The End of an Artist

Few filmmakers meant as much to his country as Andrzej Wajda did to Poland. Both a world-famous director and a national conscience, Wajda—who died last October at age ninety—was a singular artist. It is appropriate then that his final film, hauntingly titled Afterimage, would be a drama concerning the last years of another Polish artist, the abstract painter Władysław Strzemiński.

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