“Half of the American people have never read a newspaper. Half never voted…”con’t

“Half of the American people have never read a newspaper. Half never voted for President. One hopes it is the same half.” ― Gore Vidal, Screening History

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“Elections belong to the people. It’s their decision. If they decide to turn their back on the fire and burn their…Cont’d

“Elections belong to the people. It’s their decision. If they decide to turn their back on the fire and burn their behinds, then they will just have to sit on their blisters.”
― Abraham Lincoln

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Is it not a time to stop talking about what Jesus did for others, and start helping others in our own?

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Allow yourself to be a beginner…

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“A man who has never gone to school may steal a freight car; but if he has a university education, he may steal the whole railroad.”  ― Theodore Roosevelt

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The most Googled Super Bowl recipe in every state

We compared the calories in popular foods and alcoholic drinks —…

Edwards Mountain rises from a frosty lakeshore to pierce the…

Edwards Mountain rises from a frosty lakeshore to pierce the clouds. No matter the season, there’s never a shortage of epic views at Glacier National Park in Montana. Photo by Jacob W. Frank, National Park Service.

One of the saddest lessons of history is this: If we’ve been bamboozled long enough, we tend to reject any evidence of the bamboozle… Continues see post

One of the saddest lessons of history is this: If we’ve been bamboozled long enough, we tend to reject any evidence of the bamboozle. We’re no longer interested in finding out the truth. The bamboozle has captured us. It’s simply too painful to acknowledge, even to ourselves, that we’ve been taken. Once you give a charlatan power over you, you almost never get it back.
-Carl Sagan

Art et Liberté: Egypt’s Surrealists

Though Art et Liberté was universalist in its philosophical convictions, the writing and visual art produced for the group’s five exhibitions and multiple publications—of which more than a hundred works and a similar number of archival materials are on display at the Tate—responded to specific Egyptian concerns. The Egyptian group’s work was no mere imitation of that of André Breton and his associates in the Parisian Surrealist scene, which tends to be regarded by critics as the movement’s one and true home. Rather, Egypt had its own distinct history and a style of Surrealism that, some argued, stretched into its ancient past.

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