Is Arch has Unveiled the Winners of its ISArch Awards for Architecture Students


Courtesy of Is Arch

Courtesy of Is Arch

Is ARCH has announced the winners of the seventh edition of the ISArch Awards, an international award competition for students of architecture. In an effort to provide students with a “gateway to the professional and corporate world,” the competition calls for students to engage in dialogue and debate within the framework of their university studies. 

The three winners of the seventh IsArch Awards are:

First Prize: Delta Reconfiguratoria / José Alberto González Martín; Spain


Courtesy of Is Arch

Courtesy of Is Arch

The Ebro Delta is disappearing because of sea level rise due to climate change and the lack of sand coming from the mountains due to over construction of reservoirs. This project proposes a temporary low-tech industrial overlay made of traditional knowledge and local materials and techniques that will let Nature itself draw a new productive delta and restore balance.

Second Prize: No man’s land / Orit Theuer; Academy of Fine Arts Austria


Courtesy of Is Arch

Courtesy of Is Arch

Regarding the Israeli-Palestinian Conflict, this law is a powerful political tool to prevent a union between two peoples. I interpret this lack of status and the gaps in the legal system as a socio-political No-Man’s-Land. With the architecture I want to discuss the role of borders and walls through materiality and through the site. The veil represents the metaphysical border between two people. This border gets dissolved by lifting the veil in the wedding ceremony. The changing geometry of the cloth represents the vagueness of the border and the changing power relations.

Third Prize: Explorative Synergy / Stephan Ritzer; Universtiy of Applied Arts Austria


Courtesy of Is Arch

Courtesy of Is Arch

Education guides us towards our collective and individual future. This project combines a Kindergarten and cognitive research center into a prototype, exploring, discussing, and playing with novel pedagogic concepts, which extend our supporting capabilities for fostering all children based on their individual talents.

News and project descriptions via Is Arch.

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Inspiring Images and Quotes about Success, Happiness, Being Mentally Strong, Goals, Dreams and Habits

NorthEdge / Perkins+Will


© Lara Swimmer

© Lara Swimmer


© Lara Swimmer


© Lara Swimmer


© Lara Swimmer


© Lara Swimmer

  • Architects: Perkins+Will
  • Location: Seattle, WA, United States
  • Architect In Charge: Kay Kornovich, Erik Mott, Gavin Smith, Ed Palushock, Nathan Williams
  • Area: 210.0 ft2
  • Project Year: 2016
  • Photographs: Lara Swimmer
  • Client : Touchstone Corp
  • General Contractor: Lease Crutcher Lewis
  • Structural + Civil : Magnusson Klemencic Associates
  • Electrical Design Build Contractor: Prime Electric
  • Hvac/Plumbing Design Build Contractor: Bellevue Mechanical
  • Mep Design Engineer: Glumac
  • Mechanical: Glumac
  • Energy Consulting + Energy Modeling: Glumac
  • Geotechnical: Associated Earth Sciences
  • Landscape Architect: PFS Studio
  • Environmental Graphics: Studio SC

© Lara Swimmer

© Lara Swimmer

NorthEdge is a 208,000-square-foot hi-tech office space in Seattle, Washington’s Wallingford neighborhood.


© Lara Swimmer

© Lara Swimmer

It’s design inspiration came from the adjacent Gasworks Park, which was former home to the city’s municipal gas works. The park today contains much of the original 1900s machinery. The rustic and modern materials selected for NorthEdge harmonizes with materials found at the park to celebrate the area’s industrial past. 


Diagrams

Diagrams

Perkins+Will’s design approach focuses on a single four-story building with stepped forms and natural coloration to enhance and transform a site that, until recently, was a derelict and contaminated brownfield. 


© Lara Swimmer

© Lara Swimmer

The building is organized around a 38-foot wide central outdoor court comprised of a series of small roof terraces and walkways that step down the site toward the lake. Developed on a challenging 60-foot terrace, Perkins+Will’s design strategically stacks all four floors of the building along the grade to take advantage of nearby views. The lobby creates a multi-story link that is highly transparent to frame views for pedestrians who also have access to a public roof terrace. 


Section

Section

The building is certified LEED-Silver by the U.S. Green Building Council. The construction phase included substantial water conservation and clean up to improve water quality in the near and long-term


© Lara Swimmer

© Lara Swimmer

Product Description. One of the principal materials used on this project was weathered steel (A606), often referred to by its trademark name Cor-Ten. The panels were pre-weathered off-site for six months and used in a rainscreen application. Thoughtful detailing sought to minimize oxidation run-off including providing sill flashing with river rock to help filter any residue. 


© Lara Swimmer

© Lara Swimmer

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Why Your ‘I Am Good Enough’ Affirmations May Not Work

You’re reading Why Your ‘I Am Good Enough’ Affirmations May Not Work, originally posted on Pick the Brain | Motivation and Self Improvement. If you’re enjoying this, please visit our site for more inspirational articles.

You have a distinct feeling of discomfort within yourself and it’s having a negative impact on your life. You’ve used affirmations daily for weeks or even months to change the way you feel.

You’ve said them quietly and you’ve said them out loud. You’ve heard about others who’ve used them with great success—even healing themselves of ailments in certain cases. You’ve written your affirmations down and even plastered them all over your home so you can see them everyday.

Do you find yourself nodding to the above? Maybe you’ve experienced positive changes in your life as a result of using affirmations. If so, then you’re most definitely on the right track—good for you.

On the other hand, you might be feeling completely fed up and disillusioned instead. The problem is, despite doing it all, things haven’t changed for you.  Your attempts at using affirmations has had the opposite effect and you feel worse about yourself more than ever. If so, there’s likely to be a reason.

Why your affirmations may not be working

When it comes to affirmations, it’s very much about emotions as well—there needs to be some kind of agreement between what you say and how you feel when you say it. If you say your affirmation without backing that statement up with the right internal feeling, there is discord. When you have discord between what you say and the way you feel, the chances of that affirmation having any beneficial effect on you and your life decreases greatly.

Think about it for a moment, you want to feel good about yourself and let’s say, more comfortable in social settings. Most of the time you feel awkward, which leads to feelings of embarrassment.

You decide that you’re going to use affirmations to help you relax and get comfortable with who you are so you can be yourself. The problem is that if, when you state your chosen affirmation(s), you continue to feel bad, that affirmation is going to be absolutely useless to you.

Why? Because whilst you’re stating ‘I feel good about myself’ and ‘I’m comfortable being myself’ (or any other statement you choose to use), deep down you may be thinking something along the lines of ‘but, I don’t’, therefore, creating conflict.

You can try to deny that you’re affirmation  isn’t working in the hopes that it eventually will at some point, but it won’t make any difference. If you get a ‘yeah right’ or ‘I wish’ feeling, you’ll hardly be excited, inspired and moved enough to want to make changes that will get you the result you want.

If, however, you were to focus on how being at ease within yourself would make you feel and make up an affirmation based on that, then the chance of feeling any internal resistance is reduced to nothing.

The difference between ‘I feel good about myself’ and ‘the thought of feeling good about myself everyday makes me feel so ‘fill-in-the-blank’’ is huge. You’ll know it’s the right one for you if you feel some kind of sensation in your body.

If you are one of those people wanting to feel more comfortable within yourself, which one of those statements do you think you would be happier stating? When you say the second affirmation, it gives you an idea of how you would feel once you’re ‘there’.

In other words, it puts you in the right frame of mind and gets you more excited about what you need to do to feel more of what you’ve just felt. That way, when you start on your journey to feeling good in your own skin , obstacles won’t feel so much like Mount Everest and they will eventually be trampled on by the visions and thoughts you hold inside your head of how you want things to be.

When you use the right affirmation for your situation, it should cause feelings of excitement, joy and happiness and even make you smile. It should make you want to take action. So, the next time you use an affirmation, check for how comfortable – or uncomfortable – you feel. If it doesn’t make you feel good, don’t use it!

Using them in the right way will see you moving steadily towards your goal.


Read more from the Confidence Haven on her blog!

You’ve read Why Your ‘I Am Good Enough’ Affirmations May Not Work, originally posted on Pick the Brain | Motivation and Self Improvement. If you’ve enjoyed this, please visit our site for more inspirational articles.

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PLH Arkitekter Wins Rail Baltica Competition with Arch-Inspired Infrastructural System


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

PLH Arkitekter has been announced as one of two winners in the international design competition for Rail Baltica, organized by The European Railroad Lines, Ltd. As a part of the European transport network, Rail Baltica will be a multi-modal public transport hub in the Latvian capital of Riga, with a railway bridge crossing the Daugava River. 

The focal point of the project will be a train station building “that creates a strong visual identity in the cityscape, strengthening the sense of Riga as a metropolis.” Inspired by the archetypal form of the arch and the Art Nouveau period, the building will feature canopies that resemble arched fern leaves. On the north side of the building, the canopy shape allows for a unique view over the historic city, ideal for travelers entering or leaving the city to create a strong sense of place.


Courtesy of PLH Arkitekter


Courtesy of PLH Arkitekter


Courtesy of PLH Arkitekter


Courtesy of PLH Arkitekter


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Throughout the building, geometric features, symmetry, and repetition will enhance wayfinding and maintain orientation throughout travel.


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

The project additionally features two new train tracks that run parallel to existing tracks and over a new bridge . The architects explained that it will be “designed with a light and floating expression. To maintain the relationship between the old and the new, the bridge has a varying cross section that emerges on the underside of the bridge, with a rolling, wavy line that refers to the large arch construction of the old bridge. The new bridge is designed with integrated bicycle and pedestrian paths, creating a better connection along the rails and across the Daugava.”


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

A sew sequence of green urban spaces will also be included in the project, in order to “remedy climate challenges by creating better micro-climates in the city, and improving air quality, thermal comfort, biodiversity, stormwater management, and preventing urban heat islands.”


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

The Baltic Rail project not only has the potential of becoming an iconic, significant and beautiful gateway to Riga – but also to be an engine for the further development of the city, said Steen Enrico Andersen, partner at PLH and leading architect for the design proposal. The central station, the connected station area, and the adjacent infrastructure hold great potential to be much more than just infrastructure – becoming an important city hub with a strong visual identity in the cityscape in a modern sustainable urban development.


Courtesy of PLH Arkitekter

Courtesy of PLH Arkitekter

News via PLH Arkitekter.

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Selected: american style by MateusToscan

Denali National Park in Alaska is six million acres of wild…

Denali National Park in Alaska is six million acres of wild land, bisected by one ribbon of road. Travelers along the road see the relatively low-elevation taiga forest give way to high alpine tundra and snowy mountains, culminating in North America’s tallest peak. Called The Mountain by locals, Denali stands 20,310 feet tall. Photo by National Park Service.

Farm Grubbehoeve / Jeanne Dekkers Architecture


© Holly Marder

© Holly Marder


© Holly Marder


© Holly Marder


© Holly Marder


© Holly Marder

  • Architects: Jeanne Dekkers Architecture
  • Location: Dalestraat, 6262 Banholt, The Netherlands
  • Architects In Charge: Jeanne Dekkers, Anton Zoetmulder, Elise Zoetmulder
  • Area: 800.0 m2
  • Project Year: 2016
  • Photographs: Holly Marder

© Holly Marder

© Holly Marder

Jeanne Dekkers Architecture redeveloped  a existing L-shaped farm in the hilly countryside of Limburg into a residential home with studio, exhibition hall, holiday accommodation and a carport. The authentic shape of the carre-farm is restored in a contemporary way. The carre is a farm which encloses  an inner courtyard; a typology often found in the Province of Limburg. By means of a horizontal  façade of larch wood, starting from the old farm into a new carport and closing the courtyard, the carre shape is restored. 


Sketch

Sketch

Ground Floor Plan

Ground Floor Plan

This new heart has become an essential part of the internal experience of the whole complex. A non-symmetrical composition of anthracite concrete and Belgian block stone combined with local and native vegetation determines the format of this enclosed outdoor area. The height difference is visible by means of a water system which flows in through the courtyard ending in a round basin. In the complex, the old horse stable is transformed into a light and modern living space with an office. Two large openings, made of Iroko wood, frame the landscape and let light inside. In the middle of the building a stainless steel core is placed, it contains the kitchen, bathroom, toilet and storage. Two round wooden stairwells connect the ground floor with the second floor. The new intermediate floor consists of large oak beams with an aoak floor. The old characteristic beams remain in sight, at the same time, the whole roof and all walls are insulated. The original shed has been converted into a spacious studio with a large round skylight, this space can be used for exhibitions and meetings.


© Holly Marder

© Holly Marder

This project is a collaboration between architect Jeanne Dekkers and her son Anton Zoetmulder (architect) and daughter Elise Zoetmulder (designer). For the design they employed a wide research of the environment and its scenic and architectural history. As a result, the modern design seamlessly joins with the local landscape and small-urban context. In addition, the traditional qualities of the area are highlighted by the historical shape of the building and the use of authentic materials.


© Holly Marder

© Holly Marder

Axonometric

Axonometric

© Holly Marder

© Holly Marder

Product Description. Throughout the entire project we found collaboration with local artisans, and we used locally available materials and techniques. Sustainable materials of high quality were used and the house was built according to the sustainable principles of a passive house. Also materials were reused in different ways; the old steel ledgers of the intermediate floor are reused as construction of the new terrace, the roof tiles are used for an artistic pavilion in the landscape and the removed bricks are used for a new gate for the landscape.


© Holly Marder

© Holly Marder

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San Francisco – California – USA (by Emmanuel DYAN)

San Francisco – California – USA (by Emmanuel DYAN)