Camp Baird / Malcolm Davis Architecture


© Joe Fletcher

© Joe Fletcher


© Joe Fletcher


© Joe Fletcher


© Joe Fletcher


© Joe Fletcher

  • Landscape Architect: Cary Bush of Merge Studio
  • Contractor: Simon Fairweather & Associates

© Joe Fletcher

© Joe Fletcher

From the architect. Malcolm Davis Architecture built an incredible contextual indoor/outdoor living space. This off the grid home sits on a stunning 165-wooded acre property in a valley west of Healdsburg. Previously working with the Baird family for their first home in the Bay Area, Malcolm Davis already understood the family and their design aesthetic.


© Joe Fletcher

© Joe Fletcher

The home, similar to their very own family campground, is outfitted for the family yearning to unplug from their fast-paced lives and connect to the outdoors. The property has two main structures – a car and barn equipment shed and a main structure, which has three primary enclosed multi-function spaces on opposite ends of the central south-facing porch. These spaces can be used for sleeping, practicing yoga and games. The backyard has an 82-foot long solar-heated swimming pool, a concrete outdoor fireplace used for grilling and cooking and a partially screened outdoor shower, which also functions as their primary shower. In addition, the backyard is the families playground which includes a tree house, rope swing, archery area and two large grass areas flank the east and west end of property for outdoor activities.


© Joe Fletcher

© Joe Fletcher

“Camp Baird” is a fully functional, efficient and sustainable compound. The three enclosed rooms can be fully heated by Rais wood stoves while the kitchen is heavily insulated to stay cool on hot summer days. The galvanized metal roofs reduce heat build up and the metal cladding and hardwood Ipe decks in this Wildland Urban Interface zone minimize fire threat. The landscape, done by Cary Bush of Merge Studio, is filled with drought tolerant native species with a row of trees at the parking area to provide future shade for visiting cars. In addition, a snake fence – a 30″ tall metal wall – keeps the immediate compound free from critters.


© Joe Fletcher

© Joe Fletcher

Product Description: The buildings are clad in CorTen metal on the walls and galvanized metal roofs. The CorTen allows the simple shed structures to blend into the landscape. The galvanized metal roofs reduce heat build up. The metal cladding and hardwood Ipe decks in this Wildland Urban Interface (WUI) zone minimize fire threat.


© Joe Fletcher

© Joe Fletcher

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Camp Baird / Malcolm Davis Architecture


© Joe Fletcher

© Joe Fletcher


© Joe Fletcher


© Joe Fletcher


© Joe Fletcher


© Joe Fletcher

  • Landscape Architect: Cary Bush of Merge Studio
  • Contractor: Simon Fairweather & Associates

© Joe Fletcher

© Joe Fletcher

Floor Plan

Floor Plan

From the architect. Malcolm Davis Architecture built an incredible contextual indoor/outdoor living space. This off the grid home sits on a stunning 165-wooded acre property in a valley west of Healdsburg. Previously working with the Baird family for their first home in the Bay Area, Malcolm Davis already understood the family and their design aesthetic.


© Joe Fletcher

© Joe Fletcher

The home, similar to their very own family campground, is outfitted for the family yearning to unplug from their fast-paced lives and connect to the outdoors. The property has two main structures – a car and barn equipment shed and a main structure, which has three primary enclosed multi-function spaces on opposite ends of the central south-facing porch. These spaces can be used for sleeping, practicing yoga and games. The backyard has an 82-foot long solar-heated swimming pool, a concrete outdoor fireplace used for grilling and cooking and a partially screened outdoor shower, which also functions as their primary shower. In addition, the backyard is the families playground which includes a tree house, rope swing, archery area and two large grass areas flank the east and west end of property for outdoor activities.


© Joe Fletcher

© Joe Fletcher

“Camp Baird” is a fully functional, efficient and sustainable compound. The three enclosed rooms can be fully heated by Rais wood stoves while the kitchen is heavily insulated to stay cool on hot summer days. The galvanized metal roofs reduce heat build up and the metal cladding and hardwood Ipe decks in this Wildland Urban Interface zone minimize fire threat. The landscape, done by Cary Bush of Merge Studio, is filled with drought tolerant native species with a row of trees at the parking area to provide future shade for visiting cars. In addition, a snake fence – a 30″ tall metal wall – keeps the immediate compound free from critters.


© Joe Fletcher

© Joe Fletcher

Product Description: The buildings are clad in CorTen metal on the walls and galvanized metal roofs. The CorTen allows the simple shed structures to blend into the landscape. The galvanized metal roofs reduce heat build up. The metal cladding and hardwood Ipe decks in this Wildland Urban Interface (WUI) zone minimize fire threat.


© Joe Fletcher

© Joe Fletcher

http://ift.tt/2gKVpyC

Camp Baird / Malcolm Davis Architecture


© Joe Fletcher

© Joe Fletcher


© Joe Fletcher


© Joe Fletcher


© Joe Fletcher


© Joe Fletcher

  • Landscape Architect: Cary Bush of Merge Studio
  • Contractor: Simon Fairweather & Associates

© Joe Fletcher

© Joe Fletcher

From the architect. Malcolm Davis Architecture built an incredible contextual indoor/outdoor living space. This off the grid home sits on a stunning 165-wooded acre property in a valley west of Healdsburg. Previously working with the Baird family for their first home in the Bay Area, Malcolm Davis already understood the family and their design aesthetic.


© Joe Fletcher

© Joe Fletcher

The home, similar to their very own family campground, is outfitted for the family yearning to unplug from their fast-paced lives and connect to the outdoors. The property has two main structures – a car and barn equipment shed and a main structure, which has three primary enclosed multi-function spaces on opposite ends of the central south-facing porch. These spaces can be used for sleeping, practicing yoga and games. The backyard has an 82-foot long solar-heated swimming pool, a concrete outdoor fireplace used for grilling and cooking and a partially screened outdoor shower, which also functions as their primary shower. In addition, the backyard is the families playground which includes a tree house, rope swing, archery area and two large grass areas flank the east and west end of property for outdoor activities.


© Joe Fletcher

© Joe Fletcher

“Camp Baird” is a fully functional, efficient and sustainable compound. The three enclosed rooms can be fully heated by Rais wood stoves while the kitchen is heavily insulated to stay cool on hot summer days. The galvanized metal roofs reduce heat build up and the metal cladding and hardwood Ipe decks in this Wildland Urban Interface zone minimize fire threat. The landscape, done by Cary Bush of Merge Studio, is filled with drought tolerant native species with a row of trees at the parking area to provide future shade for visiting cars. In addition, a snake fence – a 30″ tall metal wall – keeps the immediate compound free from critters.


© Joe Fletcher

© Joe Fletcher

Product Description: The buildings are clad in CorTen metal on the walls and galvanized metal roofs. The CorTen allows the simple shed structures to blend into the landscape. The galvanized metal roofs reduce heat build up. The metal cladding and hardwood Ipe decks in this Wildland Urban Interface (WUI) zone minimize fire threat.


© Joe Fletcher

© Joe Fletcher

http://ift.tt/2gKVpyC

Camp Baird / Malcolm Davis Architecture


© Joe Fletcher

© Joe Fletcher


© Joe Fletcher


© Joe Fletcher


© Joe Fletcher


© Joe Fletcher

  • Landscape Architect: Cary Bush of Merge Studio
  • Contractor: Simon Fairweather & Associates

© Joe Fletcher

© Joe Fletcher

From the architect. Malcolm Davis Architecture built an incredible contextual indoor/outdoor living space. This off the grid home sits on a stunning 165-wooded acre property in a valley west of Healdsburg. Previously working with the Baird family for their first home in the Bay Area, Malcolm Davis already understood the family and their design aesthetic.


© Joe Fletcher

© Joe Fletcher

The home, similar to their very own family campground, is outfitted for the family yearning to unplug from their fast-paced lives and connect to the outdoors. The property has two main structures – a car and barn equipment shed and a main structure, which has three primary enclosed multi-function spaces on opposite ends of the central south-facing porch. These spaces can be used for sleeping, practicing yoga and games. The backyard has an 82-foot long solar-heated swimming pool, a concrete outdoor fireplace used for grilling and cooking and a partially screened outdoor shower, which also functions as their primary shower. In addition, the backyard is the families playground which includes a tree house, rope swing, archery area and two large grass areas flank the east and west end of property for outdoor activities.


© Joe Fletcher

© Joe Fletcher

“Camp Baird” is a fully functional, efficient and sustainable compound. The three enclosed rooms can be fully heated by Rais wood stoves while the kitchen is heavily insulated to stay cool on hot summer days. The galvanized metal roofs reduce heat build up and the metal cladding and hardwood Ipe decks in this Wildland Urban Interface zone minimize fire threat. The landscape, done by Cary Bush of Merge Studio, is filled with drought tolerant native species with a row of trees at the parking area to provide future shade for visiting cars. In addition, a snake fence – a 30″ tall metal wall – keeps the immediate compound free from critters.


© Joe Fletcher

© Joe Fletcher

Product Description: The buildings are clad in CorTen metal on the walls and galvanized metal roofs. The CorTen allows the simple shed structures to blend into the landscape. The galvanized metal roofs reduce heat build up. The metal cladding and hardwood Ipe decks in this Wildland Urban Interface (WUI) zone minimize fire threat.


© Joe Fletcher

© Joe Fletcher

http://ift.tt/2gKVpyC

How To Be Happy At Work

Are you unhappy with your job, just riding along the career conveyor belt and not sure how to get off? Or, do you think you have the perfect job, but some days just feel like a bit like a slog?

Recent research from career experts Sokanu suggests that the happiest careers tend to be those with a creative angle and a degree of autonomy, while the least happy jobs have little to no freedom for artistic expression. 

Results from the study also show that the place where you work also impacts how much you enjoy your job. For example, Hawaii posts the highest work satisfaction rating while Vermont is way at the bottom.

Unless you’re lucky enough to be in one of the five happiest jobs (film director, athlete, choreographer, DJ, and video game producer) in one of the happiest states for workers (Hawaii, West Virginia, and Maine), we have some top tips on how to make your working days brighter.

Tip 1. Stay positive

stay-positive

It’s easy to start feeling depressed and irritable when deadlines are approaching, work’s piling up and the traffic/weather is terrible — and it tends to be catching. Try smiling through it even if it’s through your teeth at first and see how much more positive people behave around you.

See Also: 6 Ways Happiness Can Help You Be Better At Work 

Tip 2. Get your voice heard

Feeling more empowered and listened to is a great way to boost your confidence at work and to feel more engaged in your job. Ask your boss for more responsibility or volunteer to represent an employee group. Or, simply speak up more at meetings. Even if you don’t feel comfortable doing this at first, getting into the habit of doing so goes a long way.

Tip 3. Don’t overcommit

When there’s a lot of work going on at the office and there’s a lot of competition for promotion, it might seem sensible to take on more work than you can realistically handle within your current hours. However, this can’t be a long-term strategy. You may be setting yourself up for stress, poor work/life balance, or even poor health.

Work smart. Be realistic and take on only what you can handle – but make this work amazing.

Tip 4. Make friends

make-friends-at-work

This might seem obvious, but the more you get familiar with your co-workers, the better. If you’re struggling to see eye-to-eye with your colleagues, make an effort to spend more time with them and organize some social activities. Research shows that solid friendships at work make for being happier in your job.

See Also: 5 Benefits of Making Friends at Work 

Tip 5. Change career

If you’re really struggling to enjoy your job, it might be time to make the change. Don’t be put off if you’re not sure what you want to do, or how to go about it. Start by making a list of 5 things you hate about your current job, 5 things you’d want in your next career, and create an action plan to make it happen! Or, you could use an online career test to help you decide.

Check out our infographic “Discover the Happiest Workers in America”. Where do you fall in the infographic below?

discoversthehappiestworkersinamerica

The post How To Be Happy At Work appeared first on Dumb Little Man.

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Selected: 29584322210.jpg by jenovaproject

Travels with Henry James

New James Side by Side Crop

What is the difference between the Great Lakes and the ocean? A scientist will tell you that the ocean contains saltwater, of course, and a vast ecosystem; the moon’s gravity also exerts a greater pull on it, establishing the tides. Asked the same question, a gifted novelist — indeed, a master — will tell you less, but also more. Twenty-eight-year-old Henry James, gazing for the first time on Lake Ontario in 1871, described what he saw this way: “It is the sea, and yet just not the sea. The huge expanse, the landless line of the horizon, suggest the ocean; while an indefinable shortness of pulse, a kind of gentleness of tone, seem to contradict the idea. What meets the eye is on the ocean scale, but you feel somehow that the lake is a thing of smaller spirit.”

James’s essay is part of a new collection, Travels with Henry James, which brings together twenty-one gems of his travel writing between 1870 to 1879. The irony of the book is that the author — so famous in his novels for depicting society in Boston and New York, Paris and London, along with the minute gradations in his characters’ thoughts — writes most movingly, as a travel correspondent, when his subject is nature. After viewing Lake Ontario, he proceeds to Niagara Falls, where he is most struck not by the raw power of the plunge but by the beautiful arc of the water: “[I]t flows without haste, without rest, with the measured majesty of a motion whose rhythm is attuned to eternity.” If only James had lived to see the centenary of our national park system, which has protected scores of similar treasures across the country, and especially in the West.

Travels with Henry James does not see the West; in fact, James never even approached the Mississippi. Although the mountains of Wyoming and the mesas of Utah might have set his pen on fire, one senses that the urbane and waistcoated James could not have endured truly wild frontier. He confined his American itinerary to a half-dozen locations in the Northeast. James presented the resulting travel essays to The Nation as a sort of audition for a broader assignment to Europe. The magazine wisely agreed, sending him to England and then the Continent, where he filed travel reportage throughout his thirties. He took in towns and cities, cathedrals and frescoes, never overlooking the denizens of these cultured lands: women in their frocks, men checking their pocket watches; the fashionable and garish, the gauche and homely. Nothing goes unobserved by his generous eye.

He is more democratic in his tastes than a reader of novels like The Ambassadors or The Portrait of a Lady might expect. Some of the grand attractions of Europe leave him cold. “There are people who become easily satisfied with blonde beauties, and Salisbury Cathedral belongs, if I may say so, to the order of blondes.” Several of James’s favorite vistas in town are not in the fashionable quarter but at the seaport or near the tracks. He is certainly no muckraker or bleeding heart, and still less a contrarian; he simply pursues the line of beauty where he finds it. This includes the “mouldy-timbered quiet” of old Newport. Through these pages he wanders and pauses, searching out the new and the unexpected. “I can wish the traveler no better fortune than to stroll forth in the early evening with as large a reserve of ignorance as my own, and treat himself to an hour of discoveries.”

The English countryside holds a special appeal — James writes of “this interminable English twilight, which I am never weary of admiring, watch in hand” — and Paris is Paris, but nothing compares to Italy. Here James finds the intersection of beautiful country, structures, people, and light. While observing an open-air theater rehearsal on a Roman afternoon — too far away to hear but comprehended through “the generous breadth of Italian gesture,” he captures the magic of the country in a few simple lines. “It was all deliciously Italian — the mixture of old life and new . . . the dominant presence of a mighty architecture, the lounges and idlers beneath the kindly sky, upon the sun-warmed stones.” I can think of no other writer, except perhaps Saul Bellow or Vladimir Nabokov, with so sure an ear for the music of prose.

Beyond the light it sheds on the master himself, this collection wonderfully expresses the sheer pleasure of travel. Visiting Stonehenge, James seems not to want his day to end. At leisure, with the new and the beautiful in prospect, a person can forget all troubles and bathe in the warm glow of happiness. “I can fancy sitting all a summer’s day watching its shadows shorten and lengthen again, and drawing a delicious contrast between the world’s duration and the feeble span of individual experience.” The only thing that would improve such a day is the company of this book.

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Intercultural Education Center at Tübingen / (se)arch architekten


© Zooey Braun

© Zooey Braun


© Zooey Braun


© Zooey Braun


© Zooey Braun


© Zooey Braun

  • Structure : merz kley partner ZT GmbH
  • Construction Site Area: 980 m2

© Zooey Braun

© Zooey Braun

The intercultural education center is located in an attractive urban location not far from the historical district of Tübingen. The direct proximity to the riverside as well as the view of the castle are characteristic of the particular situation of the property. Inspired by the pavilion structure of the surrounding existing buildings, an ensemble of two differently sized buildings emerged: the two-storey primary school and the smaller, one-storey children‘s home. Both houses were designed on a square floor plan with a pyramid roof and are connected via a common, covered entrance area. 


© Zooey Braun

© Zooey Braun

The two pavilion-like solitaires create a high permeability in the outer space due to their open arrangement. The result is a “school landscape” through which the important paths and perspectives are preserved as far as possible. Due to the location and topography of the property, the striking roof surfaces can be experienced as a fifth façade. Splitting the entire cubature into two smaller buildings creates a child-friendly scale that supports the desired clear orientation. 


© Zooey Braun

© Zooey Braun

Site Plan

Site Plan

© Zooey Braun

© Zooey Braun

Children can enter the school and the children‘s house through the shared, weather protected access. Together with the switchable multifunctional areas, the cafeteria and the seating sections, here you will find space to interact and to meet. On the ground floor of the children‘s house, a multi-purpose room and the administration is located at the entrance, the group rooms open to the landscape tot he East. The primary school welcomes the students on the ground floor with more public spaces such as cafeteria, communal area and library. 


© Zooey Braun

© Zooey Braun

Floor Plan

Floor Plan

© Zooey Braun

© Zooey Braun

Floor Plan

Floor Plan

Characteristic of the atmosphere in the interior spaces of both buildings is the large, square skylight in the roof, which functions as a large „light shower“ providing plenty of natural daylight in the center of the buildings. In order to open up this open learning lands- cape filled with zenital light with the seat step, the classrooms and classrooms, which can be used in a variety of ways, are located on the upper floor of the school.


© Zooey Braun

© Zooey Braun

Around this, filled with zenital light, open learning landscape the classrooms are situated. This zone is multiple usable and connected to the open staircase with seating steps. 


© Zooey Braun

© Zooey Braun

Both houses have a façade of cedar-wood shingles, which by their small size and warm material language strengthen the scale and atmosphere of the ensemble. Both the children‘s house and the school are built in timber construction, only reinforced concrete has been used for the floor and floor ceilings. All materials were tested and carefully selected for their pollutants and primary energy requirements. 


© Zooey Braun

© Zooey Braun

Despite the high energetic demands of a passive house, which has already been formula- ted in the competition, the technology appears as an unpretentious and integrative part of the house: the two solitaires offer quiet, concentrated spaces, which give the children a high degree of identification. 

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Congaree National Park in South Carolina protects a watery…

Congaree National Park in South Carolina protects a watery wonderland of old-growth forest, including some of the tallest trees in eastern North America. Travel by canoe or kayak through 15 miles of wilderness on the Cedar Creek Canoe Trail – be sure keep an eye out for fall colors and wildlife like river otter, birds and maybe even an alligator! Photo courtesy of James and Jenny Tarpley, the park’s 2014 artists in residence.

OMA’s Masterplan for Feyenoord City in Rotterdam Approved


View from Water. Image © OMA

View from Water. Image © OMA

OMA has released images of their masterplan for Feyenoord City, Rotterdam, after the plan was approved by city’s mayor and alderman. Developed for the Feyenoord football club, the project will consist of a redeveloped mixed-use district centered around a new 63,000 seat stadium for the team located along the Maas River.


Feyenoord City Bird's-Eye View. Image © OMA


Feyenoord City Bird's-Eye View. Image © OMA


View - Kuip North. Image © OMA


Stadium - Varkenoordseviaduct. Image © OMA


Feyenoord City Bird's-Eye View. Image © OMA

Feyenoord City Bird's-Eye View. Image © OMA

The stadium will serve as the starting point for business development in the area, linking to the rest of the Rotterdam-Zuid district through a walkway and generous public space. A new active artery, called “The Strip,” will connect the new arena with Feyenoord’s current stadium, De Kuip, whose history will be preserved by its conversion into apartments, commercial space, an athletics sports center and a public square.


Feyenoord City Bird's-Eye View. Image © OMA

Feyenoord City Bird's-Eye View. Image © OMA

Stadium - Varkenoordseviaduct. Image © OMA

Stadium – Varkenoordseviaduct. Image © OMA

The renovated “Kuip Park” will contain more than 89,000 square meters (958,000 square feet) of green space for sport and leisure activities, as well as 700 residential units.


View - Kuip North. Image © OMA

View – Kuip North. Image © OMA

In total, the masterplan will add 180,000 square meters (1,938,000 square feet) of housing in a variety of typologies; 64,000 square meters (689,000 square feet) of retail and commercial space, including a cinema, restaurants and shopping; and 83,000 square meters (893,000 square feet) of various public program elements including a “sports experience” and urban sports fields. 


Feyenoord City Bird's-Eye View. Image © OMA

Feyenoord City Bird's-Eye View. Image © OMA

Model photos (New Stadium). Image © OMA

Model photos (New Stadium). Image © OMA

“With the development of Feyenoord City, OMA contributes to the next phase of development for the city of Rotterdam, our home town. We help to connect parts of the city that were isolated and difficult to reach; we designed a piece of city around the Feyenoord football club and its new stadium, which will connect people through sport and community,” said David Gianotten, partner-in-charge at OMA.


UrbanBridge. Image © OMA

UrbanBridge. Image © OMA

View from Boat. Image © OMA

View from Boat. Image © OMA

“With this design, OMA fulfills our strong desire to develop a sport city that is unique in the Netherlands and northern Europe.”

News via OMA.

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