of the operations taken in these spaces create enabling environments for reflection, introspection, healing, and therefore could also be applied in other relevant programs, such as housing, educational, hospital, and even office spaces.
This article seeks to draw lessons from some projects already published on our site, in order to perform a kind of guide for designs that helps our community of readers to find inspiration more effectively.
Spaces
Although each practice may require specific characteristics, most take place in a large open central space, accompanied by a set of support rooms.
This is the central space of the building where people gather for practice, and generally is a free plan, flexible and adaptable to different uses. To determine its dimensions, we can use the standard measures of a yoga mat, which unfolds fully stretched in an area of approximately 1.70 x 60 meters. It is suggested to leave at least 50 cm between the mats, to allow the free movement of users during the exercises.
Some of these rooms have a small platform or elevated area where the instructor or guide of the session is located, and it is good to add shelves or countertops where people can leave their ‘tools’ during the class (water bottles, towels, blankets, slippers). Usually, the room has mirrors on one or more walls, but this depends on the needs and the taste of the client.
We think about the architecture of the temples, in introverted and silent spaces, in places that look inward, of dim and changing light. (…) We think of the space we need to look at us inward. DX Architects, about their project ‘AYC’ in Santiago de Chile
Ritual House de Yoga / goCstudio. Seattle, Estados Unidos
Not all centers include dressing rooms, but if there are resources and space, it is good to add. In the case adding them in, you can increase the size of the bathrooms allowing dual use. To achieve this objective and allow the space to be occupied by more than one person at a time, in several projects toilet area is separated from the sink, that is being associated with a kind of small dressing room, which may also include lockers, shelves, and benches.
Toilets should be located adjacent to the main room, with a quick and easy access from the main entrance area.
Circulations gain great importance in this kind of projects, because not only can function as corridors or hallways, but also can contain storage spaces, waiting and resting areas, or even a reception. Some cases also take advantage of the walls to incorporate built-in shelves.
Depending on the order received, the building may include several classrooms, plus massage cabins or jacuzzi, sauna and swimming pools areas. The height of the spaces is a choice of each client and architect, but the main room, at least, is designed in most cases with a greater height.
Centro Holístico Punto Zero / Dio Sustentable. Putaendo, Chile
There is a belief that these spaces must be completely silent, but precisely the idea of these disciplines is to be developed in spite of the ambient noise. In fact, in many cases, it is recommended to fully perform in exteriors, as many sounds of nature can help a better realization of different practices. In the case of closed rooms, these sounds (and even smells) can be integrated by incorporating indoor courtyards or gardens that attract birds, including moving water, and/or allow the flow of the wind.
Obviously, if a practice requires complete silence, the design must allow that the space can be completely isolated.
The design premise was to create a center in constant contact with nature. For this we planned a flagstone garden around the property, with a set of perforations to create interior courtyards where gardens were generated. The spaces and their uses are constantly related through the courtyards and gardens. Ambrosi I Etchegaray, about their project Spa Querétaro in Querétaro, México
Ventilation
This is a fundamental issue in these practices, since they all use breath as the basis for its development. It is important to allow cross ventilation across the room, making sure that there is a certain current renew of oxygen inside, during the session or at the times when the room is not being occupied. For this, we should generate a first opening in the facade that receives the prevailing winds, and a second opening (preferably bigger) on the opposite wall.
The light allows to qualify environmentally the space and can help to lead the intension of the practice being done. In the case of Yoga, direct connection to the sun is essential in many of their exercises. That’s why we should always favor natural lighting, and is necessary, to incorporate systems to regulate their intensity, allowing darken the room completely if necessary.
In order to avoid glare, in most of the projects presented in this article, light does not fall directly on people, and have been used zenithal openings, windows at floor level, fuzzy screens, and light courtyard surrounding the main room.
If practices are carried out at night, artificial lighting choice should be warm and also adjustable.
The aesthetics of space depends entirely on the client requirement, but generally, you should avoid distracting elements or exaggerated decorations. It is recommended using warm materials and soft colors (or directly white) to help attendees achieve a certain degree of initial concentration. As practices carried out in permanent contact with the ground, floors are usually covered with wood or materials rather ‘soft’ and warm to the touch.
The aim of the project is the creation of spaces where materials, furniture, lighting and colors accompany yoga practice, creating a smooth transition in the path. It is relaxed and limited spaces that allow the user to stop their busy lifestyle and connecting slowly, with body and a serene mental space. Studio Shito about their project ‘YogaOne Mandri’ in Barcelona, España
Orientation and Geometry
Some of the projects are based spatially and geometrically in the traditional tenets of the different practices, as many claim that certain orientations and configurations may enhance the effectiveness of the exercises.
For example, we talk about some beneficial cardinal directions, like the East (where would travel certain subtle energies accompanying the movement of the Earth) or Magnetic North (near the geographic North, which would allow us to align with the magnetic field of our planet). Other cases have based their design in the studio of the sacred geometries, and have even made dowsing ground surveys to learn of benign energies present at the project site.
Centro Holístico Punto Zero / Dio Sustentable. Putaendo, Chile
These organic references allow us to drop some stiffness of a more practical design, moving to generate curves or circular shapes that could impact positively on the user experience inside of the building.
Have you designed one of these spaces, or do you perform one of these practices often?
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