Even in winter, there is plenty of amazing outdoor activities to…

Even in winter, there is plenty of amazing outdoor activities to do at Kenai Fjords National Park in Alaska. From early November to May, visitors can explore the park by fat bikes, cross-country skis, snowmobile and dog sled. No matter your experience, you’ll enjoy the stark beauty of winter at Kenai Fjords. Photo by National Park Service.

Weapons in the Wind

 

Any time you start the day by gassing women and children, you have to expect it to end badly.

Wesley Pruden reporting on the Branch Davidian assault in the Washington Times, Waco, Texas, April 19, 1993

In this era, when we look to technology to produce a different battlefield than the trench warfare of a century ago, a battlefield whose nature may appear bloodlessly revolutionary to planners and generals — think of spy drones, for instance — but which is likely experienced very differently, nightmarishly, to soldiers on the ground, it’s worth turning the page back a century, to the multinational rush to chemical weaponry — even chemical agents thought to be relatively harmless, such as tear and mustard gases, though that proved not to be so — that changed the face of warfare, and see how that experiment worked out.

Hellfire Boys, by Theo Emery, is a thoroughgoing albeit smartly, lightly handled history of the U.S. Chemical Warfare Service, which was birthed as the United States was preparing to enter World War I and found itself in need of gassing up its arsenal, which was woefully lacking in phosgene, sarin, mustard, chlorine, and sundry agents. The book’s emphasis is on the personalities involved, but there is plenty of horrifying descriptive material to keep the story rolling along.

World War I didn’t usher in chemical warfare at Ypres in 1915, Emery notes, for there were already international treaties banning asphyxiating gases signed in 1899 and 1907. But those elegantly drafted documents did not survive the brutal realities of the Western Front in 1915, and when the French troops peered over the edge of their muddy, rat-infested trenches after a morning bombardment from German cannons on April 22nd, they saw a distant movement. It wasn’t soldiers but “something else, something they’d never seen before. Something evanescent, something that flowed and coiled. Wisps of bluish smoke . . . turning greenish yellow as the cloud undulated toward them on the wind.” It was chlorine gas.

Say hello to the first chemical war. Once Germany, which was in the vanguard of industrial chemistry, let noxious and toxic gas out of the bag, it was every nation for itself, and all combatants joined in. The United States, not even party to the conflict until 1917, initiated a gas research program, which is much the meat of Emery’s book: how the Office of Gas Service became the Chemical Service Section became the Chemical Warfare Service. It is a tale of academic beard pulling, backbiting, and jockeying for power, meanwhile creating a stockpile of lethal chemical agents while perfecting the gas mask and simultaneously striving to flummox the enemy’s gas protection.

The way to do this, Emery explains, is to fire a barrage of chloropicrin — or vomit gas — which would work its way past the charcoal and cotton filters of the gas mask, making the wearer sick enough to doff the mask; then hit them with a barrage of phosgene, chlorine, or sarin. Chemists — a surprising egotistical, power-hungry, politically savvy bunch by Emery’s reckoning — were the hottest commodity: “We are of the opinion that gas will win the war,” or, in the more poetic words of one chief chemist, Winford Lee Lewis, “She [Germany] started this poison gas game and we are going to finish it. He who gases last, gasses best.” Just so.

Emery’s story is well constructed and well documented, but he writes something curious at the end of the volume. “Since World War I, the United States has never used lethal chemical weapons in combat,” then goes on to suggest that napalm and “arguably, the defoliant Agent Orange was a kind of chemical weapon as well.” And another lethal chemical weapon the United States has used with great avidity is tear gas. As Anna Feigenbaum writes, tear gas’s toxicity is determined by the ratio of toxins per square meter; the smaller the space, or the more the gas, the more toxicity. Pound a Vietnamese tunnel system with enough tear gas and, voilà, good old-fashioned chemical warfare.

Feigenbaum’s Tear Gas zeroes in on this one weapon’s surprisingly survival and evolution into something every police department wields. Her point is wickedly simple: Despite the blandishments from industry, law enforcement, and the military that tear gas is the epitome of humanistic crowd control, irritating though free of lasting affect, it is in fact a chemical warfare agent banned by the Geneva Convention. We have limited medical understanding of tear gas’s long-term affects, but anyone who has had a taste or a touch of tear gas will tell you it punches below the belt. Under the right conditions, and there are many right conditions, it is lethal.

Tear gas has become, of course, the international go-to suppression system for crowd control. Many, if not most of us believe that tear gas makes you cry and run away — and manufacturers support that impression — but Feigenbaum informs us otherwise. Tear gas is a lachrymatory agent designed to attack the senses simultaneously, prompting physical and psychological trauma. It primarily affects the mucous membranes and respiratory system and is quite capable of causing brain damage, third-degree burns, chronic respiratory problems, miscarriages, and death. It is worth repeating: tear gas is a chemical nerve agent, banned by the Geneva Convention.

Hellfire Boys touches on the subject as well — charting how a few forward-thinking companies, like Dow, saw the future use of nerve agents, while most felt that once the war was over, so would be the need for such things as tear gas — but it is one of Feigenbaum’s main concerns: how did this appalling nerve gas morph into the air poisoner of choice for public-order policing? Follow the money: “These pages shine the spotlight on some of the salespeople, scientists, military buyers, arms dealers, patent attorneys, police suppliers, and defense magazine editors currently enlisted in the worldwide effort to sustain the fiction that tear gas is safe and humane.” That she does, with the same quality documentation as Emery but with a bracing passion held neatly in check.

Feigenbaum quickly covers the ground Emery has so assiduously turned, and it is nice to see that their facts are in alignment. Then Feigenbaum uncovers the morphing process, when tear gas was used on the postwar Bonus Army of American military veterans demanding government aid. Manufacturers extolled its ” ‘irresistible blast of blinding, choking pain’ that would ‘produce no permanent injury’,” while the Nation magazine spoke of one victim “one eye glaring at me and something like a mouth — when he tried to call for water, more blood and sputum came out than anything else.”
Strikebreaking, riot control, protest dispersal — here was a tool that could “render the rioters temporarily harmless without inflicting physical injury of any consequence.” Seemingly only one step north of laughing gas, tear gas was used in great quantities by colonial authorities to quell nationalists from India to southern Africa to Palestine, from Selma to Montgomery and all through the antiwar protests in the United States, and probably, somewhere, right now. Each of Feigenbaum’s chapters and subsections feels like an intensely observed vignette, spelling out how tear gas made some ghastly impact or another, wrecking havoc, causing death.

The fiasco of the 1969 Battle of the Bogside, in Northern Ireland, where “by the end of thirty-six hours of CS [tear] gassing, a total of fourteen 50-gram grenades and 1,091 cartridges containing 12.5 grams of CS had blanketed the Bogside,” prompted the Himsworth Report, which, unsurprisingly, found tear gas to be a crackerjack riot control gas. It is a report still referred to today by proponents of tear gas use. And as the militarization of the police continues, the more commonly such reports condone the excessive use of tear gas, writes Feigenbaum.

“If the century-long medical history of modern tear gas shows us anything, it is the problem with for-profit science. When science is leveraged for the few instead of the protection and health of the many, all of society suffers . . . Government secrets pile up and the partisan membership of weapons evaluation committees remain undisclosed.” We were suitably aghast when in 1988 Iraq smothered a Kurdish town with sarin and mustard gases; when in 2013 Syria’s president ordered a sarin and chlorine attack on his own capital city; when the Islamic State retaliated in 2015 with mustard gas; in 2017 when Syria again was accused of using sarin gas. But tear gas is being used somewhere right now, in Bahrain or Venezuela, Uzbekistan or Baltimore, in a prison, at a protest, to disperse some lawful, even if unruly, assembly. It’s likely to be a long wait to see who gasses last.

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Consciousness and the World

You mean, essentially, that we are objects, and objects “take place,” rather than act.

We are part of the physical world, hence objects. What else could we be—immaterial souls? As for identity, we are what we are because we are identical with a portion of the world that has come together over the years in a certain way. The traditional separation of subject and object that underpins all standard thinking on consciousness and identity lies at the heart of our troubles as individuals and as a society.

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The Stockdale Paradox: How to Successfully Deal With Life

I like to read a lot. Through the years, I have come to understand and memorize plenty of quotes. Only a few of them left a long-lasting mark on my life, just like those was found in a book called Good to Great written by Jim Collins.

good to great jim collinsI have read that book 4 years ago and it was one of those books that changed my entire approach to life. This book showed me mistakes in my leadership style, like how I neglected the people I was leading and how badly I was dealing with some situations. It also showed me all the good stuff I was already doing which gave me a huge smile on my face.

In the book, there was one principle, or better yet, a paradox which got stuck in my head. That is the Stockdale Paradox.

Before I explain its meaning (which you will find very interesting), I will share some details about the guy who started it all- Jim Stockdale.

Jim Stockdale was an American pilot in the Vietnam war. He was captured and made into a POW. He spent 8 gruesome years in a war camp in Vietnam while being tortured almost daily. After he was able to escape, he explained how he survived and why both optimists and pessimists were the first ones to die in the camp.

The paradox goes like this:

“You must retain faith that you will prevail in the end, regardless of the difficulties. AND at the same time… You must confront the brutal facts of your current reality, whatever they might be.”

stockdale paradox
Via SlideShare

So, let’s now dissect this paradox and see what we can learn from it.

You must retain faith that you will prevail in the end, regardless of the difficulties.

This is the first part of the paradox and it covers the optimistic side of life. It says that in order to survive a hard period or any period in life, you need to have absolute faith that you will manage to conquer it. This goes to serve not only the people in war camps but also those who face any difficulties.

This part of unyielding faith can be applied to any part of your life. Whether it’s about a traumatic experience, losing a job, going broke or breaking up with someone, you need to have that strong faith.

“It too shall pass”.

This is a phrase you often hear someone tell you when you’re going through tough times. It means looking at what could be instead of what is.

Although it’s supposed to be good, it actually creates more problems.

With only the future in mind, what will happen with the present?

You must confront your current reality.

This is the pessimistic side of the paradox. It’s about being realistic.

You need to look at what’s happening in the present and assess it as it is.

To be honest, pessimists are way better in dealing with problems than optimists.

Pessimists see the current reality as it is while the optimists try to see what things can be.

That part is really important because you are going to your desired future, but you need a starting point. And that starting point needs to have a solid foundation which is your present reality.

Here, you can’t lie or deceive yourself out. You need to be brutal.

Let’s take an example to explain this.

Imagine you want to be the boxing heavyweight champion of the world. That is the first part which is the optimist part. We will call that POINT B.

Before you reach that point, you need to know where you currently are.

It can be a point where you can’t even do a southpaw the right way. Once you are able to acknowledge that, you can start working on it and become better. That is your starting point and let’s call it POINT A. ”

You need to meet them where they are”, the quote would say and the same thing applies to you.

Before you start earning a million dollars, start with earning a $100. Take it one step at a time.

This is what makes a difference and creates a paradox. You need to be optimistic about the future but at the same time be realistic (pessimistic) about the present.

I don’t care how smart or capable you think you are. You need both of those factors to succeed in life. Optimism takes you forward, gives you a vision and a better future to strive for but the pessimism grounds you in your current situation and makes you focus on what’s ahead.

This is how Jim Stockdale survived the war camp. He knew he is going to walk away free one day and that was his desired future. At the same time, he endured physical pain every day in the war camp and found a way to face that.

“The optimist that says everything will be alright and does nothing is the same as the pessimist that says nothing will be alright and gives up”, said Stockdale to his students at Stanford where he became a professor of Stoicism after the war.

The world will conspire to gives us what we deserve when we implement the paradox in action. Some call it God while others call it destiny. For me, however, it is karma.

What about you? Where does the Stockdale paradox apply in your life?

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3 ACTIONABLE Steps To Change Your Life Through Thought

You’re reading 3 ACTIONABLE Steps To Change Your Life Through Thought, originally posted on Pick the Brain | Motivation and Self Improvement. If you’re enjoying this, please visit our site for more inspirational articles.

What kind of person were you growing up? Were you confident, popular or self assured? If so, you were the complete opposite of me. Me and my friends were called “the trolls under the stairs…” and that was by the teachers. The closest I came to social interaction was avoiding eye contact with anyone who walked past me… But I always wanted more.

I always wished I could reach out and talk to new people. To be like the popular kids, never being afraid of what I was going to say or if it was going to look stupid. For me it seemed like other people were always so confident, so sure of themselves and their ability. I wanted to be like that more than anything else.

Fast forward 3 years..

Since those days I’ve had the privilege of being a Bartender, PR & Party Host across Europe. I spent the last few winters working in the alps, skiing and meeting new people and the last few summers working, laying on a beach and partying at night. And this is all possible for ANYONE once they change the thoughts in their head!

But maybe travelling and working abroad doesn’t interest you. It doesn’t matter, whether you want to build your own business, network with new people, apply for your next big job or even something as small as talking to a sales assistant in a shop (something that used to terrify me), These steps will help you!

3 Actionable Steps To Change Your Life Through Thought

Step 1: Become Your Own Best Friend

How many times a day do you hear a voice telling you that you can’t do something? Or you’ll look stupid? That same voice is in everybody’s head. Always telling people they’re not good enough for something. But, it takes just as much effort for that voice to say something negative as it does positive.

There’s a quote “If you talked to your best friend the way you talked to yourself, would they still be your friend?” Well, would they? And if not, doesn’t that say something about all the negative things you’ve been telling yourself?

So, the first step is too start changing that voice in your head. Every time you hear the negative voice, start thinking about what your best friend would say to you instead. Or your mum or dad. Remind yourself of their words of encouragement. Sometimes you just need to believe in someone else’s belief in you.

Step 2: Imagine Your Future As Bright As You Can

This isn’t some positive, feel good “just imagine and your dreams will come true” speech. What I mean by this is literally sit down, close your eyes and envision where you want to be in the future. Visualise every minor detail. Because that is going to be massively motivational for you!

Think about it this way, what’s going to make you hungrier: Thinking about that delicious burger you’re going to eat for dinner, filled with a mouth-watering, tender patty, crispy fresh lettuce, Camembert cheese and a delicious, ripe, juicy tomato packed between two perfectly toasted buns.

Or a bog standard burger?

When you think about where you want to be with as much detail as you can, you’ll provide yourself with more hunger and motivation to make it happen.

Step 3: Stop Think About What Can Go Wrong, Start Thinking About What Can Go Right

In every situations there are hundreds or thousands of possible outcomes, which outcomes are you focusing on most? The negative ones or the positive ones? Like I said earlier, stop focusing all your time on a negative outcome that, chances are, won’t even happen, and start focusing on the positive outcomes. Believe me, I know this is easier said than done.

I’ve had days where negative outcomes keep popping into my head again and again, 100’s of times. And every time they do, I’d acknowledge them and then choose to let them pass. Because your time and energy is better off spent thinking about the positive outcome instead. This is a skill that takes time to develop. But that time is going to pass anyway. Do you want to spend the rest of your life only thinking of the negatives because you don’t want to spend time changing your habits of mind?

And Remember…

Even after all of this, there are going to be some times when you still don’t feel good enough. Or that you can’t do something. And that’s perfectly okay. But those are the moments when it’s even more important to just go out and do it. You need to prove to that voice in your head: “No I am good enough, I can do this”

The truth is, even if you don’t make the cut this time, you’ll be proud of the fact that you took the initiative, you were courageous, you believed in yourself and took a chance. And just because you didn’t quite make the mark once, you’ll be damn sure you’ll make it next time!

“The mind is its own place and in itself, can make a Heaven of Hell, a Hell of Heaven.” – John Milton


Antonio Tourino is the owner of You Are Your Reality. He’s spent the last 5 years traveling, overcoming fear and conquering confidence issues.

You’ve read 3 ACTIONABLE Steps To Change Your Life Through Thought, originally posted on Pick the Brain | Motivation and Self Improvement. If you’ve enjoyed this, please visit our site for more inspirational articles.

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Meet William Morris: The Most Celebrated Designer of the Arts & Crafts Movement

The Arts and Crafts Movement and William Morris

“Strawberry Thief” 1883 via Wikimedia Commons

Elegant swirls of vines, flowers, and leaves in perfect symmetry, William Morris’ iconic patterns are instantly recognizable. Designed during the 1800s, Morris’ woodblock-printed wallpaper designs were revolutionary for their time, and can still be found all over the world, printed for furniture upholstery, curtains, ceramics, and even fashion accessories. But do you know the history of how they came to be?

The Arts and Crafts Movement

Beginning in Britain around 1880, the Arts and Crafts movement was born from the values of people concerned about the effects of industrialization on design and traditional craft. In response, architects, designers, craftsmen, and artists turned to new ways of living and working, pioneering new approaches to create decorative arts.

One of the most influential figures during this time was William Morris, who actively promoted the joy of craftsmanship and the beauty of the nature. Having produced over 50 wallpaper designs throughout his career, Morris became an internationally renowned designer and manufacturer. Other creatives such as architects, painters, sculptors and designers began to take up his ideas. They began a unified art and craft approach to design, which soon spread across Europe and America, and eventually Japan, emerging as its own folk crafts movement called Mingei.

Who was William Morris?

Born in Walthamstow, East London in March 1834, William Morris was a poet, artist, philosopher, typographer, political theorist, and arguably the most celebrated designer of the Arts & Crafts movement. He strived to protect and revive the traditional techniques of handmade production that were being replaced by machines during the Victorian era’s Industrial Revolution. Although he dabbled in embroidery, carpet-making, poetry and literature, he mastered the art of woodblock printing, and created some of the most recognizable textile patterns of the 19th century.

The Arts and Crafts Movement and William Morris

Portrait of William Morris by Frederick Hollyer via Wikimedia Commons

 

Born into a wealthy middle-class family, Morris enjoyed a privileged childhood, as well as a sizable inheritance, meaning he would never struggle to earn his own income. He spent his childhood drawing, reading, and exploring forests and grand buildings, which triggered his fascination with natural landscapes and architecture.

Having developed his own particular taste from a young age, he began to realize the only way he could have the beautiful home he wanted was if he designed every part of it himself. As he famously once said, “Have nothing in your houses that you do not know to be useful or believe to be beautiful.”

 

The Red House

While studying at Oxford, Morris met his lifelong friend, architect Philip Webb. His dear friend helped him design and construct his Medieval-inspired, Neo-Gothic style family home in Bexleyheath, where he lived with his wife, Jane Morris, and his two children, Jane “Jenny” Alice Morris and Mary “May” Morris. Built in 1860, it became known as the Red House, and is now one of the most significant buildings of the Arts and Crafts era. Today, the house is owned by the National Trust and is open to visitors.

The Arts and Crafts Movement and William Morris

The “Red House,” home of William Morris. via Wikimedia Commons

A number of Morris’ creative friends spent a lot of time at the Red House, including Pre-Raphaelite painters Edward Burne-Jones and Dante Gabriel Rossetti, who both helped him elaborately decorate the abode. While he envisioned living there for the rest of his life, Morris’ perfectionism caused him to move on after only five years. Over the course of his short stay, he discovered a number problems with the property. However, he enjoyed the process so much that he decided to set up his own design company, with a desire to create affordable “art for all.”

Morris, Marshall, Faulkner & Co. which was later known as simply Morris & Co., was incredibly successful, and produced reams of fabric and wallpaper designs for over 150 years.

The Arts and Crafts Movement and William Morris

The Red House front door from inside. Photo: Tony Hisgett (CC BY 2.0) via Wikimedia Commons

 

Morris’ Wallpaper Designs

Featuring swirling leaves, thieving birds, rose-filled trellises, and fruit tree branches, the designs of William Morris have a unique timeless quality. He began designing wallpapers in 1862, but their sale was delayed by several years while he experimented with printing from zinc plates.

The Arts and Crafts Movement and William Morris

Morris & Co. sample book via Wikimedia Commons

Inspired by nature, Morris’ designs feature leaves, vines, and flowers that he observed in his gardens or on walks in the countryside. Rather than life-like illustrations, his drawings are subtly stylized versions. Daisy, a simple design featuring meadow flowers, was the first of Morris’ wallpaper designs to go on sale in 1864.

The Arts and Crafts Movement and William Morris

“Diasy” 1864 via Wikimedia Commons

Morris designed Trellis after being unable to find a wallpaper that he liked enough for his own home. Inspired by the rose trellis in the garden of the Red House, Morris designed the pattern which went on sale in 1864. Interestingly, Morris could not draw birds, and the birds for this design were actually sketched by Philip Webb, the same friend and architect who designed the Red House.

The Arts and Crafts Movement and William Morris

William Morris design for “Trellis” wallpaper 1862 via Wikimedia Commons

The Arts and Crafts Movement and William Morris

“Trellis” wallpaper designed by William Morris 1862 and first produced in 1864. Via Wikimedia Commons

Morris had his wallpapers printed by hand, using carved, pear woodblocks loaded with natural, mineral-based dyes, and pressed down with the aid of a foot-operated weight. Each design was made by carefully lining up and printing the woodblock motifs again and again to create a seamless repeat. Morris once spoke about the precise process, saying, “Remember that a pattern is either right or wrong. It cannot be forgiven for blundering, as a picture may be which has otherwise great qualities in it. It is with a pattern as with a fortress, it is no stronger than its weakest point.”

He employed the printers Jeffrey & Co. to print his wallpapers up until his death in 1896, when the Merton factory took over production until the company’s voluntary liquidation in 1940.

The Red House Kent//embedr.flickr.com/assets/client-code.js

Wood printing block William Morris - The Red House//embedr.flickr.com/assets/client-code.js

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Art in Free Fall

The Los Angeles artist Laura Owens brings a light touch and a tough mind to a new kind of synthetic painting. Her exuberant, bracing midcareer survey at the Whitney beams a positive, can-do energy. As a stylist and culture critic, Owens is neither a stone-cold killer nor a gleeful nihilist, traits embraced by some of her peers. She’s an art lover, an enthusiast who approaches the problem of what to paint, and how to paint it, with an open, pragmatic mind. Her style can appear to be all over the place, but we always recognize the work as hers. Her principal theme may be her own aesthetic malleability.

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Some people are so weak they think money makes them stronger…

Some people are so weak they think money makes them stronger. We see the consequence of this thinking daily. If one doesn’t have the belief in oneself, no amount of money will compensate for the deficiency. road-1894938_960_720

Photo Pixabay

Every time we sit down to write, our mood and state of mind affect our words

Every time we sit down to write, our mood and state of mind affect our words. We infuse, to some extent, everything we write with our unique “voice.” Our emotions come through on the page. When we’re struggling to eke out even a few words and make sense of our writing, it shows in our […]

via Healing From Shame: How to Overcome the Insidious Cause of Writer’s Block — First Edition Design Publishing – a hybrid publisher

Striking Winners of the 2018 Black + White Photographer of the Year Competition

Rachael Talibart Black + White Photographer of the Year 2018

Rachael Talibart, Winner – Black + White Photographer of the Year 2018

Celebrating the best of monochromatic photography, the Black+White Photographer of the Year (BPOTY) contest has awarded the winners of the 2018 competition. The biennial contest is organized by Black+White Photography Magazine in partnership with Fujifilm and is open to amateur and professional photographers.

Rachael Talibart was awarded the top prize for her striking image of a breaking wave captured off the southern coast of England. The ocean spray, frozen in time, is a dramatic shot that takes on even greater mystery in black and white. “With the right image, I find that shooting black and white can powerfully enhance the emotion I’m trying to evoke and, being one step removed from reality, it can offer a fresh perspective,” she shared.

Talibart, who is both an experienced sailor and professional photographer, beat out a field of talented international photographers to win the title of Black+White Photographer of the Year. Participants were asked to submit images across three categories: The World of People, The World Around Us, and The Creative World. The winners were judged by an expert panel that included Elizabeth Roberts (editor of Black + White Photography Magazine), Shoair Mavlian (assistant curator of Photography at the Tate Modern), and 2015 BPOTY winner Vicki Painting.

Talibart’s image was selected for its combination of technical skill and artistry, which tipped the balance in favor of the landscape photograph. In a field heavily peppered with imagery including people, Talibart’s win proves that this type of photography is just as powerful as portraiture or photojournalism.

Take a look at the other winning and shortlisted entries from the Black+White Photographer of the Year 2018 competition.

bpoty 2018

Eduardo Lopez Moreno, Second Prize

best black and white photography contest

Aqua Lin, Third Prize

best black and white photography contest

Patrick Dumont, Shortlisted

black and white photography contest

Carla Kogelman, Shortlisted

black and white photography contest

Saeed Rezvanian, Shortlisted

Black + White Photographer of the Year 2018

Szymon Barylski, Shortlisted

Black + White Photographer of the Year 2018 contest

Richard Pilnick, Shortlisted

black and white photography contest

Nicola Davison Reed, Shortlisted

best black and white photography contest

Joseph Chung, Shortlisted

Black + White Photographer of the Year 2018

Mark Bickerdike, Shortlisted

black and white photography contest

Andre du Plessis, Shortlisted

Black+White Photography Magazine: Website | Facebook | Instagram

My Modern Met granted permission to use photos by Black+White Photography Magazine.

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Winners of the B&W Child Photography Contest Capture the Universal Essence of Childhood

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