Morning greets Grand Teton National Park in Wyoming with curling clouds and snow-dusted peaks. When photographer Eric Adams noticed the weather clearing through airport windows, he rebooked his flight, rented a car and drove along the park’s Jenny Lake Road to capture this stunning scene. Photo courtesy of Eric Adams.
Following Mostafavi’s introduction, there were three presentations from speakers who all had a different relationship to Hadid. First up was Elia Zenghelis, speaking from his experience as an early teacher of Hadid. Patrik Schumacher followed, speaking as professional partner and collaborator, and finally Zhang Xin, co-founder and CEO of SOHO China, as Hadid’s client and friend. All three speakers had much to say on both the work and life of Hadid, with personal stories woven into more architectural discussion. The event ended with a panel discussion, with all three presenters led by Mostafavi and questions from the audience.
You can watch the full 2-hour event above, or check out our summary of the highlights below to jump to the section that interests you most:
0:00-10:12: Introduction by Mohsen Mostafavi, Dean of Harvard GSD and also a friend of Hadid, in which he discusses meeting her on the first day of architecture school.
10:12-23:24: Elia Zenghelis, Hadid’s teacher at the AA, likened her loss to “losing a daughter,” even though she treated him “like a toddler.” He discusses her work as a student including her Malevich-influenced museum for the 19th Century and competition entry for the Prime Minister’s House in Ireland.
23:30-39:14: Patrik Schumacher prefaces his presentation by explaining how as a student, “Zaha transformed the whole discipline for me.” He discusses her “best moves” as an architect and problem solver, subtitling them under explosion, calligraphy, distortion and landscape analogy.
39:30-57:57: Zhang Xin gives her story as a client and friend of Zaha. She begins with her first time meeting Hadid, after she won one of Zhang’s competitions, and ends with an uncanny anecdote from her attendance at Hadid’s funeral.
58:28-1:41:22: Panel discussion and questions from the audience led by Mostafavi.
Chateau Frontenac in Quwbec city taken by:📸 @simi.p.lieux thanks !
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From the architect. In 2011 Walters & Cohen won an invited competition to design a new arts building for the American School in London.
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Taking its cue from the mass and footprint of the listed, semi-detached villas on the site adjacent, the four-storey building is designed to resemble a single large property. The complexity of the project is heightened by its location on a prominent corner plot in the St John’s Wood conservation area, where proposed developments attract a lot of attention. We liaised with the school’s distinguished board of governors, ward councillors and local politicians, and presented the concept design in a three-day public exhibition. The scheme was extremely well received.
A range of materials for the external façades were researched and presented to the planners and governors, including recycled glass, stucco flutes and marble; stone was considered the most appropriate material on account of its elegance and traditional qualities. The resulting façade is a unique piece of design that draws on the timeless quality of stone, expressed in a truly contemporary manner. Light plays on the façade, flattening and disguising the flute pattern one minute, only to boldly express it in the next. The building has both an elegant lightness and a weight and gravitas, unique and contemporary yet effortlessly taking its place as an equal among its more mature neighbours.
Ground Floor Plan
The new building’s sculptural quality is fitting to the work that goes on inside. The ground floor provides exhibition space, with art, sculpture, ceramics and photography studios on the other three floors. An elegant concrete frame provides long span, column-free studio space at all levels, bringing in daylight from the north and south and creating a flexible, spacious and comfortable environment in which pupils can develop their art.
Product Description.Bespoke stone façade: S McConnell & Sons with Stone Cladding International Limited
The façade of the new art building at the American School in London is a unique piece of design that draws on the timeless quality of stone, expressed in a truly contemporary manner. It is the product of close collaboration between the design team and the stonemason and thoroughly embraces what modern manufacturing techniques can offer.
The stonemason S. McConnell & Sons’ skills and computer-driven manufacturing processes allowed each stone of the façade to be cut to an individual pattern, which meant there were more possibilities to design something innovative and unique to the School. The chosen motif creates a gradual fade on the vertical flutes, from 20mm deep at the base to a flat-faced stone at the head of the building. The complex 3D-modelling expertise of the stonemason made a non-linear reduction possible, meaning that the depth of the flute remains greater for the first two thirds of the building before tapering more quickly above the head of the windows.
Swedish studio Förstberg Ling has converted a former blacksmith’s workshop in Stockholm to create a light-filled family home for Petrus Palmér, co-founder of furniture brand Hem and design studio Form Us With Love. Read more
A rare first edition of Le Corbusier‘s 1931 interactive design guide Polychromie Architecturale: Die Farbenklaviaturen is up for auction in New York. Read more
Over the course of history the unique characteristics of wood, which are dependent upon the species of the tree and the location in which it has grown, have enabled humanity to flourish in all parts of the globe. The architectural details of wooden construction therefore show a great diversity of meetings and joints, showing not only a project’s constructive and structural logic, but also embodying the value and complexity of each project.
Take a look at these 50 construction details of projects that stand out for their clever use of wood.