Comic Break: “Overnight Renderings”


© Architexts

© Architexts

Murphy’s Law, right? The thing is, since technology moves so fast, chances are you’re using slow and/or outdated hardware to build and render your models. Of course, those software crashes always get you when a client needs to see your work. And yet, when you tell the bosses you need better hardware, or updated software, they often scoff and lecture you about the costs. Perhaps one day they’ll understand the struggle of the production staff, but it seems like for now, not so much. So, good luck at the office today, hopefully, everything will work.

Have you had similar experiences fighting with the outdated technology in your office? Tell us about it for our new book project, Architects, LOL.

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Wind guides woman through “a dream-like environment” in Doe Paoro music video



Music: London animator Jack Brown used oil pastels to create an animation of a woman on a journey of self discovery for Doe Paoro’s The Wind track (+ movie). (more…)

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Happy National Public Lands Day! America’s public lands give us…

Happy National Public Lands Day! America’s public lands give us so much, like this epic view at Great Smoky Mountains National Park that’ll leave you breathless. Check out more of our favorite things about public lands: http://on.doi.gov/2cTEbk6. Photo courtesy of Bob Carr.

@signordal The Third Man

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@signordal Seton Lake British Columbia Canada

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Schemata Architects deconstructs interior of Jins eyewear shop in Japan



To celebrate the 12th anniversary of a Jins eyewear store, Schemata Architects has completed a renovation that involved taking a sledgehammer to the walls (+ slideshow). (more…)

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Versailles Saint Quentin University Students Headquarters / Fabienne Bulle architecte & associés


© Hervé Abbadie

© Hervé Abbadie


© Hervé Abbadie


© Hervé Abbadie


© Hervé Abbadie


© Hervé Abbadie

  • Technical Engineers: Economy and environmental engineers: BET SIBAT
  • Acoustic Engineers: Jean Paul Lamoureux Acoustics

© Hervé Abbadie

© Hervé Abbadie

From the architect. Between city and park, the university area weaves, student life awakens … Between architecture and landscape structures – all buildings were made in around ten years and they are all “signées” – the last empty site, is dedicated to students, north / east, open to the park, a “maison”


© Hervé Abbadie

© Hervé Abbadie

A “maison” for association’s offices and other leisure areas. A house that, at the intersection of mutually perpendicular axes of the park, could not escape the strict morphology of the site, but could however claim to be the focus of the “campus”.


Section

Section

Section

Section

Radical in its implementation and in its volume, it chooses to make a difference. It becomes a landmark. Claims the status of “madness” nestled in the park, coppery red monolith, lodge also hyperfunctional.


© Hervé Abbadie

© Hervé Abbadie

From an “architectural object” in distant vision, to a “rational architecture” in short vision, there is a world of details and reasoning…


© Hervé Abbadie

© Hervé Abbadie

© Hervé Abbadie

© Hervé Abbadie

Details, to wedge with a required accuracy the “carpenter’s nails” in weathering steel and perforations that serve as double skin.


Detail

Detail

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@signordal Joffre Lake British Columbia Canada

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Can Your Eyes Pass The Contrast Sensitivity Test?

How good is your sight? Of course, if you want an accurate answer you should make an appointment with an ophthalmologist or an optometrist. This test is only for fun.

Still you can make yourself an idea about how good is your sight.

A picture of a scared woman covering her eyes over white backgroundTake just now this quick and easy quiz and find out if your eyes can pass the contrast sensitivity test!

Can Your Eyes Pass The Contrast Sensitivity Test?

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Leave a comment below to tell us what you’ve got!

The post Can Your Eyes Pass The Contrast Sensitivity Test? appeared first on Change your thoughts.

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Yosemite National Park – California – USA (by Sergey Galyonkin) 

Yosemite National Park – California – USA (by Sergey Galyonkin