Between Nouveau and Deco

The imaginative fervor that gripped avant-garde master builders and artisans around 1900 in Vienna, the capital of the vast and culturally diverse Austro-Hungarian Empire, paralleled equally radical innovation in other creative realms, including the music of Gustav Mahler and Arnold Schoenberg, the painting of Gustav Klimt and Oskar Kokoschka, and the writings of Arthur Schnitzler and Sigmund Freud. Yet the singular contributions to the visual arts that the Viennese made during this epoch have never loomed large enough in general chronicles of modernism.

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