How Barcelona’s “Superblocks” Pedestrian Plan Hopes to Return the Streets to the People

Cars have reshaped cities across the world, largely at the cost of everyone outside of a private vehicle. In recent years the “grid city” of Barcelona has been suffering from clogged roads and choked air quality, with urban traffic contributing to the 3500 premature deaths caused by air pollution each year. Beginning in the district of Eixample, proposals laid out in the 2014 Urban Mobility Plan aims to diffuse traffic congestion and reduce air pollution in the city. In a recent film Vox have picked up on one of a number of potential schemes: the Superblock concept (known as superilles in Catalan). According to Salvador Rueda, the Director of the Urban Ecology Agency of Barcelona who developed the plan, these are “grid[s] of nine blocks [in which] the main mobility happens on the roads around the outside, […] and the roads within are for local transit only.”


Ildefons Cerdà i Sunyer's 1859 urban plan for Barcelona. Image via Wikimedia Commons under public domain (original source: Museu d'Historia de la Ciutat, Barcelona)

Ildefons Cerdà i Sunyer's 1859 urban plan for Barcelona. Image via Wikimedia Commons under public domain (original source: Museu d'Historia de la Ciutat, Barcelona)

As shown in the video, a Superblock closes off traffic within a square of nine city blocks, with main traffic only allowed around the perimeter. A “one-way system inside the Superblock makes it impossible to cut through to the other side of the Superblock,” Rueda has explained in an interview with Curbed. “That gives neighbors access to their garages and parking spaces but keeps the Superblock clear of through traffic.” Rueda estimates that Barcelona can implement this initial phase across the city for less than €20 million. The second phase, which is designed to reinvent the reclaimed space, will ban curbside parking (moving vehicles to off-street parking complexes) and reduce the speed limit to 10 kilometers per hour (6 miles per hour) in a bid to encourage new forms of urban appropriation. The result is a much more pedestrian-friendly neighborhood, encouraging pedestrian and bike traffic, markets, and other on-street activity.


via screenshot from Vox video

via screenshot from Vox video

The video also gives a glimpse of Barcelona’s future improvements by discussing the example of Vitoria-Gasteiz, a city northwest of Barcelona. Since implementing the Superblock in 2008, pedestrian surface area increased from 45% to 74%. Pollution also decreased, with nitrogen oxide emissions reduced by 42% and particle pollution by 38%. Finally, noise levels also dropped, from 66.5 decibels to 61 decibels – cutting sound amplitude almost in half.

The first Superblocks will be tested across 5 neighborhoods in Barcelona, with a further 120 locations identified as potentially suitable. For more, the full video and accompanying article from Vox can be found here.

This article was written by Sharon Lam and James Taylor-Foster.

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Fire Station in Chamonix-Mont Blanc Valley / Studio Gardoni Architectures


© Jerome Ricolleau

© Jerome Ricolleau


© Jerome Ricolleau


© Jerome Ricolleau


© Jerome Ricolleau


© Jerome Ricolleau

  • Landscape: Atelier Anne Gardoni
  • Bet Tce: OTEIS
  • Bet Vrd: SOTREC

© Jerome Ricolleau

© Jerome Ricolleau

From the architect. Winner of the architecture competition in 2012, Studio Gardoni Architectures discreetly fit this major facility into the small town of Chamonix and more particularly into the valley’s grandiose landscape. Rising from the slope, the building is covered up by the ground of the clearing, and is destined to disappear when the nature once again reclaims its rightful place. 


© Jerome Ricolleau

© Jerome Ricolleau

© Jerome Ricolleau

© Jerome Ricolleau

Plan 0

Plan 0

© Jerome Ricolleau

© Jerome Ricolleau

The architectural concept strives for invisibility: more precisely, it aims to render invisible the impact of a fire station as we typically see or imagine one, a building bustling with activity, with a particularly prominent roadway network. At an emergency services center, every second counts, requiring a design that emphasizes precision and detail. This new building not only meets these criteria scrupulously, but has also been cleverly designed to enable the vehicle bay to be placed underground.


© Jerome Ricolleau

© Jerome Ricolleau

In order to minimize impact and allow space for the natural environment to once again thrive, key elements had to be both built underground and made more compact. The shape is akin to an assembly of elements of programs that intertwine opportunistically to simultaneously create proximity (functionality and ergonomics) and minimize the structure’s footprint. This principle results in a building with two facades that are partially or entirely underground, and two broad facades that contain all of the functions. This is epitomized through the opaque, mysterious structure of the gymnasium, an emblematic figure at the bow of the complex. 


© Jerome Ricolleau

© Jerome Ricolleau

Inherent to the nature of this site is the passing of time. These spaces are materialized in a process of disappearance, of time unfolding. Here, time is not destructive but transformative. 


© Jerome Ricolleau

© Jerome Ricolleau

First of all, nature covers the roof, and will reclaim its rightful place, both around and on the structure. The gabion foundations are composed of rocks from the site, a selection of pebbles excavated from the surrounding glacial moraine.


© Jerome Ricolleau

© Jerome Ricolleau

Plan 2

Plan 2

© Jerome Ricolleau

© Jerome Ricolleau

Finally, the copper, found in the scaled façade and the standing seams, begins its slow mutation once it has been installed, and will turn from gold to brown, as seen in a number of structures found in the valley. This material reflects the surrounding peaks, transforms the site and is transfigured every hour of the day by the changing sunlight and the clouds.


© Jerome Ricolleau

© Jerome Ricolleau

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Economic Concepts That Every Architect Should Know

We talk about sustainability, livability, and land use to describe a project, but we often avoid the profitability, capital gains, and externalities that go along with them simply because we don’t know how to use the terms. Architecture doesn’t exist outside of the economy and in fact, how we build each building directly affects the economy of our cities.

As a profession, architecture acts as the mediator between different specialties, and it is very important to speak the official language of each of them. This article will help you easily understand some basic economic concepts that relate to architecture.

Real Estate

Goods that have a fixed position in space and cannot move. So land, buildings, farms or other types of constructions (basically, architecture). 

Community Space

Property whose enjoyment is not unique to an individual. Parks and public spaces fall under this category. 

Housing Bubble

Excessive and unjustified increase in real estate values, usually caused by speculation. The housing bubble of 2008 was caused by speculation as a result of fictitious mortgage payments (people paid their credit with more credit) making it seem as though market demand continued to grow. 

Opportunity Cost

The maximum profit that could have been obtained from investing in other options aside from what you did invest in.  





Economic Cycle

The stages of expansion and contraction in economic activity experienced by industry, a fact that occurs at certain periods of time. 

Mortgage Loan

A loan in which the payment of interest and principal is guaranteed by the property registration. Most construction is financed in this way. 

Commodities

Primary goods traded internationally. For example: grains, metals, energy products (oil, coal, etc.) coffee, cotton, etc. Construction depends mostly on these goods and a rise in price of these will directly affect the price of a work we are building. 

Savings and Loan Corporations

Financial institution whose function is to promote private savings and helps to drive the construction industry through mortgage loans. Profits are earned through savings accounts, ordinary deposits and term deposit certificates. 

Externality

Benefits or social costs arising as a result of a private activity for parties not included in this activity. An example of a negative externality is traffic produced by a building with a lot of parking, where damage is suffered by the neighborhood, but is not an expense that the private producer paid accordingly. 

A positive externality was the increase in tourism generated by the construction of the Guggenheim Museum in Bilbao, which meant an increase in hotels, sales, restaurants, etc.





Demand

The quantity of goods or services which are desired by a market. For example how many people are looking for housing at one time. 

Depreciation

Loss of value of an asset (house, car, household appliances, etc.) due to use and function, which can not be compensated for by repairs, maintenance or even by replacement of all components.

Economies of Scale

Any production situation in which the cost per unit produced decreases as the number of units produced increases.

Architecture often fails in this area as in many cases mass production reduces quality.





Investment Expenditure

Public spending with the intent of improving public capital; public infrastructure such as schools, national roads, and parks. 

Investment

Placing funds in a project (operational, financial, real estate, etc.) with the intention of making a profit in the future. 

Supply

The quantity of goods or services that are available to be sold in a market. For example the number of apartments for sale in a city. 





Mortgage-backed Security

Participation by a third party in a certain percentage of a mortgage. Often used in the construction of large infrastructure works, construction or acquisition of high-value buildings.

Capital Gain

The increase in the value of an object for reasons extrinsic to them. 

The existence of a park brings increased value of property next to it, since most people prefer to live near a public space. 





Cost Effectiveness

The relationship between the utility provided and invested capital (income – expenses). 

Economics tells us that higher habitability means higher returns (the more I build more I can sell). However this creates cities without design criteria and little habitable value.

Appraisal

Report or document to determine the value of property on the market in relation to supply and demand at any given time. 

Sources

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De Gouverneur / Architectuur MAKEN


© Ossip van Duivenbode

© Ossip van Duivenbode


© Ossip van Duivenbode


Courtesy of architectuur MAKEN


© Ossip van Duivenbode


Courtesy of architectuur MAKEN

  • Other Participants: Koelman Bouw B.V., Chris Bosvelt, Pieters Bouwtechniek Delft, Stonecycling

© Ossip van Duivenbode

© Ossip van Duivenbode

From the architect. Though Rotterdam – with its high-rise and modern developments – feels like a pretty dense city, there are still empty plots in the city center. These are the result of the ambitious post-war plans in between old houses. The gaps in between old and new are often left open, which are potential locations for small buildings. The local-government stimulates initiatives for such small scale projects. We started to bike around the city to find a plot in our favorite neighborhood and we took a close look to possible locations and the regulations that comply. About 2 years ago [sept 2014] we laid eyes on this very location, and we contacted the local-government with an email questioning: can we build here? Followed by a reply: Yes, please! The contractor started building in March 2016 and finished in July 2016. 


Courtesy of architectuur MAKEN

Courtesy of architectuur MAKEN

The house is a fill-in project with extra attention to respect the views and daylight of the neighbors and the existing passage to the backyards. The building with 4 levels, just like the adjacent buildings, is therefore built on a small plot. The house is 4,65meters in width and 8,8meters deep. Every floor contains 1 big room. Ground floor: kitchen/dining room, connected to a little garden. First floor: office. Second: living room. Top floor: sleeping room and rooftop terrace. The usable floor area is 120 square meters. The stairs are positioned in such a way that they provide a lot of flexibility and splitting floors in multiple rooms is possible. The concrete walls which are necessary for the stability the house are left visible. Rough concrete shows the structure and features the interior of the house. The polished concrete floors are only 180mm thick, including the finish and floor heating. The concrete beam normally situated under the ground floor is put on top of it, to create a conversation pit containing the kitchen. 


Courtesy of architectuur MAKEN

Courtesy of architectuur MAKEN

Section

Section

Courtesy of architectuur MAKEN

Courtesy of architectuur MAKEN

The buildings in the street are built in different moments in time, from 1850 on, showing a variety of architecture. They all have one thing in common: the buildings are materialized with brickwork. This new house in an old street, complies with the old by the introduction of something new. The chosen bricks seem ordinary and go well together with both adjacent buildings. Though these are waste based, Stonecycling bricks, which hasn’t been applied yet. A mix of brick bonds is used, in which the sliced stones form long vertical lines across the facade. These sliced stones show the ingredients of the brickwork: building waste such as glass, ceramic waste such as toilet bowls and roof tiles. Thereby the waste is the ornament in the facade and looks at the same time identifiable, showing the beauty of a circular building material. 


© Ossip van Duivenbode

© Ossip van Duivenbode

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Pars Hospital / New Wave Architecture


© Parham Taghioff

© Parham Taghioff


© Parham Taghioff


© Parham Taghioff


© Parham Taghioff


© Parham Taghioff

  • Architects: New Wave Architecture
  • Location: Rasht, Gilan Province, Iran
  • Lead Architects: Lida Almassian, Shahin Heidari
  • Area: 30000.0 sqm
  • Project Year: 2016
  • Photographs: Parham Taghioff
  • Client: Teb Zist Bonyan
  • Contractor: Latoum co

© Parham Taghioff

© Parham Taghioff

Since the second half of twentieth century up today, the architectural design of hospital buildings has faced great changes. These changes are coming from vital role that these types of buildings will play in city context and society as urban features.


© Parham Taghioff

© Parham Taghioff

Wide Surveys on typology of current health centers in IRAN leads to such disappointed results, for years these buildings have been built on base of repetition of some pre-designed blocks, which are covered with a shell around as building and finalized as building of hospital. So complicated network of path are generated which mostly are very narrow and dark corridors that arouse sense of fear and stress in users more and more, hence this is the time to redefine and re-evaluate the values that are affecting hospitals and healthcare centers quality of services that leads users to calmness during their experiences in these types of centers.


© Parham Taghioff

© Parham Taghioff

Designing hospitals is not becoming too much problematic issues just because of its mostly huge scale in design but the critical points comes out as it should be considering interconnection of such very complicated functions that covers areas from medical science to engineering, psychology…etc. Those mentioned areas are always faced with vital changes by time, even day by day. Best solutions are desired as inevitably these types of places affecting peoples feelings so directly There are values that should be considered which persuade comfort feelings and reduce stress and pain in patients, like perfect distribution of areas, shape of volume, alignment to site’s context, view to outside, green spaces, furnishing, materials, color and light. 


© Parham Taghioff

© Parham Taghioff

Plan

Plan

© Parham Taghioff

© Parham Taghioff

Pars hospital of Rasht is belonging to private section as owner, of course these private units seeking their profits in creative and pioneer designs that are becoming very effective motivation points for having best costumer service and attracting more users. So for these units, users are considered both precious guests for the hospital as well as demander of healthiness whom pay for it; The better buildings quality, attract more customers, give better services and earn more profit, this is the goal.


Section

Section

The pars Hospital of Rasht is built in overall 30000 sqm with almost 160 beds, it is located adjacent to one of most crowded roads of Rasht city with high possibility of rising in noise pollution in future. For having less affection from sound pollution, the expansion of the building in the site is in a way to have most distance from road. In accordance with Context of the city Rasht, designer tries to consider sloppy volumes so in this way apparently continuity of sightseeing preserved. 


© Parham Taghioff

© Parham Taghioff

The concept of design in ground floor coming from having wide space with combination of diagnostic spaces, emergency parts and Outpatient clinic which are connected to other sections vertically an horizontally through main transparent Atrium, play vital role of merging buildings sections into one single entity and acting as organizer of interior pedestrian path, provide coherency, forming hierarchy between public and private areas and creating light space with efficient usage of daylight and less using electrical energy. 


Diagram

Diagram

Preservation of Continuity of users movement beyond remedial sections in all parts of building is afforded in a way that wouldn’t makes any interruption between protected and unprotected areas. 


© Parham Taghioff

© Parham Taghioff

This building and its specific generated spaces unlike the other common types of health centers are very bright spaces, which in composition to specific colors increase efficiency of daylight usage in interiors.


© Parham Taghioff

© Parham Taghioff

The other point which affects our design was about designing in a different way, as it seems that remedial spaces are suspended through the so bright volume of the building so apparently with this clever division between spaces the topic of Infection control debate is controlled in perfect way.

 Backing and supporting sections which almost so crowded and faced with fire hazard have been located with some distance in the form of three sloped volumes in two levels that defined their abundance with a green line around and have very adequate natural ventilation in between that is desired for medical instruments, of course this ventilation is avoided in remedial sections in building cause through these part we wont to expand infections in any case.


© Parham Taghioff

© Parham Taghioff

This atrium present very good potential for designing the building of the hospital, a place that needs more compatibility with the soul of technology and its growing speed specifically in this area of science, an intelligent inspiration behind of design is desired to create spaces with great possibility of adoption and transformation in the time of necessity. Future possible extension of the hospital is considered in west-north side of the building.


© Parham Taghioff

© Parham Taghioff

Entrees to hospital are divided in three types of main entrance in south side and emergency door in east side of building and finally there is helipad in roof that prepares the vertical access of the building. All the accesses are connected in atrium and then generated through the building’s sections.


© Parham Taghioff

© Parham Taghioff

The whole volume and form of the facades have vital influence in invitation the users and support their feeling of trust to these places as its specific design criteria tries to prepare a place of calm for patience and their attendances. Days and nights in this building will give them sense of liveliness, as in the days bright spaces with controlled penetration amount of natural light inside with nice colors in walls and floors makes their stresses less and in night, the bright atrium in the hearth of the building shine like star that shows path of health and improve sense of hope to life for users and viewers outside.

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Brew Box Pad / Itay Friedman Architects


© Boaz Arad

© Boaz Arad


© Boaz Arad


© Boaz Arad


© Boaz Arad


© Boaz Arad


© Boaz Arad

© Boaz Arad

Reinventing a space, demolishing the old and to approach the clients needs and wishes nowadays always requires a innovative idea.


© Boaz Arad

© Boaz Arad

A box can contain what you place in it, but most importantly can become what you brew of it. From this basic rethinking of the interior shell the Brew Box pad design scheme emerged.


Diagram

Diagram

Our client needed a place to live and develop his future business, so we found it only appropriate to create a space that can accommodate his demanding life yet retain the seclusion and peace of home.


© Boaz Arad

© Boaz Arad

The client had a clear idea and love for the industrial design and a dream of a loft space, giving us the task to reinvent the mundane typical old building block apartment into a style to which it was never constructed for.


© Boaz Arad

© Boaz Arad

The introduction and combination of materials such as metal, old bricks, patterned glass and old style factory tiles where key elements in the mood board we created for this project, alongside our clients work, love for entertaining, cooking and having an optional guests room.


© Boaz Arad

© Boaz Arad

To incorporate all this, we first had to rethink the old circulation layout in order to try and reopen the space for all these different uses.

Creating an oval shape movement diagram versus the old linear movement pattern, we essentially introduced the possibility to access every part of the space uninterrupted even if one part of it was blocked by use of its inhabitants.


© Boaz Arad

© Boaz Arad

The entrance became the main gathering space of the apartment, acted as a access point to the living room / guest bathroom, toilet, service room and private bedroom.


© Boaz Arad

© Boaz Arad

The living room could be both private and public due to the fact that we introduced a glass door we designed and manufactured specially for our clients. With it, we both extended the space combining living room and kitchen in to one as well as segregated it when needed as a guest quarter by a pre installed curtain system blocking the transparency of the door.


© Boaz Arad

© Boaz Arad

The service room acts as an extension to the kitchen, with extra work space / pantry, that can be opened or closed with a secret shelving door unit, or act as a corridor space to access the kitchen and entrance without engaging the living room space and at times when needed as a private extension to the bedroom.


© Boaz Arad

© Boaz Arad

The bedroom is the most secluded part of the apartment, and to maintain it we reinstalled old style double wing door to the living room and a secret mirror door to the service room by which creating a gradual movement through public and semi public spaces before reaching the private space.The Brew Box pad concept created an abundance of containing spaces or as one would say “a box in a box” , creating self sustainable spaces for both living working and entertaining.

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Tic Tric Trac / baumschlager eberle


Courtesy of baumschlager eberle

Courtesy of baumschlager eberle


Courtesy of baumschlager eberle


Courtesy of baumschlager eberle


Courtesy of baumschlager eberle


Courtesy of baumschlager eberle

  • Architects: baumschlager eberle
  • Location: Räffelstrasse 22, 8045 Zürich, Switzerland
  • Client: Swiss Life AG
  • General Contractor: Implenia Generalunternehmung
  • Area: 46915.0 sqm
  • Project Year: 2014
  • Photographs: Courtesy of baumschlager eberle
  • Planning: Baumschlager Eberle Vaduz
  • Project Architect : Marc Fisler
  • Assistance: Marius Cerha, Ina Brink, Tomasz Walecki
  • Landscape Architect: Müller Illien Landschaftsarchitekten
  • Structural Engineer : Frick & Gattinger
  • Building Physics: Braune Roth AG
  • Building Technology: Ospelt Haustechnik
  • Fire Safety: EWP AG
  • Site Area: 12766 sqm
  • Net Floor Area: 39534 sqm

Courtesy of baumschlager eberle

Courtesy of baumschlager eberle

The rental area of 27,800 square metres radiates an open and vibrant atmosphere that would delight Donald Duck’s nephews, Huey, Dewie and Louie, known in German as Tic, Tric and Trac, who have given the complex its name. baumschlager eberle have devised a spatial concept that meets current needs for highly flexible and cost-effective commercial space. The ensemble’s showpiece is a 700 square metre creative mall linking all three buildings at the first floor level. This multifunctional open area provides an informal meeting point for the tenants and ample space for events. The ground floor will accommodate shops, cafés and restaurants catering for the daily needs of the tenants and local residents. 


Plan

Plan

The outstanding external feature of the complex is the two-part, concrete curtain-wall facade which corresponds with the structure of the interior space. The thermal envelope with its extensive window glazing is supplemented by circumferential concrete elements, the projecting nature of which ensures extensive shading and dispenses with the need for any additional protection against the sun. “The continuous static system with load-bearing cores and a column grid of 8.10 metres make the shell very economical inside”, says Marc Fisler, baumschlager eberle’s project manager in Vaduz. 


Courtesy of baumschlager eberle

Courtesy of baumschlager eberle

Plan

Plan

Courtesy of baumschlager eberle

Courtesy of baumschlager eberle

No costly interior work has been carried out. The structural concrete has deliberately been left visible and the building services offer considerable flexibility. Marc Fisler: “The heating has been installed alongside the facade and the many electrical cable ducts buried in the concrete ensure an optimal basic structure. Other technical equipment such as ventilation, cooling and additional sanitary units have been prepared at the core and can be installed by the tenant as required.”The 2.7-metre modular grid relates to the construction and so facilitates the individual finishings and the refinement of the rental space. 


Section

Section

In urban development terms Tic Tric Trac fits effortlessly into its commercial surroundings. The buildings along Räffelstraße take their cue from the volume of the structures in the neighbourhood. The tallest building has ten storeys, rises up 40 metres and thus makes maximum use of the permitted height for the neighbourhood. 


Courtesy of baumschlager eberle

Courtesy of baumschlager eberle

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One To Three / Create + Think Design Studio


© Figure x Lee Kuo-Min Studio

© Figure x Lee Kuo-Min Studio


© Figure x Lee Kuo-Min Studio


© Figure x Lee Kuo-Min Studio


© Figure x Lee Kuo-Min Studio


© Figure x Lee Kuo-Min Studio

  • Site Supervisor : Ying Chou

© Figure x Lee Kuo-Min Studio

© Figure x Lee Kuo-Min Studio

One To Three
Desirably situated in proximity to Keelung River and a small park directly in front, the property is enveloped on two sides by an L-shape sliding glass doors, with a balcony to enjoy the view of Keelung River in the distance or the greenery of the park down below.  


© Figure x Lee Kuo-Min Studio

© Figure x Lee Kuo-Min Studio

As the total floor plan resembles approximately a perfect square, the long wood cabinet transfigures this single space from one to three distinctive sections: the relaxation space wrapped by the sliding doors, the sleeping quarter of master and guest bedroom, and the culinary area of kitchen and wine cellar.


Plan

Plan

Relaxation
Lounging in front of the cabinet structure and facing out toward the glass doors, this space of relaxation is encased, like a box full of surprises, by concrete ceiling and floor.  Serving as the main visual focus and a contrast in texture, the upside down U-shaped stainless-steel central island adds cool sexiness to the warmth from the grain pattern of the cabinetry.  The warmth of the wood stretches from the entrance to the reading area.


© Figure x Lee Kuo-Min Studio

© Figure x Lee Kuo-Min Studio

As the steel structure expands into an elongated bar, the doors of the cabinetry open in various ways to reveal the multi functions hidden behind, such as music equipment, wine storage, espresso machine, and light faire food preparation counter.


© Figure x Lee Kuo-Min Studio

© Figure x Lee Kuo-Min Studio

The steel structure links the three sub-sectors of the relaxation space: living room, dining area, and reading area, which is partitioned with metal frame accordion glass doors.  When closed, the reading area is a distinct and separate section off the relaxation space.  When opened, the entire space becomes a great room, connecting with the greenery outside through the L-shaped sliding glass doors.


© Figure x Lee Kuo-Min Studio

© Figure x Lee Kuo-Min Studio

It is a place of exuberance where the host, with his friends and family, can enjoy exquisite food and fine wine.  This concrete box reflects and records the moments of living.


© Figure x Lee Kuo-Min Studio

© Figure x Lee Kuo-Min Studio

Sleep
The media center cleverly separates the bed and closet in the master bedroom.  Wood element fuses the bathroom with the sleeping area, yet the clear glass subtly divides the different functionalities.  The combination of classic footing of the tub, rugged masonry counter, and the Roman X desk legs creates an aura of Tuscan villa.


© Figure x Lee Kuo-Min Studio

© Figure x Lee Kuo-Min Studio

From Sleep to Culinary

Culinary 
The culinary area is as pristine as the kitchen of a three-star Michelin restaurant, further enhanced with an oval table made from solid wood and a wine cellar containing the owner’s immaculate wine collection.  When the owner hosts a party, sumptuous banquets and luscious wines flow from here into the concrete box. Ces’t la vie!


© Figure x Lee Kuo-Min Studio

© Figure x Lee Kuo-Min Studio

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Nelson House / a.k.a Architecture


Courtesy of a.k.a Architecture

Courtesy of a.k.a Architecture


Courtesy of a.k.a Architecture


Courtesy of a.k.a Architecture


Courtesy of a.k.a Architecture


Courtesy of a.k.a Architecture

  • Architects: a.k.a Architecture
  • Location: Kapiti Coast District, Wellington, New Zealand
  • Area: 229.0 sqm
  • Project Year: 2014
  • Photographs: Courtesy of a.k.a Architecture, Nic Nelson

Courtesy of a.k.a Architecture

Courtesy of a.k.a Architecture

The Nelson House is situated on a rise overlooking Kapiti Island and the coastal residences of Waikanae Beach. The clients brief was for a house that was quintessentially ‘Kiwi’ in its’ aesthetic and materiality. With a love of timber weatherboards, plywood and concrete, it became important to include these materials in the house in an honest and integral way. Due to the sloping nature of the site and the need to have a division between the owners’ day-to-day living spaces and guest accommodation, the plan required a split from the start – whether horizontal or vertical in nature.


Courtesy of a.k.a Architecture

Courtesy of a.k.a Architecture

Plan 0

Plan 0

Courtesy of a.k.a Architecture

Courtesy of a.k.a Architecture

Plan -1

Plan -1

The concrete spine wall serves as a divider between the two distinct building forms (one clad in weatherboard, the other ‘service’ area clad in plywood) and also a heat-sink for the fire, maintaining a uniform heat during the colder winter months. The dual roof forms collide over the dining/gallery area with a clear intersection of the two highlighted over the central fireplace.


Courtesy of a.k.a Architecture

Courtesy of a.k.a Architecture

Detail

Detail

Timber has been used in its’ natural form throughout, with natural stains to allow the texture and grain of the wood to gleam through.


Courtesy of a.k.a Architecture

Courtesy of a.k.a Architecture

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KCAP & Kunst + Herbert Win Competition for “Garden City of the 21st Century” in Hamburg


© KCAP / Kunst + Herbert

© KCAP / Kunst + Herbert

KCAP Architects & Planners in cooperation with Kunst + Herbert have won the international Fischbeker Reethan competition to master plan the Harburg district of Hamburg, Germany. The 70 hectare site is being developed by the  IBA Hamburg (International Building Exhibition) as a new residential and business district with the aim of creating a “Garden City of the 21st Century.” The design will accommodate a total of 2,200 apartments, 100,000 square meters (1,080,000 square feet) of small industry space and nearly 200,000 square meters (2,150,000 square feet) of diverse public landscapes.


© KCAP / Kunst + Herbert


© KCAP / Kunst + Herbert


© KCAP / Kunst + Herbert


© KCAP / Kunst + Herbert


© KCAP / Kunst + Herbert

© KCAP / Kunst + Herbert

KCAP and Kunst + Herbert’s plan responds to existing the existing landscape to reveal a new, sustainable organization of living and working program pieces. Buildings have been arranged to optimize density of housing with innovative open spaces and community buildings.

“The connection with the landscape is the starting point for our design. We consider this functional mixture as an opportunity for the Fischbeker Reethen area and as a paradigm for the peripheral development of cities,” said Kees Christiaanse, partner at KCAP.


© KCAP / Kunst + Herbert

© KCAP / Kunst + Herbert

A variety of housing typologies have been placed in the center of the district, with green spaces and landscape extended out from the site in the form of fingers. A small plaza will contain a school and an artificial lake, linked to its surroundings through a boulevard. Housing and commercial functions will transition into alternative uses as the district reaches the rail zone located at its perimeter.


© KCAP / Kunst + Herbert

© KCAP / Kunst + Herbert

The central lake, an integral part of the design’s “green-blue” network of greenery and waterways, also plays a role in the neighborhood’s overall sustainability, serving as a basin for rainwater and energy management.

“At Fischbeker Reethen, we realise new environments for living and working. KCAP and Kunst + Herbert’s design sets new standards for the Garden City of the Future,” said Karen Pein, director IBA Hamburg GmbH.


© KCAP / Kunst + Herbert

© KCAP / Kunst + Herbert

Team KCAP and Kunst + Herbert is supported by advisors Büro Sieker, Berlin (rainwater management), ARGUS, Hamburg (traffic) and Keoto, Zurich (energy and sustainability).

News via KCAP Architects & Planners.


© KCAP / Kunst + Herbert

© KCAP / Kunst + Herbert

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