Robert Redford e Jane Fonda – “Il…

 

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Robert Redford e Jane Fonda – “Il cavaliere elettrico” (The Electric Horseman), 1979

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7 Paths to Self-Improvement

You’re reading 7 Paths to Self-Improvement, originally posted on Pick the Brain | Motivation and Self Improvement. If you’re enjoying this, please visit our site for more inspirational articles.

Self-improvement is a broad field. It can mean being a better person, learning something  new, accomplishing more, or simply figuring out how to better enjoy the life you have. Even the inspiration to improve can come from a number of different places: boredom, staleness, recurring problems, or a general feeling of dissatisfaction or inadequacy. But just because you know it’s time for something to change, it’s not always easy to know where to start.

There are plenty of resources out there, but it can be hard to find one that speaks to you and your particular motivations. The internet is full of suggestions, but a quick search shows that it might be too full. During my last motivational quest, looking for “self-improvement ideas” turned into hours of reading, as I skimmed literally hundreds of lists, some of them with only a few items, but others dozens or even hundreds of suggestions long.

Worse, the suggestions were all over the place. Meditate. Learn a new language. Stop biting your nails. (What if you don’t bite them? Should you start and then stop?) Get up earlier and go to bed earlier. (Is that actual improvement, or just shifting things around to better conform with some puritanical code?) After hours of reading, I actually felt more confused about what to do than before I’d started searching.

Eventually I decided to try to organize the suggestions, lumping similar ideas and trends into what became broad categories, which I call the Seven Axes of Development. (Okay, that spells SAD, which isn’t the goal. Ignore that.) They are:

  1. Intellectual – learning facts or mental skills, or otherwise improving the mind.
  2. Physical – becoming stronger, faster, fitter, bionic. Well, maybe not bionic.
  3. Acquiring Talents – unlike the previous two items, which are relatively general, talents might have both a mental and physical component, but are really about doing a distinctive thing. Learning how to juggle, for instance, or playing an instrument, or learning an art or craft.
  4. Organizational – cleaning, decluttering, time management.
  5. Interpersonal – connecting. Improving the quality of relationships, from the most casual of co-workers to the most significant of others.
  6. Experiential – seeking out new sensations and experiences. This could be as involved as international travel, or as simple as savoring a pleasant aroma.
  7. Removal – getting rid of bad habits, or reducing negative effects on your life.

That’s still a lot of material, but having the categories helps. My guess is most of us naturally excel at one or two of them, really struggle with a couple (or several), and the others are somewhere in the middle. There are a few ways you can go from here. One may be to target the weakest areas, because it gives you the opportunity for the greatest improvement. On the other hand, if you’re struggling, maybe picking one of your strongest axes, which are usually more fun and interesting, is a great way to get some easy wins. Or take one of the items in the middle, which is a good candidate for going from mediocre to excellent without too much pain.

Honestly, any of those options could work, but from week to week or month to month, you might rotate through all three tactics, as the mood strikes or life allows.

There’s an advanced technique I’d like to recommend, though. What I did was take this list of axes and build a 30-day challenge, basically speed-dating my way through all the different options and angles, just to make sure I tried them all out a little, in order to better assess how they felt and what my chances of success were. For each axis I came up with three or four different things I could try out in just half an hour. Obviously learning a language in 30 minutes is out, but maybe a meditation session or some reading will tick the Intellectual checkbox, while some exercise or a lengthy stretching session can be a Physical goal for a day. For Organizational you could do a little light decluttering one day, and then some heavy cleaning in that one trouble spot (you probably have one, and know what it is) the next. Interpersonal might involve some quality time with a loved one or calling up someone you’ve fallen out of touch with, and so on.

So, make a list of 30 of these items, distributing them as evenly as possible against all the categories. It’s okay—great, even—to combine them. Playing a sport might include Physical, Interpersonal, and Talented components, for instance. Then, in roughly half an hour per day, (enough to get some things done, but not so much it really derails your life) do one of these things each day 30 days. Ideally you’ll take some notes about your experiences, deciding what you love and what you hate, what’s easy or difficult.

At the end of 30 days, not only will you already feel accomplished, but you’ll have a much better idea of what to pursue in the future. Self-improvement is more of a process than a goal, so there’s always more to do. By using the axes and starting with a 30-day challenge, you can identify blind spots, gain appreciation for the parts you already do well, and set a target on what aspect you want to improve next.


Aaron Rath is a novelist and humorist who nurtures a love for self-inflicted ordeals, such as this 30-day self-improvement challenge, which eventually became The Quirkz Handbook to Self-Improvement for People Who Are Already Pretty Okay.

You’ve read 7 Paths to Self-Improvement, originally posted on Pick the Brain | Motivation and Self Improvement. If you’ve enjoyed this, please visit our site for more inspirational articles.

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Audrey photographed by Bob Willoughby on the set…

timelessaudrey:

Audrey photographed by Bob Willoughby on the set of Two for the Road,1966

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Bergen, Norway (by Arne Halvorsen)

Bergen, Norway (by Arne Halvorsen)

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By design

Source: By design

Great things…

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Japanese Architect Adds Eco-Friendly “Cultural Village” to Portland’s Japanese Garden

Portland Japanese Garden Cultural Village by Kengo Kuma

First designed in 1963, the Portland Japanese Garden was declared “the most beautiful and authentic Japanese garden in the world outside of Japan” by Nobuo Matsunaga, the former Ambassador of Japan. Today—after three years of construction—the 9.1-acre garden has been expanded by a further 3.4 acres, thanks to the work of Japanese architect Kengo Kuma. Working together with the garden’s curator, Sadafumi Uchiyama, they designed a new “cultural village,” comprising three green roofed structures.

The cultural village imitates a traditional Japanese Monzenmachi—a gate-front town surrounded by sacred temples. The three structures, situated around the Tateuchi courtyard, were designed with nature as their focal point. Kuma explains that he “aimed for a cultural facility like a village, suitable for a human city integrated with nature.”

The largest of the three buildings—the Jordan Schnitzer Japanese Arts Learning Center—is home to a library, gallery, gift shop, and classroom, all of which provide a place for visitors to immerse themselves in traditional Japanese arts and culture. The second building—a garden-house—offers horticulture workshops, while the third—a hillside café—provides an extra place to relax, with a spectacular view of Mt. Hood.

With an environmentally conscious mindset, Kuma and Uchiyama have introduced hundreds of new plants, as well as living roofs to absorb rainwater. To minimize pressure on the city’s sewage system, a stone creek channels waste into a holding tank, which is then slowly released into the sewer. The entire cultural village is heated by 24 geothermal wells, 300 feet below ground, which boost energy efficiency and reduce costs.

The Portland Japanese Garden’s new extension is now open to the public.

Nestled in the West Hills of Portland, Oregon the Japanese garden overlooks the city and provides a tranquil oasis for locals and tourists.

Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma

Japanese architect Kengo Kuma has recently expanded the garden with a new “cultural village.”

Portland Japanese Garden Cultural Village by Kengo Kuma

The living roofs soak up rainwater and help minimize pressure on the city’s sewage system.

Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma

The new structures provide a cultural centre, a garden studio, and a café.

Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma
Portland Japanese Garden Cultural Village by Kengo Kuma

Kengo Kuman: Website

All images via Kengo Kuma.

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Mountainside Memorial Features 100 Blooming Gardens That Change with the Seasons

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Happiness is…

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Small-Town Noir

I often wonder if David Lynch is the era’s most original artist, or at least the creator of its most haunting images—the severed ear in Blue Velvet, the Red Room in Twin Peaks, the Mystery Man in Lost Highway—but his works feel too schlocky, seedy, tearful, too male, too white for me to want to say this often in conversation. His cinema is disreputably baroque, brimming with meaning that it seems to disavow.

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Black Lives Matter

In Kara Walker’s new exhibition, it is as though she has drawn her images of antebellum violence from the nation’s hindbrain. Walker has been creating her historical narratives of disquiet for a while, and they are always a surprise: the inherited image is sitting around, secure in its associations, but on closer inspection something deeply untoward is happening between an unlikely pair, or suddenly the landscape is going berserk in a corner.

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