Finely Cut Paper Art Looks Like Beautifully Inked Illustrations of Spirit Animals

Delicate Paper-Cut Illustrations by Kanako Abe

San Francisco-based artist Kanako Abe creates hand-cut, intricate paper art, that at first glance look like pen drawings. She started working with paper in 2012 when learning the Japanese art of Ise-katagami—a traditional stencil technique used for complex designs on Kimono fabric. Abe uses the same Japanese Ise-katagami cutting tools but on black paper, in addition to an X-Acto knife, a cutting mat, and—most importantly—incredible patience. The resulting hand-cut creations depict woodland spirit animals and mystical forests that explore “everyday moments and thoughts.”

Abe’s growing portfolio of animal cut-outs includes a reassuring moth that reminds you to “have faith in yourself, and you will see the light,” and a supernatural fox with “a connection to a magical realm.” Abe documents each piece on Instagram, sometimes showing how her artwork casts a beautiful shadow when held against a light surface. Depending on the design’s intricacy, Abe’s smaller pieces can take up to 15 hours to complete. “I find curvy lines take more time than geometric patterns with straight lines,” she explains.

If you’re in San Francisco, you can visit Abe’s first solo show—Meet Me in the Woods—at Little Lodge gallery. It’s open until December 2, 2017, on Saturday and Sundays from 12-6pm. Keep up to date on Abe’s work on Instagram, where she also shares her works in progress.

Paper artist Kanako Abe creates incredibly detailed hand-cut artworks that depict spirit animals and mystical woodlands.

Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe

Each piece is so detailed, that at first glance they look like pen drawings.

Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe
Delicate Paper-Cut Illustrations by Kanako Abe

Kanako Abe: Website | Facebook | Instagram
h/t: [Brown Paper Bag]

All images via Kanako Abe.

Related Articles:

Beautifully Intricate Paper Cutouts Reveal a Whimsical Look at the Everyday World

Delicate Paper Cutouts Use Colors of the Sky to Bring Them to Life

Fluttering Paper Birds Intricately Cut From Old Maps and Atlases

9 Paper Cutting Artists Whose Works Are a Cut Above the Rest

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Pet Owners Are Turning Their Dogs into Refreshing “Soda Pups” for Adorable Meme

Dog Cola Dog Meme

Photo: Qianduier

There’s no shortage of funny dog photos on the internet, so to stand out, you’ve got to get really creative with the pictures you snap. One of the latest trends in dog memes is starting to take off in Taiwan; pet owners are turning their small pups into dog cola by sitting them upright, placing a bottle cap on their head, and wrapping a soda label around their bodies. When viewed from their backside, the animal vaguely resembles a refreshing caffeinated beverage.

Absurd memes like this one always have a starting point, and it seems that Instagrammer @yumiliu526 is responsible for this lighthearted pet costume. In January of 2017, she turned her shiba into dog cola, and others have since followed suit. Some look more bottle-like than others, but it’s all in good fun—and not specific to just canines, either. Kitties have also gotten into the meme with their version of cat cola.

Like many memes, this one is easy to do yourself. Just grab a two-liter bottle of soda, find your favorite (and patient) furry friend, and snap a photo. (Please remember to keep your pet’s comfort as the priority though! A distressed pet is never a good look.)

The dog cola meme has our favorite four-legged friends looking like bottles of soda.

Dog Cola Dog Meme

Photo: @yumiliu526

Funny Dog Photos

Photo: Qianduier

You can do it yourself—you just a bottle cap, label, and a very patient furry friend.

Funny Dog Photos

Photo: Qianduier

Funny Dog Photos

Photo: Qianduier

Dog Cola Dog Meme

Photo: Qianduier

Of course, like any “soda” brand, dog cola has competition—cat cola!

Dog Cola Dog Meme

Photo: iFuun

h/t: [Kotaku]

Related Articles:

Proud Dog Owners Show Off Their Funny “Dog Beards”

Hilarious Twitter Account Matches People with Their Doppelganger Dogs

12 Funny Photos of Animals On Top of Miscellaneous Things

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They Can’t Kill Us Until They Kill Us

I don’t want to go overboard here. Hanif Abdurraqib is a less masterful stylist than Dave Hickey or Jonathan Lethem, whose finest collections bear down on music, or straight-up rockcrits Greil Marcus or Ellen Willis. Nor is he as deft as Touré or as dazzling as Greg Tate or as original as his acknowledged inspiration Lester Bangs. And yes, there are other notable youngbloods out there, most of them women. But as someone who’d as soon read a good essay collection as a good novel, I don’t want to understate either. They Can’t Kill Us Until They Kill Us establishes Abdurraqib as a major rock critic — polished and deft and original in a searchingly unpolished way and, if you’ll grant that the word need be no more race-specific than “rock critic” itself, more soulful than any of the above except Bangs. Yes, he’s less funny than Bangs — we all are. But in Abdurraqib’s case that comes with the concept.

Abdurraqib is a thirty-two-year-old African American from a struggling lower-middle-class family in Columbus, Ohio, who owes his Arabic name to parents who converted to Islam in the ’70s. Although never devout and no longer observant, he was the only Muslim at the local college he attended on a soccer scholarship. A third of the 60 poems his website links to reference music, which is also the subject of half the 20 essays there. He’s got a gig at MTV News, where a dozen of these selections first appeared; others surfaced in Pitchfork and the New York Times. But whatever their provenance, Abdurraqib has worked hard to make this book their natural home.

An opening section sequenced Chance the Rapper-Springsteen-Carly Rae Jepsen-Prince-ScHoolboy Q-Weeknd establishes his cross-racial orientation and his black identity simultaneously, only not quite as you might expect. Yes, the ScHoolboy Q piece unpacks the rapper’s insistence that the white fans who buy his ever-pricier tickets get over it and utter the word “nigger.” But Abdurraqib’s thoughts on Springsteen, whose delvings into mortality, work, and the American Dream he admires avidly, are just as race-conscious — only a day before the show, he’d put mortality in perspective by visiting Ferguson, and he can’t help but notice that, speaking of work, he’s the only black person at the Meadowlands who’s there for the concert rather than a j-o-b. Yet arrayed around Springsteen are the explicitly happy beginning of a candy-colored, gospel-soaked Chance the Rapper event and, happier still, a Carly Rae concert — which does, he mentions, attract some black couples — where fans are kissing, truly kissing, in Manhattan’s brutally industrial Terminal 5.

If you’re expecting more of the eclectic same, though, Abdurraqib then pulls a switch, because it turns out he was an emo kid, a follower of the punky, hooky, hyperemotional pop-rock subgenre typified by Dashboard Confessional and Fall Out Boy that dominates Section II. I was always too old for emo, with its built-in male narcissism rendered even ranker by its trademark self-pity, but Abdurraqib’s report from the front is something to treasure. Emo is such a white scene that he was often the only black kid at shows where moshers thrashed in full-fledged clubs and sweaty basements alike, and so he begins by outlining his eventual progress to the Afropunk movement. But that clarified, he turns his sympathies to the lost white suburban Midwesterners who were his brothers in pain, in particular his friend Tyler, who surfaces by name in the jumbled eight-part tour de force “Fall Out Boy Forever.” In the beginning, tall Tyler strides into the pit to rescue short Hanif, sprawled below the leaping throng. In the end, troubled Tyler commits suicide. The lesson being that the unlistenable emotions emo indulges are literally too much for many who hear their own anguish there.

Although almost every black American lives closer to death than almost every white American, Abdurraqib is probably more blessed than Tyler was. But not by much. Several other emo deaths haunt him; he lost his mother overnight when her bipolar meds killed her in her sleep; his 2015 “My Demons and My Dog and This Anxiety and That Noise” — not included here, perhaps because he didn’t dare expose himself so nakedly — is an excruciating account of his own anxiety disorders. And so the bulk of the book culminates with a long final section — most of it previously unpublished — that hews close to music as it lays out a piecemeal autobiography. Most of it takes place post−Trayvon Martin, who was slain the night Abdurraqib drove to Minnesota with a companion I take to be his future wife, to witness a typically stirring show by white alt-rap lifers Atmosphere. I don’t agree with all his analyses or feel all his tastes, but every one gains not just poignancy but heft from personal particulars that are also, inevitably, political. Abdurraqib always remains a critic who deals in textual interpretation and aesthetic judgment. But the urgency that infuses music for him, often captured in a few articulated details, is what criticism ought to be for and too often isn’t.

Thus the “shiny suit” rap of the Notorious B.I.G.’s “Mo’ Money Mo’ Problems” moves him because he knows his just-deceased mom would fall for its Diana Ross sample. Thus the Bataclan massacre evokes first Muslim teens seeking in live music “an escape from whatever particular evil was suffocating them” and then Muslim rapper Lupe Fiasco. Thus man in black Johnny Cash, who never shot a man in Reno, parallels suburban trap-rappers Migos, who never dealt crack. Thus the interlude when Atmosphere pauses his nonstop set for a brief “I need y’all to know that we’re gonna be all right” foreshadows both “The White Rapper Joke,” which surveys seven of the ungainly beasts and reserves special praise for Macklemore’s “weaponization” of his excess fame, and “They Will Speak Loudest About You When You’re Gone,” which juxtaposes white outrage about racist police killings against white failure to see living African Americans, like the New Havenite who peremptorily dumped her bags in his lap and then got on her cell to gab about Freddie Gray — an image Abdurraqib says he recalls often, as will I.

They Can’t Kill Us Until They Kill Us, which takes its title from a sign Abdurraqib spotted in Ferguson, is on balance a rather dark book. His anxieties can’t be much fun, his marriage falls apart as his story ends, and he’s seen too much death without becoming inured to it like a gangsta sporting a teardrop tattoo. But let’s not kid around. The era of African-American good feeling that began with the election of Barack Obama — which generated what “The Obama White House, a Brief Home for Rappers” calls an “optics of equality” — was radically disrupted by George Zimmerman and demolished by white supremacist Donald Trump. Abdurraqib assigns himself a mission of celebrating music’s “love and joy” — his Columbus elders with their Sunday soul parties, his emo brethren discharging pent-up torment, the Baton Rouge rapper Foxx igniting his only hit with a profligate “I pull up at the club VIP / Gas tank on E / But all drinks on me,” those provisionally carefree Chance and Carly fans. He ends with a meditation on the wheelies gleeful kids are practicing in the parking lot behind his apartment. But it isn’t just his anxiety disorders that compel him to dwell as well on all the injustices that surround and subtend the same music. It’s a sense of the moment all too few can figure out how to put into words.

Abdurraqib doesn’t write zingers. His power is cumulative, preacherly even, though his Muslim upbringing renders him the rare African American who’s an outsider in the black church. I’ve told you how he ends, with those innocents and their wheelies. So let me end with how he begins. Goes like this: “This, more than anything, is about everything and everyone that didn’t get swallowed by the vicious and yawning maw of 2016, and all that it consumed upon its violent rattling which echoed into the year after it and will surely echo into the year after that one. This, more than anything, is about how there is sometimes only one single clear and clean surface on which to dance, and sometimes it only fits you and no one else. This is about hope, sure, but not in that way that it is often packaged as an antithesis to that which is burning.”

 

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Kick Against the Pricks

At first it was a lot of enormous media potentates crashing to earth, followed by a bunch of lesser despots and lords, many employed in the media industries too, and it soon expanded to include half the men in Hollywood and ancillary trades like politics. The accompanying din was the clamor of pundits (those who hadn’t yet been felled themselves) attempting to explain what had happened—then reexplain, then explain some more—because the picture kept changing: soon the not-so-powerful were under fire too (freelance writers and experimental novelists were among those anonymously charged in an online list), and it was becoming unclear whether it was “toxic masculinity” or masculine panic we were talking about.

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The greatest threat facing the United States is its own president. Washington Post

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Walden on the Rocks

In October 1849, 140 Irish immigrants perished when the St. John, the ship upon which they had sailed to “the New World, as Columbus and the Pilgrims did,” crashed on the shores of Cape Cod during a huge storm. We would probably not even remember their fate were it not that their demise was registered, and then narrated, by none other than Henry David Thoreau. This year, which marks the bicentennial of his birth, has focused, rightly, on a life dedicated to nature in its multiple and luminous forms, and his ground-breaking call to civil disobedience. And yet, it is worth also turning our attention to that lesser known experience of his on Cape Cod, the calamity he witnessed such a long time ago and that nevertheless feels so sadly contemporary, so vividly relevant.

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The ocean mist floats on a breeze smelling of pine and birch….

The ocean mist floats on a breeze smelling of pine and birch. The sunset sparkles across the water as waves crash over the rocky shoreline. The views at Acadia National Park in Maine have inspired artists and dreamers for generations. Isn’t it time for you to see it for yourself? Photo by Nick Stasilli (http://ift.tt/18oFfjl).

5 Really Useful Tips For Renting A Car Abroad

Often, the best way to go traveling is to rent a car and just head on out there. In that way, you can get off the beaten trail and see the world beyond the hotel in your own time and at your own speed. That’s way better than getting stuck in one of those tourist bus groups or trying to see everything with public transportation.

Of course, if you’re going to rent a car while you’re abroad, then you want to make sure that you do so correctly. After all, to get into an accident or get into a bunch of trouble can really put a crick on your vacation. In our experience, a lot of holidays can be ruined by a serious mishap as it throws a wrench in the group cohesion.

For that reason, here are the best tips you can use when renting a car abroad.

Make sure your driving license and insurance work where you’re going

You might think that one country’s driving license is as good as another’s, but that isn’t necessarily true. In some countries, they don’t accept driving licenses from other places.

Before you head off, check that your driving license will be accepted where you’re going. For example, US licenses aren’t accepted in a lot of countries, like Italy and Germany. So, check first with the embassy of your target destination.

Even better, get an international driving permit. These pieces of paper will let you drive nearly everywhere without any trouble.

While you’re at it, make sure you check if your car insurance also applies abroad and to other vehicles. If not, then it might be a good idea to get insurance from a company in the country that you’ll be in.

Note that a lot of car rental companies will insist that you have insurance. So, if you do have an insurance policy that will protect you while you’re abroad, take a copy of it so that you can prove you’re insured.

See Also: Top 5 Mistakes to Avoid When Shopping for The Best Auto Insurance in Canada

Is it safe to drive there?

You’d be amazed what some drivers in other countries get up to.

In many countries, for example, they don’t pay any attention to the dividing lines between lanes. They’ll just drive where there is space. In other places, the rule isn’t that you have right of way based on signage or some kind of agreement, but based on the size of the vehicle you’re driving.

Then, there are countries where there are more potholes than road, where chickens and pigs regularly cross the road and where the people use the road surface to dry their beans or crops.

Driving in these countries can really elevate your heartbeat and stain the enjoyment of everybody in the car. For that reason, make sure to check first what other people have to say about the country you’re going. You can get a lot of ideas online.

Before you get behind the wheel, take pictures of everything

take car pictures

This has saved me so much money over the years. Before I go out, I take pictures of everything inside and out. Every scratch, dent or mark I can find, I photograph. I also photograph the rental agent with the car somewhere in the sequence, as well as the fuel gauge and the seats.

Why?

Because the pictures will serve as proof of the car’s condition before you hit the road.

If they say that a dent wasn’t there in the morning, you can show that it most certainly was. You’d be surprised how often they’ll try to get different tourists to pay for the same tactic. Don’t be one of those people. Take pictures of everything. It will save you a lot of heartache in the long run.

Also, make sure that you know how much fuel you had when you started out and that you bring it back with just as much. This can be annoying, but they’ll often give you the car with an empty tank and not give you any kind of compensation when you return it with a full one.

You need navigation

navigational map

Have you tried navigating with a paper map lately?

Back before the days of GPS and mapping technology, that was a major reason people broke up, you know. Don’t put your relationship under that kind of strain.

There are a lot of mapping apps that you can download straight to your phone. There are even apps which don’t require to be connected online but just work with your GPS.

Take your device with you when you go out. It will mean less time in the car and less chances for you and your partner to yell at each other.

It’s a holiday, not a fantasy

And finally, remember that it’s a holiday and not a fantasy. Just because you’re not back home doesn’t mean you’re suddenly invulnerable.

So many people seem to forget that. The result?

People’s chances of getting into accidents are much higher when they’re in foreign countries.

Don’t end up as a part of that statistic.

Drive safe. Pay attention to how the people in the country drive and try to drive safely like them.

For example, a friend of mine got into an accident because he stopped in front of a zebra crossing to let a person pass in Turkey. The cars behind him hadn’t expected that (they don’t stop for crossings there) and crashed fully into the back of his car.

Obviously, that left for a sticky situation where the Turkish guy was yelling and so was my friend. What’s the point of zebra crossings, if you’re not going to stop for them anyway?

And though he had insurance and it was covered, his vacation was still not as much fun as it could have been.

Don’t let that happen to you. Understand how the people drive and know what to expect.

See Also: Top 10 Cheap European Car Hire Destinations

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The B&N Podcast: Krysten Ritter and Jason Reynolds

Every author has a story beyond the one that they put down on paper. The Barnes & Noble Podcast goes between the lines with today’s most interesting writers, exploring what inspires them, what confounds them, and what they were thinking when they wrote the books we’re talking about.

In this episode of the podcast, we talk with two very different writers about how one kind of art can fuel another. First, the actor and writer Krysten Ritter talks with our interviewer Josh Perilo about her psychological thriller Bonfire – whose main character shares some character traits with the detective Ritter plays on the Netflix series Jessica Jones. Then, Miwa Messer is joined by the award-winning young adult author Jason Reynolds in a conversation about his new novel Long Way Down, and how Reynolds uses poetry to make a page-turning story sing.

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It has been ten years since Abby Williams left home and scrubbed away all visible evidence of her small-town roots. Now working as an environmental lawyer in Chicago, she has a thriving career, a modern apartment, and her pick of meaningless one-night stands.

But when a new case takes her back home to Barrens, Indiana, the life Abby painstakingly created begins to crack. Tasked with investigating Optimal Plastics, the town’s most high-profile company and economic heart, Abby begins to find strange connections to Barrens’s biggest scandal from more than a decade ago, involving the popular Kaycee Mitchell and her closest friends—just before Kaycee disappeared for good.

Abby knows the key to solving any case lies in the weak spots, the unanswered questions. But as she tries desperately to find out what really happened to Kaycee, troubling memories begin to resurface and she begins to doubt her own observations. And when she unearths an even more disturbing secret—a ritual called “The Game”—it will threaten reputations, and lives, in the community and risk exposing a darkness that may consume her.

With tantalizing twists, slow-burning suspense, and a remote rural town of just five claustrophobic square miles, Bonfire is a dark exploration of what happens when your past and present collide.

 

  An ode to Put the Damn Guns Down, this is National Book Award finalist and New York Times bestseller Jason Reynolds’s fiercely stunning novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother.

A cannon. A strap.
A piece. A biscuit.
A burner. A heater.
A chopper. A gat.
A hammer
A tool
for RULE

Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.

And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

Click here to see all books by Jason Reynolds.

Like this podcast? Subscribe on iTunes or Stitcher to discover intriguing new conversations every week.

 

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How Music Affects Your Productivity

Who needs heroin or cocaine when you can just take it in the ears?

As effective as any drug, music can have an immediate effect on how you feel. In an instant, the right song can trigger emotions that either energize or depress you.

In this article, you’re going to learn how music affects your productivity and how you can use it to your advantage.

Predicting the Patterns in Music Soothes Anxiety

music productivity

Music involves patterns, rhythmic patterns to be exact.

When you successfully anticipate what you’ll hear next, your brain gets a feel of the future. It thinks to itself, “Hey, if I know what’s coming up, there’s no reason to feel anxious.”

Have you ever wondered why children’s music and nursery rhymes are like crack to kids, while most adults can’t stand them?

The patterns in the music are too easy for adults to predict, so they get bored. Their brains are yawning. Kids, on the other hand, love nursery rhymes because they get a kick out of figuring out what comes next.

Picking the Right Music is Key

How are You Feeling Right Now?

Music can take you wherever you want to go as long as you know where you’re starting. It’s a “point A” to “point B” kind of thing.

  • SAD to HAPPY
  • HAPPY to SAD
  • HYPHY to CHILL
  • CHILL to HYPHY

You have to be in tune with how you’re feeling and when you are, music can be a powerful tool.

The Right Music for the Right Occasion

What type of music do you listen to when you’re trying to fall asleep?

To go from pumped-up to chilled-out, you should be playing a song that’s mellow, slow, and soothing.

Want to take it all the way to dreamland? Keep it calm and instrumental. Lyrics make your brain feel like someone’s trying to get your attention.

Fast-tempo instrumental music is best for crushing work and staying on the productivity train. The fast pace takes you from relaxed to energized.

Once again, lyrics can be distracting. When I’m trying to write, I don’t listen to the same rap music that pumps me up for a game of basketball. Those two activities require different mindsets for me to perform well.

When I write, I listen to high bpm (beats-per-minute) EDM music (instrumental of course). It gets me energized without disturbing my focus.

See Also: This Type Of Music Can Increase Your Productivity

How to Know if the Music’s Working?

Ask yourself how you feel when you’re doing your best work.

Are your thoughts flowing freely or are you distracted and stifled?

Doing quality work is about reducing mental friction. Get the junk out of the way, the worrying about the outcome, the distractions, and you’ll have an easier time getting in the flow.

Taking Action

Make a List

music list

Create a list of music that you can use in different situations. Remember, the same type of music that gets you in the zone when you’re happy won’t necessarily work when you’re feeling depressed. Make four categories.

  • LOW-energy to HIGH-energy
  • HIGH-energy to LOW-energy
  • SAD TO HAPPY
  • HAPPY TO HAPPIER

Fill each category with ten artists and then make four separate playlists with your favorite songs. The next time you need inspiration, they’ll be waiting in the wings, ready to go.

If you’re the kind of person whose mood changes throughout the day, your list will have a wider variety of musical styles and emotional tones. Finding what works for you is a process of trial and error.

Want to maximize the effect music has on you?

Move!

Dancing happens when you let your body respond to the rhythm of the song without your brain getting in the way.

I find that when I can’t get my creative juices flowing, I can break through that early mental resistance by letting my body loose first.

Hollywood director Roberto Rodriguez was interviewed on the Tim Ferriss Show’s podcast a couple of years ago. On the topic of creative flow, he said that his primary job when directing is to help the actors “get out of their own way”.

According to Rodriguez, creativity is something that flows through you rather than comes from you. To be productive, you have to clear the way for the magic to happen. Dancing can be as simple as tapping your feet and bobbing your head. You don’t have to do a full dance routine. Let the music transform you.

Conclusion

So, let it!

Before I started making playlists for different occasions, I usually ended up not even playing music. Whenever I was pressed for time, it was too hard to pull myself away from the task at hand to decide what to play.

When I would finally pick something, half the time, the music would annoy me by distracting and slowing me down. Now, I have my hand-dandy playlists ready to rock, and kicking it into high gear is as easy as pressing play.

 

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