Trump’s Cruel Deportations

A fair immigration system would consider family and community ties before ordering deportation, but US law generally ignores them, and Trump’s policies are taking this to new extremes. Congress also bears responsibility for its abject failure to reform a system that everyone agrees is broken. It should require a hearing before deportation—or better yet, find a way to regularize the status of people who deserve legal recognition.

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Our Hackable Democracy

The recent news that voting machines had been hacked for sport at the Def Con hackers’ conference, should not have been news at all. Since computerized voting was introduced more than two decades ago, it has been shown again and again to have significant vulnerabilities that put a central tenet of American democracy—free and fair elections—at risk.

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The Terrorists Go Shopping

A shabby-chic cadre of photogenic young Parisians coordinate a series of terrorist attacks, blowing up or setting fire to buildings and monuments throughout the city, then take refuge after nightfall in an empty department store. Nocturama, the French filmmaker Bertrand Bonello’s daring and controversial follow-up to his 2014 Yves Saint Laurent biopic, is at once timely and timeless. It sets the aftermath of two centuries of French history to a hypnotic, trancelike beat.

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Unruly and Unerring

Roxane Gay is a writer of extreme empathy. Her fiction and essays elicit as much shared understanding as they give. Her new memoir, Hunger, is the story of being a physical woman in a physical world that has been shaped for so long by men. And I suspect that every woman who reads Hunger will recognize herself in it. For men who read the book, it will be more of a travelogue. Vade mecum.

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Wagner on Trial

In Barrie Kosky’s new production of Die Meistersinger, which opened the 2017 Bayreuth Festival, the musical cobbler Hans Sachs has been restyled as his creator Richard Wagner, isolated in the witness box at the Nuremberg Trials, and we the audience have now become the tribunal, passing judgment on him. Sachs, singing of German art, seems to be desperately pleading for absolution after the vicious ways in which German high culture—and especially Wagner’s music—was harnessed to the ideology of Nazism.

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Fools, Cowards, or Criminals?

Marcel Ophuls does not dilute the monstrosity of Nazi crimes at all. But he refuses to simply regard the perpetrators as monsters. “Belief in the Nazis as monsters,” he once said, “is a form of complacency.” This reminds me of something the controversial German novelist Martin Walser once said about the Auschwitz trials held in Frankfurt in the 1960s. He wasn’t against them. But he argued that the daily horror stories in the popular German press about the grotesque tortures inflicted by Nazi butchers made it easier for ordinary Germans to distance themselves from these crimes and the regime that made them happen. Who could possibly identify with such brutes? If only monsters were responsible for the Holocaust and other mass murders, there would never be any need for the rest of us to look in the mirror.

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The Highest Form of Flattery

Like the nineteenth century, our own moment is one at which the expansion of museums and new technologies for the dissemination of images have combined to make the history of art-making seem open to view as never before. Elizabeth Prettejohn’s elegant new book reminds us that pastiche and ironic “appropriation” are not the only possible responses to that experience.

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The True American

These days the question of what it means to be a “true” American resists rational analysis. Whatever one can say about Americans that is true, the opposite is equally true. We are the most godless and most religious, the most puritanical and most libertine, the most charitable and most heartless of societies. We espouse the maxim “that government is best which governs least,” yet look to government to address our every problem. Our environmental conscientiousness is outmatched only by our environmental recklessness. We are outlaws obsessed by the rule of law, individualists devoted to communitarian values, a nation of fat people with anorexic standards of beauty. The only things we love more than nature’s wilderness are our cars, malls, and digital technology. The paradoxes of the American psyche go back at least as far as our Declaration of Independence, in which slave owners proclaimed that all men are endowed by their creator with an unalienable right to liberty.

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Ain’t It Always Stephen Stills

Several years ago an academic colleague and I embarked on what we called a “Stills-off”: we would listen to our record collections and narrow the musician Stephen Stills’s oeuvre down to its top five songs. Then we’d see whose list was better.

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Rwanda: Kagame’s Efficient Repression

With each election, Rwandan President Kagame has tightened his grip on power, and the elections have increasingly turned into a performance of his authority. Kagame’s control is visible even in seemingly benign events. When he announced a ban on plastic bags, local officials eradicated plastic bags from Rwanda almost at once. When he decreed that all Rwandans should use footwear, Rwandans purchased shoes. Some Rwandans carry their shoes on their heads, so as not to wear them out, and walk in them only when officials are present.

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